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CCTV New Year’s Gala 2017 Live Blog

It’s time for the CCTV Gala 2017: the special annual evening variety show that captures millions of viewers on Chinese New Year’s Eve.

Manya Koetse

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The biggest live television event in the world is about to start. Spring Festival is here and that means it is time for the CCTV New Year’s Gala 2017: the special annual evening variety show that captures millions of viewers on Chinese New Year’s Eve. What’s on Weibo provides you with the ins & outs of the 2017 Gala and its social media frenzy, with updates before, during and after the show. [Premium content]

Are you ready for the Year of the Rooster? Like every year, the start of Chinese New Year is celebrated with Chunwan, the CCTV Spring Festival Night Gala (中国中央电视台春节联欢晚会), better known as CCTV New Year’s Gala.

With an average viewership of 700/800 million, or 90% audience share, the event is the world’s most-watched TV show. The four-hour long spectacle, that starts at 8 pm Chinese time, is a both an entertainment show and propaganda platform – it features China’s biggest stars and best performers while also including the current Party propaganda outlines.

Stay with us to watch the gala and to get to know its ins & outs (also see our liveblog of 2016).

Live stream of the Gala on Youtube and on CCTV Gala official website.

Liveblog (now closed) :

27/01 18:34
Are you ready?

A little over three hours to go before the start of the CCTV Spring Festival Gala (央视春晚), the variety show that will entertain families all over China in the last hours of the Year of the Monkey with an evening full of music and performances. This year is the 35th edition of the Spring Festival Gala, which has been broadcasted since 1983. With a viewership of 700 to 800 million people, is the world’s most-watched TV show – bigger than the Oscars or the Super Bowl.

27/01 19:04
What to expect?

What can we expect at this year’s show? Like last year, the show will be broadcasted from various places besides its main venue in Beijing’s CCTV’s No.1 Studio. In 2016, the Gala was aired from Quanzhou, Xi’an, Guangzhou and Hulun Buir.

This year, it will be aired from Harbin, Guilin, Shanghai and Liangshan. Every city has its own hosts, who often welcome the audiences in their own local dialect or language, with performances that are related to the region. Last year the spectacular performance of singer Sun Nan (孙楠) who danced with 540 moving robots reinforced the image of Guangdong as the home of China’s tech startups.

27/01 18:49
The show people love to hate

Just one hour to go! The CCTV Gala will feature a total of 34 different acts tonight, including singing, dancing, and comedy, in a time frame of around 4 hours.

It is a tradition for families to gather around the TV to watch the Gala before the New Year comes at midnight. The Gala usually is as much about entertainment as it is about political propaganda, and it is somewhat of a tradition to comment on the show and complain about it; criticism on the Gala is actually so commonplace that the sentence “there’ll never be a ‘worst’, just ‘worse than last year'” (“央视春晚,没有最烂,只有更烂”) has become a popular saying over the years.

Unsurprisingly, the show also drew much criticism in 2016 when some called the show a “propaganda disaster.” According to many viewers, the spectacle was “way too political” with its display of communist nostalgia, including the performance of different revolutionary songs such as ‘Without the Communist Party, There is No New China’ (没有共产党就没有新中国)… we can probably expect the same complaints on Chinese social media tonight.

27/01 12:31
Tonight’s hosts

This year, the main show of the CCTV Spring Festival Gala will be hosted by familiar faces: the presenters Zhu Jun (朱军), Dong Qing (董卿), Zhu Xun (朱迅) , Kang Hui (康辉) and Nëghmet Raxman.

The 52-year-old Chinese host and actor Zhu Jun is one of the most well-known CCTV faces. He has presented the CCTV New Year Gala since 1997. Dong Qing (43 years old) is also an annual host: she has hosted the Gala since 2005. Zhou Xun is a Chinese actress and singer, who will be on the show for the fifth time. Kang Hui is an influential CCTV news anchor and Nëghmet is a Chinese television host of Uyghur heritage.

Tonight there will be many stars appearing on the show, from kungfu star Jackie Chen to skit actor Pan Changjiang, Olympic star Fu Yuanhui, actress Yan Xuejing, comedian Jiang Kun, and many, many others.

27/01 12:44
The Mascot

It’s almost time to start! In the meantime, a little update on the CCTV mascot. In 2015, the CCTV Gala introduced an annual new mascot for its New Year’s Show. Last year’s mascot Kang Kang drew so much controversy with its unconventional appearance, that CCTV decided to play it safe this year with a traditional Rooster. The rooster will reappear throughout the show in the Gala’s logo. Besides this rooster there is also a more humorous one that appeared in the promotion video of the Gala.

27/01 19:09
Here We Go!

Here we go! This year’s CCTV New Year’s Gala first starts with intertextual references to all the past “hits” of the gala, which has been aired since 1983. This opening act is a much-anticipated one, as the very popular boy group the TFBoys are performing together with beautiful Chinese actresses Liu Tao, Jiang Xin, Wang Ziwen, Yang Zi and Qiao Xin.

They are performing the song “Beautiful China Year” (美丽中国年).

The TFBoys have been very successful in China over the past years. They also appeared at last year’s Gala, and recently won the Weibo Awards for being the most popular on Chinese social media, for which they received nearly 63 million votes. Their performance here tonight might make it more appealing for younger audiences to watch the New Year’s Gala, which generally has a somewhat stuffy image.

27/01 13:28
Theme: National Unity

Tonight’s hosts have welcomed us to this year’s Spring Gala and are introducing us to the other sub-venues from Harbin to Guilin, from Shanghai to Hong Kong. All the while the various ethnicities of China are emphasized. An important theme of this year (and previous years) is national unity, traditional culture and family affection. Previous year there was a special emphasis on the “Chinese Dream.”

27/01 13:32
First Sketch

During tonight’s show there will be various performances, of which nine will be comical sketches. After we have just witnessed dozens of chickens dancing in a somewhat hysterical performance by the “Air Force BLue Sky Children’s Art Troupe”, it is now time for a comical sketch. These sketches often contain some political messages; previous year there was a special emphasis on corrupt officials.

This sketch called “Big City, Little Love” is performed by Liu Liang, Bai Ge and Guo Jinjie. It is about a young man, a migrant worker, who lied to his wife saying he has gone to work in the city where he had a “high position.” In fact, he is a window cleaner for high buildings.

27/01 13:40
“In This Moment”

This is the older song “In this moment” (在此刻) performed by singers Hu Ge and Wang Kai (胡歌, 王凯). (Watch the show live here https://youtu.be/8Tnna8odMvA).

27/01 13:52
“Older Couple”

This second sketch of tonight has some big stars. Cai Ming (蔡明) is a singer, actress, and sketch performer notable for performing sketch comedy in CCTV New Year’s Gala since 1991 – she is known for her sharp language. Pan Changjiang also is a Chinese skit actor and sitcom actor. In his early years, he appeared regularly in the CCTV New Year’s Gala.

This sketch is called “Older Couple” and is about a man who forgot what his wife looked like until Cai comes along and pretends to be his wife. In the end it turns out that it is not him, but her who lost her memory. When she remembers – in a The Notebook kind of scene – the couple falls into each other’s arms.

27/01 13:59
Over to Liangshan

We are now moving over from Beijing’s studio to the venue in Liangshan (凉山), Sichuan province. We first see the dance ‘fire of celebration’, followed by a song titled “Deep Feelings, Long Friendship” (情深谊长). The Chinese singer performing here is named Jike Junyi or simply ‘Summer’. She is a 28-year-old singer who was born and raised in Liangshan. She is wearing traditional Yizu (彝族) minority clothing and sings about the Long March.

Summer’s performance is followed by a catchy tune by singers Li Keqin and Cai Zuoyan, who sing with some Sichuanese touch to it. The fire torches in the background are also an Yi minority tradition.

27/01 14:11
Crosstalk

We’re back in Beijing for this crosstalk (相声) scene by Gao Xiaopan and You Xiancha (高晓攀、尤宪超). Different from the other sketches (小品), crosstalk usually involves two actors with one being the “joker” and the other being the “teaser”.

Other than the other sketches, crosstalk is about word jokes and playing with rhythm and language. This particular scene is about two men looking back on their childhood, and the nostalgic things about being brought up by their grandmother. This scene, that represents some sort of collective memory, will be especially appealing to China’s post-1980s generations who were often raised by their grandparents. Apart from national unity and traditional culture, family affection is one of this year’s themes for the Spring Festival Gala. It touches a sensitive nerve for many, as it makes them think back of their own grandmother.

27/01 14:17
Wow, Li Yanchao

The next performance is a pretty stunning underwater-kind-of-scene with Chinese dancer Li Yanchao (李艳超) stealing the show. The female host says: “Let’s express the hope that in the new year, there will be more patches of grass under our feet, and more blue sky above our head.”

27/01 14:32
The Match-Making Show

This funny sketch imitates one of China’s most popular dating shows If You Are The One 非诚勿扰. They get succesfully matched, but then it turns out that they are actually a divorced couple. This is the 3rd of a total of 6 comical sketches that will be performed tonight.

The main conflict of this sketch is that the woman wants her husband’s attention, while he thinks making money is more important than being his wife’s side – a common conflict in middle-aged families in China today. Since tonight’s theme is family affection, the sketch ofcourse has a happy end with both husband and wife expressing their love for each other.

27/01 14:31
Is this show really live?

Is this really live? Yes it is. But although the Gala is a live broadcast from CCTV’s No.1 Studio, and its other venues across China, every year’s show has a taped version of the full dress rehearsal. The tape of the official rehearsal runs together with the live broadcast, so that in the event of a problem or disruption, the producers can seamlessly switch to the taped version without TV audiences noticing anything.

27/01 19:53
Two stars, different generations

Here are are teen idol Jason Zhang (张杰) and Mao Amin, one of China’s most famous and female pop stars of the mid-1990s. You might notice that Mao Amin’s voice is much firmer and fuller than Zhang Jie’s. In Mao Amin’s generation, most singer got popular because of their skills, not for their looks..

The set of this song is so extravagant and spectacular, that some netizens think that this year’s CCTV gala director, Yang Dongsheng, must be a big fan of Avatar the Movie.

27/01 14:48
Here’s Guilin!

We’re now moving from Beijing to Guilin in Guangxi. The event is performed near Guilin’s famous Elephant Trunk Hill, where various Taiwan and Hongkong singers are invited to sing folk songs. The first song is a well-known traditional Chinese song: the Mountain Song from the famous Chinese movie Third Sister Liu 刘三姐. The scene here seems to include fragments of Zhang Yimou’s Impressions Liu San Jie show.

27/01 14:58
Nostalgia

This year’s CCTV Gala is looking back on previous years. This is the 35th year the Gala is broadcasted, and this edition started with a look back on top hits over the past three decades. This sketch also reflects on the past of the Gala, as the actors have previously performed a sketch here in 1987. Its message is that the society today is not the same as the society of 30 years ago. It reflects on how many people are bystanders, and that few people are helping each other out.

27/01 15:04
Heroes of the Red Army

Time to honour some communist heroes – a recurring part of the CCTV New Year Gala. One of the elderlies honored here is aged 104 was around 22 years old during the Long March.

27/01 15:11
Propaganda Platform?

The Communist and military songs of last year’s Gala annoyed many netizens, who thought the Gala was merely a propaganda platform rather than a variety show. But it is a recurring part in virtually every show.

27/01 15:16
Hashtag #CCTVGALA

On Weibo, the views and comments on the hashtag #CCTVGala (#春晚#) have by now exploded, with over 13 billion views and 52 million comments.

One popular post is that from a netizen who tells she was watching the Gala and the TFBoys with her grandma on an old TV set when her grandmother asked: “Is that boy on the left not feeling well?”

27/01 15:22
Family First

It is clear that family affection is one of this year’s main topics, as all sketches revolve around family relations. This sketch deals with the relationship between children and parents in law. Instead of talking about the well-known daughter and mother in law conflicts, it talks about the relations between son and father in law. Although the father does not like his son in law, the young man is really trying to help him either way.

27/01 15:28
90 Minutes to go!

There’s still 90 minutes to go before the New Year! Main themes of the night up to now: national unity (dancing minorities!) and family affection (marriage and family harmony!).

We have already seen Liangshan and Guilin subvenues, and will still see performances from the venues in Shanghai and Harbin in the coming 1,5 hours.

Meanwhile, Weibo netizens are wondering why the actress from a sketch earlier tonight, the renowned Cai Ming, was copying Elsa from Frozen.

27/01 15:35
Chinese Opera

This is a compilation of songs, such as “One Generation to Another” (薪火相传), by various Chinese Opera performers and troupes.

27/01 19:19
Look at China

This song titled “Look at the mountains, look at the water, look at China” (看山看水看中国) by Lu Jihong and Zhang Ye (吕继宏, 张也) is an ode to China’s different landscapes. It is accompanied by a clip that shows different places in China, from the nature in the south to the big cities in the north.

27/01 16:31
Minority Sketch

This sketch called “A Tianshan Situation” (天山情) focuses on the people of the mountainous area on the border between Xinjiang and Mongolia. The act is mostly spoken in north-eastern dialect, with a slight Shanghai dialect. The sketch is about a train track project in their region that has shocked the cows due the noise, affecting their milk production. When all goes well in the narrative, the Uyghur people finally thank the Chinese Han people for saving their life and everything they have done and for saving their lives – perhaps a somewhat controversial angle…

27/01 16:05
Switching to Harbin

One of today’s subvenues is Harbin, in northern province of Heilongjiang, home to the famous Harbin Ice World. The park has dozens of enormous buildings and sculptures completely made from ice. The city is currently about -20 celcius; perfect weather for acrobatics on ice!

27/01 16:09
These are the Champions

The National Martial Arts team has arrived to the stage. These are all China’s top martial art champions. More than 60 of them, both men and women, are performing together here tonight.

27/01 16:11
Public Announcement

Every year’s CCTV Gala has a “public advertisement” (公益广告) , a movie that is often emblematic of the morals or the guidelines the Party leadership wants to emphasize for the Chinese New Year. With an audience of 700 to 800 people, the show is the perfect propaganda platform.

27/01 19:35
Dancing Pineapples

Yes. We are now watching dancing pineapples and watermelons. Always when you think it cannot get worse, it always does – as many netizens say. This is a song that encourages people to do sports and eat healthy; one of this year’s themes is also to promote good (mental and physical) health.

27/01 19:17
Trusting people

In one the night’s last comical sketches called ‘Trust’ (信任), we see famous comedian Lin Yongjian in a narrative about trusting people. On New Year’s Eve, a taxi customer wants to go upstairs to pick something up – but the taxi driver is afraid they will walk off. The customer is also afraid the driver will drive off. It is during this sketch that Olympic swimmer Fu Yuanhui, one of the most popular social media figures of 2016, pops up for a short role. She performs some tongue twisting sentences in Anhui dialect.

27/01 16:39
Honouring the Astronauts

Time to honour 11 Chinese astronauts.

27/01 19:14
Here’s Jackie Chan! But what on earth is he doing?

In this song that is simply titled “Country” (国家), Jackie Chan steps out with students from Peking University to sing about his love for China (“I love my home”) while doing a dance that entails what looks like sign language. Perhaps not really what you would expect the “kungfu master” to do.

28/01 09:23
Shanghai Dream City

Now over to Shanghai for a song by Chinese singers Coco Lee and JJ Lin about “Dream City” Shanghai. We see a futuristic scene with motors going round in a big metal round set-up in front of the iconic Pearl Tower. It is one of the most spectacular scenes of the night, comparable to that of the dancing robots in 2016.

27/01 16:56
Almost time!

It is almost time for the 12 o’clock moment! Just before we will hear a song by singers Han Lei and Tan Weiwei with what looks like a somewhat cringeworthy company of farmers, migrant workers, hospital staff and soldiers to represent “all the Chinese people.”

27/01 17:01
HAPPY NEW YEAR!

The hosts of tonight’s Gala are wishing everybody a happy Chinese New Year. And of course we at What’s on Weibo are also wishing you a happy Year of the Rooster.

27/01 19:11
“Mother China”

Just immediately after the New Year countdown, here comes a song called “Mother China” (母亲是中华).

27/01 17:11
Interlude

A little interlude clip shows Chinese abroad singing about the “Chinese feeling” (中国心). The CCTV festival is watched by millions of Chinese within the PRC, but there is also a huge viewership outside of China.

27/01 17:19
The last sketch of the night stresses national unity

The last sketch of the night is a typically southern sketch, set during the peak of the G20 Summit in Hangzhou. The story takes place in a community park, where the four protagonists have a misunderstanding. The narrative focuses on people’s good morals, and is full of Jiangsu and Zhejiang dialect.

This sketch, like the one of the “Tianshan Mountains” and the story of the Uighur herdsmen, again shows the theme of national unity.

27/01 18:16
More Family Love

“Leave the Grasslands” (离别草原) is sung by famous singer Yun Fei and the female singer Yun Duo. It is followed by another short film that stresses family affinity.

27/01 17:34
“Stop!”

In one of the last acts of the night with a foreign acrobat, the hosts speak some very clearly pronounced English sentences: “Here are the flowers!” and “Stop!” In a game where a Chinese and a foreign acrobat compete to collect as many flowers within 60 seconds, the Chinese woman wins with 16 flowers versus 15 of the foreign acrobat.

27/01 19:13
Dancing Troupe

Chinese singer Wu Tong sings the song “Deep Feelings” (一片深情) accompanied by a group of male dancers.

27/01 17:48
Unforgettable Night

The last songs of this night are “Magnificent Journey” (壮丽航程, by Yan Weiwen and Yin Xiumei) and “Unforgettable Night” (难忘今宵). The latter is sung by the 72-year-old singer and dancer Li Guyi and the 64-year-old mezzo-soprano singer Guan Mucun. Li Guyi sings the same song every year at the end of this show.

During these songs, the screen behind the dancers show images of the G20, new glass bridges, windmills, and all kinds of big projects that have been established or organized in China over the past year.

The last song ends with all performers of the Beijing venue on stage. The hosts wish everyone a happy newyear. “See you next year!”, they say.

27/01 19:10
Trending after the Gala: “Brother Smile”

Directly after the ending of the CCTV Gala, many Weibo netizens are talking about one person in the audience as observant viewers have spotted the very same man in the audience of the CCTV Gala every year since 1999. The man, who is now nicknamed ‘CCTV Gala Brother Smile’ (#春晚笑脸哥#), was again spotted in the audience tonight.

The man has gone viral over Chinese social media now. Many netizens are extremely curious about the man, wondering how he came to sit from the back of the audience to the front crowd throughout the years. Some also compliment him for not having changed much over the past 18 years.

27/01 18:13
That’s a Wrap!

This liveblog will be closing now. We hope you enjoyed the night!

– By Manya Koetse
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What’s on Weibo is an independent blog. Want to donate? You can do so here.

Sources on Chunwan

Kang, Liu. 2010. “Searching for a New Cultural Identity: China’s soft power and media culture today.” In Suijian Guo and Baogang Guo (eds), Thirty Years of China-U.S. Relations: Analytical Approaches and Contemporary Issues, 197-253. Lanham: Rowman & Littlefield Publishers.

Scocca, Tom. 2011. Beijing Welcomes You: Unveiling the Capital City of the Future. New York: Riverhead Books.

Wang Ge. 2015. “Popular Spring Festival Gala language: Sociocultural Observations.” In Linda Tsung and Wei Wang, Contemporary Chinese Discourse and Social Practice in China, 185-200. Amsterdam/Philadelpia: John Benjamins Publishing Company.

Ying Zhu. 2012. Two Billion Eyes: The Story of China Central Television. New York: The New Press.

©2016 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is the founder and editor-in-chief of whatsonweibo.com. She is a writer, public speaker, and researcher (Sinologist, MPhil) on social trends, digital developments, and new media in an ever-changing China, with a focus on Chinese society, pop culture, and gender issues. She shares her love for hotpot on hotpotambassador.com. Contact at manya@whatsonweibo.com, or follow on Twitter.

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    André Schappo

    January 28, 2017 at 1:18 am

    Actually, 难忘今宵 is growing on me and it is only the second year I have watched the CCTV New Year’s Gala????

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China Arts & Entertainment

Going All In on Short Streaming: About China’s Online ‘Micro Drama’ Craze

For viewers, they’re the ultimate guilty pleasure. For producers, micro dramas mean big profit.

Ruixin Zhang

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PREMIUM CONTENT

Closely intertwined with the Chinese social media landscape and the fast-paced online entertainment scene, micro dramas have emerged as an immensely popular way to enjoy dramas in bite-sized portions. With their short-format style, these dramas have become big business, leading Chinese production studios to compete and rush to create the next ‘mini’ hit.

In February of this year, Chinese social media started flooding with various hashtags highlighting the huge commercial success of ‘online micro-short dramas’ (wǎngluò wēiduǎnjù 网络微短剧), also referred to as ‘micro drama’ or ‘short dramas’ (微短剧).

Stories ranged from “Micro drama screenwriters making over 100k yuan [$13.8k] monthly” to “Hengdian building earning 2.8 million yuan [$387.8k] rent from micro dramas within six months” and “Couple earns over 400 million [$55 million] in a month by making short dramas,” all reinforcing the same message: micro dramas mean big profits. (Respectively #短剧爆款编剧月入可超10万元#, #横店一栋楼半年靠短剧租金收入280万元#, #一对夫妇做短剧每月进账4亿多#.)

Micro dramas, taking China by storm and also gaining traction overseas, are basically super short streaming series, with each episode usually lasting no more than two minutes.

 
From Horizontal to Vertical
 

Online short dramas are closely tied to Chinese social media and have been around for about a decade, initially appearing on platforms like Youku and Tudou. However, the genre didn’t explode in popularity until 2020.

That year, China’s State Administration of Radio, Film, and Television (SARFT) introduced a “fast registration and filing module for online micro dramas” to their “Key Online Film and Television Drama Information Filing System.” Online dramas or films can only be broadcast after obtaining an “online filing number.”

Chinese streaming giants such as iQiyi, Tencent, and Youku then began releasing 10-15 minute horizontal short dramas in late 2020. Despite their shorter length and faster pace, they actually weren’t much different from regular TV dramas.

Soon after, short video social platforms like Douyin (TikTok) and Kuaishou joined the trend, launching their own short dramas with episodes only lasting around 3 minutes each.

Of course, Douyin wouldn’t miss out on this trend and actively contributed to boosting the genre. To better suit its interface, Douyin converted horizontal-screen dramas into vertical ones (竖屏短剧).

Then, in 2021, the so-called mini-program (小程序) short dramas emerged, condensing each episode to 1-2 minutes, often spanning over 100 episodes.

These short dramas are advertised on platforms like Douyin, and when users click, they are directed to mini-programs where they need to pay for further viewing. Besides direct payment revenue, micro dramas may also bring in revenue from advertising.

 
‘Losers’ Striking Back
 

You might wonder what could possibly unfold in a TV drama lasting just two minutes per episode.

The Chinese cultural media outlet ‘Hedgehog Society’ (刺猬公社) collected data from nearly 6,000 short dramas and generated a word cloud based on their content keywords.

In works targeted at female audiences, the most common words revolve around (romantic) relationships, such as “madam” (夫人) and “CEO” (总裁). Unlike Chinese internet novels from over a decade ago, which often depicted perfect love and luxurious lifestyles, these short dramas offer a different perspective on married life and self-discovery.

According to Hedgehog Society’s data, the frequency of the term “divorce” (离婚) in short dramas is ten times higher than “married” (结婚) or “newlyweds” (新婚). Many of these dramas focus on how the female protagonist builds a better life after divorce and successfully stands up to her ex-husband or to those who once underestimated her — both physically and emotionally.

One of the wordclouds by 刺猬公社.

In male-oriented short dramas, the pursuit of power is a common theme, with phrases like “the strongest in history” (史上最强) and “war god” (战神) frequently mentioned. Another surprising theme is “matrilocal son” (赘婿), the son-in-law who lives with his wife’s family. In China, this term is derogatory, particularly referring to husbands with lower economic income and social status than their wives, which is considered embarrassing in traditional Chinese views. However, in these short dramas, the matrilocal son will employ various methods to earn the respect of his wife’s family and achieve significant success.

Although storylines differ, a recurring theme in these short dramas is protagonists wanting to turn their lives around. This desire for transformation is portrayed from various perspectives, whether it’s from the viewpoint of a wealthy, elite individual or from those with lower social status, such as divorced single women or matrilocal son-in-laws. This “feel-good” sentiment appears to resonate with many Chinese viewers.

Cultural influencer Lu Xuyu (@卢旭宁) quoted from a forum on short dramas, explaining the types of short dramas that are popular: Men seek success and admiration, and want to be pursued by beautiful women. Women seek romantic love or are still hoping the men around them finally wake up. One netizen commented more bluntly: “They are all about the counterattack of the losers (屌丝逆袭).”

The word used here is “diaosi,” a term used by Chinese netizens for many years to describe themselves as losers in a self-deprecating way to cope with the hardships of a competitive life, in which it has become increasingly difficult for Chinese youths to climb the social ladder.

 
Addicted to Micro Drama
 

By early 2024, the viewership of China’s micro dramas had soared to 120 million monthly active users, with the genre particularly resonating with lower-income individuals and the elderly in lower-tier markets.

However, short dramas also enjoy widespread popularity among many young people. According to data cited by Bilibili creator Caoxiaoling (@曹小灵比比叨), 64.9% of the audience falls within the 15-29 age group.

For these young viewers, short dramas offer rapid plot twists, meme-worthy dialogues, condensing the content of several episodes of a long drama into just one minute—stripping away everything except the pure “feel-good” sentiment, which seems rare in the contemporary online media environment. Micro dramas have become the ultimate ‘guilty pleasure.’

Various micro dramas, image by Sicomedia.

Even the renowned Chinese actress Ning Jing (@宁静) admitted to being hooked on short dramas. She confessed that while initially feeling “scammed” by the poor production and acting, she became increasingly addicted as she continued watching.

It’s easy to get hooked. Despite criticisms of low quality or shallowness, micro dramas are easy to digest, featuring clear storylines and characters. They don’t demand night-long binge sessions or investment in complex storylines. Instead, people can quickly watch multiple episodes while waiting for their bus or during a short break, satisfying their daily drama fix without investing too much time.

 
Chasing the gold rush
 

During the recent Spring Festival holiday, the Chinese box office didn’t witness significant growth compared to previous years. In the meantime, the micro drama “I Went Back to the 80s and Became a Stepmother” (我在八零年代当后妈), shot in just 10 days with a post-production cost of 80,000 yuan ($11,000), achieved a single-day revenue exceeding 2 million yuan ($277k). It’s about a college girl who time-travels back to the 1980s, reluctantly getting married to a divorced pig farm owner with kids, but unexpectedly falling in love.

Despite its simple production and clichéd plot, micro dramas like this are drawing in millions of viewers. The producer earned over 100 million yuan ($13 million) from this drama and another short one.

“I Went Back to the 80s and Became a Stepmother” (我在八零年代当后妈).

The popularity of short dramas, along with these significant profits, has attracted many people to join the short drama industry. According to some industry insiders, a short drama production team often involves hundreds or even thousands of contributors who help in writing scripts. These contributors include college students, unemployed individuals, and online writers — seemingly anyone can participate.

By now, Hengdian World Studios, the largest film and television shooting base in China, is already packed with crews filming short dramas. With many production teams facing a shortage of extras, reports have surfaced indicating significant increases in salaries, with retired civil workers even being enlisted as actors.

Despite the overwhelming success of some short dramas like “I Went Back to the 80s and Became a Stepmother,” it is not easy to replicate their formula. The screenwriter of the time-travel drama, Mi Meng (@咪蒙的微故事), is a renowned online writer who is very familiar with how to use online strategies to draw in more viewers. For many average creators, their short drama production journey is much more difficult and less fruitful.

But with low costs and potentially high returns, even if only one out of a hundred productions succeeds, it could be sufficient to recover the expenses of the others. This high-stakes, cutthroat competition poses a significant challenge for smaller players in the micro drama industry – although they actually fueled the genre’s growth.

As more scriptwriters and short dramas flood the market, leading to content becoming increasingly similar, the chances of making profits are likely to decrease. Many short drama platforms have yet to start generating net profits.

This situation has sparked concerns among netizens and critics regarding the future of short dramas. Given the genre’s success and intense competition, a transformation seems inevitable: only the shortest dramas that cater to the largest audiences will survive.

In the meantime, however, netizens are enjoying the hugely wide selection of micro dramas still available to them. One Weibo blogger, Renmin University Professor Ma Liang (@学者马亮), writes: “I spent some time researching short videos and watched quite a few. I must admit, once you start, you just can’t stop. ”

By Ruixin Zhang, edited with further input by Manya Koetse

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China Arts & Entertainment

“The End of the Golden Age of Japanese Manga”: Chinese Netizens Mourn Death of Akira Toriyama

Manya Koetse

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Chinese fans are mourning the death of Japanese manga artist and character creator Akira Toriyama. On Friday, his production company confirmed that the 68-year-old artist passed away due to acute subdural hematoma.

On Weibo, a hashtag related to his passing became trending as netizens shared their memories and appreciation for Toriyama’s work, as well as creating fan art in his honor.

The tribute to Toriyama reached beyond online fans – even spokesperson Mao Ning (毛宁) for the Ministry of Foreign Affairs of China expressed condolences during a regular press conference held on Friday (#外交部对漫画家鸟山明去世表示哀悼#).

Throughout his career, Toriyama created various works, but he is best known for his manga “Dragon Ball,” which was published between 1984-1995 in the magazine Shonen Jump and spawned TV series, films, and video games.

 
Chinese Love for “Dragon Ball”
 

Japanese comics and anime have had a significant impact on Chinese popular culture. In China, one of the largest comics markets globally, Japanese manga has been a major import since the 1980s.

Chinese readers form the largest fan community for Japanese comics and anime, and for many Chinese, the influential creations of Akira Toriyama, like “Dr. Slump” and particularly “Dragon Ball,” are cherished as part of their childhood or teenage memories (Fung et al 2019, 125-126).

The cultural link between Toriyama’s “Dragon Ball” and Chinese readers goes further than their mere appreciation for Japanese manga/anime. Toriyama drew inspiration from the Chinese book Journey to the West when he initially created the “Dragon Ball” story. That epic tale, filled with heroes and demons, revolves around supernatural monkey Sun Wukong who accompanies the Tang dynasty monk Xuanzang on a pilgrimage to India to obtain Buddhist sūtras (holy scriptures).

“Dragon Ball” chronicles the adventures of Son Goku, a superhuman boy with a monkey tail, who who is swept into a series of adventures connected to the wish-granting, magical dragon balls, sought after by his evil enemies.

Besides Journey to the West, “Dragon Ball” is filled with many other China-related references and word games, from Chinese mythology to martial arts (Mínguez-López 2014, 35).

In one online poll conducted by Sina News asking Weibo users if “Dragon Ball” is part of their childhood memories, a majority of people responded that the manga series was part of their post-1980s and post-1990s childhood, although younger people also indicated that they loved “Dragon Ball.”

 
Online Tributes to Toriyama
 

On Friday, many bloggers and online creators posted images and art to honor Akira Toriyama. Several images went viral and were reposted thousands of times.

Chinese graphic design artist Wuheqilin (@乌合麒麟) dedicated a particularly popular post and image to Toriyama, suggesting that his death symbolized “the end of the golden age of Japanese manga.”

Weibo post by Wuheqilin, March 8 2024.

Shituzi (@使徒子), a Chinese comic artist, posted an image for Toriyama with the words “goodbye.”

Posted by @使徒子.

Chinese comedian Yan Hexiang (阎鹤祥) wrote: “I just bought the Dr. Slump series online. I thank you for bringing me the memories of my childhood, I salute you.”

Automotive blogger Chen Zhen (陈震) posted an image of Dragon Ball protagonist Son Goku with wings on his back, waving goodbye, writing: “Rest in peace.”

Image posted by @陈震同学.

One Dragon Ball fan (@小佛手绘) posted another AI-generated image of Son Goku standing by Toriyama’s grave which was shared all over Weibo.

Posted or reposted by Weibo user @小佛手绘.

By Friday night, the hashtag “Akira Toriyama Passed Away” (#鸟山明去世#) had generated over one billion views on Weibo, showing just how impactful Toriyama’s work has been in China – a legacy that will last long after his passing.

By Manya Koetse

References

Fung, Anthony, Boris Pun, and Yoshitaka Mori. 2019. “Reading Border-Crossing Japanese Comics/Anime in China: Cultural Consumption, Fandom, and Imagination.” Global Media and China 4, no. 1: 125–137.

Xavier Mínguez-López. 2014. “Folktales and Other References in Toriyama’s Dragon Ball.” Animation: An Interdisciplinary Journal. Vol. 9 (1): 27–46.

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