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China Arts & Entertainment

Overview of China’s 2016 Top TV Dramas

These are the 10 most popular TV dramas in mainland China in 2016.

Manya Koetse

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The titles of Chinese TV dramas consistently pop up in the daily top trending lists of Sina Weibo. After featuring an overview of the most-watched Chinese TV dramas in 2015, What’s on Weibo has now compiled a list of 10 popular TV dramas in mainland China in 2016. These are the most-watched and most-discussed dramas according to Weibo and Baidu charts of March 2016.

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Update: Also Read Our Top 10 of China’s 2017 Top TV Dramas Now!

(Note: Depending on where you live, the websites where these series are listed might have geo restrictions. You can circumvent this with a VPN to change your IP geo-location. We recommend NordVPN for this, as it is known for its fast streaming of online video content online.)

 

#1 Descendents of the Sun (太阳的后裔/태양의 후예)

top10dramanumber1
War & Romance Drama / 2016 South Korea
Aired since February 24 2016 / KBS2 / 16 episodes
Directed by Li Yingfu / Lee Eung-Bok (李应福)

The number one of this list is the only drama out of these ten that was not produced in mainland China; it was made in South Korea, and it is a huge success both in Korea as in the PRC.

‘Descendents of the Sun’ tells the story of the unlikely romance between special forces captain Shi-Jin (Song Joong-Ki) and surgeon Mo-Yeon (Song Hye-Kyo). After their initial love-at-first-sight encounter, Shi-Jin and Mo-Yeon soon discover they have very different outlooks on life.

While out on a military mission, Shi-Jin has to fight and hurt people in order to protect his people, whereas Mo-Yeon does all she can to keep people alive – no matter what ethnicity, religion or culture they have. But despite their strong differences, Shi-Jin and Mo-Yeon cannot let go of each other.

A large part of this drama was filmed in Greece. The series can be viewed on Viki.

 

#2 The Imperial Doctress (明代女医师)

whatsonweiboming
Costume Drama / 2016 Mainland China
Aired since February 16 2016 / Online Drama / 50 episodes
Directed by Li Guoli (李国立), Zheng Weiwen (郑伟文) & Lu Zeliang (卢泽良)

‘The Imperial Doctress’, also known as ‘Ming Medicine Woman’, brings the most famous female doctor of the Ming Dynasty to the TV screen. Tan Yunxian (谈允贤) lived in the Ming Dynasty from 1461-1554, and was a female physician in a time when Confucian ethics played a crucial role in everyday life and women had a low status in society.

The costume drama tells the story of the Tans, a family that has the doctor profession in its bloodline – even its past ancestors were imperial doctors. But when the family is set up by a grudgeful enemy, the royal court no longer allows them to practice medicine. Young daughter Tan Yunxian, played by Liu Shi Shi (刘诗诗, a.k.a. Cecelia Liu) secretly learns the art of medicine from her grandmother and helps to cure plagues and illnesses among the common people. The drama follows her as she grows up and struggles with her pursuit to become the doctor she wants to be. Emperor Zhu Qi Zhen (actor Wallace Huo) comes to play an important role in fulfilling her destiny (Viki 2016).

 

#3 Legend of the Qing Qiu Fox (青丘狐传说)

foxspirit
Costume & Fantasy Drama / 2016 Mainland China
Aired Since February 8, 2016 / Hunan TV / 40 episodes
Directed by Lin Yufen (林玉芬), Gao Linbao (高林豹) and Xu Huikang (徐惠康)

‘The Legend of the Qing Qiu Fox’ aka ‘The Legend of the Nine Tails Fox’ is a drama that consists of different supernatural stories and folktales about fox spirits and ghosts, based on work by Pu Songling.

Pu Songling was a Qing dynasty writer. His most famous work is the classical Chinese Liaozhai Zhiyi (Strange Tales from a Make-do Studio), a collection of stories about ghosts, spirits, and other extraordinary phenomena.

The drama can be watched through Viki.

 

#4 Far Away Love (远得要命的爱情)

yuande
Urban & Family Drama / 2016 Mainland China
First aired March 1 / 36 episodes
Directed by Niu Le (牛乐) and Zhu Shimao (朱时茂)

‘Far Away Love’ tells the story of the romance between Shen An (沈岸, played by Korean actor Park Haejin) and Meng Chuxia (孟初夏, played by Li Fei’er).

Meng Chuxia is a kind-hearted and optimistic single 28-year-old ‘shengnu’ (‘leftover woman’) who takes care of the son of her long lost sister. Shen An is a businessman who has returned to China from overseas to start a new company. When Shen An and Meng Chuxia meet, they are both not expecting to find love. Shen An is engaged to be married and Meng Chuxia is struggling to raise her teenage nephew. But despite their life situations, different (hidden) pasts and prejudices, you can probably guess what happens..

AsiaStarz writes that this drama was already produced in 2013, but was only aired now due to the strict Chinese TV censorship policies.

This drama is popular in both China and Korea because of the lead played by Park Haejin, who is very popular in South Korea and mainland China. The actor also stars in the Korean television series “Cheese in the Trap,” which is also extremely popular in China. The series were sold to Chinese video platforms Youku and Tudou for $125,000 per episode – the highest price ever paid for a Korean cable drama according to the Korea Herald.

 

#5 Because of Love (因为爱情有幸福)

yinweiaiqing
Love & Family Drama / 2016 Mainland China
First aired February 24 / Hunan TV (湖南卫视) / 70 episodes
Directed by Liu Junjie (刘俊杰)

‘Because of Love’, also known as ‘The Love of Happiness’, revolves around Lu Xiaonan (by Tang Yixin aka Tina Tang), an independent and strong woman who has just married to Kevin (William Chan), who has returned to China from America. As the newlyweds form a new family, Kevin gets reconnected to his roots as he finds the family he lost when he was young. But the reconnection with his family does not bring the anticipated happiness as memories from the past resurface, making Xiaonan and Kevin having to face difficulties in their young marriage.

The first episode can be viewed here.

 

#6 The Three Heroes and Five Gallants (五鼠闹东京)

threeheroes
Costume Drama / 2016 Mainland China
First aired February 17, 2016 / Anhui TV / 42 episodes
Directed by Wu Jiatai (吴家骀)

Based on the work by the 19th century Chinese writer Shi Yukun, this drama tells the 11th century story of the loyal knights who supported the legendary judge Bao Zheng in his fight against crime and corruption.

The first episode can be viewed here.

 

#7 The Legend of Mi Yue (芈月传)

miyue2

Costume and Historical Drama / 2015 Mainland China
First aired November 30, 2015 / Dongfang & Beijing TV / 81 episodes
Directed by Zheng Xiaolong (郑晓龙)

‘The Legend of Mi Yue’ tells the story of the first influential stateswoman of China, who lived over 2000 years ago. Just like the ‘Imperial Doctress‘, this drama also tells about the trials and tribulations of a strong female figure from China’s history.

Mi Yue, daughter of King Wei of Chu, was the first stateswoman in the history of China. The drama details her turbulent life, as Mi Yue becomes a concubine, gets separated her from first love Huang Xie, is banished, and eventually rises to power as the first Empress Dowager in China’s history (wiki). For more about Mi Yue, also read this article from the Women of China website.

The role of Mi Yue is played by renowned actress Sun Li (孙俪), who has previously won awards for best actress of China.

 

#8 The Lover’s Lies (爱人的谎言)

airende
Love & Family Drama / 2016 Mainland China
First aired February 24, 2016 / LETV / 50 episodes
Directed by Yu Zhonghe (余中和) and Lin Hongjie (林宏杰)

When Tong Sijie (童四季) becomes an orphan at an early age, she struggles and has to work different jobs to take care of her siblings. Then she meets the rich Yiyi – a love that seems to written in the stars. Just when Sijie and Yiyi decide they want to stay together forever, Yiyi’s dominant mother interferes in their relationship, spreading lies that drift the two lovers apart.

Check out the opening tune and the first episode here.

 

#9 Nirvana in Fire (琅琊榜)

nirvanainfire
Costume & Historical Drama / 2015 Mainland China
First aired September 19th, 2015 / Beijing TV / 54 episodes
Directed by Kong Sheng (孔笙) and Li Xue (李雪)

Nirvana in Fire‘ takes place in fourth century China, during the war between the feudal Northern Wei and Southern Liang dynasties. The story revolves around Lin Shu, the 19-year-old only child of General Lin Xie who is fighting in this war and does all he can to seek justice for him and his family. The series is based on the work by author Hai Yan.

The drama has won several awards.

 

#10 Addiction (上瘾)

上瘾
Gay Love Drama / 2016 Mainland China
First aired January 29th, 2016 / Beijing TV / 15 episodes
Directed by Ding Wei (丁伟)

This popular drama, that is also known under the English name of ‘Addicted’ or ‘Heroin’, is about the special bond that evolves between two young men Bai Luoyin (Xu Wei Zhou) and Gu Hai (Johnny Huang Jingyu). Bai, who lives with his father and grandmother, gets connected to Gu Hai when Bai’s mother remarries to Gu Hai’s father. Gu Hai harbors a deep grudge towards his father since his mother’s death, and the two men, both dealing with their family situations and personal conflicts, start to develop feelings for each other.

The show became big news in late February when media reported that the drama was taken offline by Chinese censors for showing “abnormal sexual relationships and behaviours”.

Although the drama was taken offline, it is still in the best-watched ranks.

– By Manya Koetse

©2016 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is the founder and editor-in-chief of whatsonweibo.com. She is a writer, public speaker, and researcher (Sinologist, MPhil) on social trends, digital developments, and new media in an ever-changing China, with a focus on Chinese society, pop culture, and gender issues. She shares her love for hotpot on hotpotambassador.com. Contact at manya@whatsonweibo.com, or follow on Twitter.

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3 Comments

3 Comments

  1. Avatar

    wendy mashabela

    June 23, 2016 at 7:13 pm

    I really like this Chinese movies , on channel 447 cctv4 .But what really hurts me is that these actors and actress speaks their language I really can’t hear them. if atleast they can explain or write in english on the screen please,,i really love this movies please help.And I’m from SA

    • Avatar

      Isy

      October 17, 2016 at 12:42 pm

      There’s a lot of websites where you can watch Asian drama’s with subtitles. Personally, I use a website called KissAsian. Hope I was of help!

  2. Avatar

    Marcia Curtain

    June 16, 2019 at 5:16 am

    Would like to know more about a TV series I started to watch on China recently I think it’s called Mai Xiang
    It as showing on CCTV I think
    Thank you

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China Arts & Entertainment

Going All In on Short Streaming: About China’s Online ‘Micro Drama’ Craze

For viewers, they’re the ultimate guilty pleasure. For producers, micro dramas mean big profit.

Ruixin Zhang

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PREMIUM CONTENT

Closely intertwined with the Chinese social media landscape and the fast-paced online entertainment scene, micro dramas have emerged as an immensely popular way to enjoy dramas in bite-sized portions. With their short-format style, these dramas have become big business, leading Chinese production studios to compete and rush to create the next ‘mini’ hit.

In February of this year, Chinese social media started flooding with various hashtags highlighting the huge commercial success of ‘online micro-short dramas’ (wǎngluò wēiduǎnjù 网络微短剧), also referred to as ‘micro drama’ or ‘short dramas’ (微短剧).

Stories ranged from “Micro drama screenwriters making over 100k yuan [$13.8k] monthly” to “Hengdian building earning 2.8 million yuan [$387.8k] rent from micro dramas within six months” and “Couple earns over 400 million [$55 million] in a month by making short dramas,” all reinforcing the same message: micro dramas mean big profits. (Respectively #短剧爆款编剧月入可超10万元#, #横店一栋楼半年靠短剧租金收入280万元#, #一对夫妇做短剧每月进账4亿多#.)

Micro dramas, taking China by storm and also gaining traction overseas, are basically super short streaming series, with each episode usually lasting no more than two minutes.

 
From Horizontal to Vertical
 

Online short dramas are closely tied to Chinese social media and have been around for about a decade, initially appearing on platforms like Youku and Tudou. However, the genre didn’t explode in popularity until 2020.

That year, China’s State Administration of Radio, Film, and Television (SARFT) introduced a “fast registration and filing module for online micro dramas” to their “Key Online Film and Television Drama Information Filing System.” Online dramas or films can only be broadcast after obtaining an “online filing number.”

Chinese streaming giants such as iQiyi, Tencent, and Youku then began releasing 10-15 minute horizontal short dramas in late 2020. Despite their shorter length and faster pace, they actually weren’t much different from regular TV dramas.

Soon after, short video social platforms like Douyin (TikTok) and Kuaishou joined the trend, launching their own short dramas with episodes only lasting around 3 minutes each.

Of course, Douyin wouldn’t miss out on this trend and actively contributed to boosting the genre. To better suit its interface, Douyin converted horizontal-screen dramas into vertical ones (竖屏短剧).

Then, in 2021, the so-called mini-program (小程序) short dramas emerged, condensing each episode to 1-2 minutes, often spanning over 100 episodes.

These short dramas are advertised on platforms like Douyin, and when users click, they are directed to mini-programs where they need to pay for further viewing. Besides direct payment revenue, micro dramas may also bring in revenue from advertising.

 
‘Losers’ Striking Back
 

You might wonder what could possibly unfold in a TV drama lasting just two minutes per episode.

The Chinese cultural media outlet ‘Hedgehog Society’ (刺猬公社) collected data from nearly 6,000 short dramas and generated a word cloud based on their content keywords.

In works targeted at female audiences, the most common words revolve around (romantic) relationships, such as “madam” (夫人) and “CEO” (总裁). Unlike Chinese internet novels from over a decade ago, which often depicted perfect love and luxurious lifestyles, these short dramas offer a different perspective on married life and self-discovery.

According to Hedgehog Society’s data, the frequency of the term “divorce” (离婚) in short dramas is ten times higher than “married” (结婚) or “newlyweds” (新婚). Many of these dramas focus on how the female protagonist builds a better life after divorce and successfully stands up to her ex-husband or to those who once underestimated her — both physically and emotionally.

One of the wordclouds by 刺猬公社.

In male-oriented short dramas, the pursuit of power is a common theme, with phrases like “the strongest in history” (史上最强) and “war god” (战神) frequently mentioned. Another surprising theme is “matrilocal son” (赘婿), the son-in-law who lives with his wife’s family. In China, this term is derogatory, particularly referring to husbands with lower economic income and social status than their wives, which is considered embarrassing in traditional Chinese views. However, in these short dramas, the matrilocal son will employ various methods to earn the respect of his wife’s family and achieve significant success.

Although storylines differ, a recurring theme in these short dramas is protagonists wanting to turn their lives around. This desire for transformation is portrayed from various perspectives, whether it’s from the viewpoint of a wealthy, elite individual or from those with lower social status, such as divorced single women or matrilocal son-in-laws. This “feel-good” sentiment appears to resonate with many Chinese viewers.

Cultural influencer Lu Xuyu (@卢旭宁) quoted from a forum on short dramas, explaining the types of short dramas that are popular: Men seek success and admiration, and want to be pursued by beautiful women. Women seek romantic love or are still hoping the men around them finally wake up. One netizen commented more bluntly: “They are all about the counterattack of the losers (屌丝逆袭).”

The word used here is “diaosi,” a term used by Chinese netizens for many years to describe themselves as losers in a self-deprecating way to cope with the hardships of a competitive life, in which it has become increasingly difficult for Chinese youths to climb the social ladder.

 
Addicted to Micro Drama
 

By early 2024, the viewership of China’s micro dramas had soared to 120 million monthly active users, with the genre particularly resonating with lower-income individuals and the elderly in lower-tier markets.

However, short dramas also enjoy widespread popularity among many young people. According to data cited by Bilibili creator Caoxiaoling (@曹小灵比比叨), 64.9% of the audience falls within the 15-29 age group.

For these young viewers, short dramas offer rapid plot twists, meme-worthy dialogues, condensing the content of several episodes of a long drama into just one minute—stripping away everything except the pure “feel-good” sentiment, which seems rare in the contemporary online media environment. Micro dramas have become the ultimate ‘guilty pleasure.’

Various micro dramas, image by Sicomedia.

Even the renowned Chinese actress Ning Jing (@宁静) admitted to being hooked on short dramas. She confessed that while initially feeling “scammed” by the poor production and acting, she became increasingly addicted as she continued watching.

It’s easy to get hooked. Despite criticisms of low quality or shallowness, micro dramas are easy to digest, featuring clear storylines and characters. They don’t demand night-long binge sessions or investment in complex storylines. Instead, people can quickly watch multiple episodes while waiting for their bus or during a short break, satisfying their daily drama fix without investing too much time.

 
Chasing the gold rush
 

During the recent Spring Festival holiday, the Chinese box office didn’t witness significant growth compared to previous years. In the meantime, the micro drama “I Went Back to the 80s and Became a Stepmother” (我在八零年代当后妈), shot in just 10 days with a post-production cost of 80,000 yuan ($11,000), achieved a single-day revenue exceeding 2 million yuan ($277k). It’s about a college girl who time-travels back to the 1980s, reluctantly getting married to a divorced pig farm owner with kids, but unexpectedly falling in love.

Despite its simple production and clichéd plot, micro dramas like this are drawing in millions of viewers. The producer earned over 100 million yuan ($13 million) from this drama and another short one.

“I Went Back to the 80s and Became a Stepmother” (我在八零年代当后妈).

The popularity of short dramas, along with these significant profits, has attracted many people to join the short drama industry. According to some industry insiders, a short drama production team often involves hundreds or even thousands of contributors who help in writing scripts. These contributors include college students, unemployed individuals, and online writers — seemingly anyone can participate.

By now, Hengdian World Studios, the largest film and television shooting base in China, is already packed with crews filming short dramas. With many production teams facing a shortage of extras, reports have surfaced indicating significant increases in salaries, with retired civil workers even being enlisted as actors.

Despite the overwhelming success of some short dramas like “I Went Back to the 80s and Became a Stepmother,” it is not easy to replicate their formula. The screenwriter of the time-travel drama, Mi Meng (@咪蒙的微故事), is a renowned online writer who is very familiar with how to use online strategies to draw in more viewers. For many average creators, their short drama production journey is much more difficult and less fruitful.

But with low costs and potentially high returns, even if only one out of a hundred productions succeeds, it could be sufficient to recover the expenses of the others. This high-stakes, cutthroat competition poses a significant challenge for smaller players in the micro drama industry – although they actually fueled the genre’s growth.

As more scriptwriters and short dramas flood the market, leading to content becoming increasingly similar, the chances of making profits are likely to decrease. Many short drama platforms have yet to start generating net profits.

This situation has sparked concerns among netizens and critics regarding the future of short dramas. Given the genre’s success and intense competition, a transformation seems inevitable: only the shortest dramas that cater to the largest audiences will survive.

In the meantime, however, netizens are enjoying the hugely wide selection of micro dramas still available to them. One Weibo blogger, Renmin University Professor Ma Liang (@学者马亮), writes: “I spent some time researching short videos and watched quite a few. I must admit, once you start, you just can’t stop. ”

By Ruixin Zhang, edited with further input by Manya Koetse

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China Arts & Entertainment

“The End of the Golden Age of Japanese Manga”: Chinese Netizens Mourn Death of Akira Toriyama

Manya Koetse

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Chinese fans are mourning the death of Japanese manga artist and character creator Akira Toriyama. On Friday, his production company confirmed that the 68-year-old artist passed away due to acute subdural hematoma.

On Weibo, a hashtag related to his passing became trending as netizens shared their memories and appreciation for Toriyama’s work, as well as creating fan art in his honor.

The tribute to Toriyama reached beyond online fans – even spokesperson Mao Ning (毛宁) for the Ministry of Foreign Affairs of China expressed condolences during a regular press conference held on Friday (#外交部对漫画家鸟山明去世表示哀悼#).

Throughout his career, Toriyama created various works, but he is best known for his manga “Dragon Ball,” which was published between 1984-1995 in the magazine Shonen Jump and spawned TV series, films, and video games.

 
Chinese Love for “Dragon Ball”
 

Japanese comics and anime have had a significant impact on Chinese popular culture. In China, one of the largest comics markets globally, Japanese manga has been a major import since the 1980s.

Chinese readers form the largest fan community for Japanese comics and anime, and for many Chinese, the influential creations of Akira Toriyama, like “Dr. Slump” and particularly “Dragon Ball,” are cherished as part of their childhood or teenage memories (Fung et al 2019, 125-126).

The cultural link between Toriyama’s “Dragon Ball” and Chinese readers goes further than their mere appreciation for Japanese manga/anime. Toriyama drew inspiration from the Chinese book Journey to the West when he initially created the “Dragon Ball” story. That epic tale, filled with heroes and demons, revolves around supernatural monkey Sun Wukong who accompanies the Tang dynasty monk Xuanzang on a pilgrimage to India to obtain Buddhist sūtras (holy scriptures).

“Dragon Ball” chronicles the adventures of Son Goku, a superhuman boy with a monkey tail, who who is swept into a series of adventures connected to the wish-granting, magical dragon balls, sought after by his evil enemies.

Besides Journey to the West, “Dragon Ball” is filled with many other China-related references and word games, from Chinese mythology to martial arts (Mínguez-López 2014, 35).

In one online poll conducted by Sina News asking Weibo users if “Dragon Ball” is part of their childhood memories, a majority of people responded that the manga series was part of their post-1980s and post-1990s childhood, although younger people also indicated that they loved “Dragon Ball.”

 
Online Tributes to Toriyama
 

On Friday, many bloggers and online creators posted images and art to honor Akira Toriyama. Several images went viral and were reposted thousands of times.

Chinese graphic design artist Wuheqilin (@乌合麒麟) dedicated a particularly popular post and image to Toriyama, suggesting that his death symbolized “the end of the golden age of Japanese manga.”

Weibo post by Wuheqilin, March 8 2024.

Shituzi (@使徒子), a Chinese comic artist, posted an image for Toriyama with the words “goodbye.”

Posted by @使徒子.

Chinese comedian Yan Hexiang (阎鹤祥) wrote: “I just bought the Dr. Slump series online. I thank you for bringing me the memories of my childhood, I salute you.”

Automotive blogger Chen Zhen (陈震) posted an image of Dragon Ball protagonist Son Goku with wings on his back, waving goodbye, writing: “Rest in peace.”

Image posted by @陈震同学.

One Dragon Ball fan (@小佛手绘) posted another AI-generated image of Son Goku standing by Toriyama’s grave which was shared all over Weibo.

Posted or reposted by Weibo user @小佛手绘.

By Friday night, the hashtag “Akira Toriyama Passed Away” (#鸟山明去世#) had generated over one billion views on Weibo, showing just how impactful Toriyama’s work has been in China – a legacy that will last long after his passing.

By Manya Koetse

References

Fung, Anthony, Boris Pun, and Yoshitaka Mori. 2019. “Reading Border-Crossing Japanese Comics/Anime in China: Cultural Consumption, Fandom, and Imagination.” Global Media and China 4, no. 1: 125–137.

Xavier Mínguez-López. 2014. “Folktales and Other References in Toriyama’s Dragon Ball.” Animation: An Interdisciplinary Journal. Vol. 9 (1): 27–46.

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