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The Next Labubu

Manya Koetse

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Dear Reader,


As it is becoming increasingly clear that Chinese designer toy Labubu has basically conquered the world, it’s already time for the next made-in-China collectible toy to start trending on Chinese social media.

Now, the name that’s trending is Wakuku, a Chinese trend toy created by the Shenzhen-based company Letsvan.

In March 2025, a new panda-inspired Wakuku debuted at Miniso Land in Beijing, immediately breaking records and boosting overall store revenue by over 90%. Wakuku also broke daily sales records on May 17 with the launch of its “Fox-and-Bunny” collab at Miniso flagship stores in Shanghai and Nanjing. At the opening of the Miniso Space in Nanjing on June 18, another Wakuku figure sold out within just two hours. Over the past week, Wakuku went trending on Chinese social media multiple times.

From left to right the March, May, and June succes Wakuku series/figurines

Like Labubu, Wakuku is a collectible keychain doll with a soft vinyl face and a plush body. These designer toys are especially popular among Chinese Gen Z female consumers, who use them as fashion accessories (hanging them from bags) or as desk companions.

We previously wrote in depth about the birth of Labubu, its launch by the Chinese POP MART (founded 2010), and the recipe for its global popularity in this article, so if you’re new to this trend of Chinese designer toys, you’ll want to check it out first (link).

Labubu has been making international headlines for months now, with the hype reaching a new peak when a human-sized Labubu sold for a record 1.08 million RMB (US$150,700), followed by a special edition that was purchased for nearly 760,000 RMB (US$106,000).

Now, Wakuku is the new kid on the block, and while it took Labubu nine years to win over young Chinese consumers, it barely took Wakuku a year — the character was created in 2022–2023, made its retail debut in 2024, and went viral within months.

Its pricing is affordable (59–159 RMB, around $8.2-$22) and some netizens argue it’s more quality for money.

While Labubu is a Nordic forest elf, Wakuku is a tribal jungle warrior. It comes in various designs and colors depending on the series and is sold in blind boxes (盲盒), meaning buyers don’t know exactly which design they’re getting — which adds an element of surprise.

➡️ There’s a lot to say about Wakuku, but perhaps the most noteworthy aspect is how closely it mirrors the trajectory of POP MART’s Labubu.

Wakuku’s recent success in China highlights the growing appeal and rapid rise of Chinese IPs (beyond its legal “intellectual property” meaning, ‘IPs’ is used to refer to unique cultural brands, characters, or stories that can be developed into collectibles, merchandise, and broader pop culture phenomena).

Although many critics predict that the Labubu trend will blow over soon, the popularity of Wakuku and other Labubu-like newcomers shows that these toys are not just a fleeting craze, but a cultural phenomenon that reflects the mindset of young Chinese consumers, China’s cross-industry business dynamics, and the global rise of a new kind of ‘C-pop.’

Wakuku: A Cheeky Jungle Copycat 

When I say that Wakuku follows POP MART’s path almost exactly, I’m not exaggerating. Wakuku may be portrayed as a wild jungle child, but it’s definitely also a copycat.

It uses the same materials as Labubu (soft vinyl + plush), the name follows the same ABB format (Labubu, Wakuku, and the panda-themed Wakuku Pangdada), and the character story is built on a similar fantasy universe.

In fact, Letsvan’s very existence is tied to POP MART’s rise — the company was only founded in 2020, the same year POP MART, then already a decade old, went public on the Hong Kong Stock Exchange and became a dominant industry force.

In terms of marketing, Wakuku imitates POP MART’s strategy: blind boxes, well-timed viral drops, limited-edition tactics, and immersive retail environments.

It even follows a similar international expansion model as POP MART, turning Thailand into its first stop (出海首站) — not just because of its cultural proximity and flourishing Gen Z social media market, but also because Thailand was one of the first and most successful foreign markets for Labubu.

Its success is also deeply linked to celebrity endorsement. Just as Labubu gained global traction with icons like BLACKPINK’s Lisa and Rihanna seen holding the doll, Wakuku too leans heavily on celebrity visibility and entertainment culture.

Like Labubu, Wakuku even launched its own Wakuku theme song.

Since 2024, Letsvan has partnered with Yuehua Entertainment (乐华娱乐) — one of China’s leading talent agencies — to tap into its entertainment resources and celebrity network, powering the Wakuku marketing engine. Since stars like Esther Yu (虞书欣) were spotted wearing Wakuku as a jeans hanger, demand for the doll skyrocketed. Yuehua’s founder, Du Hua (杜华), even gifted a Wakuku to David Beckham as part of its celebrity strategy.

From Beckham to Esther Yu; celebrity endorsements play a big role in the viral marketing of Wakuku.

But what’s most important in Wakuku’s success — and how it builds on Labubu — is that it fully embraces the ugly-cute (丑萌 chǒu méng) aesthetic. Wakuku has a mischievous smile, expressive eyes, a slightly crooked face, a unibrow, and freckles — fitting perfectly with what many young Chinese consumers love: expressive, anti-perfectionist characters (反精致).

“Ugly-Cute” as an Aesthetic Rebellion

Letsvan is clearly riding the wave of “ugly trend toys” (丑萌潮玩) that POP MART spent years cultivating.

🔍 Why are Chinese youth so obsessed with things that look quirky or ugly? 

A recent article by the Beijing Science Center (北京科学中心) highlights how “ugly-cute” toys like Labubu and Wakuku deviate from traditional Chinese aesthetics, and reflect a deeper generational pushback against perfection and societal expectations.

The pressure young people face — in education, at work, from family expectations, and information overload — is a red thread running through how China’s Gen Z behaves as a social media user and consumer (also see the last newsletter on nostalgia core).

To cope with daily stress, many turn to softer forms of resistance, such as the “lying flat” movement or the sluggish “rat lifestyle” in which people reject societal pressures to succeed, choosing instead to do the bare minimum and live simply.

This generational pushback also extends to traditional norms around marriage, gender roles, and ideals of beauty. Designer toys like Labubu and Wakuku are quirky, asymmetrical, gender-fluid, rebellious, and reflect a broader cultural shift: a playful rejection of conformity and a celebration of personal expression, authenticity, and self-acceptance.

Another popular designer toy is Crybaby designed by Thai designer Molly, and described as follows: “Crybaby is not a boy or a girl, it is not even just human, it represents an emotion that comes from deep within. It can be anything and everything! Laughter isn’t the only way to make you feel better, crying can be healing too. If one day, a smile can’t alleviate your problems, baby let’s cry together.”

But this isn’t just about rejecting tradition. It’s also about seeking happiness, comfort, and surprise: emotional value. And it’s usually not brand-focused but influencer-led. What matters is the story around it and who recommends it (unless the brand becomes the influencer itself — which is what’s ultimately happening with POP MART).

One of the unofficial ambassadors of the chǒu méng ugly-cute trend is Quan Hongchan (全红婵), the teenage diving champion and Olympic gold medallist from Guangdong. Quan is beloved not just for her talent, but also for her playful, down-to-earth personality.

During the Paris Olympics, she went viral for her backpack, which was overflowing with stuffed animals (some joked she was “carrying a zoo on her back”) — and for her animal-themed slippers, including a pair of ugly fish ones.

Quan Hongchan with her Wakuku, and her backpack and slippers in her Paris Olympics days.

It’s no surprise that Quan Hongchan is now also among the celebrities boosting the popularity of the quirky Wakuku.

From Factory to Fandom: A New Kind of “C-pop” in the Making

The success of Wakuku and other similar toys shows that they’re much more than Labubu 2.0; they’re all part of a broader trend tapping into the tastes and values of Chinese youth — which also speaks to a global audience.

And this trend is serious business. POP MART is one of the world’s fastest-growing consumer brands, with a current market value of approximately $43 billion, according to Morgan Stanley.

No wonder everyone wants a piece of the ‘Labubu pie,’ from small vendors to major companies.

It’s not just the resellers of authentic Labubu dolls who are profiting from the trend — so are the sellers of ‘Lafufu,’ a nickname for counterfeit Labubu dolls, that have become ubiquitous on e-commerce platforms and in toy markets (quite literally).

Wakuku’s rapid rise is also a story of calculated imitation. In this case, copying isn’t seen as a flaw but as smart market participation.

The founding team behind Letsvan already had a decade of experience in product design before setting out on their journey to become a major player in China’s popular designer toy and character merchandise market.

But their real breakthrough came in early 2025, when QuantaSing (量子之歌), a leading adult learning ed-tech company with no previous ties to toys, acquired a 61% stake in the company.

With QuantaSing’s financial backing, Yuehua Entertainment’s marketing power, and Miniso’s distribution reach, Wakuku took it to the next level.

The speed and precision with which Letsvan, QuantaSing, and Wakuku moved to monetize a subcultural trend — even before it fully peaked — shows just how advanced China’s trend toy industry has become.

This is no longer just about cute (or ugly-cute) designs; it’s about strategic ecosystems by ‘IP factories,’ from concept and design to manufacturing and distribution, blind-box scarcity tactics, immersive store experiences, and influencer-led viral campaigns — all part of a roadmap that POP MART refined and is now adopted by many others finding their way into this lucrative market. Their success is powered by the strength of China’s industrial & digital infrastructure, along with cross-industry collaboration.

The rise of Chinese designer toy companies reminds of the playbook of K-pop entertainment companies — with tight control over IP creation, strong visual branding, carefully engineered virality, and a deep understanding of fandom culture. (For more on this, see my earlier explanation of the K-pop success formula.)

If K-pop’s global impact is any indication, China’s designer toy IPs are only beginning to show their potential.

The ecosystems forming around these products — from factory to fandom — signal that Labubu and Wakuku are just the first wave of a much larger movement.

Best,

Manya


What’s On

Introducing our Events Page



To broaden your China horizon | Since I always like to keep up with multiple facets of Chinese developments, I’ve often found myself looking for a good online source to keep track of upcoming, insightful China events happening around the world, covering everything from China’s (digital) culture and society to history, language, and broader China-related insights, especially ones that are accessible virtually.

Since I couldn’t really find one that suited my needs (it all seems so fragmented!), I’ve been working on a “What’s On” page listing upcoming events that will hopefully be of use to you as well.

It includes everything from book launches like Governing Digital China to academic panels on China’s global media strategy — and much more. I’ve been scrolling through dozens of think tank sites, Eventbrite listings, and university event pages to find them.

For what it’s worth: these are all events I’d want to attend myself. And thanks to Zoom, many of them are just a click away for a global audience.

👉 You can browse the current list of upcoming events here.

And please help me grow this🌱: if you know of any interesting events that should be included, let me know — this is just the start!


What’s Trending

Popular Topics at a Glance


Now that we’ve determined how Wakuku’s rise is not just about copying & following in Labubu’s footsteps and more about how China is setting the pace for global pop culture IPs, I want to give you a small peek into the main characters in the field right now.

Even if these dolls aren’t really your thing, you’ll inevitably run into them and everything happening around them.

Before diving into the top trending characters, a quick word on the challenges ahead for Labubu & co:

🚩 Bloomberg Opinion columnist Shuli Ren recently argued that Labubu’s biggest threat isn’t competition from Wakuku or knockoffs like “Lafufu,” but the fragility of its resale ecosystem — particularly how POP MART balances supply, scarcity, and reseller control.

Scarcity is part of what makes Labubu feel premium. But if too many dolls go to scalpers, it alienates real fans. If scalpers can’t profit, Labubu risks losing its luxury edge. Managing this dynamic may be POP MART’s greatest long-term challenge.

🚩 Chinese Gen Z consumers value authenticity — and that’s something money can’t manufacture. If China’s booming IP toy industry prioritizes speed and profit over soul, the hype may die out at a certain point.

🚩 The same goes for storytelling. Characters need a solid universe to grow in. Labubu had years to build out its fantasy universe. Cute alone isn’t enough — characterless toys don’t leave a lasting impression and don’t resonate with consumers.

Examples of popularity rankings of Chinese IP toys on Xiaohongshu.

With that in mind… let’s meet the main players.

On platforms like Xiaohongshu, Douyin, and Weibo, users regularly rank the hottest collectible IPs. Based on those rankings, here’s a quick who’s-who of China’s current trend toy universe:

1. Labubu (拉布布)

Brand: POP MART
Creator: Kasing Lung
Year launched: 2015 (independent), 2019 with POP MART.

The undisputed icon of China’s trend toy world, Labubu is a mischievous Nordic forest troll with big eyes, nine pointy teeth, and bunny ears. Its quirky, ugly-cute design, endless possibilities of DIY costume changes, and viral celebrity endorsements have made it a must-have collectible and a global pop culture phenomenon.

2. Wakuku (哇库库)

Brand&Creator: Letsvan, backed by QuantaSing Group
Year launched: 2024 with first blind box

Wakuku, a “tribal jungle hunter” with a cheeky grin and unibrow, is seen as the rising star in China’s trend toy market. Wakuku’s rapid rise is fueled by celebrity marketing, pop-up launches, and its strong appeal among Gen Z, especially considering Wakuku is more affordable than Labubu.

3. Molly (茉莉)

Brand: POP MART
Designer: Kenny Wong (王信明)
Year launched: 2006 (creator concept); POP MART 2014, first blind boxes in 2016

Molly is a classic trend toy IP, one of POP MART’s favorites, with a massive fanbase and long-lasting popularity. The character was allegedly inspired by a chance encounter with a determined young kid at a charity fundraiser event, after which Kenny Wong created Molly as a blue-eyed girl with short hair, a bit of a temperament, and an iconic pouting expression that never leaves her face.

4. SKULLPANDA (骷髅熊猫)

Brand: POP MART
Creator: Chinese designer Xiong Miao
Year launched: 2018 (creator concept); POP MART 2020

Skullpanda is one of POP MART’s flagship IPs —it’s a goth-inspired fantasy design. According to POP MART, SKULLPANDA journeys through different worlds, taking on various personas and living out myriad lives. On this grand adventure, it’s on a quest to find its truest self and break new ground all while contemplating the shape of infinity.

5. Baby Zoraa

Brand: TNT SPACE
Creator: Wang Zequn, CEO of TNT SPACE
Year launched: 2022 (same year as company launch)


Baby Zoraa — cute yet devilishly fierce — is one of TNT SPACE’s most popular characters. She’s the sister of Boy Rayan, another hit under the same brand. Her first blind box edition topped Tmall’s trend toy sales charts, selling over 500,000 units.

Want to see more? Check out the entire list below.


This is an on-site version of the Weibo Watch newsletter by What’s on Weibo. Missed the last newsletter? Find it here. If you are already subscribed to What’s on Weibo but are not yet receiving this newsletter in your inbox, please contact us directly to let us know. No longer wish to receive these newsletters? You can unsubscribe at any time while remaining a premium member.

Manya is the founder and editor-in-chief of What's on Weibo, offering independent analysis of social trends, online media, and digital culture in China for over a decade. Subscribe to gain access to content, including the Weibo Watch newsletter, which provides deeper insights into the China trends that matter. More about Manya at manyakoetse.com or follow on X.

China Memes & Viral

Trump and Takaichi: The Unexpected Love Affair

The meeting between US President Donald Trump and new Japanese Prime Minister Sanae Takaichi became a popular topic on China social media, thanks to a stream of meme-worthy moments.

Manya Koetse

Published

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It was a pleasant autumn day in Tokyo on October 28, when Trump first met Japan’s newly-elected Prime Minister Sanae Takaichi (高市早苗).

Takaichi welcomed Trump at the State Guest House as her first foreign guest since taking office as Japan’s first-ever female leader, offering what Yomiuri Shimbun described as “Takaichi-style hospitality.”

During the visit, Trump and Takaichi held a bilateral summit during which Takaichi expressed desire to build a new “golden age” for the US-Japan alliance. Afterwards, they signed agreements and exchanged gifts — a golf bag for Trump, signed by Japanese golf star Hideki Matsuyama (with whom Trump has previously played), and “Japan is Back” baseball caps for Takaichi.

Following a lunch that featured Japanese vegetables and American steak, the two visited the US Navy’s Yokosuka base, where Trump remarked that he and Takaichi had “become very close friends all of a sudden.”

On Chinese social media, the meeting drew considerable attention.

There has been heightened focus in China on Sanae Takaichi beyond anti-Japanese sentiment and her recent appointment as Japan’s first female Prime Minister — as she is widely regarded as a far-right politician who denies, downplays, or glorifies historical facts related to the Second Sino-Japanese War (1931-1945).

Japan’s official narrative of its wartime past has long been a major obstacle to deeper reconciliation between China and Japan, and it is highly unlikely that Takaichi’s views of the war are going to bring China and Japan any closer. Among others, she is known for visiting Yasukuni Shrine, the Tokyo shrine that honors Japan’s war dead (including those who committed war crimes in China). She also claimed that Japan’s aggression following the Manchurian Incident, which led to the outbreak of the Second Sino-Japanese War, was an act of “self-defense.”

In light of these tensions in Sino-Japanese relations, and because of the changing dynamics in the current US-China relationship, many details surrounding the Trump–Takaichi meeting became popular talking points.

 

🔴 Trump: Reaffirming US Dominance, Insensitive to Japan’s Wartime Past


 

Many netizens focused on moments they interpreted as Trump asserting dominance or showing disregard for Japan.

👉 One awkward moment showed how, during the welcoming ceremony, Takaichi failed to properly escort the US president. He walked ahead of her twice, and, despite the cues to salute the Japanese flag, Trump simply walked past it instead, leaving Takaichi looking visibly surprised (video).

While some saw it as a case of poor etiquette instructions behind the scenes, most reactions framed it as a sign of power dynamics in the US–Japan relationship, with some commenting: “Why would the master bow to his son?” (Hashtags: “Trump Skips the Japanese Flag” #特朗普略过日本国旗# and “Trump Ignores Takaichi Twice in a Minute” #特朗普1分钟内两次无视高市早苗#)

👉 Another widely discussed moment came at the Yokosuka base, where Trump invited Takaichi on stage and mentioned how their bond was based on WWII (“Born out of the ashes of a terrible war”) — a comment that seemed to catch Takaichi off guard (video). He quickly followed up with, “our bond has grown into the beautiful friendship that we have,” but not before her expression visibly changed.

Under the hashtag “Trump’s Remark Gave Takaichi a Scare” (#专家:#特朗普一句话吓了高市早苗一大跳#), Chinese media outlet Beijing Time (@北京时间) commented: “She was afraid that Trump might go on to say something she couldn’t respond to easily.”

Image by online creator.

👉 Later, at a reception at the US Embassy in Tokyo, Trump referred to the Pacific War as a “little conflict.” While the euphemism may have been aimed at promoting reconciliation (“We once had a little conflict with Japan — you may have heard about that — but after such a terrible event, our two nations have become the closest of friends and partners…” video), many Chinese netizens and outlets, including The Observer (观察者网) interpreted the remark as dismissive. This fueled hashtags like “Trump Calls the Pacific War a Small Conflict” (#特朗普将太平洋战争称作小冲突#) and “Trump Refers to Hiroshima and Nagasaki Bombing as a Small Conflict” (#特朗普称轰炸广岛长崎只是小冲突#).

 

🔴 Takaichi: Smiles & Body Language Seen as Deferential to US


 

Alongside critiques of Trump’s behavior, much attention was also paid to Takaichi’s facial expressions and body language.

On Chinese social media, she was widely seen as overly eager to please — described as “fawning over Trump” (谄媚) in an “exaggerated” (夸张) way. Global Times highlighted how even Japanese netizens were criticizing her gestures as inappropriate for a prime minister (#日本网民怒批高市早苗谄媚#).

Some jokingly drew comparison to the famous movie about Hachiko, the loyal Japanese dog and his owner, played by American actor Richard Gere.

Some commenters described her behavior as that of an affectionate “pet” eager for approval.

Meme in which Takaichi was compared to Captain Jia (贾贵), known for his exaggerated flattery and traitorous behavior.

One meme compared Takaichi’s expressions toward Trump to those of Chinese actor Yan Guanying (颜冠英), who played the supporting role of Captain Jia (贾贵) in Underground Traffic Station (地下交通站), a satirical Chinese sitcom set during the Japanese occupation. The character was known for his exaggerated flattery and traitorous behavior.

 

🔴 Trump & Takaichi: A US-Japan Love Affair


 

But the most popular kind of meme surrounding the Takaichi-Trump meeting portrayed them as a newly smitten couple or even newlyweds. AI-generated images and playful commentary suggested a “love affair” dynamic. Watch an example of the videos here.

AI-generated images circulating on social media.

Some netizens linked this imagery to deeper historical dynamics — drawing distasteful parallels to American troops in postwar Japan and the women involved with them, including references to the reinstatement of the “sexual entertainment” industry once used to serve US forces.

For many, however, it was more about humor than history.

Some shared images showed just how much happier Trump seemed to be meeting with Sanae Takaichi than with her predecessor, Shigeru Ishiba, in 2024.

A considerably warmer meeting.

In the end, there are two sides to this peculiar “love affair” meme.

👉 On one hand, it plays on the affectionate behavior and newfound friendship between the two — Trump held Takaichi close to him multiple times, and she said she would nominate him for the Nobel Peace Prize. At the same time, the portrayal reduces Takaichi to a submissive romantic partner rather than a political equal, reinforcing gendered stereotypes — a dynamic that likely wouldn’t have emerged as strongly if she were a man.

This kind of “couple pairing” is quite ubiquitous in Chinese digital culture, especially involving people who are unlikely to have an actual relationship in real life. And although censorship would never allow this kind of pairing to thrive online if it involved Chinese politicians, the fact that it features Trump and Takaichi makes it less susceptible to online control.

A previous example of a noteworthy “love affair” meme was the one pairing US Speaker of the House Nancy Pelosi with Chinese political commentator Hu Xijin (see it here).

👉 Second, the Trump–Takaichi meeting is often placed in a Chinese context — showing the two getting married in a Chinese-style ceremony or inserting them into Chinese film scenes. While this may seem like light banter, it also reveals a deeper layer to the discussion: many believe that China plays a central role in the US–Japan relationship, interpreting the meeting through a Chinese lens in which US–China dynamics and the history of Sino-Japanese war are all interconnected.

Will they live happily ever after? Some may fantasize they will — but others think the weight of the past, both American and Chinese, will always cloud their sunny future. For now, most enjoy the banter and how “political news has turned into a romance variety show” (“政治新闻愣成了恋综了”).

By Manya Koetse

(follow on X, LinkedIn, or Instagram)

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China World

“It’s in the Details” – The Xi-Trump ‘G2’ Meeting on Chinese Social Media

“The tariff drama, directed by Trump himself with himself as the main actor, has finally come to an end.”

Manya Koetse

Published

on

Last update 1 November 2025
 

The meeting between Xi Jinping and Donald Trump has been a major topic across Chinese social media, from the announcement of the big ‘G2’ summit to the actual meeting between the two nations, which have been caught up in trade tensions and rocky relations.

The announcement and actual meeting became the top trending topic across Chinese social media platforms over the past week.

Trump announced the meeting with Xi as the ‘G2’ on his Truth Social platform.

The meeting, that lasted approximately 1 hour and 40 minutes inside Gimhae International Airport in Busan, South Korea, was the first in-person meeting between Trump and Xi since Trump began his second term in January 2025. The summit took place on the sidelines of the APEC (Asia-Pacific Economic Cooperation) meetings and concluded Trump’s ‘Asia tour’ that also included visits to Malaysia and Japan.

Chinese news reports about the meeting were overall positive, with Xinhua noting that the two leaders agreed to strengthen cooperation in various areas and promote “people-to-people exchanges.”

State-run media also reported Xi’s emphasis on dialogue over confrontation and highlighted Trump’s praise of China. Reports by CCTV and China Daily emphasized Xi Jinping’s remarks during the meeting on the important of stable US-China relations: “The partnership and friendship of our two countries, is a lesson from history, and also a necessity of the present” (“两国做伙伴、做朋友,这是历史的启示,也是现实的需要”).

During the meeting, Xi also said that, given the differences in national conditions, some US-China disagreements are inevitable, and as the world’s two largest economies, “occasional friction is normal” (“两国国情不同,难免有一些分歧,作为世界前两大经济体,时而也会有摩擦,这很正常”). He added: “To face rough waters and challenges, both heads of state should steer the right course and keep the larger picture in mind to ensure the steady sailing of China–US relations” (“面对风浪和挑战,两国元首作为掌舵人,应当把握好方向、驾驭住大局,让中美关系这艘大船平稳前行”).

Trump told reporters that he rated the meeting with Xi “a 12 out of 10.” On Truth Social, he also called it a “truly great meeting” that resulted in some major agreements.

Among others, the US cut fentanyl-related tariffs on China from 20% to 10%, China agreed to pause its October 9 export controls on rare earths for one year, while Washington suspended related controls, and Beijing authorized massive purchases of American soybeans and agricultural products.

The two sides also agreed to maintain regular contact. Trump expressed his hope to visit China in April 2026 and invited President Xi to visit the United States.

 
G2: Changing Power Dynamics
 

Video footage showing Trump escorting Xi to his vehicle after the meeting went viral across platforms from Toutiao to Douyin.

As often happens in a social media environment where in-depth discussions of high-level meetings are heavily restricted, it’s the visuals that matter — with netizens dissecting the gestures and body language of both leaders.

One image that circulated online focused on the difference in body language between the Trump-Xi meeting and the meeting between Trump and Japan’s new leader Takaichi, suggesting it translates to different power dynamics.

Trump and Takaichi versus Trump and Xi.

On October 28, when Trump met with Takaichi, he appeared to ignore cues to salute the Japanese flag, instead briskly walking past it. Takaichi looked visibly surprised. While some attributed it to poor etiquette guidance behind the scenes, most reactions framed it as a reflection of the power dynamics in the US–Japan relationship — with the US clearly on top.

The smaller meeting moments and visual gestures of respect that Trump showed toward Xi were seen by many — including this Zhihu commenter, 高山流水教育者 — as important signs and changing US-China dynamics.

These gestures ranged from Trump arriving at the venue early and “respectfully waiting” (恭候) for the Chinese delegation, to being the one who extended his hand first during the handshake. After the meeting, both leaders smiled and Trump courteously escorted Xi to his car and exchanged a few quiet words with him (#特朗普送习主席上车#).

The commenter writes: “The truth lies in the details!” (“细节见真章” xìjié jiàn zhēnzhāng).

Another issue that has repeatedly come up on social media is how Trump prioritized a one-on-one meeting with Xi Jinping while skipping the APEC meeting — suggesting a preference for major power dynamics and his so-called ‘G2’ US–China alignment over broader engagement with the Asia-Pacific bloc.

Trump’s initiative to call the US-China meeting a “G2” seemed well-received by the Foreign Ministry of China, which responded to a reporter’s question about the use of this term on October 31. Spokesperson Guo Jiakun (郭嘉昆) suggested that China and the United States could demonstrate “major power responsibility together” by cooperating on issues beneficial to both countries and the rest of the world (#中方回应特朗普所称G2会议#).

The fact that Trump called it a “G2” speaks volumes for many about China’s strong global leadership today — especially coming from someone often described as having a “mentality of worshipping the strong” (慕强心理 mù qiáng xīn lǐ).

The media campaign China launched ahead of the Xi–Trump meeting to assert its claims over Taiwan may also have played a role — with a series of state media commentaries emphasizing reunification and the declaration of October 25 as “Taiwan Restoration Day,” there appeared to be added pressure to ensure Taiwan would not be used as a bargaining chip.

Taken together, the meeting and the details surrounding it are taken as a sign that Trump now accepts China as a stronger power than he did during his first term.

At the same time, Trump’s eagerness is also seen as a reflection of how his foreign policy efforts have fallen short in resolving domestic challenges. In that sense, his use of “G2” underscores both China’s rising position and the domestic pressures facing the United States.

With the fruitful outcome of the meeting and Trump showing clear respect toward China — and, as many suggested, even more respect than toward Japan — there seems to be a generally positive attitude and a noticeable shift in sentiment toward the US president on Chinese social media.

“Old Trump is an honest guy,” one person wrote on Weibo. Others on Douyin wrote: “US–China cooperation is a win-win situation.”

One observer on Weibo wrote: “The tariff drama, directed by Trump himself with himself as the main actor, has finally come to an end after all his tossing and turning. Life is like a play and it all depends on your acting skills. Old Trump treats politics as a show, which has broadened our horizons and added a bit of extra amusement to the world.”

By Manya Koetse
with contributions by Miranda Barnes

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