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China’s “Most Famous Foreigner” Mark Rowswell: Ready for Dashan 3.0

He has been China’s most famous foreigner for nearly three decades: Canadian Mark Rowswell aka Dashan. On March 30, he talked about his life as a household name and his work as a comedian in the PRC at Beijing’s the Bookworm. What’s on Weibo was there to take note.

Manya Koetse

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He is China’s “most famous foreigner” since the late 1980s: Canadian Mark Rowswell, better known as Dashan. On March 30, he talked about his life as a Chinese household name and his work as a comedian at Beijing’s The Bookworm. After a fruitful China career of nearly three decades, Rowswell says he’s now ready for ‘Dashan 3.0.’ What’s on Weibo reports.

Canadian Mark Rowswell aka Dashan (大山) has been working as a comedian and media personality in China since the late 1980s. His excellent Chinese made him instantly famous when he starred in the most-watched televised show in the world, the CCTV Spring Gala. Since then he has appeared on countless Chinese TV shows and dramas, and has appeared on the Spring Gala a total of four times.

On Sina Weibo, Dashan (@大山) now has over 3.8 million fans. He might not be the most popular non-Chinese person on Weibo (Stephen Hawking gained 4.2 million followers since he joined Weibo), but he certainly is the most famous Canadian in China ever since Norman Bethune.

One of the reasons for Rowswell to talk about his work during a special talk at Beijing’s the Bookworm on March 30 (moderated by Asia correspondent Nathan VanderKlippe), is his upcoming show in Australia at the Melbourne Comedy Fest, where he will be performing in Chinese. It’s now all about the physical audiences for Rowswell, who says he’s disappointed with Weibo and the virtual world, and wants to do comedy offline – up close and personal.

 

THE BIRTH OF DASHAN

“I thought it was just an audience of 500 people; nobody told me there were 550 million people watching the show on TV.”

 

As Dashan’s career in China will soon hit the 30-year mark, the Ottowa-born performer is perpetually known as “the foreigner who speaks fluent Chinese.”

Perhaps surprising for someone who masters Mandarin so well, Rowswell did not speak a word of Chinese until the age of 19. He chose to study the language out of curiosity after the phrase “the next century belongs to China” started to make its rounds in Canada. From 1984 to 1988, he studied Chinese at the University of Toronto and then headed to China.

Mark Rowswell aka Dashan talks at The Bookworm, March 30.

“We all knew that China was going to be a big part of the world, that many Chinese would come to Canada – but how many Canadians were going to China?”, Rowswell tells his audience at the Bookworm. He set out to the People’s Republic of China (PRC) to “ride the wave”, although he was not sure about his exact plans yet.

Within 3 months after starting his studies at Beijing University, Rowswell was asked to participate in a TV show and ‘Dashan’ was born. His Chinese name (that literally means ‘big mountain’) is a peasant one, which in itself already was a joke.

But the name Dashan grew bigger than Rowswell could have ever imagined when he later appeared at the national CCTV gala. “I had no background in performing, and I thought it was just an audience of 500 people; nobody told me there were 550 million people watching the show on television. The little skit that we did somehow hit a sweet spot somewhere, and it ended up being the most popular act of that particular show,” Dashan recalls.

Dashan performing at the 1998 Spring Festival Gala, the best-watched televised event in the world (appears at 3.00 minute mark).

Rowswell’s career soon set off and ‘Dashan’ became a national hype. For a long time, Rowswell did not see his work at the time as a goal in itself: “I thought of it as a stepping stone to get into Chinese society, and to get away from campus and my study books. I traveled with a Chinese performing group and experienced things other foreign students in China would never experience – I even went to places foreigners were not allowed to go.”

Although Rowswell at the time still aspired to work at the Canadian embassy or somewhere else, his work as a freelance performer eventually turned out to be decisive for his eclectic career path, that has brought him to where he is today at the age of 52.

 

DISAPPOINTED IN SOCIAL MEDIA

“I have trouble reading Weibo because I just don’t find anything interesting on it. It’s very hard to keep engaged on a platform that you don’t find interesting.”

 

Looking back on the past thirty years, Rowswell says he can roughly divide his story into three parts. “Dashan 1.0” is the foreign student who appeared on TV as a comedian and TV host. That first stage led him to the “2.0” stage, where his role as a freelance performer also grew into one of being more of a cultural ambassador.

Rowswell received official recognition for this cultural role when he was part of Canada’s Team Attaché during the 2008 Olympics, and later became the Commissioner General for Canada at Expo 2010 in Shanghai. After this period, he searched for a new goal and hoped to find it online.

“After 2010 I thought the answer was Weibo,” Rowswell says: “I really got into Weibo around 2010, 2011, 2012. But post-2012 or so, Weibo is really…I mean, I still maintain it, but I really have trouble reading Weibo now because I just don’t find anything interesting on it. It’s very hard to keep engaged on a platform that you don’t find interesting.”

Rowswell expresses his disappointment when he says he feels that “the promise of social media has not played out.” Although he says he thought that internet was the channel to lead the next stage of his career, “it did not work out that way.”

It is not just Sina Weibo that has not brought Dashan what he had hoped for: “I just think social media in general.. (..) We used to think technology was going to make it easier to communicate and that social media was going to bring people together but that has not worked; social media has unleashed the basic human tribalism and reinforced it.”

As Rowswell felt that the future of his career would not take place online in front of a virtual audience, he decided to focus on physical audiences and returned to the offline stage.

 

THE THIRD ACT

“Stand-up comedy is something that is closely tied to the rise of counter-culture and individualism in China.”

 

From foreign comedian to cultural ambassador, Rowswell reveals that he has always felt he was not truly doing his own things as a freelancer. “I was always doing stuff for someone else, doing someone else’s show. But where is my show?!,” he laughingly says.

It is stand-up comedy in which Dashan has found the next stage of his career, which he calls “Dashan 3.0” or “the third act.” Rowswell stresses that he does not want to be the foreigner in China performing solely for foreign audiences in expat bars. He specifically wants to connect with Chinese audiences; Chinese-language comedy is giving Dashan the stage and the possibility to directly speak to them.

As stand-up comedy (站立喜剧) is finding more channels and bigger audiences in China, Rowswell feels this is the right niche to explore: “It allows me to build on something new. It is not mainstream comedy here, but is something that is closely tied to the rise of counter-culture and individualism in China.”

Rowswell also finds that his eclectic career and experiences now give him the opportunity to take on some kind of mentoring role as a performer. The upcoming Chinese “Dashan Live” show at the Melbourne International Comedy Festival – where he will be the only “non-Chinese Chinese performer” – is an important part of this new journey.

“It takes time to find your own voice,” Rowswell remarks. As Dashan 3.0, he now has the opportunity to finally share his own experiences and his own stories, in his own Dashan show.

“Dashan Live” will take place from April 12-16 at The Forum, Melbourne.

– By Manya Koetse

©2017 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya is the founder and editor-in-chief of What's on Weibo, offering independent analysis of social trends, online media, and digital culture in China for over a decade. Subscribe to gain access to content, including the Weibo Watch newsletter, which provides deeper insights into the China trends that matter. More about Manya at manyakoetse.com or follow on X.

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Beauty Influencer Du Meizhu Accused of Scamming Fan Out of $27K

Manya Koetse

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🔥 Quick Take: Trending in China
This is a brief update from our curated roundup of what’s trending in China this week. A version of this story also appears in the Weibo Watch newsletter. Subscribe to stay in the loop.


Chinese beauty influencer and livestreamer Du Meizhu (都美竹) is facing online backlash this week after a former female fan filed a police report accusing her of scamming her out of nearly 200,000 yuan (approx. US$27,800).

The fan, known online as Sister Bing (Weibo handle @冰点人a冰点), has come forward with detailed allegations, claiming Du began swindling her in 2022.

Du Meizhu rose to national prominence in 2021 when she was 19 years old and became the first person to publicly accuse Chinese-Canadian pop star Kris Wu (吴亦凡) of rape and sexual misconduct. After at least 24 more victims also came forward, Wu was formally arrested on suspicion of rape in mid-August 2021 and was later sentenced to 13 years in prison.

It was around this time that ‘Sister Bing,’ whose real name is Ms. Zhu (朱, born 1979), started following Du Meizhu on social media. As a hard-working single mother of a daughter, she said she sympathized with Du and wanted to show her some support. In a Weibo post published in 2024, she detailed how Du Meizhu began noticing Zhu’s online interactions in early 2022 and added her as a friend on WeChat.

In private conversations, Du shared complaints about her difficult life, and as the two talked more and more, Zhu began transferring small amounts of money to help. Over time, Du said she needed money for various things—from financial support for school to legal disputes and expensive medical treatments for family members. Between 2022 and 2023, Zhu claims she transferred nearly 200,000 yuan in total.

At the end of 2023, Zhu–who works as a taxi driver–urgently needed money due to a family crisis. She reached out to Du to ask if she could repay the money. According to Zhu, she only returned 30,000 yuan (US$4,180) and refused to pay more, even though at the same time, Du was allegedly flaunting luxury brand purchases and had plans to buy a villa.

On June 25, 2025, Zhu posted an update on her Weibo account, saying she had traveled to Ulanhot City in Inner Mongolia – Du’s hometown – to seek justice and report the case to local authorities.

Du Meizhu has responded to the allegations on social media, writing that she “won’t admit to things I haven’t done.” She does not deny that Zhu gave her money.

She writes: “When she had money, she was lavishly spending it on gifts in all kinds of livestreams. Now that she’s broke, she wants it back from the streamers? After I transferred her thousands of yuan, she’s still not satisfied and is now starting to extort me. No amount of moral pressure will work. I have a clear conscience!”

The post by Du Meizhu

The case has blown up online. One post by Ms. Zhu has already received over 133,000 likes and is still gaining traction.

But the developments surrounding the case are puzzling to some. Du Meizhu has long maintained a social media image of wealth, showcasing a lifestyle filled with Dubai travel, horseback riding, luxury food, and fashion. Why would she need to take money from a single mum? Du is being criticized not only for faking her wealth, but also for accepting so much money from a woman who clearly needed the money for her own family.

Du Meizhu social media photos.

Although the story is attracting a lot of attention online because it exposes private conversations between Du and the woman – and, frankly, many netizens just enjoy the drama, – it also says a lot about China’s thriving livestreaming industry and just how close online followers can feel to the influencers they follow. In these kinds of online communities, it is common for fans and followers to send livestreamers money or ‘virtual gifts’.

In the case of Ms. Zhu, some netizens doubt that she can prove in court that she loaned Du the money instead of gifting it to her. People also criticize Zhu: why did she spend so much money on an online influencer instead of on her own daughter?

Either way, many Chinese netizens feel that it was not right of Du Meizhu to take advantage of a single mum like that. Even if she’s not legally wrong, they feel she lacks moral integrity.

Du’s most recent social media post—featuring her in so-called “old money fashion” outfits—has only added fuel to the fire. Dozens of commenters flooded the post with demands that she repay Ms. Zhu. Though Du seemingly tried to delete the negative comments, they kept pouring in. “At this rate, there won’t be any comments left,” one user wrote.

Whether or not Du Meizhu ultimately faces legal consequences, the backlash is already taking a toll. She might escape the courtroom, but won’t be able to escape the court of public opinion.

By Manya Koetse

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Earring Gate: Huang Yangdiantian and the 2.3 Million RMB Emerald Earrings

Online sleuths connect emerald earrings to post-earthquake business ties—sparking official investigations.

Ruixin Zhang

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Dear Reader,

 

This week, the Chinese internet exploded over a pair of earrings worn by a child actress.

In recent years, China’s netizens have been paying closer attention to so-called “nepo babies”—the children of the rich and powerful whose success often seems tied more to family connections than to talent.

Some, like Huawei’s heiress Yao Anna (姚安娜), have been criticized for using family ties to enter the entertainment industry. Others, like the infamous “Miss Dong” in the recent medical scandal, have sparked public outrage for abusing privilege to bend academic rules.

Facing economic difficulties and a tough job market, the public’s tolerance for nepotism and corruption is running increasingly thin. But when these issues touch on national trauma, including natural disasters and charity efforts, the public anger runs even deeper.

That’s why a Chinese teenage actress named Huang Yangdiantian (黄杨钿甜) recently found herself at the center of an online storm.

 

Earring Gate: Behind the Sparkle

 

Huang, born in 2007, started her career as a child actress in the 2017 historical drama Princess Agents (楚乔传).

Huang in Princess Agents (2017).
Huang in Princess Agents (2017).

She later gained more popularity by starring in other hit series, including Ruyi’s Royal Love in the Palace (如懿传), and also built an online following.

The recent scandal broke out after Huang shared a series of photos on Xiaohongshu, where she has around 328,000 followers. In the photos, meant to celebrate her 18th birthday, she’s seen proudly wearing a pair of sparkly emerald earrings. In the caption, she mentioned they belonged to her mom.

Sharp-eyed netizens quickly identified the earrings as a pair from the British luxury brand Graff—worth a jaw-dropping 2.3 million RMB (319,000 USD).

The coming-of-age photo shoot that would trigger an online storm.
The coming-of-age photo shoot that would trigger an online storm.

Digging deeper, online sleuths also found a Weibo post from 2018 showing Huang’s mother wearing a Cartier bracelet, which now retails for around 450,000 RMB (62,400 USD).

Considering Huang’s limited acting experience and modest earnings as a child actress, these luxury items raised eyebrows—and questions about where the family’s wealth was really coming from.

The “online detectives” didn’t stop there. They discovered that Huang’s father, Yang Wei (杨伟), was once a public official in Ya’an City (雅安市), Sichuan Province. After a major 7.0-magnitude earthquake struck Yan’an in 2013 (the Lushan Earthquake), Yang was reportedly involved in post-earthquake reconstruction projects, including investment and tendering.

Interestingly, in 2014, just a year after the earthquake, Huang’s family registered a film and culture company in Shenzhen with 5 million RMB (694,000 USD) in capital. Initially, the company’s legal representative was Huang’s uncle, followed by her mother in 2016. But after Yang resigned from public service, he took over as the official legal representative.

During the pandemic in 2020, Yang also registered a biotech company, which was later rebranded as a beauty and cosmetics trading business. The timing—one company during post-quake reconstruction, then another during a global health crisis—raised suspicions about whether Yang was using national emergencies as business opportunities.

It was also discovered that the Yang family currently lives in a luxury villa in one of Shenzhen’s most upscale neighborhoods, valued at over 100 million RMB (approximately 13.8 million USD).

How did Yang get enough money to start such companies and purchase a multi-million yuan villa? Even if all his official work and business ventures were legitimate, netizens pointed out it still wasn’t enough to explain the family’s enormous wealth.

 

Huang’s Father Responds, Netizens Dig Deeper

 

As the controversy grew, Huang’s father responded on May 16 via Weibo, using an account simply named “Huang Yang’s Dad” (黄杨爸爸).

In his post, he claimed that the emerald earrings were fake and of little value. He acknowledged having worked for the Yan’an government but denied any involvement in post-earthquake work, saying the online accusations against him were a case of mistaken identity—“just someone with the same name.” He even added, “I’ve never been corrupt—feel free to report me.”

But the “same name” defense didn’t hold up for long.

In a second wave of ‘detective work’ by online sleuths, netizens found a phone number listed under the name “Yang Wei” on a government website related to post-earthquake reconstruction projects in Ya’an. Some tried sending a small transfer to this number via Alipay, revealing that the profile picture linked to that account was a photo of Huang and her mother when she was younger, immediately making his “same name” explanation completely implausible.

Soon after, the account could no longer be found on Alipay, but because the number was likely tied to many services and platforms, it wasn’t easy to erase entirely. People quickly traced the same phone number to Yang’s accounts on other platforms. Around the same time, the legal representatives of the family’s companies were abruptly changed, only further fueling public suspicion.

Huang’s talent agency issued a statement calling the online rumors false but didn’t offer any concrete evidence to back that up.

By now, a local investigation by the Ya’an Discipline Inspection Commission has confirmed that Yang engaged in illegal business activities and that the birth of his second child (Huang’s younger brother) violated the one-child policy still in effect during his time as a government official. However, the investigation also denied any misappropriation of post-earthquake reconstruction funds. (link).

Most netizens find that many key questions are still left unanswered, and continue to investigate and dissect every single detail relating to Yang, Huang, and the earrings.

 

More than Online Gossip: Privilege & Public Grief

 

Some argue that the online speculation surrounding this case has now gone too far.

But for many Chinese netizens, especially younger ones, this isn’t just another scandal passively consumed by the so-called “melon-eating masses” (吃瓜群众). It strikes a nerve because it brings together several sensitive issues all at once.

Although China’s “nepotism babies” frequently spark backlash, they’re also everywhere, from business and entertainment to political and academic circles. For years, the fù èr dài (富二代), or “second-generation rich”—children of those who built fortunes after China’s economic reforms in 1978—have drawn criticism for flaunting wealth and behaving irresponsibly.

Through the years, new terms have been added to China’s nepotism lexicon: there’s xīng èr dài (星二代), referring to the children of celebrities; guān èr dài (官二代), a negative label for the children of government officials or bureaucrats; and hóng èr dài (红二代) and jūn èr dài (军二代), used to describe the children of political elites and military families.

Nepotism is closely tied to corruption—another painful issue in society that surfaces time and again. It’s particularly sensitive because it undermines more than just trust in (local) leadership; it erodes faith in meritocracy and leads the public to question the fairness of the entire system.

When these kinds of issues become entwined with national disasters and charity work—where the already privileged are seen to illegally profit from public grief for private gain—it becomes more than just a breach of public trust. It crosses a moral red line in the most extreme way.

For many young Chinese today, earthquake disasters are not distant history – they’re part of a shared collective memory that still strikes a nerve. In the comment sections of related news posts these days, many netizens recall donating money and supplies to earthquake relief efforts, now wondering whether their goodwill ever truly reached those in need.

The timing has only added fuel to the fire. The controversy erupted around the 17th anniversary of the devastating 2008 Wenchuan earthquake (5.12). Though that disaster is different from the 2013 earthquake, both struck Ya’an City, and public discussions has started to lump them together, bringing back old memories and concerns about disaster relief and public trust.

Back in 2009, Professor Deng Guosheng (邓国胜) from Tsinghua University studied where the 76.7 billion RMB (about 10.5 billion USD) in Wenchuan relief donations had gone. He found that nearly 80% of the money was controlled by the government or groups linked to it, like the Red Cross, with little transparency on how it was spent. People basically have no idea how the money they donated was spent.

In light of the recent controversy, Deng’s study and its numbers are being brought up again in many threads across Chinese social media. Today, as much as 15 years ago, the call for transparancy on how the public’s money is being used in the post-disaster time period is just as relevant.

One Weibo commenter wrote: “For context, in all of 2024, Ya’an City’s general public budget revenue was 8.4 billion RMB in total. This means that the total amount of donations and supplies after the 2008 earthquake was equivalent to 25 years of Ya’an’s current public budget revenue!” He later added: “It’s really not unreasonable at all for the public to ask questions about the authenticity of a pair of 2.3 million RMB earrings.”

Others agree: “It’s absolutely valid for everyone to focus on whether Huang Yangdiantian’s father was involved in embezzlement or bribery (..) When it comes to a tragic event like the Wenchuan earthquake, claims should especially be backed by solid evidence.”

The speculation about Huang’s family wealth goes well beyond celebrity gossip or a “nepo baby” narrative; it reflects a deeper call for clean governance and stricter oversight of how public and charitable funds are managed and spent.

As for Huang, the consequences of her glamorous photoshoot and the controversy it sparked are already unfolding. While her father has now become the target of further formal investigation by disciplinary authorities, it’s rumored that Huang has been removed as the female lead for the historical drama Peacock Bone (雀骨), as well as casting uncertainty over the viability of some of her upcoming projects.

At least we almost certainly know one thing: she won’t be wearing those earrings again any time soon.

Best,

Ruixin Zhang & Manya Koetse

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