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China Arts & Entertainment

Karaoke in the Digital Age: China’s M-Bar Public Karaoke Rooms

Chinese company M-Bar has thought of a new solution for people who love karaoke but are too shy to sing in front of a crowd. M-Bar’s private self-service karaoke booths, located in shopping malls across the country, are all the rage in China now. More than just a karaoke box, it’s a recording studio and a place to take a break from the hustle and bustle of the big city.

Manya Koetse

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Chinese company M-Bar (@友唱Mbar) has thought of a new solution for people who love karaoke but are too shy to sing in front of a crowd. M-Bar’s private self-service karaoke booths, located in shopping malls across the country, are all the rage in China now. More than just a karaoke box, it’s a recording studio and a place to take a break from the hustle and bustle of the big city. With its fully WeChat-based service, this is what karaoke 2.0 looks like in China today.

A new trend is taking mainland China by storm as private karaoke boxes are popping up in malls and others places. The so-called M-Bar (友唱Mbar) karaoke rooms allow people to sing along to their favorite music and record themselves to share their own songs with friends.

The rooms are more than just a karaoke box; they offer a place for people to step away from the hustle and bustle of the big city life. The tiny rooms are air-conditioned and have a mobile charge station.

The M-Bar karaoke boxes are fully based on China’s super app WeChat (Weixin in Chinese). M-Bar users need to have Wechat, WeChat wallet, and access to wifi or 4G in order to connect with the computer. The booth’s main touchscreen shows a QR-code that can be scanned with WeChat, after which your profile will pop up on the screen.

WeChat and M-Bar are fully integrated. After connecting with your profile, M-Bar automatically stores your recordings in the app during your KTV session.

The KTV booths offer a large selection of songs in multiple languages (Chinese, English, Korean, Japanese). After selecting a song, you scan its QR code and pay through WeChat pay. Songs can be separately selected (12 RMB/1.7$ per song/recording) or you can pay for all-you-can-sing per half hour or hour.

Your song recordings can be played from with WeChat. You can also share them with friends or delete them from within the app.

From home you can keep enjoying your M-Bar experience, as you can connect with other M-Bar users through the M-Bar WeChat home and listen to your friend’s singing. The app also shows the nearest M-Bars in your neighbourhood and allows users to book a booth in advance.

The M-Bar WeChat app shows the nearby booths and allows users to book a room in advance.

Chinese media started reporting about the newest “digital karaoke trend” at the beginning of this year, although it has been around for longer.

The karaoke booths were first launched in 2015, backed by the Ubox group (友宝集团). The M-Bar company (@友唱Mbar) is based in Xiamen, China. It is an entertainment brand that focuses on games and KTV.

The recent popularity of M-Bar is clearly visible on Chinese social media. On Weibo, hundreds of netizens share pictures and recordings of their recent M-Bar visits.

Besides all of its digital entertainment 2.0 features, one of the reasons why the mini KTV booth have become so popular is its game element. Friends can compete in singing contests as their skills are rated; M-Bar awards points for hitting the good points at the end of every song. It also shows a big “bad” when you are singing out of tune.

Now that the mini KTV booths have become a hype in mainland China, M-Bar will also go abroad. According to United Daily News, the company will also launch its booths in Singapore, Taiwan, and Japan.

Check out our latest Weivlog on this new trend in the featured video.

– By Manya Koetse

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©2017 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is a sinologist, writer, and public speaker specializing in China’s social trends, digital culture, and online media ecosystems. She founded What’s on Weibo in 2013 and now runs the Eye on Digital China newsletter. Learn more at manyakoetse.com or follow her on X, Instagram, or LinkedIn.

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China Brands, Marketing & Consumers

Starbucks Goes Xinjiang & The Kardashians in China

Starbucks rebrands as “Star-Bazaar” in Urumqi—what does it say about shifting perceptions of Western brands in China? Also: a cheating sports influencer and the souvenirs that became most hated.

Manya Koetse

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Originally published in the Eye on Digital China newsletter on Sunday, October 4, 2026.

Welcome back to China Trend Watch (Week 40 | 2026), my regular tour through the latest trends, memes, and debates driving conversation across Chinese social media. I’m Manya Koetse, a sinologist specializing in Chinese digital culture. Want to receive the next edition in your inbox? Become a paid subscriber here.

In this edition:

  • Quick scrolls: A Chinese athlete cheated her way to the Berlin Marathon’s finish
  • Zooming in: When Localization Gets Political: Starbucks Goes Xinjiang
  • On the Feed: The Kardashians in China
  • Phrase of the Week: The 3 souvenirs sold everywhere, but nobody wants them

 

🗞️ QUICK SCROLLS

 

🇯🇵 The National Day holiday has begun, but nobody’s going to Japan. Although Japan was the number one outbound destination for Chinese travelers during last year’s October holiday, it has now dropped out of the top ten destinations entirely. According to data from Chinese tour operator Tuniu (途牛), Indonesia, Turkey, and South Korea are among this year’s most-booked overseas destinations.

🚲 Chinese fitness influencer “Abeeeer” was caught cheating during the Berlin Marathon after she posted about running her “personal best.” The sport-blogger (530k+ followers on Xiaohongshu) was photographed riding on the back of a bicycle around the 38-kilometer mark. On Saturday, she publicly apologized and admitted that she had broken the rules and that she was “feeling unwell.”

The sports influencer was caught hitching a ride to the finish line.

🏳️‍🌈 Japanese volleyball player Rui Takahashi came out as gay on Tuesday, saying he wanted to help others struggling with their sexuality by coming out publicly. On Douyin, many Chinese fans and commenters praised Rui for his bravery.

🤖 Former Global Times editor-in-chief Hu Xijin (胡锡进) published a National Day essay praising the country’s achievements but forgot to delete the AI chatbot’s closing follow-up question (”Would you like me to read through the whole text again and check it for omissions?”). Hu quickly deleted the AI prompt, but “Hu Xijin’s National Day AI ghostwriting fail” had already gone trending.

⚽ Chinese football produced…

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Chapter Dive

The Power of Ugly: Why Niu Lai Became China’s Unlikeliest Box-Office Hit

How the two-person animated film Niu Lai turned its “ugly” visuals, dreamcore nostalgia, and remarkable cinema journey into a nationwide participatory meme.

Manya Koetse

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A mother-and-son duo’s animated 3D film earned just 342 yuan ($US50) on opening day. Then its crude visuals turned it into a viral success, propelling it into the top ten of the year’s domestic animated releases. A meaningless ‘miracle’ or sign of shifting cultural sentiments? An explainer.

Something extraordinary has happened in Chinese cinemas this month. A tiny animated film about a yellow cow on a dreamlike adventure opened in a few hundred Chinese theaters on August 5, 2026, with zero promotion and no trailer. On its first day, the movie’s box office revenue totaled just 342 yuan (US$50).

Nobody could have expected that this microbudget indie movie, initially playing to empty seats, would become a nationwide viral hit—not because people thought it was good, but because they found it so aesthetically ugly.

The 86-minute 3D animation is titled Niu Lai (牛来, literally “Here Comes the Cow/The Cow Comes”). It was produced by just two people from Dalian: 34-year-old Xin Yumeng (信雨萌) and his mother, Sun Lifang (孙丽芳). The pair spent five years making it.

The plot follows a young calf named Niu Lai, who is too afraid to stand. In his dreams, he befriends a skylark and a young leopard on a sometimes-scary adventure, during which he grows up, loses his mother in a wolf attack, and eventually wakes up with new life lessons.

Despite being complete newcomers to the film industry, Xin and his mother handled everything themselves, from directing and writing to animation, voice acting, and music—theirs were the only two names in the end credits.

They registered the script in 2021 and, after passing the content review, received a public-screening permit in 2024. The narrative contained no apparent sensitivities, and all the paperwork was in order. A film distributor they knew reportedly helped them secure screenings at a few hundred cinemas (even though, after seeing the film’s quality, he had advised them against a theatrical release).

Around August 13-14, the movie went viral when a few netizens who saw it shared their disbelief at the primitive visuals, which contrasted sharply with the…

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