SubscribeLog in
Connect with us

Chinese Movies

Why Chinese Hit Movie “Her Story” is ‘Good Stuff’: Stirring Controversy and Celebrating Female Perspectives

China’s end-of-year movie hit, Her Story, is sparking debates and highlighting the rising influence of Chinese female directors.

Wendy Huang

Published

on

The Chinese comedy-drama Her Story (好东西, literally “Good Stuff”), directed by Shao Yihui (邵艺辉), has been gaining attention and sparking discussions on Weibo since its late November release in mainland China.

The film features an all-star cast including Song Jia (宋佳), Zhong Chuxi (钟楚曦), Zeng Mumei (曾慕梅), Zhao Youting (赵又廷), and Zhang Yu (章宇). It tells a quirky yet heartfelt story about two women: Wang Tiemei (王铁梅), a self-reliant single mom juggling life and…

Wendy Huang is a China-based Beijing Language and Culture University graduate who currently works for a Public Relations & Media software company. She believes that, despite the many obstacles, Chinese social media sites such as Weibo can help Chinese internet users to become more informed and open-minded regarding various social issues in present-day China.

Continue Reading
1 Comment

1 Comment

  1. Pingback: Féminisme à la chinoise : entre stratégie entrepreneuriale et refus de coopérer – Entre les lignes entre les mots

Leave a Reply

Your email address will not be published. Required fields are marked *

China Arts & Entertainment

The Wong Kar-wai Scandal Explained: The Dark Side of ‘Blossoms Shanghai’

Whenever reports surfaced about the harsh conditions on Wong Kar-wai’s sets, mainstream media and fans often brushed off his tyrannical habits as the quirks of a genius. This time, it feels different.

Ruixin Zhang

Published

on

After renowned director Wong Kar-wai was accused of exploiting a young writer during the production of the hit TV drama Blossoms Shanghai, a scandal unfolded that may be one of the biggest stories in China’s entertainment industry this year.

Even if you don’t recognize him by face, you most likely know him by name: Wong Kar-wai (王家卫, 1958), the internationally acclaimed Hong Kong movie director.

Director Wong Kar-wai, characteristically in sunglasses. (Image via…

Continue Reading

Chapter Dive

Evil Unbound (731): How a Chinese Anti-Japanese War Film Backfired

731 was China’s most anticipated war movie of the year — how could it fail so miserably to live up to public expectations?

Manya Koetse

Published

on

🔥 This is premium content and also appeared in the Weibo Watch newsletter. Subscribe to stay in the loop.

How did Evil Unbound (731), one of the most anticipated Chinese war movies of 2025, go from patriotic hype to online backlash? A deep dive into the official narrative, the audience reception, and everything that’s particular about this movie.
 

731 and 918, those were the numbers dominating Chinese social media over the past week. Both numbers carry heavy historical weight, but the recent discussions surrounding them reveal two parallel worlds of the official narrative vs the audience experience of a controversial new World War II film.

It was “9.18” on Thursday, when China commemorated the 94th anniversary of the September 18th Incident (九一八事变). On that day in 1931, a small explosion on a Japanese-owned railway near Shenyang (Mukden) was used as a pretext to invade Manchuria.

While many older Chinese were taught in school that the war began in 1937, recent state-led campaigns increasingly emphasize 1931 as the true beginning of China’s “14-year-long war” (1931–1945). Over the past decade, the 918 commemorations have become more prominent online, shaping public memory through nationalistic messaging.

This year, the commemoration had an extra dimension, as it wove the release of Evil Unbound (English title), also known as 731, into the patriotic media narratives around 918.

Patriotic film poster putting 918 and 731 together.

The much-anticipated war movie 731depicts the atrocities of Japan’s Unit 731 (731部队), notorious for conducting horrific biological warfare experiments in Harbin during World War II under Major General Shiro Ishii (石井四郎), a former army surgeon and biologist with a particular interest in historical plagues. Under his command, Japan’s biological warfare and human experimentation in China were carried out on a larger scale than anywhere…

Continue Reading

Subscribe

Eye on Digital China is a reader-supported publication by
Manya Koetse (@manyapan) and powered by What’s on Weibo.
It offers independent analysis of China’s online culture, media, and social trends.

To receive the newsletter and support this work, consider
becoming a paid subscriber.

Manya Koetse's Profile Picture

Get in touch

Have a tip, story lead, or book recommendation? Interested in contributing? For ideas, suggestions, or just a quick hello, reach out here.

Popular Reads