China Brands, Marketing & Consumers
Mamianqun Gate: Dior Accused of Cultural Appropriation for Copying Design of Traditional Chinese Skirt
This is not just a matter of plagiarism, according to some, it’s about Dior taking a traditional Chinese design and claiming it’s theirs.
This article was first published by What’s on Weibo on
French luxury fashion house Dior has come under fire on Chinese social media today for the design of one of the skirts in its 2022 Fall collection, which resembles a Chinese traditional skirt known as mǎmiànqún (马面裙).
On the Chinese version of the Dior official website, the French fashion brand describes it as a “mid-length skirt” that is an “all-new elegant and stylish piece based on the iconic Dior silhouette.”
But many Chinese netizens do not agree, and say that the pleated skirt in question is actually a mǎmiànqún (马面裙): a wrapped, apron-like traditional Chinese skirt that was worn in China as early as the Song (960–1279) and Liao dynasties (916–1125) and became popular during the Ming Dynasty (1368-1644).
The skirt by Dior.
The literal translation of the word mǎmiànqún is ‘horse face skirt.’ The skirt is composed of two overlapping fabrics wrapped around the lower body: the two sides of the skirt are pleated, and there is a smooth section in the middle. The skirt is also known as mǎmiànzhěqún (马面褶裙), ‘horse face pleated skirt.’
“It’s just exactly the same,” some commenters wrote. “They’re copying China and then selling it to Chinese consumers, I don’t know what to say.” On the Chinese official Dior site, the skirt is priced at 29,000 yuan (US$4292).
The Dior skirt on the left, Chinese mamian skirt on the right, image from Weibo.
“They’re vilifying China and at the same time, they’re stealing from Chinese culture. They’re shameless,” one Weibo user (@改改hj) wrote.
“Can’t the propaganda department set up an organization to defend our legal rights?” other commenters write.
The influential history blogging account @Qinyimo (@秦祎墨, over 7 million fans) wrote: “I’m not even kidding. I hope that a lawyer specialized in copyright law and an expert in cultural preservation will jointly evaluate this matter, and pay attention to how nasty this is.”
Some people are especially offended that Dior suggests the skirt’s design is inspired by their own original Christian Dior skirt, without any reference to China at all. Others foresee greater problems for Chinese traditional dress if Dior is actually claiming this design is theirs.
Side by side comparison of Dior’s skirt and mamianqun.
The blogging account Qinyimo raised attention to this potential problem.
“This is not simply a matter of plagiarism,” they write: “As traditional Chinese apparel, the mamianqun has historical origins in the Chinese traditional dress system which has continued to the present-day and has never been discontinued. If Dior has patented the version of their mamianqun design, this would mean that when the Chinese fashion industry uses this traditional technique, they could end up in an international legal dispute for doing so.”
“What is ours is ours, I am confident about that. But if their patent is approved, it would mean our way out is blocked (..) This is not a joke, this requires serious attention.”
Mamianqun examples shared on Weibo.
Chinese traditional dress is increasingly popular among Chinese young people, especially due to the rise of the Hanfu Movement, which can be described as a social movement that supports the wearing of Han Chinese ethnic clothing (read more here).
“Dior, this is blatant cultural appropriation [文化挪用],” one Weibo user writes, receiving nearly 12,000 likes on their comment.
At the same time, not everyone agrees that Dior is guilty of plagiarism: “It’s not plagiarism, don’t be mistaken, the mamian skirt is not protected by copyright law so you can’t really plagiarize it. It is, however, 100% cultural appropriation.”
“They are misappropriating our traditional apparel,” other commenters write.
It is not the first time for a Western luxury fashion brand to ignite controversy in China. In 2018, Italian fashion house D&G faced consumer outrage and backlash on Chinese social media for a marketing campaign featuring a Chinese-looking model clumsily using chopsticks to eat Italian dishes (read more here). Various other brands, including Versace and Givenchy, also came under fire in 2019 for for listing Hong Kong, Macau, and Taiwan as a separate countries or regions – not part of China – on their official websites or brand T-shirts.
However, it is rare for online controversies to come out in China accusing foreign brands of ‘cultural appropriation.’ In the past, China has been accused of cultural appropriation, especially when it comes to Korean traditions. Earlier this year, a performer at the opening ceremony of the Beijing Olympics drew condemnation in South Korea for wearing a traditional Korean dress known as hanbok.
Although ‘cultural appropriation’ is at the center of today’s discussions, it is arguably a bit more nuanced than previous mainstream discussions regarding the issue of cultural appropriation outside of China. More than feeling offended about Dior using Chinese mamianqun design, it is about Dior claiming the design as being based on their own original classic. As one netizen writes: “Let’s not be misunderstood, it’s useless to talk about ‘cultural appropriation’ [文化挪用], we need to let people know that in the future if they’ll wear a mamianqun, they could be told by foreigners that ‘Chinese people just love to wear big fashion brands rip offs .’ When our own international clothing brands use our own mamian skirt elements, it is likely they’ll be sued by Dior for doing so.”
At time of writing, the official Dior Weibo account has not responded to the controversy. They have, however, turned off the comment sections of their latest posts.
By Manya Koetse
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China Brands, Marketing & Consumers
Signals: Hasan Piker’s China Trip & the Unexpected Journey of a Chinese School Uniform to Angola
Hasan Piker’s controversial China tour, a Chinese school uniform resurfaces in Africa, a new winter hotspot, why Chinese elites ‘run’ to Tokyo, and more.
🌊 Signals — Week 47 (2025)
Part of Eye on Digital China, Signals highlights slower trends and online currents behind the daily scroll. This edition was sent to paid subscribers — subscribe to receive the next issue in your inbox.
For the coming two weeks, I’ll be traveling from Beijing to Chongqing and beyond (more on that soon) so please bear with me if my posting frequency dips a little. I’ll be sure to pick it up again soon and will do my best to keep you updated along the way. In the meantime, if you know of a must-try hotpot in Chongqing, please do let me know.
In this newsletter: Hasan Piker’s controversial China tour, a Chinese school uniform in Angola, a new winter hotspot, discussions on what happens to your Wechat after you die, why Chinese elites rùn to Tokyo, and more. Let’s dive in.
- 💰 The richest woman in China, according to the latest list by Hurun Research Institute, is the “queen of pharmaceuticals” Zhong Huijuan (钟慧娟) who has accumulated 141 billion yuan (over 19 billion USD). Women account for over 22% of Chinese billionaires (those with more than 5 billion RMB), underscoring China’s globally leading position in producing wealthy female entrepreneurs.
- 🧩 What happens to your WeChat after you die? A user who registered for NetEase Music with a newly reassigned phone number unexpectedly gained access to the late singer Coco Lee’s (李玟) account, as the number had originally belonged to her. The incident has reignited debate over how digital accounts should be handled after death, prompting platforms like NetEase and Tencent to reconsider policies on long-inactive accounts and take stronger measures to protect them.
- 📱 Although millions of viewers swoon over micro-dramas with fantasy storylines where rich, powerful men win over the “girl next door” through money and status, Chinese regulators are now stepping in to curb exaggerated plots featuring the so-called “dominant CEO” (霸道总裁) archetype, signaling stricter oversight for the booming short drama market.
- ☕ A popular Beijing coffee chain calling itself “People’s Cafe” (人民咖啡馆), with its style and logo evoking nationalist visual nostalgia, has changed its name after facing criticism for building its brand – including pricey coffee and merchandise – on Mao era and state-media political connotations. The cafe is now ‘Yachao People’s Cafe’ (要潮人民咖啡馆).
- 👀 Parents were recently shocked to see erotic ads appear on the Chinese nursery rhymes and children’s learning app BabyBus (宝宝巴士), which is meant for kids ages 0–8. BabyBus has since apologized, but the incident has sparked discussions about how to keep children safe from such content.
- 🧧The 2026 holiday schedule has continued to be a big topic of conversation as it includes a 9-day long Spring Festival break (from February 15 to February 23), making it the longest Lunar New Year holiday on record. The move not only gives people more time for family reunions, but also gives a huge boost to the domestic travel industry.
Hasan Piker’s Chinese Tour & The US–China Content Honeymoon
Livestreamer Hasan Piker during his visit to Tiananmen Square flag-rising ceremony.
It’s not time for the end-of-year overviews just yet – but I’ll already say that 2025 was the US–China ‘honeymoon’ year for content creation. It’s when China became “cool,” appealing, and eye-grabbing for young Western social media users, particularly Americans. The recent China trip of the prominent American online streamer Hasan Piker fits into that context.
This left-wing political commentator also known as ‘HasanAbi’ (3 million followers on Twitch, recently profiled by the New York Times) arrived in China for a two-week trip on November 11.
Piker screenshot from the interview with CGTN, published on CGTN.
His visit has been controversial on English-language social media, especially because Piker, known for his criticism of America (which he calls imperialist), has been overly praising China: calling himself “full Chinese,” waving the Chinese flag, joining state media outlet CGTN for an interview on China and the US, and gloating over a first-edition copy of Quotations from Chairman Mao (the Little Red Book). He portrays China as heavily misrepresented in the West and as a country the United States should learn from.
Hasan Piker did an interview with CGTN, posing with Li Jingjing 李菁菁.
During his livestreaming tour, Hasan, who is nicknamed “lemonbro” (柠檬哥) by Chinese netizens, also joined Chinese platforms Bilibili and Xiaohongshu.
But despite all the talk about Piker in the American online media sphere, online conversations, clicks, and views within China are underwhelming. As of now, he has around 24,000 followers on Bilibili, and he’s barely a topic of conversation on mainstream feeds.
Piker’s visit stands in stark contrast to that of American YouTuber IShowSpeed (Darren Watkins), who toured China in March. With lengthy livestreams from Beijing to Chongqing, his popularity exploded in China, where he came to be seen by many as a representative of cultural diplomacy.
IShowspeed in China, March 2025.
IShowSpeed’s success followed another peak moment in online US–China cultural exchange. In January 2025, waves of foreign TikTok users and popular creators migrated to the Chinese lifestyle app Xiaohongshu amid the looming TikTok ban.
Initially, the mass migration of American users to Xiaohongshu was a symbolic protest against Trump and US policies. In a playful act of political defiance, they downloaded Xiaohongshu to show they weren’t scared of government warnings about Chinese data collection. (For clarity: while TikTok is a made-in-China app, it is not accessible inside mainland China, where Douyin is the domestic version run by the same parent company).
The influx of foreigners — who were quickly nicknamed “TikTok refugees” — soon turned into a moment of cultural celebration. As American creators introduced themselves, Chinese users welcomed them warmly, eager to practice English and teach newcomers how to navigate the app. Discussions about language, culture, and societal differences flourished. Before long, “TikTok refugees” and “Xiaohongshu natives” were collaborating on homework assignments, swapping recipes, and bonding through humor. It was a rare moment of social media doing what we hope it can do: connect people, build bridges, and replace prejudice with curiosity.
Some of that same enthusiasm was also visible during IShowSpeed’s China tour. Despite the tour inevitably getting entangled with political and commercial interests, much of it was simply about an American boy swept up in the high energy of China’s vibrant cities and everything they offer.
Different from IShowSpeed, who is known for his meme-worthy online presence, Piker is primarily known for his radical political views. His China enthusiasm feels driven less by cultural curiosity and more by his critique of America.
Because of his stances — such as describing the US as a police state — it’s easy for Western critics to accuse him of hypocrisy in praising China, especially after a brief run-in with security police while livestreaming at Tiananmen Square.
Seen in broader context, Piker’s China trip reflects a shift in how China is used in American online discourse.
Before, it was Chinese ‘public intellectuals’ (公知) who praised the US as a ‘lighthouse country’ (灯塔国), a beacon of democracy, to indirectly critique China and promote a Western modernization model. Later, Chinese online influencers showcased their lives abroad to emphasize how much ‘brighter the moon’ was outside China.
In the post-Covid years, the current reversed: Western content creators, from TikTok influencers to political commentators, increasingly use China to make arguments that are fundamentally about America.
Between these cycles, authentic cultural curiosity gets pushed to the sidelines. The TikTok-refugee moment in early January may have been the closest we’ve come in years: a brief window where Chinese and American users met each other with curiosity, camaraderie, and creativity.
Hasan’s tour, in contrast, reflects a newer phase, one where China is increasingly used as a stage for Western political identity rather than a complex and diverse country to understand on its own terms. I think the honeymoon phase is over.
“Liu Sihan, Your School Uniform Ended Up in Angola”: China’s Second-Hand Clothing in Africa
A Chinese school uniform went viral after a Chinese social media user spotted it in Angola.
“Liu Sihan, your schooluniform is hot in Africa” (刘思涵你的校服在非洲火了) is a sentence that unexpectedly trended after a Chinese blogger named Xiao Le (小乐) shared a video of a schoolkid in Angola wearing a Chinese second-hand uniform from Qingdao Xushuilu Primary School, that had the nametag Liu Sihan on it.
The topic sparked discussions about what actually happens to clothing after it’s donated, and many people were surprised to learn how widely Chinese discarded clothing circulates in parts of Africa.
Liu Sihan’s mother, whose daughter is now a 9th grader in Qingdao, had previously donated the uniform to a community clothing donation box (社区旧衣回收箱) after Liu outgrew it. She intended it to help someone in need, never imagining it to travel all the way to Africa.
In light of this story, one netizen shared a video showing a local African market selling all kinds of Chinese school items, including backpacks, and people wearing clothing once belonging to workers for Chinese delivery platforms. “In Africa, you can see school uniforms from all parts of China, and even Meituan and Eleme outfits,” one blogger wrote.
When it comes to second-hand clothing trade, we know much more about Europe–Africa and US–Africa flows than about Chinese exports, and it seems there haven’t been many studies on this specific topic yet. Still, alongside China’s rapid economic transformations, the rise of fast fashion, and the fact that China is the world’s largest producer and consumer of textiles, the country now has an enormous abundance of second-hand clothing.
According to a 2023 study by Wu et al. (link), China still has a long way to go in sustainable clothing disposal. Around 40% of Chinese consumers either keep unwanted clothes at home or throw them away.
But there may be a shift underway. Donation options are expanding quickly, from government bins to brand programs, and from second-hand stores to online platforms that offer at-home pickup.
Chinese social media users posting images of school/work uniforms from China worn by Africans.
As awareness grows around the benefits of donating clothing (reducing waste, supporting sustainability, and the emotional satisfaction of giving), donation rates may rise significantly. The story of Liu Sihan’s uniform, which many found amusing, might even encourage more people to donate. And if that happens, scenes of African children (and adults) wearing Chinese-donated clothes may become much more common than they now are.
Laojunshan: New Hotspot in Cold Winter
Images from Xiaohongshu, 背包里的星子, 旅行定制师小漾
Go to Zibo for BBQ, go to Tianshui for malatang, go to Harbin for the Ice Festival, cycle to Kaifeng for soup dumplings, or head to Dunhuang to ride a camel — over recent years, a number of Chinese domestic destinations have turned into viral hotspots, boosted by online marketing initiatives and Xiaohongshu influencers.
This year, Laojunshan is among the places climbing the trending lists as a must-visit spot for its spectacular snow-covered landscapes that remind many of classical Chinese paintings. Laojunshan (老君山), a scenic mountain in Henan Province, is attracting more domestic tourists for winter excursions.
Xiaohongshu is filled with travel tips: how to get there from Luoyang station (by bus), and the best times of day to catch the snow in perfect light (7–9 AM or around 6–6:30 PM).
With Laojunshan, we see a familiar pattern: local tourism bureaus, state media, and influencers collectively driving new waves of visitors to the area, bringing crucial revenue to local industries during what would otherwise be slower winter months.
WeChat New Features & Hong Kong Police on Douyin
🟦 WeChat has been gradually rolling out a new feature that allows users to recall a batch of messages all at once, which saves you the frantic effort of deleting each message individually after realizing you sent them to the wrong group (or just regret a late-night rant). Many users are welcoming the update, along with another feature that lets you delete a contact without wiping the entire chat history. This is useful for anyone who wants to preserve evidence of what happened before cutting ties.
🟦The Hong Kong Police Force recently celebrated its two-year anniversary on Douyin (the Chinese version of TikTok), having accumulated nearly 5 million followers during that time. To mark the occasion, they invited actor Simon Yam to record a commemorative video for their channel (@香港警察). The presence of the Hong Kong Police on the Chinese app — and the approachable, meme-friendly way they’ve chosen to engage with younger mainland audiences — is yet another signal of Hong Kong institutions’ strategic alignment with mainland China’s digital infrastructure, a shift that has been gradually taking place. The anniversary video proved popular on Douyin, attracting thousands of likes and comments.
Why Chinese Elite Rùn to Japan (by ChinaTalk)
Over the past week, Japan has been trending every single day on Chinese social media in light of escalating bilateral tensions after Japanese PM Takaichi made remarks about Taiwan that China views as a direct military threat. The diplomatic freeze is triggering all kinds of trends, from rising anti-Japanese sentiment online and a ban on Japanese seafood imports to Chinese authorities warning citizens not to travel to Japan.
You’d think Chinese people would want to be anywhere but Japan right now — but the reality is far more nuanced.
In a recent feature in ChinaTalk, Jordan Schneider interviewed Japanese journalist & researcher Takehiro Masutomo (舛友雄大) who has just published a book about Japan’s new Chinese diaspora, explaining what draws Chinese dissidents, intellectuals, billionaires, and middle-class families to Tokyo.
The book is titled Run Ri: 潤日 Following the Footsteps of Elite Chinese Escaping to Japan (only available in Japanese and Traditional Chinese for now). (The word Rùn 润/潤, by the way, is Chinese online slang and meme expresses the desire to escape the country.)
A very interesting read on how Chinese communities are settling in Japan, a place they see as freer than Hong Kong and safer than the U.S., and one they’re surprisingly optimistic about — even more so than the Japanese themselves.
Thanks for reading this Eye on Digital China Signals. For fast-moving trends and deeper dives, keep an eye on the upcoming newsletters.
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— Manya
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China Brands, Marketing & Consumers
House of Wahaha: Zong Fuli Resigns
In the year following her father’s death, Zong Fuli dealt with controversy after controversy as the head of Chinese food & beverage giant Wahaha.
It’s a bit like a Succession-style corporate drama 🍿.
Over the past few years, we’ve covered stories surrounding Chinese beverage giant Wahaha (娃哈哈) several times — and with good reason.
Since the passing of its much-beloved founder Zong Qinghou (宗庆后) in March 2024, the company has been caught in waves of internal turmoil.
Some context: Wahaha is regarded as a patriotic brand in China — not only because it’s the country’s equivalent of Coca-Cola or PepsiCo (they even launched their own cola in 1998 called “Future Cola” 非常可乐, with the slogan “The future will be better” 未来会更好), but also because its iconic drinks are tied to the childhood memories of millions.
Future Cola by Wahaha via Wikipedia.
There’s also the famous 2006 story when Zong Qinghou refused a buyout offer from Danone. Although the details of that deal are complex, the rejection was widely seen as Zong’s defense of a Chinese brand against foreign takeover, contributing to his status as a national business hero.
After the death of Zong, his daughter Zong Fuli, also known as Kelly Zong (宗馥莉), took over.
🔹 But Zong Fuli soon faced controversy after controversy, including revelations that Wahaha had outsourced production of some bottled water lines to cheaper contractors (link).
🔹 There was also a high-profile family inheritance dispute involving three illegitimate children of Zong Qinghou, now living in the US, who sued Zong Fuli in Hong Kong courts, claiming they were each entitled to multi-million-dollar trust funds and assets.
🔹 More legal trouble arrived when regulators and other shareholders objected to Zong Fuli using the “Wahaha” mark through subsidiaries and for new products outside officially approved channels (the company has 46% state ownership).
⚡️ The trending news of the moment is that Zong Fuli has officially resigned from all positions at Wahaha Group as chairman, legal representative, and director. She reportedly resigned on September 12, after which she started her own brand named “Wa Xiao Zong” (娃小宗). One related hashtag received over 320 million views on Weibo (#宗馥莉已经辞职#). Wahaha’s board confirmed the move on October 10, appointing Xu Simin (许思敏) as the new General Manager. Zong remains Wahaha’s second-largest shareholder.
🔹 To complicate matters further, Zong’s uncle, Zong Wei (宗伟), has now launched a rival brand — Hu Xiao Wa (沪小娃) — with product lines and distribution networks nearly identical to Wahaha’s.
As explained by Weibo blogger Tusiji (兔撕鸡大老爷), under Zong Qinghou, Wahaha relied on a family-run “feudal” system with various family-controlled factories. Zong Fuli allegedly tried to dismantle this system to centralize power, fracturing the Wahaha brand and angering both relatives and state investors.
Others also claim that Zong had already been engaged in a major “De-Wahaha-ization” (去娃哈哈化) campaign long before her resignation.
In August of this year, Zong gave an exclusive interview to Caijing (财经) magazine where she addressed leadership challenges and public controversies. In the interview, Zong spoke more about her views on running Wahaha, advocating long-term strategic growth over short-term results, and sharing her determination to not let controversy distract her from business operations. That plan seems to have failed.
While Chinese netizens are watching this family brand war unfold, many are rooting for Zong after everything she has gone through – they feel her father left her in a complicated mess after his death.
At the same time, others believe she tried to run Wahaha in a modern “Western” way and blame her for that.
For the brand image of Wahaha, the whole ordeal is a huge blow. Many people are now vowing not to buy the brand again.
As for Zong’s new brand, we’ll have to wait for the next episode in this family company drama to see how it unfolds.
By Manya Koetse
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Signals: Hasan Piker’s China Trip & the Unexpected Journey of a Chinese School Uniform to Angola
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Jane Churchland
July 16, 2022 at 2:12 am
I may be missing something, but the photos and description look nearly exactly the same as the winter school uniform kilt I (and thousands upon thousands of others of Australian school girls) wore decades ago? Different fabric, but same design? A pleated wrap with a smooth front panel?
I agree that Dior claiming it’s something special is weird, but saying it’s culturally appropriated from a Chinese garment doesn’t add up to me.
Beefnoodles
July 16, 2022 at 2:46 am
It is not about the “Pleats”, which seems a familiar element of style in school uniform. However, the Chinese traditional skirt (mamianqun) have two layers of cloth overlapping each other, which is different from the skirt we wear nowadays. Why is it called a mamianqun (horse face skirt), it is because the shape of the skirt resembles the one side of the rampart in ancient city of China, which is called “the side of a horse face”. Why is it designed this way? Because, in ancient times, we don’t have zippers, elastic cords or Velcro to avoid exposure of private parts; Therefore, Chinese people have to wear a lot, so the multi-layered design makes the skirt breathable, and the pleats it utilized makes the skirt more comfortable when the skirt is swinging back and forth. China is, admittedly, a civilization with a discontinued history. Its culture has to be acknowledged. What Dior has done is offensive and disrespectful.
K
July 16, 2022 at 2:50 am
It’s the cultural appropriation; the article explained the structure of the apron-like traditional Chinese skirt, and this new Dior dress uses the almost same… They are not only similar in outlook
Beefnoodles
July 16, 2022 at 2:50 am
Chine is a civilization with continued history.
noodles
July 16, 2022 at 3:07 am
It is not about the “Pleats”, Which seems a familiar element of style in school uniform.
However, the Chinese traditional skirt (mamiangun) have two layers of cloth
overlapping each other, which is different from the skirt we wear nowadays. Why is it
called a mamiangun (horse face skirt), it is because the shape of the skirt resembles
the one side of the rampart in ancient city of China, which is called “the side of a horse
face”. Why is it designed this way? Because, in ancient times, we don’t have zippers,
elastic cords or Velcro to avoid exposure of private parts; Therefore, Chinese people
have to wear a lot, so the multi-layered design makes the skirt breathable, and the
pleats it utilized makes the skirt more comfortable when the skirt is swinging back and
forth. China is, admittedly, a civilization with a long, continued history. Its culture has to
be acknowledged. What Dior has done is offensive and disrespectful.
Even Princess Diana has wore a red mamianqun in 1981.
Yiran Sun
July 16, 2022 at 4:14 am
You are missing something. The the Dior skirt is open on both sides, and when untied it’s one piece of fabric, the specific construction is exactly, uniquely like mamianqun, even down to the specific placement of the pleats.
All tradition Chinese skirts are actually one piece of fabric tied together with ribbons on both sides, because you are expected to wear pants underneath it. Mamianqun was developed to open on both sides so women can more easily ride horses. Are horses the primary form of transportation for Australian school girls these days?
Kim_YS
July 16, 2022 at 10:09 am
This isn’t Chinese origin, this is Korean origin according to Chinese’s own written records. There’s Goguryeo mural painting showing this outskirt.
Keesty
July 18, 2022 at 11:30 pm
Mamian is from China. It’s the main dress for our female Han people in the Song and Ming dynasties (nearly 700 years of history). Why do Korean people always try to steal other people’s culture? If you know your history. You will find out the Korean peninsula is independent only after ， in 1895. You used to belong to the Chinese dynasty. I don’t think any Chinese people will want to wear any clothes from your region rather than our clothes. I can show respect to Korean, but only as you show respect to the real history.
Zeus
July 19, 2022 at 3:15 am
Check this video: “Dior and Its Cultural Appropriation of Chinese Ma Mian Skirt [CC]” (https://youtu.be/Chyma67-PMY), which explained clearly the unique design of the Ma Mian Qun (Horse face skirt). As mentioned above, this is not about “pleats”. The design of Ma Mian Qun made it easier for ancient Chinese women to ride horses, unlike that of the Western women, who did side saddle riding. What Dior does is blatant cultural appropriation.
Jane Churchland
July 19, 2022 at 9:07 am
OK, I’ve now seen a closer look video on the actual skirt, and you are all right and I was so extremely wrong. My apologies.
Guy
July 20, 2022 at 4:02 pm
Chinese copy everything. And they have the nerve to complain?
Walao
July 21, 2022 at 2:47 pm
Without fail, a korean will always show up to claim some heritage that’s obviously not theirs.
Whatdli
July 24, 2022 at 12:40 pm
Dont understand why is okeay to people copy original work from Chinese even there is people who copy other people. But if you didnt know all world have plagiarize problem, not only China. But China get promote for most about this. Not saying its fine, but this cultural appropriation is just wrong thing as well as those people from China who make fake things. There are original designers and traditional culture, which we should support. They should all be respected, otherwise everyone is no different from someone who can only plagiarized.
Whatif
July 24, 2022 at 12:44 pm
If people thing its fine because there are Chinese who copy and say they cant complain when they get this. Would you prefer that in the future copying be increased in China and maybe they also think that it is the only way to act when the original work or culture cannot be protected or complain that it has been copied.
Its fin
July 24, 2022 at 12:47 pm
Can Korean people just stop whe know ypu can not read Chinese character, ypu can even not make difference between horsetail and horseface. And no there is not a tomb info about it, because you people broke mural painting when try to steal it.
Sisi
July 30, 2022 at 3:40 am
China’s history definitely been interrupted when they were forced to wear that long braid.
Sisi
July 30, 2022 at 3:44 am
Dior only mentioned their classic silhouette, took no credit for the pleats and cut. Can people have an idea of silhouette before accusing others?