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Mamianqun Gate: Dior Accused of Cultural Appropriation for Copying Design of Traditional Chinese Skirt

This is not just a matter of plagiarism, according to some, it’s about Dior taking a traditional Chinese design and claiming it’s theirs.

Manya Koetse

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This article was first published by What’s on Weibo on

French luxury fashion house Dior has come under fire on Chinese social media today for the design of one of the skirts in its 2022 Fall collection, which resembles a Chinese traditional skirt known as mǎmiànqún (马面裙).

On the Chinese version of the Dior official website, the French fashion brand describes it as a “mid-length skirt” that is an “all-new elegant and stylish piece based on the iconic Dior silhouette.”

But many Chinese netizens do not agree, and say that the pleated skirt in question is actually a mǎmiànqún (马面裙): a wrapped, apron-like traditional Chinese skirt that was worn in China as early as the Song (960–1279) and Liao dynasties (916–1125) and became popular during the Ming Dynasty (1368-1644).

The skirt by Dior.

The literal translation of the word mǎmiànqún is ‘horse face skirt.’ The skirt is composed of two overlapping fabrics wrapped around the lower body: the two sides of the skirt are pleated, and there is a smooth section in the middle. The skirt is also known as mǎmiànzhěqún (马面褶裙), ‘horse face pleated skirt.’

“It’s just exactly the same,” some commenters wrote. “They’re copying China and then selling it to Chinese consumers, I don’t know what to say.” On the Chinese official Dior site, the skirt is priced at 29,000 yuan (US$4292).

The Dior skirt on the left, Chinese mamian skirt on the right, image from Weibo.

“They’re vilifying China and at the same time, they’re stealing from Chinese culture. They’re shameless,” one Weibo user (@改改hj) wrote.

“Can’t the propaganda department set up an organization to defend our legal rights?” other commenters write.

The influential history blogging account @Qinyimo (@秦祎墨, over 7 million fans) wrote: “I’m not even kidding. I hope that a lawyer specialized in copyright law and an expert in cultural preservation will jointly evaluate this matter, and pay attention to how nasty this is.”

Some people are especially offended that Dior suggests the skirt’s design is inspired by their own original Christian Dior skirt, without any reference to China at all. Others foresee greater problems for Chinese traditional dress if Dior is actually claiming this design is theirs.

Side by side comparison of Dior’s skirt and mamianqun.

The blogging account Qinyimo raised attention to this potential problem.

“This is not simply a matter of plagiarism,” they write: “As traditional Chinese apparel, the mamianqun has historical origins in the Chinese traditional dress system which has continued to the present-day and has never been discontinued. If Dior has patented the version of their mamianqun design, this would mean that when the Chinese fashion industry uses this traditional technique, they could end up in an international legal dispute for doing so.”

“What is ours is ours, I am confident about that. But if their patent is approved, it would mean our way out is blocked (..) This is not a joke, this requires serious attention.”

Mamianqun examples shared on Weibo.

Chinese traditional dress is increasingly popular among Chinese young people, especially due to the rise of the Hanfu Movement, which can be described as a social movement that supports the wearing of Han Chinese ethnic clothing (read more here).

“Dior, this is blatant cultural appropriation [文化挪用],” one Weibo user writes, receiving nearly 12,000 likes on their comment.

At the same time, not everyone agrees that Dior is guilty of plagiarism: “It’s not plagiarism, don’t be mistaken, the mamian skirt is not protected by copyright law so you can’t really plagiarize it. It is, however, 100% cultural appropriation.”

“They are misappropriating our traditional apparel,” other commenters write.

It is not the first time for a Western luxury fashion brand to ignite controversy in China. In 2018, Italian fashion house D&G faced consumer outrage and backlash on Chinese social media for a marketing campaign featuring a Chinese-looking model clumsily using chopsticks to eat Italian dishes (read more here). Various other brands, including Versace and Givenchy, also came under fire in 2019 for for listing Hong Kong, Macau, and Taiwan as a separate countries or regions – not part of China – on their official websites or brand T-shirts.

However, it is rare for online controversies to come out in China accusing foreign brands of ‘cultural appropriation.’ In the past, China has been accused of cultural appropriation, especially when it comes to Korean traditions. Earlier this year, a performer at the opening ceremony of the Beijing Olympics drew condemnation in South Korea for wearing a traditional Korean dress known as hanbok.

Although ‘cultural appropriation’ is at the center of today’s discussions, it is arguably a bit more nuanced than previous mainstream discussions regarding the issue of cultural appropriation outside of China. More than feeling offended about Dior using Chinese mamianqun design, it is about Dior claiming the design as being based on their own original classic. As one netizen writes: “Let’s not be misunderstood, it’s useless to talk about ‘cultural appropriation’ [文化挪用], we need to let people know that in the future if they’ll wear a mamianqun, they could be told by foreigners that ‘Chinese people just love to wear big fashion brands rip offs .’ When our own international clothing brands use our own mamian skirt elements, it is likely they’ll be sued by Dior for doing so.”

At time of writing, the official Dior Weibo account has not responded to the controversy. They have, however, turned off the comment sections of their latest posts.

By Manya Koetse

 

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©2022 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is the founder and editor-in-chief of whatsonweibo.com. She is a writer, public speaker, and researcher (Sinologist, MPhil) on social trends, digital developments, and new media in an ever-changing China, with a focus on Chinese society, pop culture, and gender issues. She shares her love for hotpot on hotpotambassador.com. Contact at manya@whatsonweibo.com, or follow on Twitter.

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17 Comments

17 Comments

  1. Avatar

    Jane Churchland

    July 16, 2022 at 2:12 am

    I may be missing something, but the photos and description look nearly exactly the same as the winter school uniform kilt I (and thousands upon thousands of others of Australian school girls) wore decades ago? Different fabric, but same design? A pleated wrap with a smooth front panel?

    I agree that Dior claiming it’s something special is weird, but saying it’s culturally appropriated from a Chinese garment doesn’t add up to me.

  2. Avatar

    Beefnoodles

    July 16, 2022 at 2:46 am

    It is not about the “Pleats”, which seems a familiar element of style in school uniform. However, the Chinese traditional skirt (mamianqun) have two layers of cloth overlapping each other, which is different from the skirt we wear nowadays. Why is it called a mamianqun (horse face skirt), it is because the shape of the skirt resembles the one side of the rampart in ancient city of China, which is called “the side of a horse face”. Why is it designed this way? Because, in ancient times, we don’t have zippers, elastic cords or Velcro to avoid exposure of private parts; Therefore, Chinese people have to wear a lot, so the multi-layered design makes the skirt breathable, and the pleats it utilized makes the skirt more comfortable when the skirt is swinging back and forth. China is, admittedly, a civilization with a discontinued history. Its culture has to be acknowledged. What Dior has done is offensive and disrespectful.

  3. Avatar

    K

    July 16, 2022 at 2:50 am

    It’s the cultural appropriation; the article explained the structure of the apron-like traditional Chinese skirt, and this new Dior dress uses the almost same… They are not only similar in outlook

  4. Avatar

    Beefnoodles

    July 16, 2022 at 2:50 am

    Chine is a civilization with continued history.

  5. Avatar

    noodles

    July 16, 2022 at 3:07 am

    It is not about the “Pleats”, Which seems a familiar element of style in school uniform.
    However, the Chinese traditional skirt (mamiangun) have two layers of cloth
    overlapping each other, which is different from the skirt we wear nowadays. Why is it
    called a mamiangun (horse face skirt), it is because the shape of the skirt resembles
    the one side of the rampart in ancient city of China, which is called “the side of a horse
    face”. Why is it designed this way? Because, in ancient times, we don’t have zippers,
    elastic cords or Velcro to avoid exposure of private parts; Therefore, Chinese people
    have to wear a lot, so the multi-layered design makes the skirt breathable, and the
    pleats it utilized makes the skirt more comfortable when the skirt is swinging back and
    forth. China is, admittedly, a civilization with a long, continued history. Its culture has to
    be acknowledged. What Dior has done is offensive and disrespectful.
    Even Princess Diana has wore a red mamianqun in 1981.

  6. Avatar

    Yiran Sun

    July 16, 2022 at 4:14 am

    You are missing something. The the Dior skirt is open on both sides, and when untied it’s one piece of fabric, the specific construction is exactly, uniquely like mamianqun, even down to the specific placement of the pleats.

    All tradition Chinese skirts are actually one piece of fabric tied together with ribbons on both sides, because you are expected to wear pants underneath it. Mamianqun was developed to open on both sides so women can more easily ride horses. Are horses the primary form of transportation for Australian school girls these days?

  7. Avatar

    Kim_YS

    July 16, 2022 at 10:09 am

    This isn’t Chinese origin, this is Korean origin according to Chinese’s own written records. There’s Goguryeo mural painting showing this outskirt.

  8. Avatar

    Keesty

    July 18, 2022 at 11:30 pm

    Mamian is from China. It’s the main dress for our female Han people in the Song and Ming dynasties (nearly 700 years of history). Why do Korean people always try to steal other people’s culture? If you know your history. You will find out the Korean peninsula is independent only after , in 1895. You used to belong to the Chinese dynasty. I don’t think any Chinese people will want to wear any clothes from your region rather than our clothes. I can show respect to Korean, but only as you show respect to the real history.

  9. Avatar

    Zeus

    July 19, 2022 at 3:15 am

    Check this video: “Dior and Its Cultural Appropriation of Chinese Ma Mian Skirt [CC]” (https://youtu.be/Chyma67-PMY), which explained clearly the unique design of the Ma Mian Qun (Horse face skirt). As mentioned above, this is not about “pleats”. The design of Ma Mian Qun made it easier for ancient Chinese women to ride horses, unlike that of the Western women, who did side saddle riding. What Dior does is blatant cultural appropriation.

  10. Avatar

    Jane Churchland

    July 19, 2022 at 9:07 am

    OK, I’ve now seen a closer look video on the actual skirt, and you are all right and I was so extremely wrong. My apologies.

  11. Avatar

    Guy

    July 20, 2022 at 4:02 pm

    Chinese copy everything. And they have the nerve to complain?

  12. Avatar

    Walao

    July 21, 2022 at 2:47 pm

    Without fail, a korean will always show up to claim some heritage that’s obviously not theirs.

  13. Avatar

    Whatdli

    July 24, 2022 at 12:40 pm

    Dont understand why is okeay to people copy original work from Chinese even there is people who copy other people. But if you didnt know all world have plagiarize problem, not only China. But China get promote for most about this. Not saying its fine, but this cultural appropriation is just wrong thing as well as those people from China who make fake things. There are original designers and traditional culture, which we should support. They should all be respected, otherwise everyone is no different from someone who can only plagiarized.

  14. Avatar

    Whatif

    July 24, 2022 at 12:44 pm

    If people thing its fine because there are Chinese who copy and say they cant complain when they get this. Would you prefer that in the future copying be increased in China and maybe they also think that it is the only way to act when the original work or culture cannot be protected or complain that it has been copied.

  15. Avatar

    Its fin

    July 24, 2022 at 12:47 pm

    Can Korean people just stop whe know ypu can not read Chinese character, ypu can even not make difference between horsetail and horseface. And no there is not a tomb info about it, because you people broke mural painting when try to steal it.

  16. Avatar

    Sisi

    July 30, 2022 at 3:40 am

    China’s history definitely been interrupted when they were forced to wear that long braid.

  17. Avatar

    Sisi

    July 30, 2022 at 3:44 am

    Dior only mentioned their classic silhouette, took no credit for the pleats and cut. Can people have an idea of silhouette before accusing others?

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China Brands, Marketing & Consumers

China’s ‘Chanel’? Chinese Beauty Brand Florasis Is Raising Eyebrows on Weibo

Some netizens wonder if the Florasis PR team might have lost their marbles, as their strategy appears to have taken an unusual turn, featuring emotionally charged replies on Weibo.

Manya Koetse

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Lost Marbles or marketing logic? Following its involvement in the Li Jiaqi ‘eyebrow pencil gate,’ Chinese beauty brand Florasis’ social media strategy has taken an unconventional turn. The domestic brand recently went trending after declaring its ambition to win over the global luxury cosmetic market, and its plans to challenge established giants like Louis Vuitton and Chanel.

In the world of Chinese cosmetic brands, all eyes are on Florasis (花西子) recently. This Chinese make-up brand gained significant attention earlier this month when the popular beauty influencer ‘Lipstick King’ Li Jiaqi promoted one of their eyebrow pencils during a livestream.

After some viewers questioned whether a single eyebrow pencil costing 79 yuan ($10.8) was perhaps too expensive, Li lashed out and suggested viewers should instead ask themselves if they worked hard enough to deserve a raise.

That moment triggered a social media storm (read here), and suddenly everyone knew about Florasis, which is known as Huāxīzǐ (花西子) in China.

 
“Huaxi Coins” and Public Mockery
 

The incident sparked a series of memes and discussions, and among them, the question of what one can buy with 79 yuan in China today was a big one.

While some suggested they could feed an entire family for one day with 79 yuan, others said that it would buy their office lunches for a week. This humorous situation gave rise to the term ‘Huaxi Coins’ or ‘Floracash’ (花西币), with netizens playfully using the price of one Florasis eyebrow pencil’s price as a new currency unit (one ‘Huaxi Coin’ equals 79 yuan/$10.8).

Although Li Jiaqi apologized to his viewers soon after his controversy, it took some time for Florasis to respond the controversy the brand found itself embroiled in.

Florasis, a brand established in Hangzhou in 2017, is deeply connected to Li Jiaqi, as he has been the chief brand ambassador since 2019 and has actively participated in their product development.

Li Jiaqi x Huaxizi/Florasis.

The entire social media storm prompted a heightened focus on why Florasis products are perceived as relatively expensive.

As reported by Qing Na at Dao Insights, one post that gained significant traction on September 12 revealed that a five-piece Jade Makeup Brush set from Florasis, priced at 919 RMB ($126.28), was, in fact, made by using synthetic fiber bristles, considered cheap and of lower quality. This revelation garnered over 240 million views in just a few hours, adding to the public mockery of the national beauty brand.

 
The Florasis Dream: Becoming a Leading International Luxury Brand
 

On September 19, Florasis/Huaxizi finally apologized on social media for its late response to the controversy, and the brand stated that the incident provided an opportunity for them to listen to “the voice of their consumers,” although they did not delve deeper into the price of their products.

Florasis apology on Weibo, screenshot.

Although people criticized the letter posted by Florasis and the words they used in it, their decision to release a statement initially seemed fruitful: they gained 20,000 new followers in a single night.

Chinese netizens picking apart the apology letter posted by Huaxizi/Florasis. Via Xiaohongshu user @边际平衡術.

While the entire situation drew more attention to the Chinese make-up brand, it also seems to have prompted Florasis to reconsider its own position in the cosmetics industry, both in China and globally. Because on September 26th, the brand publicly and somewhat suddenly declared its ambition of becoming a leading international luxury cosmetics brand.

“Me, Florasis, I’m 6,5 years old,” the post read: “I have a dream: to be a high-end brand, rooted in China, going global.”

Florasis announces its ambition to become a globally recognized make-up brand.

In their post, Florasis used a quote saying “A Positive Mindset Shapes Huaxizi’s Lifetime,” which is derived from the title of a well-known Chinese self-help book from 2012 called “A Positive Mindset Shapes a Woman’s Lifetime” (好心态决定女人一生).

One of the main ideas presented in this book, authored by Li Jin (李津), is that success can never come from a negative or pessimistic mindset; if you see yourself as a failure, you’re likely to fail, but if you envision success, you’re more likely to achieve it.

 
Next to Chanel: Confusion about Florasis’ Public Relations Tactics
 

The company’s ambition, on its own, may not be particularly surprising. As stated in a report published by Paicaijing (派财经), Florasis’ co-founder, Fei Man (飞慢), had previously questioned in an interview why Chinese brands were always associated with being cheap, expressing Florasis’ wish to break the “price ceiling” (价格天花板) and escape the ongoing “low price competition” (低价竞争) in China’s beauty industry by delivering high-quality products at a premium price.

However, the wording and the timing seemed odd, and the post created both banter and confusion about Florasis’ public relations tactics, especially because they did much more than that post alone.

On September 20th, approximately ten days after the ‘eyebrow pencil gate’ controversy, the company’s founder, Hua Mantian (花满天), made an announcement on his WeChat channel. He revealed that the brand would be distributing their premium eyebrow pencils, originally priced at 119 yuan ($16.3), during a livestream promotional event that night. They planned to give away free pencils to hundreds of viewers every ten minutes. By giving out over 10,000 free eyebrow pencils in total, the company allegedly hoped to gain more feedback on their product in order to further improve it. Over 400,000 people tuned in to that livestream.

Since then, Florasis seems to be doing all it can to catch the public’s attention, and some netizens even wonder if the editors at the Florasis PR team might have lost their marbles, as they keep posting a lot of unusual replies, – some emotional and somewhat unhinged, – to their own threads on their Weibo account.

Throughout September 26, the account posted dozens of texts/replies, responding to many netizens’ comments. Florasis not only declared its wish to be China’s ‘Chanel’ when it comes to beauty products, it also praised its own efforts in contributing to women’s mental health, preserving traditional culture, innovating cosmetics, and much more.

Their social media texts included phrases such as: “I’m super awesome,” or writing:

I’m really becoming a bit emotional. I established my own laboratory at just three years old! We now have over 200 research partners, and their leader is Li Huiliang (李慧良), known as the “Number One in Chinese Cosmetics Research and Development.” He’s like a superstar in the industry. We have five big innovation research and development centers, over 7000 square meters, larger than a football field. Don’t I deserve a gold star sticker for that?

And:

As a Chinese brand, every generation has a mission. Our generation’s mission is to fight in the international market with high-end presence! You can mock and ridicule me, it’s ok [sad face emoji] I’m already neighbors with Louis Vuitton and Gucci at the [Hangzhou] West Lake [shopping street]! And I will be next to Chanel at Japan’s top-notch department store Isetan. Next up is France, Dubai, America, see you there!

Subsequently, the hashtag “Florasis Says It’ll Be Side-to-Side with Chanel” (#花西子称要和香奈儿门对门#) received over 470 million views on Weibo. Another hashtag, “Florasis Wants to Be a High-end Brand” (#花西子称想做高端品牌#), received more than 220 million views.

 
Mad Marketing
 

By now, the hashtag “Huaxizi Lost It” (#花西子发疯#) has also gone trending on Chinese social media platform Weibo, where people have different thoughts on what might have triggered Florasis’ social media behavior.

While some people really think that Florasis has gone crazy, others see the entire ordeal as a social media spectacle meant to distract attention from what happened with Li Jiaqi, or as a cheap marketing stunt.

One poll conducted by Sina News asked people about the situation. The majority of respondents believed that the social media editor must have lost their mind, while others considered it just another version of “bad marketing is still marketing” – suggesting that even if the publicity strategy is cheap or questionable, it is still used as a marketing tactic to gain attention.

Another question is: does it even matter what the reason behind this unusual online media approach is?

If Florasis is really letting its PR team run wild, it is doing so at a crucial moment, shortly after a significant controversy that cast the brand in a negative light. This moment calls for careful control rather than unconventional tactics. Furthermore, the social media strategy appears to be at odds with Florasis’ typical marketing image, which emphasizes tradition, glamour, and perfection.

If Florasis is using this strategy to attract and divert attention, it also appears that this approach is not yielding the desired results, as many people express a common sentiment: “I didn’t purchase Florasis before, and I certainly won’t be buying it now.”

By Manya Koetse

With contributions by Miranda Barnes

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China Brands, Marketing & Consumers

Bad Apples? Chinese Actor Liu Jin Smashes iPhone 13 Pro Max, Anger over ‘Chinese’ Employee Photo on Apple Website

Who’s the bad Apple? There’s much ado about Apple on Chinese social media this week, but things turn out differently than expected.

Manya Koetse

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There is a lot of Apple anger on Chinese social media this week. Two separate trending topics have ignited discussions. One revolves around Chinese actor Liu Jin, who smashed his iPhone 13 Pro Max in front of the Apple flagship store, while another one centers on an image of an Apple employee deemed inappropriate by Chinese netizens. But both viral trends have unfolded with surprisingly ‘juicy’ twists.

The Chinese actor Liu Jin (刘金) has become a big topic of discussion on Chinese social media this week for a remarkable statement he made in a 2-minute video that has gone viral.

The ‘statement video’ shows the actor angrily throwing his iPhone 13 Pro Max on the ground until it breaks, right in front of the Wangfujing Apple flagship store in Beijing, pledging he will never buy another Apple product again and accusing the company of being arrogant and overbearing after running into some repair issues.

Liu Jin is an actor who played in various productions, but he made his major breakthrough in 2015 when he played in the Chinese CCTV series Don’t Let me See (别让我看见) and in the successful comedy movie Goodbye Mr Loser (夏洛特烦恼).

In the video, recorded on September 17, Liu explains he just visited the Apple store to get his iPhone back after bringing it in for repair. Liu claimed that he bought his iPhone 13 Pro Max in August of 2022 through the official store and that, after a year, it had a hardware problem that needed to be fixed.

From the video by Liu.

According to Liu, the Apple store has now returned the iPhone to him without repairing it, saying that the phone was “modified without authoritization” by a third party, and that Liu should pay a 6,960 yuan ($950) fee to get it fixed.

Refusing to pay such an amount of money, and denying he got the phone through a third party, Liu then smashes the iPhone on the ground until it is broken, promising never to buy Apple again.

A hashtag related to the video was viewed a staggering 270 million times on Weibo, where it became a top trending topic (#演员刘金苹果店前怒摔iphone#).

 
Apple vs Huawei Rivalry
 

The actor’s recent actions have garnered considerable attention, primarily because they coincide with the escalating rivalry between Huawei and Apple. This rivalry has become a prominent topic of discussion in China recently, due to various things coming together at the same time.

Notably, Apple unveiled its iPhone 15 shortly after Huawei introduced its latest flagship, the Mate 60 Pro 5G. Noteworthy enough (and unlikely coincidentally),it was launched on the same date as the return of Huawei executive daughter Meng Wanzhou from Canada in 2021 (read here).

The official launch ceremony for Huawei’s new products is coming up on September 25, and people are hoping to find out more about the powerful Kirin 90000s chip that is being used by Huawei despite facing heavy US sanctions regarding Chinese access to crucial chip technology.

Simultaneously, reports emerged about alleged Chinese restrictions on iPhones within government and state agencies, resulting in a significant decline in Apple’s stock value. The Foreign Ministry later stated that that China has actually not issued any law, regulation, or policy document to ban the use of Apple phones.

All of these developments have reignited the ongoing tech giant competition in China, that is now about much more than smartphones alone and has come to symbolize geopolitical rivalry, encompassing themes of nationalism, anti-Western sentiments, and a growing sense of pride in products made in China.

 
Much Ado about Apple Employee Photo
 

As Liu’s phone-smashing video went viral, so did another controversy concerning an Apple customer service employee’s photo depicted on the official website of Apple.

A Chinese netizen pointed out that a photo of an Apple Watch Specialist representative on the Apple site may have been purposely “insulting China” (辱华) due to the appearance of the person in the photo.

Initially, many people thought the image was specifically used on the Chinese-language Apple site, and that it concerned a Chinese individual with a hairstyle that resembles a queue: a single long braid of hair that was traditionally worn by male subjects of China during the Qing.

Some people also thought the individual had a pockmark near the mouth and that their looks reinforces stereotypes surrounding Chinese appearances regarding eyes and forehead. The image therefore sparked wide-spread resistance among netizens who thought Apple deliberately and inappropriately used such an image to show Chinese individuals as being backward and unattractive.

online poll with nearly 198,000 likes on Weibo, asking if this photo is appropriate or not (the majority voted that the photo was not appropriate).

On the same day as Liu’s video first came out, September 17, the topic of the “braid-wearing customer service representative” went trending, and the hashtag of “how do you feel about the Apple China website image of the braided customer service representative” (#如何看苹果中国官网辫子客服形象#) has since received over 200 million views on Weibo.

Political commentator Hu Xijin (胡锡进) also responded to the issue, explaining how the Chinese people are particularly sensitive to issues related to “perceived insults to China by Westerners,” due to historical and cultural factors which are further amplified by current tensions in US-China and broader China-Western relations.

Hu therefore argues that “American and Western companies should be more careful and cautious when promoting their products and try to avoid using images and texts that could be misinterpreted by Chinese people.”1

 
Who’s the Bad Apple?
 

But to what extent is criticism of Apple reasonable in both incidents?

In the case of the “braid-wearing customer service representative”, it soon triggered a response from Apple’s customer service (#苹果客服回应辫子客服形象#, hashtag with 180 million views) and led to more information.

It has since become evident that many assumptions about the image were unfounded. Contrary to the initial belief that the photo was exclusive to the Chinese page, it was also featured on Apple’s official websites in the United States, Japan, South Korea, and other countries.

Furthermore, it was revealed that the Apple employee in question is not of Chinese descent at all; she is a Native American female employee (also see Wen Hao’s post on this). Additionally, the perceived pockmark near her mouth was, in fact, a piercing.

In response to this, some people mocked Hu Xijin for how he responded to the controversy.

Photoshop meme mocking Hu Xijin.

But Liu’s video also turns out to be a bit different than the version of the story he presented.

The actor seemed to voice a popular public sentiment by taking a stand against Apple’s dominant position, that rivals that of China’s tech darling Huawei, by smashing an Apple smartphone in public.

But where is the proof that Liu actually bought his iPhone at an Apple store in 2022? Where is the receipt showing that his phone was indeed not coming from a third party that might have modified it?

To the dismay of many netizens, the actor refused to show the official store receipt of his Apple phone, and many people started to doubt if the actor might have just put on a show to gain attention at a critical moment in the market competition between Apple and Huawei.

Moreover, the actor’s story seemed even less credible when he tried to further explain it in a recent social media post.

Why?

As many netizens noted: the post he sent was actually sent from an iPhone.

By Manya Koetse

1 “(..)一些国人在西方人“辱华”的问题上很敏感,有其真实的历史和文化原因。目前中美关系很紧张,中西关系也不如过去,美国和西方公司在做产品宣传时,多一些细心、谨慎,尽量不要选用有可能引发中国人误解的图文,这是他们开展跨文化交流时一份应有的素养和水平。”

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