Featured
Under Pressure: Chinese Full-Time Mothers Demand Time Off
With the number of stay-at-home mothers on the rise in China, so are the challenges that come with being a full-time mother.

Published
8 years agoon

The story of a full-time mother who was slammed by her husband and mother-in-law for asking some ‘time off’ for traveling during the national holiday has gone viral on Chinese social media. Her account strucks a chord with other stay-at-home moms, who face difficulties in being a full-time mother in a society where family responsibilities are shifting.
Chinese netizen ‘@DoubleTrouble’ (@二捣蛋), a Guangzhou stay-at-home mother of two kids, recently posted about her desire to take “an absence of leave” (请假) from her life as a mum and travel by herself during the Chinese National Holiday.
The woman shared her grievances on WeChat about being severely criticized by her husband and mother-in-law for wanting some time for herself during an 8-day vacation after taking on the sole care of her two children non-stop for years.
The unhappy mother’s story, which was posted some days before the start of China’s national holiday, was picked up by Chinese media and went viral. It triggered heated discussions on the role of China’s stay-at-home mothers within the family.
A FULL-TIME MOTHER’S DILEMMA
“I raised the subject of wanting to go away for a while. But I couldn’t even finish speaking before my mother-in-law said: How dare you think of things like this as a mother?!”
The original text, which was posted by the woman on a WeChat forum for Guangzhou mothers (gzmama.com), is as follows:
“The past two days I’ve had a falling out with my family members. I wanted to use the National Holiday to travel somewhere, but my husband and mother-in-law strongly opposed. Now, there is all this turmoil because of this, with them criticizing me for being selfish. They also say I am irresponsible and that I am an unfit mother. I feel really low.
The situation is that I have two children, a 5-year-old and a 2-year-old, both raised by me. Although my parents-in-law are also in Guangzhou, they’ve never helped me out at all. Even when one child gets sick, it is me who has to take both the children to the hospital.
I’ve been married to my husband for six/seven years now. After we got married, I resigned from my job to become a full-time mother. We did not hire a nanny and I took on the care of the two kids by myself. My husband is very busy, and couldn’t help out either.
The last couple of years have tired me out. All mothers will know what I mean, even if they don’t say it. For this year’s [national] holiday, my husband also got a few days off, which is very rare, so I finally wanted to seize this opportunity to go out for a while, and let my mother-in-law help out for a bit to take care of the children.
A few days ago, we were all having dinner together, when I raised the subject of wanting to go away for a while. But I couldn’t even finish speaking when my mother-in-law said: “How dare you think of things like this as a mother?!” My husband also strongly opposed to me leaving the house. My father-in-law said nothing; he didn’t oppose nor approve.
My husband and my mother-in-law at the dinner table took turns in telling me how selfish I am, and how irresponsible I am, and I could not help but quarrel with them.
Now the family relations have gone sour, and my husband and I have not spoken for few days, I also haven’t gone to see my mother-in-law.
Am I really being selfish? The two children are already older now. The little one does not get breastfed anymore, and the kids get along great, they hardly ever fight.
Sigh, I do not know what to do now. Should I go anyway, regardless if they are against it or not? Or should I just forget about it it and just bitterly stay at home with the kids?”
The woman’s post received some 17,000 views and over 200 comments from other mothers on the Guangzhou forum before it was widely shared and discussed in Chinese media, receiving thousands of reactions on Weibo.
STAY-AT-HOME MOMS IN CHINA
“Once you have children, your time is no longer your own – your time must be dedicated to them.”
More than two-thirds of mothers in China work full-time. According to this report (video) by CGTN, China’s modern-day moms belong to a generation that attaches great importance on having a job – so much so that there is an alleged social stigma to staying at home full-time to raise the children.
“There are a lot of Chinese mothers who work, and this might not necessarily always be their choice,” says Roseann Lake, author of upcoming book Leftover in China: The Women Shaping the World’s Next Superpower.
Lake tells What’s on Weibo that the relatively high percentage of working mothers in China, on the one hand, can be explained through the historical background of the Cultural Revolution, which placed great importance on the full participation of women in the labor force. On the other hand, she notes, it also has a lot to do with today’s China.
“Giving the nature of China’s economy, there is a need for double-working households. And at the same time, there are also many grandparents with free time on their hands who are willing to take care of their grandchildren.”
Lake does not think there necessarily is a social stigma attached to being a full-time mom: “If the financial conditions allow it, women in China can certainly be stay-at-home moms. But then there is the expectation to take on the bulk of looking after the household.”
Nevertheless, Lake stresses, usually – despite expectations that the wife will then take on full care of the household and children – Chinese grandparents will pitch in to help take care of the children, whether the mothers like it or not.
About the case of Chinese netizen ‘@Doubletrouble’, Lake says: “There are plenty of in-laws in China who would pass judgment on something like this, saying that once you have children, your time is no longer your own and your time must be dedicated to them at all times.”
While there is pressure on both working and stay-at-home moms, there is a growing number of Chinese women who choose to fully dedicate themselves to their family life.
According to China Daily, more than 70% of post-90s young mothers are willing to be a full-time mom. By contrast, mothers from the post-80s would rather stay in the workforce; approximately 46% keep on working after becoming a mother.
ONLINE REACTIONS
“If women cannot even have this piece of freedom, then why do we get married at all?”
With the number of stay-at-home mothers on the rise in China, so are the challenges that come with being a full-time mother. The story of @DoubleTrouble shows that there are many other full-time mothers who have a similar story.
“Women have to think of themselves, they should not completely dedicate all of themselves to the family,” one woman (@潼潼囡妈咪) writes: “We need our own social space in order to have the capability to support ourselves and our children.”
“Just go!”, one person pleads: “If women cannot even have this piece of freedom, then why do we get married at all?”
Other people also point out that it is not the mom who is selfish: “If a woman becomes a mother, it doesn’t mean she has to give up on everything. There are 8 days in the National Holiday – why can’t she leave for 2 days? Can’t she have a break from working hard all year round? It’s not only her children, what’s wrong with the mother-in-law looking after them? They are the ones who are selfish and take her for a free labor force.”
There are also commenters who say that there is a big difference between being a stay-at-home mother and a ‘house slave’: “Just go and apply to be a nanny somewhere else,” one person suggests: “At least then you’ll have wages and get days off.”
“The one who has no sense of responsibility is not this mother, but her husband,” another woman writes.
“It’s not like she’s leaving for two months,” one commenter said: “If women cannot even enjoy this freedom and support after getting married and having babies, then what’s the point?”
“When I get married,” a male netizen writes: “I want my wife to take time for herself and go outside, I will watch the kids. I don’t want to see her depressed or restless.”
Despite all the support for @DoubleTrouble, and all the other mothers demanding that ‘time off’ should be normal for all stay-at-home moms, there are also some who disagree.
“When the child is 2 years old, they are too young. Wait until they go to school,” some say. Or: “Just take the children and go on a trip together with your husband, the four of you together as a family.”
THE “GREAT TRANSFORMATION”
“The grandmother does not have the duty to help out her daughter-in-law, but then she also shouldn’t expect her daughter-in-law to take care of her when she is old and sick.”
The recent account of ‘@Doubletrouble’ is not the only complaint from full-time mothers who feel the pressure of taking on the full care of their children and not getting any help nor personal time. An important recurring issue is the changing role of the in-laws, who traditionally lived with their son’s family and usually have an active role in raising their grandchildren.
One woman from Fujian (@林小夕的梦) cries out on Weibo: “I am so tired, I am on the verge of collapse. It’s unbearable being a full-time mother. Don’t ask me about my mother-in-law or why she doesn’t help me out – I’d be better off without her, she doesn’t understand.”
The transformations of Chinese traditional family structures in the modern-day era have not necessarily brought about equal gender divisions in the household.
As pointed out by Harriet Evans in The Gender of Communication (2010), the focus in Chinese society has gradually shifted over the past half-century, as there is “[a] shift away from a collectivist and family-oriented ethics of personal responsibilities to an individualistic ethics of rights and self-development” (981).
This “great transformation”1 manifests itself, amongst others, in the clashes between those younger mothers who seek self-fulfillment and personal satisfaction, and those older generations who still expect them to fulfill the traditional women’s role in the domestic sphere, while they, as grandparents, now also play a much less significant role in the upbringing of their grandchildren – not just because they are detached more from the family in social terms, but also often because there is a bigger spatial distance between families.
“The grandmother does not have the duty to help out her daughter-in-law, but then she shouldn’t expect her daughter-in-law to take care of her either when she is old and sick,” a popular comment said.
Since the post has gone viral, @DoubleTrouble has not given an update about whether or not she did go on that trip. If not, at least her story has triggered some relevant discussions online.
“I just hope this post will receive enough attention so that women who want to become a full-time mother will realize the difficulties they might face,” one woman writes.
By Manya Koetse
Follow @whatsonweibo
References
Evans, Harriet. 2010. “The Gender of Communication: Changing Expectations of Mothers and Daughters in Urban China.” The China Quarterly (204): 980-1000.
1 Evans (2010) quotes Yan Yuxiang here, author of The Individualization of Chinese Society (London: Berg, 2009).
Spotted a mistake or want to add something? Please let us know in comments below or email us.
©2017 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.
Manya is the founder and editor-in-chief of What's on Weibo, offering independent analysis of social trends, online media, and digital culture in China for over a decade. Subscribe to gain access to content, including the Weibo Watch newsletter, which provides deeper insights into the China trends that matter. More about Manya at manyakoetse.com or follow on X.

China ACG Culture
Inside the Labubu Craze and the Globalization of Chinese Designer Toys
Labubu is not ‘Chinese’ at all—and at the same time, it is very much a product of present-day China.

Published
1 week agoon
June 8, 2025
Labubu – the hottest toy of 2025 – is making headlines everywhere these days. The little creature is all over TikTok, and from New York to Bangkok and Dubai, people are lining up for hours to get their hands on the popular keyring doll.
In the UK, the Labubu hype has gone so far that its maker temporarily pulled the toys from all of its stores for “safety reasons,” following reports of customers fighting over them. In the Netherlands, the sole store where fans can buy the toys also had to hire extra security to manage the crowds, and Chinese customs authorities have intensified their efforts to prevent the dolls from being smuggled out of the country.
While the Labubu craze had slightly cooled in China compared to its initial peak, the character remains hugely popular and surged back into the top trending charts with the launch of POP MART’s Labubu 3.0 series in late April 2025 (which instantly sold out).
Following the global popularity of the Chinese game Black Myth: Wukong, state media are citing Labubu as another example of a successful Chinese cultural export—calling it ‘a benchmark for China’s pop culture’ and viewing its success as a sign of the globalization of Chinese designer toys.
But how ‘Chinese’ is Labubu, really? Here’s a closer look at its cultural identity and the story behind the trend.
The Journey to Labubu
In the perhaps unlikely case you have never heard of Labubu, I’ll explain: it’s a keyring toy with a naughty and, frankly, somewhat bizarre face and gremlin-like appearance that comes in various colors and variations. It’s mainly loved by young (Gen Z) women, who like to hang the toys on their bags or just keep them as collectibles.
The figurine is based on a character created by renowned Hong Kong-born artist Kasing Lung (龍家昇/龙家升, born 1972), whose work is inspired by Nordic legends of elves.

Kasung Lung, image via Bangkok Post.
Lung’s story is quite inspirational, and very international.
As a child, Lung immigrated to the Netherlands with his parents. Struggling to learn Dutch, young Kasing was given plenty of picture books. The picture books weren’t just a way to connect with his new environment, it also sparked a lifelong love for illustration.
Among Kasing’s favorite books were Where the Wild Things Are by Maurice Sendak and those by Edward Gorey — all full of fantasy, with some scary elements and artistic quality.
Later, as his Dutch improved, Kasing became an avid reader and turned into a true bookworm. The many fantasy novels and legendary tales he devoured planted the seed for creating his own world of elves and mythical creatures.

Kasing as a young boy on the right, and one of his children’s illustration books on the left.
After initially returning to Hong Kong in the 1990s, Lung later moved back to the Netherlands and eventually settled in Belgium.
Following a journey of many rejections and persistence, he began publishing his own illustrations and picture books for the European market.

Image via Sina.
In 2010, Hong Kong toy brand How2work’s Howard Lee reached out to Lung. One of How2work’s missions is cultivating creative talent and supporting the Hong Kong art scene. Lee invited Kasung to turn his illustrations into 3D, collectible figurines. Kasung, a collector of Playmobil figures since childhood, agreed to the collaboration for the sake of curiosity and creativity.
Lung’s partnership with How2work marked a transition to toy designer, although Lung also continued to stay active as an illustrator. Besides his own “Max is moe” (Max is tired) picture book, he also did illustrations for a series by renowned Belgian author Brigitte Minne (Lizzy leert zwemmen, Lizzy leert dansen).
A few years later, Lung introduced what would become known as The Monsters Trilogy: a fantasy universe populated by elf-like creatures. Much like The Smurfs, the Monsters formed a tribe of distinct characters, each with their own personalities and traits, led by a tribal leader named Zimomo.
With its quirky appearance, sharp teeth, and mischievous grin, Labubu stood out as one of the long-eared elves.
When Labubu Met POPMART
Although the Labubu character has been around since 2015, it took some time to gain fame. It wasn’t until Labubu became part of POP MART’s (泡泡玛特) toy lineup in 2019 that it began reaching a mass audience.
POP MART is a Chinese company specializing in artsy toys, figurines, and trendy, pop culture-inspired goods. Founded in 2010 by a then college student, the brand launched with a mission to “light up passion and bring joy,” with a particular focus on young female consumers (15-30 age group) (Wang 2023).
One of POP MART’s most iconic art toy characters—and its first major commercial success—is Molly, designed by Hong Kong artist Kenny Wong in collaboration with How2work.
Prices vary depending on the toy, but small figurines start as low as 34 RMB (about US$5), while collectibles can go as high as 5,999 yuan (US$835). Resellers often charge significantly more.

Pop Mart and its first major commercial success: Molly (source).
POP MART is more than just a store, it’s an operational platform that covers the entire chain of trendy toys, from product development to retail and marketing (Liu 2025).
Within a decade of opening it first store in Beijing, POP MART experienced explosive growth, expanded globally, and was listed on the Hong Kong Stock Exchange.
The enormous success of POP MART has been the subject of countless marketing studies, drawing various conclusions about how the company managed to hit such a cultural and commercial sweet spot beyond its mere focus on female Gen Z consumers.
🎁 Gamifying consumption | One common conclusion about the success of POP MART, is that it offers more than just products—it offers an experience. At the heart of the brand is its signature blind box model, where customers purchase mystery boxes from specific product lines without knowing which item is inside. Those who are lucky enough will unpack a special ‘hidden edition.’ Originating in Japanese capsule toy culture, this element of surprise gamifies the shopping experience, makes it more shareable on social media, and fuels the desire to complete collections or hunt for rare figures through repeat purchases.
🌍 Creating a POP MART universe | Although POP MART has partnerships with major international brands such as Disney, Marvel, and Snoopy, it places a strong focus on developing its own intellectual property (IP) toys and figurines. In doing so, POP MART has created a universe of original characters, giving them a life beyond the store through things like collaborations, art shows and exhibitions, and even its own theme park in Beijing.
💖 Emotional consumption | What makes POP MART particularly irresistible to so many consumers is the emotional appeal of its toys and collectibles. It taps into nostalgia, cuteness, and aesthetic charm. The toys become companions, either as a desktop buddy or travel buddy. Much of the toys’ value lies in their role as social currency, driven by hype, emotional gratification, and a sense of social bonding and identity (Ge 2024).
The man behind POP MART and its strategy is founder and CEO Wang Ning (王宁), a former street dance champion (!) and passionate entrepreneur with a clear vision for the company. He consistently aims to discover the next iconic design, something that could actually rival Mickey Mouse or Hello Kitty.
In past interviews, Wang has discussed how consumer values are gradually shifting. The rise of niche toys into the mainstream, he says, reflects this transformation. Platforms like Douyin, China’s strong e-commerce infrastructure, and the digital era more broadly have all contributed to changing attitudes, where people are increasingly buying not for utility, but for the sake of happy moments.
While Wang Ning dreams of a more joyful world, he also knows how to make money (with a net worth of $20.3 billion USD, it was actually just announced that he’s Henan’s richest person now)—every new artist and toy design under POP MART is carefully researched and strategically evaluated before being signed.
Labubu’s journey before its POP MART partnership had already shown its appeal: Kasing Lung and How2Work had built a small but loyal fanbase pre-2019. But it was through the power of POP MART that Labubu really reached global fame.
Labubu: Most Wanted
Riding the wave of POP MART’s global expansion, Labubu became a breakout success, eventually evolving into a global phenomenon and cultural icon.
Now, celebrities around the world are flaunting their Labubus, further fueling the hype—from K-pop star Lisa Manobal to Thai Princess Sirivannavari and Barbadian singer Rihanna.
In China, one of the most-discussed topics on social media recently is the staggering resale price of the Labubu dolls.

Third edition of the beloved Labubu series titled “Big into energy” (Image via Pop Mart Hong Kong).
“The 99 yuan [$13.75] Labubu blind box is being hyped up to 2,600 yuan [$360]” (#99元Labubu隐藏款被炒至2600元#), Fengmian News recently reported.
Labubu collaborations and limited editions are even more expensive. Some, like the Labubu x Vans edition, originally retailed for 599 yuan ($83) and are now listed for as much as 14,800 yuan ($2,055).
Recently, Taiwanese singer and actor Jiro Wang (汪东城) posted a video venting his frustration over scalpers buying up all the Labubus and reselling them at outrageous prices. “It’s infuriating!” he said. “I can’t even buy one myself!” (#汪东城批Labubu黄牛是恶人#).
One Weibo hashtag asks: “Who is actually buying these expensive Labubus?” (#几千块的Labubu到底谁在买#).
Turns out—many people are.
Not only is Labubu adored and collected by millions, an entire subculture has emerged around the toy. Especially in China, where Labubu was famous before, the monster is now entering a new phase: playful customization. Fans are using the toy as a canvas to tell new stories and deepen their emotional connection, transforming Labubu from a collectible into a DIY project.

Labubu getting braces and net outfits – evolving from collectible to DIY project.
There’s a growing trend of dressing Labubu in designer couture or dynastic costumes (Taobao offers a wide array of outfits), but fans are going further—customizing flower headbands, adorning their dolls with tooth gems, or even giving them orthodontic braces for their famously crooked teeth (#labubu牙套#).
In online communities, some fans have gone as far as creating dedicated generative AI agents for Labubu, allowing others to generate images of the character in various outfits, environments, and scenarios.

Labubu AI by Mewpie.
It’s no longer just the POP MART universe—it’s the Labubu universe now.
“Culturally Odorless”
So, how ‘Chinese’ is Labubu really? Actually, Labubu is not ‘Chinese’ at all—and at the same time, it is very much a product of present-day China.
🌍 Not Chinese at all
Like other famous IP characters, from the Dutch Miffy to Japan’s Pikachu and Hello Kitty, Labubu is “culturally odorless,” a term used to refer to how cultural features of the country of invention are absent from the product itself.
The term was coined by Japanese scholar Koichi Iwabuchi to describe how Japanese media products—particularly in animation—are designed or marketed to minimize identifiable Japanese cultural traits. This erasure of “Japaneseness” helped anime (from Astro Boy to Super Mario and Pokémon) become a globally appealing and commercially successful cultural export, especially in post-WWII America and beyond.
Moreover, by avoiding culturally or nationally specific traits, these creations are placed in a kind of fantasy realm, detached from real-world identities. Somewhat ironically, it is precisely this neutrality that has made Japanese IPs so distinctively recognizable as “Japanese” (Du 2019, 15).
Many Labubu fans probably also don’t see the toy as “Chinese” at all—there are no obvious cultural references in its design. Its style and fantasy feel are arguably closer to Japanese anime than anything tied to Chinese identity.
When a Weibo blogger recently argued that Labubu’s international rise represents a more powerful example of soft power than DeepSeek, one popular reply asked: “But what’s Chinese about it?”
🇨🇳 Actually very Chinese
Yet, Labubu is undeniably a product of today’s China—not necessarily because of Kasing Lung (Hong Kong/Dutch/Belgian) or How2work (Hong Kong), but because of the Beijing-based POP MART.
Wang Ning’s POP MART is a true product of its time, inspired by and aligned with China’s new wave of digital startups. From Bytedance to Xiaohongshu and Bilibili, many of China’s most innovative companies move beyond horizontal product offerings or traditional service goals. Instead, they think vertically and break out of the box—evolving into entire ecosystems of their own. (Fun fact: the entrepreneurs behind these companies were all born in the 1980s, between 1983 and 1989).
In that sense, state media like People’s Daily calling Labubu “a benchmark of China’s pop culture” isn’t off the mark.
Still, some marketing critics argue there’s room for more ‘Chineseness’ in Labubu and POP MART’s brand-building strategies—particularly through collections inspired by Chinese heritage, which could further promote national culture on the global stage (Wang 2023).
Meanwhile, Chinese official channels have already begun positioning Labubu as a cultural ambassador. In the summer of 2024, a life-sized Labubu doll embarked on a four-day tour of Thailand to celebrate the 50th anniversary of China–Thailand diplomatic relations.

The life-sized mascot of a popular Chinese toy character, Labubu, visited Bangkok landmarks and was named “Amazing Thailand Experience Explorer” to boost Chinese tourism. Photo Credit: Facebook/Pop Mart, via TrvelWeekly Asia.
In the future, Labubu, just like Hello Kitty in Japan, is likely to become the face of more campaigns promoting tourism and cross-cultural exchange.
Whatever happens next, it’s undeniable that Labubu stands at the forefront of a breakthrough moment for Chinese designer toys in the global market, and, from that position, serves as a unique ambassador for a new wave of Chinese creative exports that resonate with international audiences.
For now, most Labubu fans, however, don’t care about all of that – they are still on the hunt for the next little monster, and that’s enough to keep the Labubu hype burning.🔥
By Manya Koetse
(follow on X, LinkedIn, or Instagram)
References (other sources included in hyperlinks)
• Du, Daisy Yan. 2019. Animated Encounters: Transnational Movements of Chinese Animation, 1940-1970s. Honolulu: University of Hawaii Press.
• Ge, Tongyu. 2024. “The Role of Emotional Value of Goods in Guiding Consumer Behaviour: A Case Study Based on Pop Mart.” Proceedings of the 5th International Conference on Education Innovation and Philosophical Inquiries. DOI: 10.54254/2753-7048/54/20241623.
• Liu, Enyong. 2025. “Analysis of Marketing Strategies of POP MART,” Proceedings of the 3rd International Conference on Financial Technology and Business Analysis DOI: 10.54254/2754-1169/149/2024.
• Wang, Zitao. 2023. “A Case Study of POP MART Marketing Strategy.” Proceedings of the 2023 International Conference on Management Research and Economic Development. DOI: 10.54254/2754-1169/20/
Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.
©2025 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.
China Travel
Lured with “Free Trip”: 8 Taiwanese Tourists Trafficked to Myanmar Scam Centers

Published
2 weeks agoon
June 3, 2025
🔥 Quick Take: Trending in China
This is a brief update from our curated roundup of what’s trending in China this week. A version of this story also appears in the Weibo Watch newsletter. Subscribe to stay in the loop.
“Taiwan Tour Group Sold to Myanmar” is the headline that’s currently making its rounds on social media after Chinese media reported on June 3rd that a group of eight tourists from Taiwan became victims of telecom fraud-related human trafficking in Myanmar. They fell for a scam involving a so-called “free trip to Thailand.”
The group had been lured to Thailand by a scam ring that promised them, among other things, short-term high-paying jobs at a Thai casino. Once in Thailand, their passports were confiscated, and they were transported to Myanmar by an ethnic armed group.
Three women from the group managed to escape after they were reportedly deemed too old to participate in the cyberfraud operations — they didn’t even know how to use a smartphone — and were then forced to pay a ransom of around US$9715 each to be released.
The whereabouts and the fate of the five younger tourists, who were allegedly resold to other scam compounds, remain unknown.
The case quickly trended on Weibo (#台湾旅行团整团被卖到缅甸#), where an earlier incident involving Chinese actor Wang Xing (王兴) also became major news. In January this year, Wang was trafficked to a scam center in Myanmar after flying to Bangkok for what he believed was a movie casting call. He was then forced into cyberfraud training before being rescued by Thai police on January 7. His case drew global attention to the widespread human trafficking and forced labor happening in Myanmar’s scam compounds, where hundreds are held captive.
Despite the serious nature of the recent news, the fact that three ladies were saved from their predicament by not being tech-savvy enough also raised some eyebrows: “I never expected that not knowing how to use a smartphone could be such an advantage,” one top commenter wrote.
Others wondered: “Instead of scamming us, they’ve now moved on to Taiwanese?” Some commenters also remarked that “free” offers often come with hidden costs, writing: “If you see a product being offered for free to you, then perhaps it’s you that’s the product.”

Image on Weibo posted in response to the news: “If you see a product being offered for free to you, then perhaps it’s you that’s the product.”
In February 2025, Chinese President Xi Jinping met with Thai Prime Minister Paetongtarn Shinawatra to discuss strengthening bilateral security cooperation and pledged to intensify efforts to dismantle these scam networks.
Nevertheless, there are many Chinese social media commenters who say they’d rather avoid Thailand all together to avoid any risks. Others even take it a step further: “Just don’t go to Southeast Asia at all.”
By Manya Koetse
(follow on X, LinkedIn, or Instagram)
Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.
©2025 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.
Subscribe

Inside the Labubu Craze and the Globalization of Chinese Designer Toys

Lured with “Free Trip”: 8 Taiwanese Tourists Trafficked to Myanmar Scam Centers

10 Viral Chinese Phrases You Didn’t Know Came From Video Games

Earring Gate: Huang Yangdiantian and the 2.3 Million RMB Emerald Earrings

Guming’s 1 Yuan Ice Water: China’s Coolest Summer Trend

China Is Not Censoring Its Social Media to Please the West

IShowSpeed in China: Streaming China’s Stories Well

China Reacts: 3 Trending Hashtags Shaping the Tariff War Narrative

US-Russia Rapprochement and “Saint Zelensky”: Chinese Online Reactions to Trump’s Shake-Up

Chinese New Nickname for Trump Mixes Fairy Tales with Tariff War

Squat or Sit? China’s Great Toilet Debate and the Problem of Footprints on the Seat

China Trending Week 15/16: Gu Ming Viral Collab, Maozi & Meigui Fallout, Datong Post-Engagement Rape Case

Strange Encounter During IShowSpeed’s Chengdu Livestream

No Quiet Qingming: From High-Tech Tomb-Sweeping to IShowSpeed & the Seven China Streams

Inside the Labubu Craze and the Globalization of Chinese Designer Toys
Get in touch
Would you like to become a contributor, or do you have any tips or suggestions? Get in touch here!
Popular Reads
-
China Media11 months ago
A Triumph for “Comrade Trump”: Chinese Social Media Reactions to Trump Rally Shooting
-
China Society9 months ago
Death of Chinese Female Motorcycle Influencer ‘Shigao ProMax’ Sparks Debate on Risky Rides for Online Attention
-
China Memes & Viral11 months ago
The “City bu City” (City不City) Meme Takes Chinese Internet by Storm
-
China Society12 months ago
Hero or Zero? China’s Controversial Math Genius Jiang Ping
Bruce Humes
October 7, 2017 at 9:32 am
It’s quite revealing that — at least in the Weibo comments cited — all the potential “solutions” are limited to family members.
There is no mention of hiring a baby-sitter, part-time amah or full-time nanny. How come?
Obviously, many Chinese households couldn’t afford the latter, but in 1st- and 2nd-tier cities, they can. In Hong Kong and Taiwan, many middle-class families hire part- or full-time nannies to do housework and look after children. Hong Kongers in particular do so, and insist on a Filipina or Indonesian female who is both truly caring about children, and can teach them English to boot!
Among the Chinese mothers I know in Shenzhen and Guangzhou, however, hiring someone from outside the family to look after one’s children is considered very problematic, and most refuse to do so. Why? Because they are afraid their hires will 1) Steal from them, 2) Mistreat their children if a relative is not present, and/or 3) Kidnap their children and sell them to traffickers.
Tells you a lot about contemporary Chinese society, doesn’t it?