China Brands, Marketing & Consumers
“Support Xinjiang MianHua!” – China’s Social Media Storm over Xinjiang Cotton Ban
The hashtag “Wo Zhichi Xinjiang Mianhua” – “I Support Xinjiang Cotton” – received over 6 billion views on Weibo.
In 2019, an extensive brand ‘witch hunt’ took place on Weibo and other Chinese social media networks in light of the protests in Hong Kong, with international fashion and luxury brands, from Versace to Swarovski, getting caught in the crossfire for listing Hong Kong, Macau, and Taiwan as separate countries or regions – not part of China – on their official websites or brand T-shirts.
Now, another brand ‘witch hunt’ is taking place on Chinese social media. This time, it is not about Hong Kong, but about Xinjiang and its cotton industry.
H&M, Uniqlo, Nike, Adidas and other international brands have caused public outrage for the stand they’ve taken against the alleged use of forced labor involving the Muslim Uyghur minority to produce cotton in China’s western region of Xinjiang.
The social media storm started earlier this week on Wednesday, March 24, and is linked to H&M and the ‘BCI’ (Better Cotton Initiative), a Swiss NGO that aims to promote better standards in cotton farming.
In October 2020, H&M shared a statement on its site in which the Swedish retailer said it was “deeply concerned” over reports of forced labor in the production of cotton in Xinjiang, officially Xinjiang Uygur Autonomous Region (XUAR).
H&M stated that it would no longer source cotton from Xinjiang, following the BCI decision to suspend licensing of BCI cotton in the region.
BCI and its Suspension of Activities in Xinjiang
The Better Cotton Initiative (BCI) is the largest cotton sustainability program in the world. It practices across 23 countries and accounts for 22% of global cotton production. The governance group was established in 2005 in cooperation with WWF and leading retailers, with the aim of promoting the widespread use of improved farm practices.
While H&M is a ‘top member’ of the Better Cotton Initiative (link), many others brands such as IKEA, Gap, Adidas, Nike, Levi’s, and C&A are also brand members.
January 2020
In January of 2020, the BCI was slammed by Dr Adrian Zenz, a senior fellow with the Victims of Communism Memorial Foundation in Washington DC, for its refusal to pull out of the Xinjiang region. At the time, 20 percent of its ‘better cotton’ was sourced from Xinjiang, which is China’s largest cotton growing area.
According to a 2020 report by EcoTextile, the BCI maintained that its implicated council member, the yarn producer Huafu, denied the allegations and that an independent audit of the company’s Aksu facility in Xinjiang had failed to identify any instances of forced labor. An earlier report by Adidas from 2019 also stated that their independent investigations found no evidence of forced labor.
March 2020
In late March of 2020, the BCI reportedly did suspend activities with licensed farmers in the Xinjiang region for the 2020/21 cotton season while also contracting a global expert to conduct an external review of the Xinjiang situation. Chinese state media Global Times later reported that despite suspending its licensing activities, the BCI would remain committed to cotton farming communities in Xinjiang and would continue to engage in activities in the region.
July 2020
The pressure on BCI and other brands to stop sourcing from Xinjiang was heightened when a coalition of civil society groups raised concerns over the treatment of the Uyghur Muslim minority in China and the “grave risk of forced labor.” Reuters reported that more than 180 organizations urged brands from Adidas to Amazon to end sourcing of cotton and clothing from the region and cut ties with any suppliers in China that would benefit from the alleged forced labour of Uyghur other Muslim groups.
October 2020
In October of 2020, the Better Cotton Initiative announced it would cease all field-level activities in Xinjiang with immediate effect because the region had reportedly become “an increasingly untenable operating environment.” The aforementioned statement by H&M came out in the same month.
March 2021
By late March 2021, various Chinese state media reported on the BCI suspension. These reports came days after a coordinated effort by the United States, the European Union, Britain and Canada to impose sanctions on Chinese officials over China’s alleged human rights violations and abuses in Xinjiang, something which was called a “concerted effort to slander China’s policies in its Xinjiang region” by Global Times. The news outlet linked these “anti-China forces’ efforts” to the BCI decision to suspend its Xinjiang activities.
A Social Media Storm over Xinjiang Cotton
The news developments were followed by a wave of social media boycott movements and Chinese brand ambassadors cutting ties with international brands, with H&M being the main target over its Xinjiang statement.
Chinese e-commerce platforms Taobao, JD.com, Pinduoduo, Suning.com, and Meituan’s Dianping on Thursday all removed H&M from their platforms, with Chinese Android app stores also removing H&M. On Thursday, a search for “H&M” came up with no results on these sites (see images below).
Two of China’s largest online maps also removed H&M from its systems.
No H&M on these maps.
On Thursday, virtually all topics in Weibo’s top trending lists related to the Xinjiang cotton ban (see image below), with Chinese famous influencers and celebrities one by one announcing they would terminate their contracts with international brands related to the Xinjiang cotton ban.
The storm became so big this week that some people on social media even commented that “if you’re a Chinese celebrity and you don’t have any contracts to terminate now, you’re not doing so well.”
After H&M, an entire list of brands was targeted, including Adidas, Nike, Calvin Klein, New Balance, Tommy Hilfiger, Uniqlo, Converse, Puma, Burberry, and Lacoste.
In light of the heated discussions and calls for boycotts, there was also another hashtag that popped up on Weibo, namely that of “don’t make it hard for the workers” (不要为难打工人). The hashtag came up after some Chinese staff members at Nike and Adidas stores were scolded on a live stream, with netizens calling on people to stay rational and not let the boycott turn into personal attacks on people. But another popular video showed a man in Chongqing calling customers out in an H&M store for buying their “trash.”
Another hashtag gaining many views, 520 million in total, was that of two ‘girls from Xinjiang dancing outside H&M’ (#新疆小姐姐在HM门店外跳新疆舞#) – it was linked to a video that showed two women performing outside of a H&M store in Chongqing.
Meanwhile, some brands, including Chinese company Anta Sports and the Japanese Asics, reportedly announced they would leave the Better Cotton Initiative in order to continue sourcing cotton from Xinjiang.
The discussions on Xinjiang as Weibo saw this week are unprecedented, as ‘Xinjiang’ was previously a sensitive topic on Chinese social media and was barely discussed in political contexts. The last time Xinjiang became a big topic of discussion on Chinese social media was in 2018, when CCTV aired a program on the region’s “vocational education programs” in Xinjiang. That media moment triggered mixed reactions on Weibo, with some commenters wondering what the difference between a ‘re-education center’ and a ‘prison’ is.
Chinese State Media and the ‘Xinjiang Cotton Ban’
While Chinese netizens and celebrities play a major role in the storm that erupted over BCI, H&M, and Xinjiang cotton, the role of Chinese state media is pivotal.
Over the past week, various state media outlets posted strong messages regarding the ban in various ways, the most noteworthy one being People’s Daily‘s “I Support Xinjiang Cotton” (#我支持新疆棉花#) hashtag, which had garnered six billion views by the weekend. “The H&M Group released a statement that sparked outrage among netizens. Let’s pass it on together: Support Xinjiang Cotton,” the tagline of the hashtag page said.
The message came with an image saying “Xinjiang Mianhua” (Xinjiang cotton) in a similar font to the H&M logo, the “H” and “M” within ‘mianhua‘ being identical to the H&M letters.
The image and post by People’s Daily was shared over 36 million times.
A message by People’s Daily: those who slander China are not welcome.
Another image by People’s Daily published on March 25 said that the Chinese market does not welcome those who slander China.
The Communist Youth League also contributed to the online storm by posting about H&M, writing: “On the one hand they are starting rumors and boycotting Xinjiang cotton, on the other hand they want to make money in China. Dream on, H&M!” That post received around 430,000 likes.
Various official media, including Global Times and China Daily, posted about cotton production in Xinjiang. Besides refuting the forced labor accusations and accusing Western players of hypocrisy and ulterior motives, a recurring issue stressed is how 42 percent of Xinjiang’s cotton is harvested by machines. Ministry of Commerce spokesman Gao Feng was quoted as saying that “the so-called forced labor in Xinjiang is nonexistent and entirely imaginary. The spotless white Xinjiang cotton brooks no slander.”
This image was posted by China Daily USA.
On March 27, People’s Daily posted a rap video by ‘Xinjiang Youth’ (新疆青年) on its official Weibo channel (video below) that included some tough lines attacking Western powers, companies, and media.
Chinese state media are now posting this rap song on social media about the “Western forces slandering Xinjiang cotton.” pic.twitter.com/piouahMf80
— Manya Koetse (@manyapan) March 27, 2021
Also noteworthy in this propaganda campaign is how the Canadian YouTuber Daniel Dumbrill got caught up, as what he said in one of his videos was quoted by Foreign Ministry spokesperson Hua Chunying (华春莹) on March 27 during a press conference, with his video being screened before the conference.
In this video, that was part of a larger panel on Xinjiang, Dumbrill responded to the decision-making process on how China’s treatment of Uyghurs is called a “genocide.”
Recently, a number of countries and parliaments including the U.S., Canada and the Netherlands have declared that China’s crackdown on the Muslim minorities amounts to “genocide” in violation of the U.N. Genocide Convention. Dumbrill talks about why the Xinjiang narratives matter to both the foreign and domestic politics of the US and other Western countries, with Dumbril claiming it “isn’t really about human rights and a care for overseas Muslims” but about other political goals. Dumbrill’s video was praised by authorities, state media, and by Chinese netizens.
“We have to push for the truth to come out,” some netizens commented. Others wrote: “But we’re only allowed to discuss it from within [the country].”
Meanwhile, while many companies are seeing sales falling, there are also many who are benefiting from the current developments. Some sellers on Taobao have found another way to attract customers, promoting their products as being made with “100% Xinjiang Cotton!”
As this is an ongoing topic, we will report more later. Meanwhile, don’t forget to follow us on Twitter.
By Manya Koetse, with contributions by Miranda Barnes
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China Arts & Entertainment
Passing the Torch from ‘Ne Zha’ to ‘Nobody’: China’s Box Office Poster Relay Tradition
With China’s box office relay tradition, every movie’s success becomes a win for Chinese cinema.
China’s 2025 summer box office season has been a success, surpassing 10 billion yuan (~US$1.4 billion), driven by record-breaking domestic films that have also made waves on Chinese social media.
Somewhat unexpectedly, the Chinese 2D animated feature Nobody (浪浪山小妖怪) has emerged as the season’s breakout hit.
On August 11, Nobody overtook the total earnings of the 2016 hit Big Fish & Begonia (大鱼海棠), also a domestically produced animation, becoming the highest-grossing domestic 2D animated film in Chinese history.
In keeping with industry tradition, Big Fish & Begonia celebrated the milestone by releasing a congratulatory poster on its official Weibo account.
The poster shows the quirky characters of Nobody sitting on top of a giant red flower, while the protagonists of Big Fish & Begonia cheer them on from below. Written in bold calligraphy (“浪浪山冲鸭!”) is a playful phrase to cheer the movie on (translatable as: “Go, Langlang Mountain!” [Langlang Mountain is the original Chinese title.])
This is a unique “tradition” in China’s film industry: whenever a movie breaks a box-office record—no matter the category—the previous record-holder pays tribute by releasing a specially designed “congratulatory poster” in a gesture of camaraderie.
These posters are usually shared through the official Weibo accounts of the former champions, as it is common for Chinese film and TV drama productions to have their own accounts on Weibo.
Origins of the Poster Relay in China
The tradition of the so-called “box-office champion poster relay” (票房冠军海报接力) in China dates back to 2015, when Xu Zheng’s hit Lost in Thailand (泰囧)—which had held the record for highest-grossing domestic film since 2012 with a box office of 1.267 billion yuan (~US$200M)—was overtaken by Monster Hunt (捉妖记), which went on to gross 2.44 billion yuan (~US$340M).
Director Xu Zheng, who also starred in Lost in Thailand, took the initiative to release a humorous congratulatory poster for Monster Hunt. In the image, the little monster Huba (胡巴) is shown dancing on Xu’s bald head, accompanied by the text: “Lost in Thailand congratulates Monster Hunt on topping the Chinese box office.”
The poster that started a tradition.
Then, in 2016, Stephen Chow’s The Mermaid (美人鱼) surpassed Monster Hunt with a box office take of over 2.44 billion yuan (~US$340M). In response, the Monster Hunt team also released a congratulatory poster showing its main character Huba transformed into a mermaid, gazing up at the tail of The Mermaid.
The text on the poster reads: “Xing Ye (星爷) reaches the top, and Huba comes to congratulate him” — Xing Ye being Stephen Chow’s well-known nickname in Chinese. The vertical text on the right quoted lyrics from The Mermaid’s theme song: “You ask if this mountain is the highest in the world — there are always mountains higher than the other.”
Monster Hunt had been congratulated for its own win; now it was its turn to congratulate The Mermaid.
The relay continued in 2017 when Wolf Warrior 2 (战狼2) became the first Chinese film to cross the 5-billion-yuan mark (~US$700M), topping the chart. The Mermaid sent its congratulations with a poster featuring the Mermaid placing a crown on Wu Jing (吴京), the director and star of Wolf Warrior 2.
Caption: The Mermaid’s congratulatory poster for Wolf Warrior 2 in 2017. The text at the top reads: “When the nation is prosperous and the people are strong, the Mermaid shares in the honor.”
Beyond the Championship
Over time, the tradition expanded. Films that were overtaken in the rankings, even if it was not a change of the championship, also began releasing congratulatory posters.
In 2019, the animated sensation Ne Zha 1 (哪吒之魔童降世) surpassed a string of blockbusters, including Monster Hunt, Operation Red Sea (红海行动), and The Wandering Earth (流浪地球), to become the second-highest-grossing Chinese film at the time. Each of these films then sent their own tribute to “Little Nezha.”
A hand-drawn congratulatory poster by Xu Chengyi (许诚毅), the director of Monster Hunt, said: “We are all little monsters, free and easy together,” as a slight twist on Nezha’s classic line from the movie.
Congratulatory posters by Monster Hunt and Operation Red Sea to celebrate the success of Ne Zha in 2019.
The congratulatory poster by Operation Red Sea to Ne Zha 1 in 2019 also included a reference to The Bravest (烈火英雄), another film from the same producer, Bona Film Group, released at the same time as Ne Zha 1. In doing so, Bona used the popularity of Ne Zha 1 to promote its own new film at the same time.
Congratulatory poster by Guo Fan(郭帆), director of The Wandering Earth.
In 2019, Guo Fan (郭帆), the director of The Wandering Earth (流浪地球), hand-drew a congratulatory poster for Ne Zha. The illustration featured playful artwork accompanied by the text: “Little Nezha, now it’s your turn!”
Ne Zha also set a milestone for Chinese animation in an international context, earning 1.834 billion yuan (~US$260M) within nine days and reclaiming the animated film box office record in China from Zootopia.
Coloroom Pictures, the producer of Ne Zha and other Chinese animated hits, marked the achievement with a poster that both celebrated the unity of China’s animation community and acknowledged the challenges that still lay ahead, writing: “Chinese animation has taken a big step forward, but it is still just starting out.”
The poster features dozens of Chinese anime characters in formal dress, with Little Nezha standing in front of them and looking back.
These kinds of online congratulatory wishes, resonating with netizens, continued in 2021 when Hi, Mom (你好,李焕英) climbed to second place in China’s all-time box office.
Ne Zha 1 then released a hand-drawn poster showing Nezha sitting on the back of his mother’s bicycle, vowing to make something of himself—a promise fulfilled four years later when Ne Zha 2 actually surpassed Hi, Mom in early 2025.
Ne Zha 1’s congratulatory poster to Hi, Mom in 2021. The poster depicted a scene in front of Chentangguan Cinema where Hi, Mom is being shown, with Nezha sitting on the back seat of his mother’s bicycle (a classic scene in Hi, Mom’s promotion poster), vowing, “Mom, I will surely make something of myself when I grow up.”
In return, Hi, Mom published a poster in a matching style to response Ne Zha’s congratulatory poster in 2021.
Hi, Mom’s congratulatory poster to Ne Zha 2 in 2025, in which Nezha’s mother and the mother from Hi, Mom sitting together and applauding for the success of Ne Zha 2, saying, “Look! Our children are all promising.”]
All these exchanges have created unexpected interactions between vastly different movie genres.
In November 2021, when the war epic The Battle at Lake Changjin (长津湖) surpassed Chinese animation feature Ne Zha 1, the congratulatory poster released by Ne Zha 1 depicted Nezha alongside volunteer army soldiers, gazing at rockets, fighter jets, and satellites.
Ne Zha 1’s congratulatory poster to The Battle at Lake Changjin in 2021.
In 2025, when Ne Zha 2 seized the all-time box-office crown, The Battle at Lake Changjin also responded with a creative image.
The Battle at Lake Changjin’s congratulatory poster to Ne Zha 2 in 2025.
In that image, Nezha’s magical weapon the Hun Tian Ling (混天绫) was ingeniously linked to the red scarf thrown to soldiers in The Battle at Lake Changjin. At the bottom, a soldier’s large hand is shown in a lifting gesture, holding Nezha up.
The concept of such a serious war movie interacting with a humorous animated film sparked some excitement among Chinese netizens at the time. They saw the exchange as a dialogue between traditional mythology and modern history, and as a symbol of the continuity and success of China’s film industry.
A Unique Chinese Tradition?
The custom of one film “passing on the torch” to the next hit film through a congratulatory message is not entirely unique to China. The practice can actually be traced back to Hollywood.
In 1977, when Star Wars dethroned Jaws at the North American box office, director Steven Spielberg congratulated George Lucas with a full-page ad in Variety, humorously depicting R2-D2 reeling in the great white shark.
When Star Wars was dethroned by Titanic at the global box office in 1998, George Lucas sent a famous congratulatory message to James Cameron, again as a full-page ad in Variety.
Star Wars meets Titanic, famous congratulatory message to James Cameron .
In May 2019, when Avengers: Endgame officially overtook Titanic’s worldwide box office total to become the second-highest-grossing film of all time (behind Avatar), James Cameron — director of both Titanic (1997) and Avatar (2009) — posted a congratulatory image to salute Marvel Studios.
James Cameron on Twitter in May 2019.
So, although the practice of “passing the torch” among box office record-holders is not uniquely Chinese, the way it has developed in China is very distinct:
🔹 In Hollywood, box-office champions often hold the crown for years, and the ‘changing of the guards’ is relatively rare. In China, however, the industry has flourished mainly in the past decade, and records are broken far more frequently.
🔹 Social media has become central to promotion and marketing. Virtually all major Chinese films run active official accounts that not only post promotional material but also engage in playful interactions with other productions.
🔹 In Hollywood, congratulatory notes tend to come from individual directors, who salute each other as “friendly competitors.” In China, the messages are sent from the films’ official accounts, presenting it more as team-to-team recognition.
🔹 In that sense, it’s not just “movie versus movie,” but rather the Chinese film industry collectively measuring itself against Hollywood and other foreign hits. Each congratulatory poster is therefore not only a celebration of a new record, but also a statement of pride in the broader success of Chinese cinema.
🔹 Participation is not limited to the very top box-office leaders; other productions often join in, creating a ripple effect of collective celebration.
In China, the frequent turnover of box-office leaders combined with the creativity of these posters has turned the practice into a beloved feature of both film culture and the social media landscape.
In an earlier online poll, a majority of respondents described the tradition as “encouraging, and a demonstration of solidarity in China’s film industry.” Others called it a form of “romantic etiquette” unique to Chinese cinema.
Most importantly, it simply feels good — a win-win for both older and newer productions. As one netizen wrote after seeing the congratulatory artwork from Big Fish & Begonia’s official account: “I was inspired and hope that these little monsters can give everyone the courage to set out on their journeys, as well as the strength and passion to pursue their dreams. I hope domestic animation will keep getting better and better!”
By Wendy Huang
Edited by Manya Koetse
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In our last article, we’ve determined how Wakuku’s rise is not just about copying & following in Labubu’s footsteps and more about how China is setting the pace for global pop culture IPs. I now want to give you a small peek into the main characters in the field that are currently relevant.
Even if these dolls aren’t really your thing, you’ll inevitably run into them and everything happening around them.
Before diving into the top trending characters, a quick word on the challenges ahead for Labubu & co:
🚩 Bloomberg Opinion columnist Shuli Ren recently argued that Labubu’s biggest threat isn’t competition from Wakuku or knockoffs like “Lafufu,” but the fragility of its resale ecosystem — particularly how POP MART balances supply, scarcity, and reseller control.
Scarcity is part of what makes Labubu feel premium. But if too many dolls go to scalpers, it alienates real fans. If scalpers can’t profit, Labubu risks losing its luxury edge. Managing this dynamic may be POP MART’s greatest long-term challenge.
🚩 Chinese Gen Z consumers value authenticity — and that’s something money can’t manufacture. If China’s booming IP toy industry prioritizes speed and profit over soul, the hype may die out at a certain point.
🚩 The same goes for storytelling. Characters need a solid universe to grow in. Labubu had years to build out its fantasy universe. Cute alone isn’t enough — characterless toys don’t leave a lasting impression and don’t resonate with consumers.
Examples of popularity rankings of Chinese IP toys on Xiaohongshu.
With that in mind… let’s meet the main players.
On platforms like Xiaohongshu, Douyin, and Weibo, users regularly rank the hottest collectible IPs. Based on those rankings, here’s a quick who’s-who of China’s current trend toy universe:
1. Labubu (拉布布)
Brand: POP MART
Creator: Kasing Lung
Year launched: 2015 (independent), 2019 with POP MART.
The undisputed icon of China’s trend toy world, Labubu is a mischievous Nordic forest troll with big eyes, nine pointy teeth, and bunny ears. Its quirky, ugly-cute design, endless possibilities of DIY costume changes, and viral celebrity endorsements have made it a must-have collectible and a global pop culture phenomenon.
2. Wakuku (哇库库)
Brand & Creator: Letsvan, backed by QuantaSing Group
Year launched: 2024 with first blind box
Wakuku, a “tribal jungle hunter” with a cheeky grin and unibrow, is seen as the rising star in China’s trend toy market. Wakuku’s rapid rise is fueled by celebrity marketing, pop-up launches, and its strong appeal among Gen Z, especially considering Wakuku is more affordable than Labubu.
3. Molly (茉莉)
Brand: POP MART
Designer: Kenny Wong (王信明)
Year launched: 2006 (creator concept); POP MART 2014, first blind boxes in 2016
Molly is a classic trend toy IP, one of POP MART’s favorites, with a massive fanbase and long-lasting popularity. The character was allegedly inspired by a chance encounter with a determined young kid at a charity fundraiser event, after which Kenny Wong created Molly as a blue-eyed girl with short hair, a bit of a temperament, and an iconic pouting expression that never leaves her face.
4. SKULLPANDA (骷髅熊猫)
Brand: POP MART
Creator: Chinese designer Xiong Miao
Year launched: 2018 (creator concept); POP MART 2020
Skullpanda is one of POP MART’s flagship IPs —it’s a goth-inspired fantasy design. According to POP MART, SKULLPANDA journeys through different worlds, taking on various personas and living out myriad lives. On this grand adventure, it’s on a quest to find its truest self and break new ground all while contemplating the shape of infinity.
5. Baby Zoraa
Brand: TNT SPACE
Creator: Wang Zequn, CEO of TNT SPACE
Year launched: 2022, same year as company launch
Baby Zoraa is cute yet devlish fierce and is one of the most popular IPs under TNT SPACE. Baby Zoraa is the sister of Boy Rayan, another popular character under the same brand. Baby Zoraa’s first blind box edition reached #1 on Tmall’s trend toy sales charts and sold over 500,000 units.
6. Dora (大表姐)
Brand: TNT SPACE
Year Launched: 2023
Dora is a cool, rebellious “big sister” figure, instantly recognizable for her bold attitude and expressive style. She’s a Gen Z favorite for her gender-fluid, empowering persona, and became a breakout sucess under TNT when it launched its bigger blind boxes in 2023.
7. Twinkle Twinkle [Star Man] (星星人)
Brand: POP MART
Creator: Illustrators Daxin and Ali
Year launched: In 2024 with POP MART
This character has recently skyrocketed in popularity as a “healing star character” inspired by how stars shine even in darkness. POP MART markets this character as being full of innocence and fantasy to provide some relaxation in this modern society full of busyness and pressure.
8. Hirono (小野)
Brand: POP MART
Creator: Lang
Year launched: In 2024 with POP MART
This freckled, perpetually grumpy boy has a wild spirit combining introversion and playful defiance. Hirono highlights the subtle fluctuations of life, its ups and downs, incorporating joy, sadness, fear, and more – a personification of profound human emotions.
9. Crybaby (哭娃)
Brand: POP MART
Creator: Thai artist Molly Yllom (aka Nisa “Mod” Srikamdee)
Year launched: 2017 (creator concept), 2023 POP MART launch
Like Wakuku, Crybaby suddenly went from a niche IP to a new hot trend toy in 2025. Together with Wakuku, it is called the “next Labubu.” Thai artist Molly Yllom created the character after the loss of her beloved dog. Crybaby is a symbol of emotional expression, particularly the idea that it’s okay to cry and express feelings.
10. Pouka Pouka (波卡波卡)
Brand: 52TOYS
Creator: Ma Xiaoben
Year launched: 2025
With its round, chubby face, squirrel cheeks, playful smile, and soft, comforting appearance, Pouka Pouka aims to evoke feelings of warmth, healing, and emotional comfort.
Other characters to watch: CiciLu, Panda Roll (胖哒幼), NANCI (囡茜), FARMER BOB (农夫鲍勃), Rayan, Ozai (哦崽), Lulu the Piggy (LuLu猪), Pucky (毕奇).
By Manya Koetse
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Michael Gordon
April 8, 2021 at 5:39 pm
we support the Xinjiang people!