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China Arts & Entertainment

Kawaii Dolls & Digital Tools: How The Forbidden City Caters to Modern Audiences

The century-old Forbidden City is finding new ways to cater to younger, tech-savvy audiences. From its online ‘kawaii’ dolls to interactive apps, Beijing’s Palace Museum is using e-commerce and digital tools to keep up with China’s fast-moving trends while preserving its traditional culture.

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The century-old Forbidden City is finding new ways to cater to younger, tech-savvy audiences. From its online ‘kawaii’ dolls to interactive apps, Beijing’s Palace Museum is using e-commerce and digital tools to keep up with China’s fast-moving trends while preserving its traditional culture.

Over the recent years, the 6 century-old Forbidden City, that houses the Palace Museum, has started to make the traditional trendy again by focusing on e-commerce, creative design, and tech tools.

The Forbidden City, the former Chinese imperial palace in the center of Beijing, was constructed from 1402 to 1420. It was declared a World Heritage Site in 1987 for its grand architecture and embodiment of traditional Chinese culture.

In the modern age of internet and technology, the Forbidden City faces the same challenges as many museums around the world: how to close the gap between the distant history and tradition of the museum, and the modern, tech-savvy people visiting it?

The Forbidden City’s answer to this challenge lies in its use of digital tools and creative products. Especially the Forbidden City museum products, promoted on Chinese e-commerce platform Taobao or Apple’s app store, have become popular amongst a younger audience.

The core idea of these creative products is to “root in traditional culture and bind with popular culture”. By the end of 2015, the Forbidden City had already developed over 8600 different trendy products.

‘Taobao Forbidden City’

In 2010, the Palace museum opened an online shop on China’s biggest e-commerce site Taobao. Called Taobao Forbidden City (故宫淘宝), the e-commerce shop goes beyond the traditional museum souvenir shop and offers a wide variety of innovative products. The online museum shop annually sells thousands of items and is given a good rating by 99.51% of the buyers.

Key to the success of the online museum shop is how it combines popular design and modern functionality in its products.

One of the most popular items of the shop is the Forbidden City Doll (故宫娃娃). The dolls represent Chinese historical figures, with a ‘kawaii’ design. This concept of ‘cuteness’ comes from Japanese pop culture and has also become popular in China.

With big round heads, chubby rosy cheeks and small beady eyes, these dolls are supposed to typify former residents of the Forbidden City during the Qing Dynasty. They are emperors, empresses , guards, officers and soldiers – wearing the traditional clothing of their time.

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Dolls sold at the Taobao Forbidden City e-shop.

Apart from just being decorative, the cute figures also have useful functions. They can, for example, serve as phone holders or picture clippers.

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The items sold on the Palace Museum’s Taobao shop are all daily products with a touch of Chinese traditional culture. Other popular items sold at the online museum shop include stationary tape decorated with emperor Qian Long’s handwriting or historical figure keychains.

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The shop also plays around with the concept of Chinese online memes by photoshopping traditional paintings, such as that of Emperor Yongzheng, making these historical figures smile or adding popular hand gestures (see image below of the Taobao shop of the Forbidden City).

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Besides selling creative products on their online shop, the Forbidden City is also going digital in other ways.

Forbidden City on the App Store

The Forbidden City (aka Palace Museum) has launched a series of apps on the on the Apple App Store since 2013. Some of these apps digitize the museum’s collections.

The Twelve Beauties App, the first app developed by the museum’s app development team, revolves around the screen painting set ‘The Twelve Beauties’ by Emperor Yongzheng, so that users can view them in detail on their mobile devices. The app received recognition as an outstanding app by “App Store 2013”.

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Image: from the Forbidden City app Twelve Beauties by Emperor Yongzheng.

A newer app, the Palace Museum Ceramic App (故宫陶瓷馆), allows users to see the museum’s ceramic vase collection from their iPhone or iPad. The 2016 app ‘Everyday Palace’ (每日故宫) highlights a different item from the museum collection every day and explains its history and details to the app users.

The Palace Museum official apps have generally been well received, with average App Store ratings between 4.5 and 5 stars. Especially the app developed for children receives high ratings. In ‘One Day in the Life of an Emperor’ (皇帝的一天), children learn all about the Forbidden City by playing various games around the digitalized city.

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Users can play games while learning about the Palace Museum in this app.

The Forbidden City also uses technology in another way to enhance visitor experience – also for those who cannot come to the actual museum.

As early as 2003, it published its first virtual reality DVD, titled “Forbidden City: Palace of the Son of Heaven (紫禁城-天子的宫殿)”, that allowed people to virtually explore the Taihe Palace (太和殿), the very first palace at the entrance of Forbidden city, from every perspective.

This September, the Forbidden City and Fenghuang TV signed a strategic contract to use augmented reality (AR) in presenting its collections. AR technology makes it possible for audiences to experience artworks multidimensionally. It can, for example, bring paintings to life via a smartphone camera, or it can show 3D holograms that can answer questions from visitors to make museums more interactive.

One important project incorporated in the contract is a lively presentation of Along the River During the Qingming Festival (清明上河图), a 5-metre long painting that depicts urban life in the capital of North Song Dynasty (960-1127).

600-Year-Old ‘Grandpa’ Catches up with Time

The attempts of the 600-year-old Forbidden City to catch up with time seems to be paying off. According to Xinhuanet, the museum’s creative products earned a staggering 1 billion RMB (±150 M US$) revenue for the Palace Museum in 2015.

Chinese netizens seem to appreciate the efforts of the Palace Museum to become more modern. A much talked-about topic on Chinese social media, the Palace Museum has become a new “internet celebrity” (网红 – an online hit). Under Taobao Forbidden City’s Sina Weibo account, netizens lovingly address the Forbidden City with the cute nickname “gong gong” (from Chinese word “宫”, gong, meaning palace).The official Weibo account of the Palace Museum now has over 2.1 million followers (@故宫博物院).

The Palace Museum is not the only museum or historical tourist site that is exploring new technologies to promote its collection and appeal to modern audiences. The Longquan Temple (龙泉寺) in Beijing, for example, made headlines earlier this year with the launch of its robot monk Xian’er, a chubby boy monk that can answer questions about Buddhism to tourists who visit the temple.

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Through its recent uses of digital tools and trendy design, the Forbidden City is transforming its distant and serious image to one that is more approachable and new-fashioned.

“Now I feel like I really know the Forbidden City”, one netizen writes.

-By Diandian Guo, edited by Manya Koetse

©2016 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Diandian Guo is a China-born Master student of transdisciplinary and global society, politics & culture at the University of Groningen with a special interest for new media in China. She has a BA in International Relations from Beijing Foreign Language University, and is specialized in China's cultural memory.

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China Memes & Viral

When a Scene from a 2010 Chinese TV Drama Goes Viral: The ‘Cao Cao Flips Rice Bowl’ Meme

Cao Cao flipping the rice bowl is another Cao Cao meme that’s widely used to convey internal struggles about facing reality.

Zilan Qian

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These days, a viral meme originating from the Chinese TV series Three Kingdoms (三国) has gained significant traction on Chinese social media.

In a memorable scene from the 2010 series, Cao Cao, a prominent warlord in Chinese history played by actor Chen Jianbin (陈建斌), angrily flips his rice bowl upon receiving news of a surprise attack, only to gather the spilled rice back into the bowl later.

This scene featuring an enraged Cao Cao has resurfaced and struck a chord with individuals reluctantly facing reality.

Turning into a popular meme, Cao Cao flipping the rice bowl has become widely employed to convey sentiments of self-inflicted humiliation or the hesitation to undertake certain actions.

The Context of the Scene

The specific scene comes from episode 12 of the Three Kingdoms. Warlord Cao Cao, who is governor of Yan Province, is enjoying his meal when his advisor comes in to inform him about a surprise attack by Chinese military general Lü Bu (吕布), capturing almost the entire province.

The meme of “曹操盖饭.” The term “盖” is often translated as “covering” or “capping.” When combined with 饭 (rice), it forms a noun that refers to a dish where various toppings, such as cooked meat or sauces, cover the rice, similar to a Donburi-style meal.

Upon receiving this alarming report, Cao Cao’s anger flared, and he promptly flipped his rice bowl upside down on the table, an act now commonly referred to as “Cao Cao flips the rice bowl” (曹操盖饭).

Cao Cao’s anger was intertwined with disbelief at Lü Bu’s audacity to execute such a daring attack. Cao Cao’s advisor swiftly clarified that the mastermind behind the attack was Lü Bu’s strategist, Chen Gong (陈宫), who was also renowned as a brilliant strategist during the Three Kingdoms era.

As he grasped the true situation, Cao Cao gradually regained his composure and meticulously gathered the spilled rice back into his bowl – an act now known as “Cao Cao retrieving his bowl of rice” (曹操撤回了一碗饭),- before resuming his meal.

The catchphrase that is used to describe Cao Cao retrieving his rice utilizes the word “chèhuí” (撤回), which means “to recall” or “to retract.” It can be understood as “Cao Cao recalled his bowl of rice,” drawing a parallel to the recall function in WeChat that allows users to retract or cancel a message after it has been sent.

How To Use the Meme

The contrast between the forceful act of flipping the rice bowl and the subsequent unwillingness and silence displayed while putting the scattered rice back into the bowl is a key factor contributing to the meme’s viral nature on the internet.

Netizens have creatively applied Cao Cao’s meme in various situations to express their own internal struggles or a sense of self-inflicted humiliation they experience (自己打自己脸).

For instance, the meme effectively captures the feelings of both white-collar workers and students who utilize the “Cao Cao flips the rice bowl” meme on Fridays. On this day, they express their frustration with the demanding work week and their eagerness to leave their tasks behind.

However, the arrival of Monday brings a sense of reality as they realize the necessity of returning to the office or school. The “Cao Cao retrieves his bowl of rice” meme is then employed to represent the unavoidable resumption of their daily routines.

In this regard, the meme is somewhat comparable to the English “F*ck This Job, *Goes to Work*” meme (link).

“Not Possible, Absolutely Not Possible”

It is not the first time for Three Kingdom‘s Cao Cao to achieve viral status through memes.

Prior to the emergence of the ‘Cao Cao flips/retrieves the rice’ meme, Cao Cao was already well-known for another meme phrase: “Not possible, absolutely not possible” (“不可能,绝对不可能”).

This meme originated from a scene where Cao Cao received news of Liu Bei’s rebellion, immediately after confidently asserting that Liu Bei, another major warlord, would never betray him.

“Not possible, absolutely not possible”

The meme captures the essence of self-deception and the unwillingness to accept the truth. Similar to the current popular meme, this meme is often used to depict situations where someone unintentionally exposes their own flaws or contradicts their previous statements, symbolizing a self-inflicted “slap in the face.”

Read more of our articles about memes in China here.

By Zilan Qian

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©2023 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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China Celebs

Fandom Meets Matrimony: Sea of Brides at Roy Wang’s Concert as Female Fans Show Up in Wedding Gowns

After showing up as brides at Roy Wang’s concert, some female fans attempted to return their gowns within the store’s 7-day ‘No Questions Asked Return Policy’.

Manya Koetse

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A recent concert by Chinese celebrity Roy Wang (Wang Yuan 王源) has become a hot topic on Chinese social media as female fans attending the show collectively decided to wear wedding dresses to express their love for the singer.

Born in 2000, Roy Wang is best known as a member of the hugely popular TFboys idol group that debuted in 2013, but his solo career has also been thriving for years. Wang is an award-winning musician, who is now among China’s most influential young celebrities. On Weibo, he has nearly 85 million followers.

The sight of so many fans coming to Wang’s Chongqing concert wearing wedding dresses was already remarkable, but it garnered even greater attention when it turned out that some of the women’s boyfriends were so upset over their girlfriends wearing a wedding dress for another man that they ended the relationship because of it.

On Douyin (China’s TikTok), the related discussion made it to the top 5 trending daily topics list.

Female fans partying in their wedding dress. Photo posted on Weibo.

The story gained further traction when reports emerged that some female fans who had recently purchased wedding dresses for the concert attempted to return them to the store the next day, taking advantage of the store’s policy that allows returns within seven days without requiring a specific reason (7天无理由退货).

“I already wondered why business was suddenly booming,” one Chongqing wedding gown seller wrote on social media, complaining how the return policy was being abused by some of Roy Wang’s fans.

Others saw the fact that they wore the wedding dress to the concert as a unique selling point, and tried to resell their gowns online for more than the original price, claiming that the dress still had “a hint of the concert’s aroma.”

Scene of the concert.

Commenters bombarded these women with negative comments, as the topic also drew wider discussions on how far some fans are willing to go to show their love for their idols.

Some social media users expressed that a wedding dress has a symbolical or even sacred function, and that tying the concept of fandom to matrimony is inappropriate. They condemned the women for showing up to the concert as brides.

Given that many of the commenters criticizing the women were male, there were also feminist voices that condemned these men for their pettiness and chauvinistic attitudes. One comment stood out: “There will always be men whose ego is bruised when women they don’t even know won’t wear a wedding dress and save their chastity for them. Thanks to Roy Wang’s concert, I once again realize the diversity of species.”

In an online poll asking people “Can women only wear a wedding dress once in their lives” (#女生一生只能穿一次婚纱吗#) the majority of people replied that they should just wear whatever they like.

“My first thought is that this is romantic,” one popular entertainment blogging account (@娱大蜀黍) wrote: “My second thought is that it’s actually quite moving. In the midst of their youth, they are writing a passionate chapter for themselves. They will treasure it as a beautiful memory later on in life. They do what they love and they’re not bothering anyone. It’s perfectly fine.”

By Manya Koetse & Miranda Barnes

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©2023 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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