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China Memes & Viral

Our Picks: Top 10 Chinese Buzzwords and Phrases of 2024 Explained

From quirky potatoes to low-key vibes, we uncover 10 buzzwords that shaped China’s cultural and social landscape in 2024.

Manya Koetse

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From ‘Chillax’ to ‘Digital Ibuprofen,’ this compilation of ten Chinese buzzwords and catchphrases by What’s on Weibo reflects social trends and the changing times in China in 2024.

At the end of each year, Chinese media outlets compile lists of the most impactful buzzwords that shaped public discourse. The most popular new words and expressions are generally listed by the Chinese linguistics magazine Yǎowén Jiáozì (咬文嚼字), which selects ten noteworthy buzzwords (十大流行语).

If you want to know more about the buzzwords that made it to Chinese official media’s lists this year, check out this post by Andrew Methven at RealTime Mandarin which is a top ten compilation of Chinese buzzwords of 2024 based on these lists.

Here, we’ve curated a different list: a special What’s on Weibo top 10 of buzzwords and catchphrases from 2024. Each term reflects a broader trend, which we’ll explore in this article. Many of these words were previously featured in our premium Weibo Watch newsletter, where we highlight a word of the week in every issue. (Subscribe to get our newsletter).

These words are not in order of popularity, but rather in order of appearance throughout the year.

 

#1: SOUTHERN LITTLE POTATOES


Nánfāng xiǎo tǔdòu (南方小土豆)

The term “Southern Little Potatoes” (南方小土豆) became all the rage in early 2024 in the context of the travel hype surrounding Harbin, which saw a huge influx of tourists from the warmer southern regions who came to the snow-blanketed city or other destinations in the Three Northeastern Provinces (东北三省: Heilongjiang, Jilin, and Liaoning).

The southern tourists were soon nicknamed “Southern Little Potatoes.” While visiting China’s cold northeast, they tend to stand out due to their smaller stature, light-colored down jackets, and brand-new winter hats. Their appearance not only contrasts with that of the typically taller and darker-dressed locals, but some people also think it makes them look like “little potatoes.” After the endearing term “Southern Little Potato” became popular due to a viral video, some southern tourists, especially women, also adopted this term to humorously describe themselves.

Very soon after it caught on, locals started using “Southern Little Potatoes” as a humorous marketing strategy to attract more southern visitors. Harbin street vendors began selling plush keychains of “Southern Little Potatoes,” and even local taxis invited the “baby potatoes” to get on board (“土豆宝宝请上车”).

Through jokes, memes, and media stories about these “potatoes,” a narrative came to life about the city of Harbin taking care of and pampering these “naive,” “little” visitors. Although the term is meant to be affectionate, some took offense, suggesting that since it predominantly refers to smaller women, it is actually sexist and reinforces stereotypical perceptions of southern Chinese women. While some critical bloggers argue that the term is harmful and derogatory, the majority of netizens continue to use it for light-hearted banter about the enthusiasm of southern visitors and the hospitality of the northerners welcoming them.

 

#2: SPRING MOUNTAIN STUDIES


Chūn Shān Xué (春山学)

“Spring Mountain Studies,” or “Chunshan Studies” (春山学), became a viral phenomenon on the Chinese internet following the CMG Spring Festival Gala earlier this year. It was the buzz of the show, capturing widespread attention and sparking heated debates. The phrase “Chunshan Studies” arose from the controversy surrounding the performance by Bai Jingting (白敬亭), Wei Chen (魏晨), and Wei Daxun (魏大勋).

Popular actor and singer Bai Jingting, alongside co-performers Wei Chen and Wei Daxun, performed the song “Going Up Spring Mountain” (上春山). While the song itself wasn’t particularly remarkable at first glance, it quickly became the center of attention due to the staging arrangement: the three singers were positioned on a tiered platform representing a mountain, with Bai standing on the highest pedestal.

Controversy arose when Bai remained on the top pedestal after his part, seemingly blocking Wei Daxun from taking the higher position. As a result, Wei performed from a lower step, creating choreographic asymmetry and apparent confusion on stage. Speculation grew that Bai may have intentionally stayed in the prominent position to draw more attention.

Adding to the rumors was Bai’s choice of attire—he wore all black, while Wei Chen and Wei Daxun were dressed in white. Netizens suggested this made him stand out even more. Rehearsal footage posted online fueled these suspicions. In one rehearsal video, Bai stepped down after his part as expected and wore white like the others. This led to accusations that he deliberately changed his outfit and position during the live performance to ensure he stayed at the center of attention.

The timing of these changes also raised eyebrows. Since the Spring Festival Gala is a live event, but typically runs a recorded dress rehearsal alongside the live broadcast for contingency purposes, any significant alterations to staging or wardrobe would prevent producers from seamlessly switching to the pre-recorded version. Critics argued that Bai’s supposed changes sabotaged this fallback option, leaving producers unable to correct the perceived imbalance.

The controversy ignited widespread criticism of Bai Jingting, with detractors accusing him of selfishness and poor character. Social media erupted with debates, and the term “Chunshan Studies” was coined humorously to describe the detailed analysis and theories surrounding the incident.

Online communities, particularly on platforms like Douyin and Bilibili, became hubs of “Chunshan Studies,” as netizens scrutinized every detail of the performance. Videos dissecting wardrobe choices, body language, and stage movements frame by frame went viral. What began as speculation about Bai’s intent turned into a pseudo-academic field, blending elements of popular culture analysis, media discourse, and social studies.

Some commentators argued that the discussion reflected deeper issues about equity and ethical behavior in the entertainment industry, elevating the controversy beyond a simple song performance. Who would have thought that a single performance of “Going Up Spring Mountain” could spark such an intellectual and cultural phenomenon?

 

#3: MELLOW PEOPLE

Dàn rén (淡人)

“Mellow People” (淡人) is a term that emerged in 2024 to describe the mental state of young people in China today. The word dàn 淡, which I’ve translated as ‘mellow’ in this context, carries a range of meanings in Chinese: it can imply lightness, calmness, indifference, paleness, or even triviality.

To be a dàn individual, a dànrén 淡人, has become a way for young people to express how they navigate life. They might want to quit their uninspiring job, but it pays the bills—so it’s okay. They endure hours of commuting every day because the rent is cheaper—so it’s okay. They’re pushed into blind dates by their parents, even though they’d rather not go, but they lack the energy to resist—so it’s okay.

Being ‘mellow’ or ‘unperturbed’ means remaining indifferent in a calm, lighthearted way. Similar to earlier Chinese popular expressions like “lying flat” (躺平) or being “Buddha-like” (佛系), it’s a way of coping with the pressures and challenges of modern life. However, it’s slightly more optimistic than outright passivity (like lying flat): it reflects a passive acceptance of life as it is, embracing the monotony of daily routines and competitive work environments without resistance.

The concept of being a dànrén has even developed into its own pseudo-discipline, referred to as 淡人学 dànrén xué, which might be translated as ‘Mellowism’ or, perhaps more aptly, ‘Unperturbabilism.’

 

#4: “BACK TO THE ROOT”


Dāngguī (当归)

The term dāngguī 当归, freely translated as “back to the root,” came up this year in the context of the propaganda campaign surrounding reunification with Taiwan. Since earlier in 2024, dāngguī is used by Chinese state media in the slogan “Táiwān dāngguī” (#台湾当归#), which means “Taiwan must return [to the motherland].” Separately, the two characters in dāngguī 当归 literally mean “should return.”

However, the slogan is a play on words, as the term dāngguī (当归) as a noun actually means Angelica Sinensis, the Chinese Angelica root or ‘female ginseng,’ a medicinal herb commonly used in traditional Chinese medicine, native to China and cultivated in various East Asian countries.

Poster by People’s Daily. ‘Taiwan’ on the left side resembles a piece of ‘female ginseng’.

This play on words is also evident in the poster disseminated by People’s Daily, where Taiwan is depicted on the left and resembles a piece of the yellowish ‘female ginseng’ root. It is part of the character “归” (guī, to return, go back to). The remainder of the character consists of various slogans commonly used by Chinese official media to emphasize that Taiwan is part of China.

Because of this context, where dāngguī 当归 both refers to the discourse of Taiwan returning to China and to the female ginseng root, a creative translation would be “back to the root.” If you want to be less creative, you could also say it’s the Taiwan “should return” campaign.

 

#5: CHILLAX


Sōngchígǎn (松弛感)

In recent years, the pursuit of a certain “relaxed feeling” has gained popularity across the Chinese internet. Sōngchígǎn is a combination of the word for “relaxed,” “loose” or “lax” (松弛) and the word for “feeling” (感). Initially used to describe a particular female aesthetic, the term evolved to represent a lifestyle where individuals strive to maintain a relaxed demeanor, especially in the face of stressful situations.

The concept gained traction online in mid-2022 when a Weibo user shared a story of a family remaining composed when their travel plans were unexpectedly disrupted due to passport issues. Their calm and collected response inspired the adoption of the “relaxed feeling” term (also read here). Central to embodying this sense of relaxation is being unfazed by others’ opinions and avoiding unnecessary stress or haste out of fear of judgment. Nowadays, Chinese cities aim to foster this sense of sōngchígǎn. Not too long ago, there were many hot topics suggesting that Chengdu is the most sōngchí 松弛, the most relaxed city in China. This sentiment was further reinforced in 2024 when ‘Chengdu Disney’ emerged as a quirky new hotspot (read here).

As for individuals, the most sōngchígǎn person of the year was undoubtedly Olympic athlete Quan Hongchan (全红婵). The young springboard diver from Guangdong became a multi-medalist at the Paris Olympics, going viral for her quirkiness and authenticity. Chinese netizens describe her as “being Guangdong-style relaxed” (“广式”松弛感), not just for her unique sense of style (she loves her “ugly fish slippers”), but for her ability to remain chill while dozens of cameras focus on her.

 

#6: STRONG STEALTH VIBE


Tōugǎn hěn zhòng (偷感很重)

It’s that moment when you see someone you know and pretend to be busy on your phone to avoid social interaction. Or when someone takes a group picture and you’re unsure how to pose. Or when all eyes are on you and you wish for an invisible cloak.

In 2024, the term “tōugǎn” (偷感) emerged on Chinese social media. Tōugǎn (偷感) literally translates to “stealth sense” or “secret feeling,” but we can interpret it as an overall vibe of being “under-the-radar.” The phrase “tōugǎn hěn zhòng” (偷感很重) means “the stealth sense is strong,” and can be used to describe someone as being “very under-the-radar” or having “a strong stealth vibe.”

The exact origin of this term is unclear, but it likely first appeared on Xiaohongshu in response to a videoclip by the South Korean girl group Le Sserafim for their single “Easy,” where they sing and dance effortlessly with some low-key dance moves.

Tōugǎn (偷感) is used by and resonates with China’s Gen Z to express a common feeling in their daily lives, where they prefer to go about things quietly and low-key, avoiding too much attention. They can still be smooth and effortless, but out of fear of embarrassment or judgment, they do so in a subtle and low-profile manner. They won’t flaunt their achievements, but wait for others to notice them. Unlike earlier internet buzzwords where young people mock themselves, tōugǎn is not negative – it’s a bit tongue-in-cheek and a way for people to connect over their inner worlds that aren’t visible to others.

 

#7: CITY BU CITY


City不City啊

The phrase ‘City bu City a’ (City不City啊), translated as “City or not?”, took the Chinese internet by storm in the summer of 2024. The phrase became popular thanks to American influencer Paul Mike Ashton, nicknamed “Bao Bao Xiong” (保保熊, Baby Bear), who runs a Chinese-language account on Douyin. On his channel, Ashton shares humorous snippets about his life in China, where he works as an entertainer and tour guide.

In one video from April this year, Ashton posted a clip in which he cycles through the city like a Shanghai ‘city girl’ who often mixes Chinese and English words, calling himself “very city” (“我是好city”). He says: “I’m so city, a city girl. It’s so cool, breezy. Life in the city is so good, I feel so free.” Ashton later began incorporating this phrase more frequently in his humorous videos, sometimes also involving his sister.

Walking on the Shanghai Bund, the brother and sister describe Shanghai as “so city” (“好city啊”). While walking on the Great Wall, Bao Bao asks his sister if it’s “city or not” (it’s not). In other videos in which the two are traveling throug China, Ashton repeatedly asks his younger sister if certain things are “city or not,” to which she usually responds humorously: “It’s very city.” In this context, “city” has evolved from a noun into a quirky adjective, describing something that embodies the essence of urban life; something that is ‘city’ is metropolitan, lively, and modern. It’s very tongue-in-cheek and also serves as a playful commentary on how young Chinese people often mix Chinese and English words to sound more sophisticated and trendy.

This phenomenon sparked the ‘city or not’ meme, which even reached the Foreign Ministry this week when spokesperson Mao Ning was asked about it. She responded that she had heard about the new use of the phrase and that it is a positive sign of foreigners enjoying life in China. Chinese authorities and state media have also jumped on this trend to promote tourism. The meme has been imitated and adapted by various local tourism departments. Ashton himself has encouraged foreigners to come and experience Chinese culture (and its very ‘city’ city life), further boosting its popularity. By now, the phrase has become ingrained in China’s digital culture.

 

#8: FAN CULTURED


Fànquānhuà (饭圈化)

Around the time of the Olympics and the skyrocketing popularity of Chinese table tennis players, the word ‘fan-cultured’ or ‘fandom-ization’ (fànquānhuà 饭圈化) became increasingly popular in 2024. While fànquān 饭圈 literally means “fan circle,” the suffix huà 化 is generally used to indicate a process of transformation or turning into something, similar to the “-ization” suffix in English.

The term fànquānhuà 饭圈化 refers to the recently much-discussed phenomenon where something—often outside the realms of entertainment—receives passionate support from people who begin to form online fan circles around it, changing the dynamics in ways that resemble the relationships between celebrity idols and their fans.

This year, it became clear how Chinese fans started to form extremely strong communities around China’s table tennis stars, defending them as if they were idols. This fan behavior was harshly criticized by Chinese authorities this year, as they see it as toxic fan culture that goes against the Olympic spirit (read more).

However, “fandom-ization” extends beyond sports. For instance, Chinese pandas have similarly strong fan club dynamics. Even inanimate objects can become “fan-cultured.” A notable example is the Little Forklift Truck (小叉车) that played a role in constructing the Huoshenshan emergency specialty field hospital during the early days of the Covid crisis.

The construction process was live-streamed, and millions of viewers found the hardworking little truck so cute and brave that it too became “fan-cultured.”

 

#9: RUSHING TO COUNTY-LEVEL TOWNS


Bèn xiàn (奔县)

The term “rushing to the county,” bèn xiàn (奔县), surged in Chinese media after the 2024 National Day holiday. This time, the peak travel period saw increased popularity for lesser-known county-level towns instead of large cities or famous tourist destinations. According to travel industry reports following the week-long holiday, bookings significantly increased compared to 2023, which was already a notably crowded year.

In 2024, 765 million trips were taken nationwide, marking a 10.2% increase compared to pre-pandemic 2019. In 2023, ‘domestic travel’ was the key trend, with the so-called “special forces travel” (tè zhǒng bīng lǚxíng 特种兵旅游) becoming popular among Chinese youth. That trend focused on visiting as many places as possible at the lowest cost within a limited time, often involving incredibly tight schedules and 12-hour travel days.

In 2024, the focus shifted to a more relaxed and cost-effective approach, turning county-level tourism (bèn xiàn yóu 奔县游) into a new trend. People are no longer just visiting county-level towns to see family; more young travelers from China’s major cities are exploring nearby smaller towns for “micro-holidays” (wēi dùjià 微度假).

County-level towns in China are smaller than major cities like Beijing or Shanghai but are still large enough to offer plenty to do, as they serve as important hubs for the surrounding rural areas. In these county-level destinations, the cost of hotels and meals tends to be much cheaper than in popular tourist hotspots. Staying closer to home also reduces travel time and expenses while offering the chance to visit lesser-known locations and avoid peak tourist crowds.

According to The Observer, during the 2024 National Holiday, places like Jiuzhaigou, Anji, Shangri-La, Pingtan, Dujiangyan, and Jinghong saw booking increases of 109%, 86%, 74%, 67%, 51%, and 50%, respectively.

 

#10: DIGITAL IBUPROFEN


Diànzǐ bùluòfēn (电子布洛芬)

The term “Digital Ibuprofen” or “Electronic Ibuprofen” came up this year when fans told Chinese actor and singer Tan Jianci (檀健次) that he is their “digital ibuprofen.” Tan, with a puzzled look, asked what that meant. A fan explained, “It means we feel better when we see you” (or, essentially, “our bodies feel no pain”). Since then, Tan Jianci has become associated with the term “digital ibuprofen.”

The term has been around for some time, gaining popularity in 2022-2023 among fans of entertainment shows. It refers to content that provides relief from stress or discomfort, much like how ibuprofen alleviates physical pain. For instance, the Hunan TV show Go for Happiness (快乐再出发) is often called “digital ibuprofen.”

The term saw a surge in popularity alongside the Japanese animated series Chiikawa, which became a viral hit among young people. The anime’s portrayal of its cute character staying optimistic despite life’s stresses earned Chiikawa the nickname “digital ibuprofen,” as fans found comfort in its stories (read more in this story by Sixth Tone).

“Digital ibuprofen” applies to more than just shows—it can be any content, such as videos, memes, or idols, that provides comfort, distraction, and relief to fans. In the same category, there’s also “digital pickled mustard” or “electronic pickled mustard” (电子榨菜, diànzǐ zhàcài), which refers to a binge-worthy or comforting show. *The term 电子 (diànzǐ) means “electronic” and is commonly used in modern Chinese terms, much like the English “e-” prefix in ebook (电子书) or email (电子邮件). It’s also used for digital transactions, like digital payments (电子支付) or digital wallets (电子钱包).

By Manya Koetse

(follow on X, LinkedIn, or Instagram)

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©2024 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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Manya is the founder and editor-in-chief of What's on Weibo, offering independent analysis of social trends, online media, and digital culture in China for over a decade. Subscribe to gain access to content, including the Weibo Watch newsletter, which provides deeper insights into the China trends that matter. More about Manya at manyakoetse.com or follow on X.

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China Memes & Viral

Jingdezhen’s “Chicken Chop Bro”, Golden Week Travel Trends & China’s Donkey Shortage Crisis

From viral street food vendors to China’s donkey crisis and new eldercare services, here’s this week’s Weibo highlights in What’s on Weibo’s China Trend Watch.

Manya Koetse

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🔥 What’s Trending in China This Week? Stay updated with China Trend Watch by What’s on Weibo — your quick overview of what’s trending on Weibo and across other Chinese social media, curated by Manya Koetse.

What’s inside:

  • 1. Jingdezhen’s “Chicken Chop Bro” Becomes Nationwide Meme
  • 2. China’s 2025 Golden Week Travel Trends
  • 3. China Faces Donkey Shortage Crisis
  • 4. Word of the Week: “Ride-hailing for Relatives” 亲属打车 Qīnshǔ Dǎchē
  • 5. What’s Inside at a Glance

TOP TREND

1. Jingdezhen’s “Chicken Chop Bro” Becomes Nationwide Meme

[#鸡排哥1分钟视频报价仅10元#] [#鸡排哥#] [#鸡排哥回应走红#]

From Beijing to Zibo, every now and then, food stall vendors go viral — for their charm, their uniqueness, and most of all, their tasty food. The star of this moment is 48-year-old Li Junyong (李俊永), who runs a small fried chicken stall in Jingdezhen, Jiangxi Province, with tight rules on who he serves, when, and how.

Li has suddenly become one of the most trending people on Chinese social media under the nickname “Chicken Chop Brother” (鸡排哥 jīpáigē).

Li initially gained popularity among customers for his frantic, multitasking energy — he doesn’t mess around when it comes to his chicken chop business, with superspeed and a clear order of serving customers (“I’ll first do you, then finish yours, then I’ll serve you 做完你的做你的”) and rules such as: no individual customers after 4:30 PM; students pay 1 yuan (about $0.15) less than regular passersby (after 12:00 PM, however, it costs 1 yuan more as punishment for being indecisive); and customers must open the plastic bag themselves before he puts the hot chicken cutlet inside.

The serious way he goes about dealing with his chicken chops almost makes you think he was making big business deals instead of selling to middle school students. In the end, it’s that attitude that gained him social media fame, as students started referring to him as “Head of Chicken Cutlet Operations” (free translation for 鸡排主理人 Jīpái gē Zhǔlǐrén).

Head of Chicken Chop Operations: “Please open your plastic bag”, “No individual customers after 4:30 PM”, etc.

In light of Li’s explosive popularity, his chicken chop stall now sees extremely long queues, and local authorities and city management have had to intervene in order to control the crowds and keep the location safe.

There are definite downsides to such sudden fame, and Li is not the first street vendor this has happened to.

In 2023, for example, Beijing’s ‘Auntie Goose Legs’ (鹅腿阿姨) went viral, and the food stall owner became so overwhelmed that she temporarily had to take a break from her food stall, emotionally sharing how she said she felt too much pressure because of how the situation was unfolding, and that she just wanted to sell her goose legs in peace (“只想平平安安做烧烤”).

Long lines for Auntie’s goose legs.

It seems that “Brother Chicken Chops”, in line with his reputation as the chicken chop CEO, is trying to turn his viral moment into a sustainable business. According to Sina News, Li has drawn in relatives to help him. He reportedly has taught them how to make and sell his tasty fried chicken chops, and now his Chicken Chop Family (“鸡排家族”) has grown to a total of nine stalls.

Over the past week, Li has also joined several social media platforms, including Xiaohongshu, to build a social following that will last after the hype calms down.

Meanwhile, Li is the meme of the moment. As many Chinese workers experience working stress before the National Day holiday, they’ve used his superspeed working style videos to express the pressure they feel to finish all their deadlines. See videos here.


— What Else Is Trending —
WHAT’S POPULAR

2. China’s 2025 Golden Week Travel Trends

[#黄金周#] [#国庆节#] [#中秋节#]

China’s longest holiday of 2025 is coming up, combining National Day (国庆节) and Mid-Autumn Festival (中秋节) into an eight-day Golden Week from October 1–8. If you’re traveling in China this week, good luck — the country’s transportation infrastructure is being pushed to its operational limits.

On September 30, the first “smart people” who opted to leave early to avoid traffic jams already found themselves stuck in them. China’s Ministry of Transport estimates a staggering 2.36 billion trips will be made during this period, with October 1 expected to see over 340 million travelers — surpassing the historical peak of 339 million recorded during Spring Festival earlier this year.

🔸 This week is going to see a lot of events. According to the Ministry of Culture & Tourism, more than 12,000 cultural activities will be held across China during the eight-day holiday period, including over 300 large-scale light shows.

🔸 Chinese local tourism offices are going all in on city marketing and are finding new strategies to make themselves more appealing to young travelers. Chengdu, for example, as Tencent’s gaming hub, is integrating the 10th anniversary of the super popular mobile game Honor of Kings (王者荣耀, Wángzhě Róngyào) into its cultural tourism strategy this year, organizing game-themed city walks, exhibitions, and more.

🔸 China’s travel platform Trip.com reported that interprovincial travel bookings have surged 45% year-on-year, with particularly strong interest in remote destinations like Xinjiang, Tibet, and Inner Mongolia. Searches for hotels in these regions jumped 60% compared to last year. This reflects a shift among middle-class Chinese tourists toward experiential travel and natural landscapes rather than crowded urban attractions.

🔸 The holidays are a time for relaxation, reunions, and eating mooncakes, but it’s also a stressful time for Chinese employers who must comply with labor regulations while managing workforce availability and overtime obligations. Under China’s Labor Law, employees working on statutory public holidays—October 1–3 and October 6 (the official Mid-Autumn Festival date)—must receive at least 300% of their normal daily wage. For adjusted rest days (October 4–5 and October 7–8), employers must provide either 200% overtime pay or compensatory time off. The State Council designated September 28 (Sunday) and October 11 (Saturday) as make-up workdays, but private companies have flexibility to adjust their own schedules.

WHAT’S NOTEWORTHY

3. China Faces Unprecedented Donkey Shortage Crisis

[#我国正面临缺驴危机#] [#中国当前不缺牛马只缺驴#]

China is facing a serious donkey shortage. China’s donkey population is far below market demand, and the prices of donkey-related products continue to rise. The Donkey Branch of China’s Livestock Association (中国畜牧业协会驴业分会) addressed this issue in Chinese media earlier last week, telling China News Weekly (中国新闻周刊): “We have plenty of cattle and horses in China now — just not enough donkeys” (“目前我国牛马都不缺,就缺驴”).

China’s donkey population has plummeted by nearly 90% over the past decades, from 11.2 million in 1990 to just 1.46 million in 2023. The massive drop is related to the modernization of China’s agricultural industry, in which the traditional role of donkeys as farming helpers — “tractors” — has diminished. As agricultural machines took over, donkeys lost their role in Chinese villages and were “laid off.”

Donkeys also reproduce slowly, and breeding them is less profitable than pigs or sheep, partly due to their small body size.

As a result of China’s “donkey crisis,” the “donkey meat burgers” you order in China might actually be horse meat nowadays. Many vendors have switched — some secretly so (although that is officially illegal).

Efforts are underway to reverse the trend, including breeding incentives in Gansu and large-scale farms in Inner Mongolia and Xinjiang. China is also cooperating with Pakistan, one of the world’s top donkey-producing nations, and will invest $37 million in donkey breeding. However, experts say the shortage is unlikely to be resolved in the short term.

The quote that was featured by China News Weekly — “We have cows and horses, but no donkeys” (“牛马有的是,就缺驴”) — has sparked viral discussion online, not just because of the actual crisis but also due to some wordplay in Chinese, with “cows and horses” (“牛马”) often referring to hardworking, obedient workers, while “donkey” (“驴”) is used to describe more stubborn and less willing-to-comply individuals.

Not only is this quote making the shortage a metaphor for modern workplace dynamics in China, it also reflects on the state media editor who dared to feature this as the main header for the article. One Weibo user wrote: “It’s easy to be a cow or a horse. But being a donkey takes courage.”

WORD OF THE WEEK

4. “Ride-hailing for Relatives” 亲属打车 Qīnshǔ Dǎchē

[#微信上线亲属打车小程序#] [#微信亲属打车#]

Tencent has rolled out a new function via WeChat Mini Programs on September 26, aimed at helping seniors who struggle with app-based ride-hailing. Thanks to the new function, now live nationwide, users can order rides on behalf of older relatives directly in WeChat.

Adult children who want to help out their less tech-savvy (grand)parents or other senior relatives can now bind their account to their own, remotely pre-set pickup and drop-off locations, as well as payment methods, and track their journey for safety.

What makes this different from the possibility of just ordering a ride for someone else is that the seniors stay in control to some extent and can see their own journeys on their own phones. Children can configure settings on their side, while the interface for the elderly users is simplified. This allows seniors to ride independently, with a little help from their family.

The move is part of a broader effort in China to make it easier for seniors to stay involved in the digitalization of society.

The word to know is 亲属打车 qīnshǔ dǎchē, consisting of “亲属” qīnshǔ (relatives) and ride-hailing 打车 dǎchē.

5. What’s Trending at a Glance

  • ✈️ The 27-year-old Sichuan creator “Tang Feiji” (唐飞机) died in a plane crash while livestreaming on Sept 27. The ultralight aircraft, piloted and purchased by Tang himself, went out of control and crashed before catching fire. Over 1,000 viewers were watching live, with the chat flooded by messages pleading for someone to rescue him. Local village officials confirmed his death. The tragedy is fueling debate over amateur aviation and extreme content creation.
  • 🟢 Weibo has rolled out a visible “online status” feature on personal pages, showing when users are online, and not everyone is happy with it. The new feature is met with criticism from concerned users who don’t want others to see they’re online. It brings back memories of China’s legendary IM app QQ, which, like MSN, showed the online status of users.
  • 🥿 A Chinese Marriott hotel location in Changzhou has come under scrutiny adn triggered hygiene concerns after guests found out that the in-room hotel slippers were being reused. The hotel has admitted to disinfected the disposable slippers and reusing them 2–3 times, without disclosing this to guests in advance.
  • ⚖️ China’s cyberspace authorities issued stern warnings and announced penalties on various Chinese social platforms recently, including Xiaohongshu, Weibo, and Kuaishou, which are blamed for not keeping celebrity gossip and low-quality content in check and for influencing their hot search rankings. This is all about algorithm governance and the tightrope platforms walk in serving readers, attracting attention, and satisfying regulators.
  • 👵 “Outsourced Children” services for Chinese seniors went trending recently. In Dalian, an initiative offering companionship and mediation services for seniors charges 500–2,500 yuan ($70–$350) per visit and has apparently been quite a success, underscoring strong market demand of eldercare-related services and new opportunities for Chinese students.

By Manya Koetse

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China Media

China’s “AFP Filter” Meme: How Netizens Turned a Western Media Lens into Online Patriotism

Chinese netizens embraced a supposed “demonizing” Western gaze in AFP photos and made it their own.

Ruixin Zhang

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For a long time, Chinese netizens have criticized how photography of Chinese news events by Western outlets—from BBC and CNN to AFP—makes China look more gloomy or intimidating. During this year’s military parade, the so-called “AFP filter” once again became a hot topic—and perhaps not in the way you’d expect.

In the past week following the military parade, Chinese social media remained filled with discussions about the much-anticipated September 3 V-Day parade, a spectacle that had been hyped for weeks and watched by millions across the country.

That morning, Chinese leader Xi Jinping, accompanied by his wife Peng Liyuan, welcomed international guests on the red carpet. When Xi arrived at Tiananmen Square alongside Russian President Vladimir Putin and North Korean leader Kim Jong-un, office phone calls across the country quieted, and school classes paused to tune in to one of China’s largest-ever military parades along Chang’an Avenue in Beijing, held to commemorate China’s victory over Japan in the Second Sino-Japanese War and World War II.

As tanks rolled and jets thundered overhead, and state media outlets such as People’s Daily and Xinhua livestreamed the entire event, many different details—from what happened on Tiananmen Square to who attended, and what happened before and after, both online and offline—captured the attention of netizens.

Amid all the discussions online, one particularly hot conversation was about the visual coverage of the event, and focused on AFP (法新社), Agence France Press, the global news agency headquartered in Paris.

Typing “AFP” (法新社) into Weibo in the days after the parade pulled up a long list of hashtags:

  • Has AFP released their shots yet?
  • V-Day Parade through AFP’s lens
  • AFP’s god-tier photo
  • Did AFP show up for the parade?

 
The fixation may seem odd—why would Chinese netizens care so much about a French news agency?

Popular queries centered on AFP.

The story actually goes back to 2022.

In July of that year, on the anniversary of the Communist Party’s founding, one Weibo influencer (@Jokielicious) noted that while domestic photographers portrayed the celebrations as bright and triumphant, she personally preferred the darker, almost menacing image of Beijing captured by Western journalists. In her view, through their lens, China appeared more powerful—even a little terrifying.

The original post.

The post went viral. Soon, netizens began comparing more of China’s state media photos with those from Western outlets. One photo in particular stood out: Xinhua’s casual, cheerful shot of Chinese soldiers contrasted sharply with AFP’s cold, almost cinematic frame.

Same event, different vibe. Chinese social media users compared these photos of Xinhua (top) versus AFP (down). AFP photo shot by Fred Dufour.

Netizens joked that Xinhua had made the celebration look like the opening of a new hotel, while AFP had cast it as “the dawn of an empire.”

Gradually, what began as a dig at the bad aesthetics of state media turned into something else: a subtle shift in how Chinese netizens were rethinking their country’s international image.

Under the hashtag #ChinaThroughOthersLens (#老中他拍), netizens shared images of China as seen through the lenses of various Western media outlets.

This wasn’t the first time such talk had appeared. In the early days of the Chinese internet, people often spoke of the so-called “BBC filter.” The idea was that the BBC habitually put footage of China under a grayish filter, making its visuals give off a vibe of repression and doom, which many felt was at odds with the actual vibrancy on the ground. To them, it was proof that the West was bent on painting China as backward and gloomy.

These discussions have continued in recent years.

For example, on Weibo there were debates about a photo of the Wuhan Institute of Virology, shot by Peter Thomas for Reuters, and used in various Western media reports about Wuhan and Covid as early as 2021. The top image shows the photographer’s vantage point.

“Looks like a cockroach in the gutter,” one popular comment described it.

Top image by Chinese media, lower image by Peter Thomas/Reuters, and was used in various Western media reports about Wuhan and Covid since as early as 2021.

Another example is the alleged “smog filter” applied by Western media outlets to Beijing skies during the China visit of US Secretary of State Antony Blinken in 2024.

The alleged “smog filter” applied to Beijing skies during Blinken’s visit. Top image: Chinese media. Middle: BBC. Lower: Washington Post.

AFP, meanwhile, seemed to offer a different kind of ‘distortion.’

Netizens said AFP’s photos often had a low-saturation, high-contrast, solemn tone, with wide angles that made the scenes feel oppressive yet majestic. Over time, any photo with that look—whether taken by AFP or not—was dubbed the “AFP filter” (法新社滤镜).

AFP has clarified multiple times that many of the viral examples weren’t even theirs—or that they were, but had been altered with an extra dark filter. They also refuted claims that AFP had published a photo series of Chinese soldiers titled “Dawn of Empire” to discredit China’s army.

AFP refuted claims that their photos discredited the Chinese army.

Nevertheless, the “AFP filter” label stuck. It became shorthand for a Western gaze that cast China not as impoverished or broken—as some claimed the “BBC filter” did—but as formidable, like a looming supervillain.

One running joke summed it up neatly: domestic shots are the festive version; Western shots are the red-tyrant version. And increasingly, netizens admitted they preferred the latter, commenting that while AFP shots often emphasize red to suggest authoritarianism, they actually like the red and what it stands for.

So, when this year’s V-Day came around, many were eager to see how AFP and other Western outlets would frame China as the dark, dangerous empire.

But when the photos dropped, the reaction was muted. They looked average. Some called them “disappointing.” “Where are the dark angles? Not doing it this time?” one blogger wondered. “Where’s the AFP hotline? I’d like to file a complaint!”

“Xinhua actually beat you this time,” some commented on AFP’s official Weibo account. Others agreed, putting the AFP photos and Xinhua photos side by side.

AFP photos on the left versus Xinhua photos on the right.

To make up for the letdown, people began editing the photos themselves—darkening the tones, adding dramatic shadows, and proudly labeling them with the tag “AFP filter” or calling it “The September 3rd Military Parade Through a AFP Lens” (法新社滤镜下的9.3阅兵). “Now that’s the right vibe,” they said: “I fixed it for you!”

Netizen @哔哔机 “AFP-fied” photos of the military parade by AFP.

Official media quickly picked up on the trend. Xinhua rolled out its own hashtags—#XinhuaAlwaysDeliversEpicShots (#新华社必出神图的决心#) and #XinhuaWins (#新华社秒了#)—and positioned itself as the true master of a new aesthetic narrative.

The message was clear: China no longer needs the Western gaze to frame itself as powerful or intimidating; it can do that on its own.

The “AFP v Xinhua” contest, the online movement to “AFP-ify” visuals, and the Chinese fandom around AFP’s moodier shots may have been wrapped in jokes and memes, but they also pointed to something deeper: the once “demonized” image of China that Western media pushed as threatening is now not only accepted by Chinese netizens, it’s embraced. Many have made it part of a confident, playful form of online patriotism, applauding the idea of being seen by the West as fearsome, even villainous, believing it amplifies China’s global authority.

As one netizen wrote: “I like it when we look like we crawl straight into their nightmares.”

Chinese journalist Kai Lei (@凯雷) suggested that these kinds of trends showed how the Chinese public plays an increasingly proactive role in shaping China’s global image.

By now, the AFP meme has become so strong that it doesn’t even require AFP anymore. Ultra-dramatic shots are simply called “AFP-level photos” (法新社级别).

For now, as many are enjoying the “afterglow” of the military parade, their appreciation for the AFP-style only seems to grow. As one Weibo user summed it up: “AFP tried to create a sense of oppression with dark, low-angle shots, but instead only strengthened the Chinese military’s aura of majesty.”

 
By Ruixin Zhang and Manya Koetse
 

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