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Weibo Watch: Burning BMWs

About Qingming, nitpicking, Oppenheimer in Japan, other trends, and how we’re all burning BMWs in our own different ways.

Manya Koetse

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PREMIUM NEWSLETTER | ISSUE #26

 

This week’s newsletter:

◼︎ 1. Editor’s Note – Burning BMWs
◼︎ 2. What’s Been Trending – A closer look at the featured stories
◼︎ 3. What More to Know – Five bit-sized trends
◼︎ 4. What’s the Drama – Top TV to watch
◼︎ 5. What’s Noteworthy – For Yiwu, the Olympic Games have begun
◼︎ 6. What’s Popular – A Chinese song goes viral on TikTok
◼︎ 7. What’s Memorable – Which language does Ma Ying-jeou speak?
◼︎ 8. Weibo Word of the Week – Nitpicking

 

Dear Reader,

 

Expensive watches, cigarettes, jewelry, and liquor – there’s a wide array of offerings for ancestors beyond ‘ghost money’ and food. This week marks China’s Qingming Festival (清明节), also known as Tomb-Sweeping Day, a special time to honor family ancestors by visiting graves, making offerings, and burning spirit money and other paper tributes.

In this age of e-commerce, the ancient ritual of paper offerings has undergone some changes, becoming more diverse and extravagant. Thanks to platforms like Taobao, people now have instant access to a variety of ritual paper gifts. By burning them, it’s believed these offerings are sent to the afterlife, hopefully pleasing the ancestors.

As symbols of power and status evolve, gold and silver paper alone are no longer enough in the 21st century. Nowadays, one can purchase paper replicas of golden credit cards, iPhones, smartwatches, massage chairs, designer bags, rice cookers, furniture, air conditioners, refrigerators, bodyguard ‘puppets,’ and even BMW cars.

Examples of the various paper offerings available on Taobao: red BMW car, tablets & smartphones, air conditioner, luxury watches, creditcard, massage chair.

Some take it a step further and create entire paper replicas of two-story villas or palaces to honor their ancestors (see video). As many cities already grapple with air quality issues and smog, these customs have sparked discussions for years, with some places prohibiting burning incense and paper during Qingming.

People set up entire paper replicas of two-story villas to honor their ancestors (image circulating on Weibo).

This year, there’s been increased debate surrounding the burning of paper offerings during Qingming. Authorities in Jiangsu’s Nantong, one of China’s fastest-aging cities, recently announced a city-wide ban on the production and sales of paper effigies due to concerns over air pollution and fire safety risks.

The ban has sparked discussions across Chinese social media, particularly because Nantong authorities referred to the custom of burning paper as “feudal superstition” (“封建迷信”).

In China, the practice of making paper replicas of worldly items and ‘sending’ them to deceased family members through fire and smoke is at least a thousand years old. It’s a spiritual aspect of daily life that has become more than tradition alone – it’s deeply ingrained in many families’ lives.1

Image by The Paper, 2015: link.

The numerous comments on Weibo this week underscore how significant this topic is for many people. Some threads received over 179,000 likes and over 11,000 replies.

Although opinions vary, it’s evident that most people feel Nantong’s ban was too stringent and that they should be more cautious about banning centuries-old traditions. Some sarcastic comments suggest if they care so much about safety, they should focus more on food regulations instead.

Others note that the city has many Christian churches where people can honor their religion as they please, and that Chinese traditional folk beliefs should not be diminished or looked down upon compared to these Western-based religions.

The popular Weibo account “Xu Ji Observation” (@徐记观察), known for promoting positive online content and the “mass line,” suggested that while the practice of burning entire paper houses reaching two stories high should be abandoned, there should still be room for people to burn smaller paper offerings. There shouldn’t be a “one-size-fits-all approach,” they wrote.

Every year, hundreds of tons of paper are burned in Chinese cities. Besides the billions of yuan spent on paper itself, there are also considerable costs in terms of time and labor to clean up the ash piles.

Ultimately, the question revolves around what is considered ‘extravagant,’ ‘silly,’ or ‘superstitious,’ and where the line is drawn between tradition and absurdity. Some draw the line at anything taller than one story. Others believe anything beyond paper money alone is unnecessarily harmful to the environment, and everyone burning paper items should consider the negative impact.

What’s striking about these discussions is that while they focus on things literally going up in smoke, they also reflect on the world around us. After all, when people are driving around in huge SUVs, consuming plastics, wasting water, constantly buying new gadgets and laptops, and indulging in fast fashion, it seems odd to fuss over sacrificing a paper car for a beloved grandparent. In the end, we’re all burning BMWs in our own different ways. These discussions about where we draw the line, whether in our current world or in our rituals for the afterlife, will only become more prominent over time.

Despite all the discussions and controversy surrounding this Qingming festival, Nantong’s ban has been upheld. Officials argue that instead of elaborate paper items like puppets, purses, and palaces, ancestors would be just as pleased with flowers on their graves. Though less flashy, it’s much better for the environment.

Best,
Manya (@manyapan)


  1. Blake, C. Fred. Burning Money : The Material Spirit of the Chinese Lifeworld. Honolulu: University of Hawaii Press, 2011.

 

A closer look at the featured stories

1: China’s New City Marketing | Since the early post-pandemic days, Chinese cities have stepped up their game to attract more tourists. The dynamics of Chinese social media make it possible for smaller, lesser-known destinations to gain overnight fame as a ‘celebrity city.’ Now, it’s Tianshui’s turn to shine with its special take on malatang. City marketing in China will never be the same again. Read all about it here👇🏼

Read here
 

2: Micro Drama, Major Profit | Closely intertwined with the Chinese social media landscape and the fast-paced online entertainment scene, micro dramas have emerged as an immensely popular way to enjoy dramas in bite-sized portions. With their short-format style, these dramas have become big business, leading Chinese production studios to compete and rush to create the next ‘mini’ hit.

Read here
 

3: Bolt from the Blue | Two years after the tragic crash of MU5735, a new report on the ongoing investigation into the cause of the plane crash has been released. According to China’s Civil Aviation Administration, the report has found “no abnormalities” in the circumstances surrounding the MU5735 incident. Even after two years since the plane nosedived mid-air, people are still awaiting clear answers on what caused the devastating crash in Guangxi, which claimed the lives of all 132 people on board.

Read here
 

 

What More to Know

Five Bite-Sized Trends

◼︎ ⛑️ Taiwan Earthquake | After the 7.3-magnitude earthquake struck the east coast of Taiwan on April 3, expressions of solidarity and support for “our Taiwan compatriots” flooded Chinese social media. However, amidst these sentiments, there were also instances of people mocking the disaster, which claimed the lives of at least 9 people and left over 1000 injured. Weibo management cautioned users against posting content that “lacked empathy” in the wake of the devastating earthquake. Following the quake, Beijing’s Taiwan Affairs Office of the State Council promptly offered disaster assistance, but Taiwan’s Mainland Affairs Council declined, stating that assistance was unnecessary. However, the decision by the Taipei government to accept Japan’s aid, specifically for using hi-tech equipment to detect signs of life, was criticized by netizens. Some nationalistic bloggers even commented that this would be an opportune time to “reunify with the motherland.”

◼︎ 😢 Ma Ying-Jeou’s ‘Voyage of Trust’ | At the invitation of Beijing, former Taiwanese President Ma Ying-jeou is currently visiting the Chinese mainland. His 11-day trip to China began last Monday. It is anticipated that he will also hold a meeting with Chinese leader Xi Jinping next week. Accompanying Ma on this visit is a group of Taiwanese students, and the focus is on cultural exchange, labeled as ‘a voyage of trust.’ Last year, Ma made history as the first former Taiwanese leader to visit China. Given the escalating tensions over Taiwan’s status, his current visit holds particular significance. Serving as president from 2008 to 2016, Ma emphasizes peace and connectivity, according to his own statements. On Chinese social media, there’s much discussion about Ma’s tendency to become emotional quickly. He shed tears last year while visiting his family’s grave in Hunan, and this year, he displayed his emotional side on multiple occasions once again. Some people believe it’s inappropriate for a (former) leader to be so emotionally expressive. As one Weibo blogger questioned, “Ma Ying-jeou cries from dawn till night, from night till dawn. Can crying bring about the reunification with Taiwan?”

◼︎ 🥀 Chongqing Mother Kills Toddler Son | A video circulating on Chinese social media this week has shocked viewers, depicting a 37-year-old mother throwing her 3-year-old son out of a window from a 22nd-floor apartment in Chongqing’s Banan District. The tragic incident occurred on the morning of April 1st. Police reports indicate that prior to this, the woman also attacked her mother-in-law with a knife. While investigations are ongoing, there is speculation online regarding the mother’s mental state. Commentator Hu Xijin emphasized in a recent column the urgent need for increased awareness and support for mental health issues, stressing that it could be a matter of life or death. This case also evokes memories of the “Chongqing Siblings’ Falling Case” (重庆姐弟坠亡案) in 2020, where two siblings (a girl, 2, and a boy, 1) from Chongqing were killed after being thrown from a high-rise apartment window on the 15th floor. Their father and his girlfriend, who allegedly couldn’t accept the children from his previous marriage, were both sentenced to death for their crime and executed on January 31st of this year by lethal injection.

◼︎ 🎬 Oppenheimer in Japan | Japanese filmgoers’ mixed and emotional reactions to the American Oscar-winning movie “Oppenheimer” sparked discussions on Chinese social media this week. The movie finally hit Japanese cinemas on March 29, eight months after its initial premiere, which drew controversy in Japan due to the humorous marketing of the film alongside the release of Barbie (which led to the creation of the ‘Barbenheimer’ meme). The movie centers around the American ‘father of the atom bomb,’ Oppenheimer, and the events leading to the devastating bombing of Hiroshima and Nagasaki. It has faced criticism in Japan for being America-centric and failing to fully depict the horror of nuclear weapons. Chinese netizens showed little understanding for the mixed feelings about the movie in Japan. With the history of the Sino-Japanese War still very much alive in China today, some people wonder why many Japanese people do not have “mixed feelings” about paying respect to the war dead at the Tokyo Yasukuni Shrine. “They’re playing the victim again,” various commenters wrote. (For Dutch-speaking readers, I discussed this topic on Dutch Radio 1; listen to the interview here.)

◼︎ 🇺🇸 Yellen Again | U.S. Treasury Secretary Janet Yellen is visiting China for the second time since summer this week, from April 4th to 9th. Yellen’s itinerary includes meetings with top Chinese officials in both Guangzhou and Beijing, aiming to address ongoing bilateral tensions and manage trade relations between the two countries. Apart from engagements with officials, Yellen will also meet with students and business leaders during her visit. This trip follows a recent phone call between President Biden and Chinese leader Xi Jinping. While many social media discussions focus on the key topics of Yellen’s visit, there is also curiosity among netizens about whether or not she will eat ‘magic mushrooms’ again during this trip. At the time of Yellen’s last visit in 2023, she went viral for dining at a Yunnan restaurant in Beijing, where she was served mushrooms that had hallucinogenic properties (read here).

 

What’s the Drama

Top TV to Watch

Given the current surge in popularity of Chinese short dramas, let’s introduce you to one of the hottest mini series of the moment: “Fortune Writer” (执笔, zhíbǐ) [“Writing”]. It’s a fantasy costume drama centered around Su Yunqi (苏云绮), who discovers she’s the villainous female lead in a novel—no happy endings for her. Unwilling to accept her fate, Su embarks on a mission to rewrite her life. Released on March 20, this short drama has a total of 24 episodes lasting about 15 minutes each—slightly longer than other popular ‘micro-dramas,’ some of which are only 2-3 minutes per episode nowadays.

Noteworthy:

▶️ This drama’s script is adapted from a series of stories shared on Zhihu’s short story platform, Yanyan Gushi (知乎盐言故事), by the author Lin Yannian (林言年), who also directed the drama.
▶️ In addition to the micro-drama and short story, there is also a podcast available, so fans of this series can enjoy reading, watching, and listening.
▶️ The widespread acclaim for “Fortune Writer” is seen as a sign that the Yanyan Gushi short story app might just be the next goldmine for the Chinese drama and film industry, as short story dramatization is becoming increasingly popular. To date, nearly a hundred stories or series published on Yanyan Gushi have been authorized for film and television adaptations.

You can watch Fortune Writer online here (no English subtitles), or on WeTV here with English subtitles.

 

What’s Noteworthy

Small news with big impact

The countdown to the Summer Olympic Games in Paris has begun. Even though we still have some 112 days to go before July 26, there is one city in China that is already fully immersed in the Olympic atmosphere. That city is Yiwu in Zhejiang province, where local companies have already exported $76 million worth of Olympic-related products to France within an eight-week timeframe. From shirts, scarves, and caps for sports fans to trophies and medals for athletes, Yiwu is manufacturing a diverse array of clothing, fan accessories, and other Olympic merchandise. Local businesses are currently operating at full capacity, with many working overtime to fulfill orders.

Yiwu, Zhejiang, is renowned as China’s largest “small commodities city” and, with its expansive International Trade City, serves as the global hub for Christmas merchandise. Following a report by CCTV on Yiwu’s soaring Olympic-related export sales, netizens have expressed pride in Yiwu’s entrepreneurial spirit: “I really admire the people of Yiwu for how fast they are in seizing business opportunities. Time and time again, they make accurate predictions and receive massive orders. Regardless of where the Olympics are held, it’s always Yiwu laughing all the way to the bank!” Others remarked, “We’re an export country, after all.”

 

The latest buzz in arts & pop culture

If you’re an avid TikTok user, you’ve likely come across numerous videos of users lip-syncing to a Chinese song. The song, titled “This Life’s Fate” (今生缘), has evolved into a social media challenge where TikTokers strive to deliver a flawless performance without necessarily understanding its meaning (watch video here). If you’re curious to learn more about the song behind this trend and what it actually means, continue reading here 👇.

Read here
 

 

What’s Memorable

Best reads from the archive

This pick from our archive takes us back to last year’s trip to the mainland by former Taiwan leader Ma Ying-jeou. One aspect of his trip received relatively little attention in the media, even though it generated some buzz among Chinese netizens: Ma’s way of speaking Chinese. What language did he use during his 10-minute speech at Hunan University and while he was paying repects at the graves of his ancestors? Jin Luo explains.👇

Read here

 

Weibo Word of the Week

The catchword to know

“Flashlight Evaluation” | Our Weibo Word of the Week is “Flashlight Damage Assessment” or “Portable Lamp Property” (tídēng dìngsǔn 提灯定损), shortened to “Flashlight Evaluation”, a term recently coined by Chinese netizens in response to a story where a landlord conducted a post-lease property inspection by carrying around a large lamp, meticulously shining it into every corner and inspecting every inch of the apartment.

In this context, “Flashlight Evaluation” actually means ‘nitpicking’.

The incident that gave rise to this term went viral on March 28, 2024, after a woman from Shangrao’s Yushan County posted a 10-minute video depicting her landlord inspecting the apartment for damage using a large portable lamp as she prepared to move out. After scrutinizing the property, which the landlord himself constructed, he reportedly compiled a list of all the (minor) damages he found and demanded over 10,000 yuan ($1380) in compensation from the tenant – a substantial sum, particularly considering the monthly rent was only 1200 yuan ($165) and the tenant resided there for just 22 days.

Following the incident’s online explosion, local authorities in Yushan County established an investigation team to probe the matter. According to the latest reports, the landlord has now refunded the tenant’s money. On top of that, he has been detained for throwing bricks at people. I bet he’s fun at parties.

 
This is an on-site version of the Weibo Watch newsletter by What’s on Weibo. Missed last week’s newsletter? Find it here. If you are already subscribed to What’s on Weibo but are not yet receiving this newsletter in your inbox, please contact us directly to let us know.

Manya is the founder and editor-in-chief of What's on Weibo, offering independent analysis of social trends, online media, and digital culture in China for over a decade. Subscribe to gain access to content, including the Weibo Watch newsletter, which provides deeper insights into the China trends that matter. More about Manya at manyakoetse.com or follow on X.

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China ACG Culture

“Black Myth: Wukong”: From Gaming Screens to the CMG Spring Festival Gala?

Manya Koetse

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FROM THE WEIBO WATCH PREMIUM NEWSLETTER

Is Chinese game sensation ‘Black Myth Wukong’ making a jump from gaming screens to the CMG Spring Festival Gala? There’s already some online excitement over a potential performance at the biggest liveshow of the year.

The countdown to the most-watched show of the year has begun. On January 29, the Year of the Snake will be celebrated across China, and as always, the CMG Spring Festival Gala, broadcast on CCTV1, will air on the night leading up to midnight on January 28.

Rehearsals for the show began last week, sparking rumors and discussions about the must-watch performances this year. Soon, the hashtag “Black Myth: Wukong – From New Year’s Gala to Spring Festival Gala” (#黑神话悟空从跨晚到春晚#) became a topic of discussion on Weibo, following rumors that the Gala will feature a performance based on the hugely popular game Black Myth: Wukong.

Three weeks ago, a 16-minute-long Black Myth: Wukong performance already was a major highlight of Bilibili’s 2024 New Year’s Gala (B站跨年晚会). The show featured stunning visuals from the game, anime-inspired elements, special effects, spectacular stage design, and live song-and-dance performances. It was such a hit that many viewers said it brought them to tears. You can watch that show on YouTube here.

While it’s unlikely that the entire 16-minute performance will be included in the Spring Festival Gala (it’s a long 4-hour show but maintains a very fast pace), it seems highly possible that a highlight segment of the performance could make its way to the show.

Recently, Black Myth: Wukong was crowned 2024’s Game of the Year at the Steam Awards. The game is nothing short of a sensation. Officially released on August 20, 2024, it topped the international gaming platform Steam’s “Most Played” list within hours of its launch. Developed by Game Science, a studio founded by former Tencent employees, Black Myth: Wukong draws inspiration from the classic Chinese novel Journey to the West. This legendary tale of heroes and demons follows the supernatural monkey Sun Wukong as he accompanies the Tang Dynasty monk Xuanzang on a pilgrimage to India to retrieve Buddhist scriptures. The game, however, focuses on Sun Wukong’s story after this iconic journey.

The success of Black Myth: Wukong cannot be overstated—I’ve also not seen a Chinese video game be this hugely popular on social media over the past decade. Beyond being a blockbuster game it is now widely regarded as an impactful Chinese pop cultural export that showcases Chinese culture, history, and traditions. Its massive success has made anything associated with it go viral—for example, a merchandise collaboration with Luckin Coffee sold out instantly.

If Black Myth: Wukong does indeed become part of the Spring Festival Gala, it will likely be one of the most talked-about and celebrated segments of the show. If it does not come on, which we would be a shame, we can still see a Black Myth performance at the pre-recorded Fujian Spring Festival Gala, which will air on January 29.

Lastly, if you’re not into video games and not that interested in watching the show, I still highly recommend that you check out the game’s music. You can find it on Spotify (link to album). It will also give you a sense of the unique beauty of Black Myth: Wukong that you might appreciate—I certainly do.

By Manya Koetse

(follow on X, LinkedIn, or Instagram)

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China Digital

“Dear Li Hua”: The TikTok/Xiaohongshu Honeymoon Explained

As American ‘TikTok Refugees’ flock to China’s Xiaohongshu (Rednote), their encounter with ‘Li Hua’ strikes a chord in divided times.

Manya Koetse

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FROM THE WEIBO WATCH PREMIUM NEWSLETTER

China’s Xiaohongshu (Rednote) has seen an unprecedented influx of foreign “TikTok refugees” over the past week, giving rise to endless jokes. But behind this unexpected online migration lie some deeper themes—geopolitical tensions, a desire for cultural exchange, and the unexpected role of the fictional character Li Hua in bridging the divide.

Imagine you are Li Hua (李华), a Chinese senior high school student. You have a foreign friend, far away, in America. His name is John, and he has asked you for some insight into Chinese Spring Festival, for an upcoming essay has to write for the school newspaper. You need to write a reply to John, in which you explain more about the history of China’s New Year festival and the traditions surrounding its celebrations.

This is the kind of writing assignment many Chinese students have once encountered during their English writing exams in school during the Gaokao (高考), China’s National College Entrance Exams. The figure of ‘Li Hua’ has popped up on and off during these exams since at least 1995, when Li invited foreign friend ‘Peter’ to a picnic at Renmin Park.

Over the years, Li Hua has become somewhat of a cultural icon. A few months ago, Shangguan News (上观新闻) humorously speculated about his age, estimating that, since one exam mentioned his birth year as 1977, he should now be 47 years old—still a high school student, still helping foreign friends, and still introducing them to life in China.

Li Hua: the connector, the helper, the icon.

This week, however, Li Hua unexpectedly became a trending topic on social media—in a week that was already full of surprises.

With a TikTok ban looming in the US (delayed after briefly taking effect on Sunday), millions of American TikTok users began migrating to other platforms this month. The most notable one was the Chinese social media app Xiaohongshu (now also known as Rednote), which saw a massive influx of so-called “TikTok refugees” (Tiktok难民). The surge propelled Xiaohongshu to the #1 spot in app stores across the US and beyond.

This influx of some three million foreigners marked an unprecedented moment for a domestic Chinese app, and Xiaohongshu’s sudden international popularity has brought both challenges and beautiful moments. Beyond the geopolitical tension between the US and China, Chinese and American internet users spontaneously found common ground, creating unique connections and finding new friends.

While the TikTok/Xiaohongshu “honeymoon” may seem like just a humorous trend, it also reflects deeper, more complex themes.

 
✳️ National Security Threat or Anti-Chinese Witchhunt?
 

At its core, the “TikTok refugee” trend has sprung from geopolitical tensions, rivalry, and mutual distrust between the US and China.

TikTok is a wildly popular AI-powered short video app by Chinese company ByteDance, which also runs Douyin, the Chinese counterpart of the international TikTok app. TikTok has over 170 million users in the US alone.

A potential TikTok ban was first proposed in 2020, amid escalating US-China tensions. President Trump initiated the move, citing security and data concerns. In 2024, the debate resurfaced in global headlines when President Biden signed the “Protecting Americans from Foreign Adversary Controlled Applications Act,” giving ByteDance nine months to divest TikTok or face a US ban.

TikTok, however, has continuously insisted it is apolitical, does not accept political promotion, and has no political agenda. Its Singaporean CEO Shou Zi Chew maintains that ByteDance is a private business and “not an agent of China or any other country.”

🇺🇸 From Washington’s perspective, TikTok is viewed as a national and personal security threat. Officials fear the app could be used to spread propaganda or misinformation on behalf of the Chinese Communist Party.

🇨🇳 Beijing, meanwhile, criticizes the ban as an act of “bullying,” accusing the US of protectionism and attempting to undermine China’s most successful internet companies. They argue that the ban reflects America’s inability to compete with the success of Chinese digital products, labeling the scrutiny around TikTok as a “witch hunt.”

Political cartoon about the American “witchhunt” against TikTok, shared on Weibo in 2023, also published on Twitter by Lianhe Zaobao.

“This will eventually backfire on the US itself,” China’s Foreign Ministry spokesperson Wang Wenbin predicted in 2024.

Wang turned out to be quite right, in a way.

When it became clear in mid-January that the ban was likely to become a reality, American TikTok users grew increasingly frustrated and angry with their government. For many of these TikTok creators, the platform is not just a form of entertainment—it has become an essential part of their income. Some directly monetize their content through TikTok, while others use it to promote services or products, targeting audiences that other platforms like Facebook, Instagram, or X can no longer reach as effectively.

Initially, the mass migration of American users to Xiaohongshu was a symbolic protest against US policies. Users advocated for the right to choose their preferred social media, and voiced their frustration at how their favorite app had become a pawn in US-China geopolitical tensions. Rejecting the narrative that “data must be protected from the Chinese,” many pointed out that privacy concerns were equally valid for US-based platforms. As an act of playful political defiance, these users downloaded Xiaohongshu to demonstrate they didn’t fear the government’s warnings about Chinese data collection.

(If they had the option, by the way, they would have installed Douyin—the actual Chinese version of TikTok—but it is only available in Chinese app stores, whereas Xiaohongshu is accessible in international stores, so it was picked as ‘China’s version of TikTok.’)

Xiaohongshu is actually not the same as TikTok at all. Founded in 2013, Xiaohongshu (literal translation: Little Red Book) is a popular app with over 300 million users that combines lifestyle, travel, fashion, and cosmetics with e-commerce, user-generated content, and product reviews. Like TikTok, it offers personalized content recommendations and scrolling videos, but is otherwise different in types of engagement and being more text-based.

As a Chinese app primarily designed for a domestic audience, the sudden wave of foreign users caused significant disruption. Xiaohongshu must adhere to the guidelines of China’s Cyberspace Administration, which requires tight control over information flows. The unexpected influx of foreign users undoubtedly created challenges for the company, not only prompting them to implement translation tools but also recruiting English-speaking content moderators to manage the new streams of content. Foreigners addressing sensitive political issues soon found their accounts banned.

Of course, there is undeniable irony in Americans protesting government control by flocking to a Chinese app functioning within an internet system that is highly controlled by the government—a move that sparked quite some debate and criticism as well.

 
✳️ The Sino-American ‘Dear Li Hua’ Moment
 

While the initial hype around Xiaohongshu among TikTok users was political, the trend quickly shifted into a moment of cultural exchange. As American creators introduced themselves on the platform, Chinese users gave them a warm welcome, eager to practice their English and teach these foreign newcomers how to navigate the app.

Soon, discussions about language, culture, and societal differences between China and the US began to flourish. Before long, “TikTok refugees” and “Xiaohongshu natives” were collaborating on homework assignments, swapping recipes, and bonding through humor.

For instance, Chinese users jokingly asked the “TikTok refugees” to pay a “cat tax” for seeking refuge on their platform, which American users happily fulfilled by posting adorable cat photos. American users, in turn, joked about becoming best friends with their “Chinese spies,” playfully mocking their own government’s fears about Chinese data collection.

The newfound camaraderie sparked creativity, as users began generating humorous images celebrating the bond between American and Chinese netizens—like Ronald McDonald cooking with the Monkey King or the Terra Cotta Soldier embracing the Statue of Liberty. Later, some images even depicted the pair welcoming their first “baby.”

🇺🇸 At the same time, it became clear just how little Americans and Chinese truly know about each other. Many American users expressed surprise at the China they discovered through Xiaohongshu, which contrasted sharply with negative portrayals they’ve seen in the media. While some popular US narratives often paint Chinese citizens as “brainwashed” by their government, many TikTok users began to reflect on how their own perspectives had been shaped—or even “manipulated”—by their media and government.

🇨🇳 For Chinese users, the sudden interaction underscored their digital isolation. Over the past 15 years, China has developed its own tightly regulated digital ecosystem, with Western platforms like Facebook, Twitter, Instagram, and YouTube inaccessible in the mainland. While this system offers political and economic advantages, it has left many young Chinese people culturally hungry for direct interaction with foreigners—especially after years of reduced exchange caused by the pandemic, trade tensions, and bilateral estrangement. (Today, only some 1,100 American students are reportedly studying in China.)

The enthusiasm and eagerness displayed by American and Chinese Xiaohongshu users this week actually underscores the vacuum in cultural exchange between the two nations.

As a result of the Xiaohongshu migration, language-learning platform Duolingo reported a 216% rise in new US users learning Mandarin—a clear sign of growing interest in bridging the US-China divide.

Mourning the lack of intercultural communication and celebrating this unexpected moment of connection, Xiaohongshu users began jokingly asking Americans if they had ever received their “Li Hua letters.”

What started as some lighthearted remarks evolved into something much bigger as Chinese users dug up their old Gaokao exam papers and shared the letters they had written to their imaginary foreign friends years ago. These letters, often carefully stored in drawers or organizers, were posted with captions like, “Why didn’t you reply?” suggesting that Chinese students had been trying to reach out for years.

Example letters on Xiaohongshu: ‘Li Hua’ writing to foreign friends.

The story of ‘Li Hua’ and the replies he never received struck a chord with American Tiktok users. One user, Debrah.71, commented:
It was the opposite for us in the USA. When I was in grade school, we did the same thing—we had foreign pen pals. But they did respond to our letters.”

Then, something extraordinary happened: Americans started replying to Li Hua.

One user, Douglas (@neonhotel), posted a heartfelt video of him writing a letter to Li Hua:

📝”Dear Li Hua, I’m sorry I didn’t get your letters. I understand you’ve been writing me for a long time, but now I’m here to reply. Hello, from your American friend. I hope you’re well. Life here is pretty normal—we go to work, hit the gym, eat dinner, watch TV. What about you? Please write back. I’m sorry I didn’t reply before, but I’m here now. Your friend, Douglas.”

Another user, Tess (@TessSaidThat), wrote:

📝”Dear Li Hua, I hope this letter finds you well. I’m so sorry my response is so late. My government never delivered your letters. Instead, they told me you didn’t want to be my friend. Now I know the truth, and I can’t wait to visit. Which city should I visit first? With love, Tess.”

Examples of Dear Li Hua letters.

Other replies echoed similar sentiments:

📝”Dear Li Hua, I’m sorry the world kept us apart.”

📝”I know we don’t speak the same language, but I understand you clearly. Your warmth and genuine kindness transcend every barrier.”

📝”Did you achieve your dreams? Are you still practicing English? We’re older now, but wherever we are, happiness is what matters most.”

These exchanges left hundreds of users—both Chinese and American, young and old, male and female—teary-eyed. In a way, it’s the emotional weight of the distance—represented by millions of unanswered letters—that resonated deeply with both “TikTok refugees” and “Xiaohongshu natives.”

Emotional responses to the Li Hua letters.

The letters seemed to symbolize the gap that has long separated Chinese and American people, and the replies highlighted the unusual circumstances that brought these two online communities together. This moment of genuine cultural exchange made many realize how anti-Chinese, anti-American sentiments have dominated narratives for years, fostering misunderstandings.

Xiaohongshu commenter.

On the Chinese side, many people expressed how emotional it was to see Li Hua’s letters finally receiving replies. Writing these letters had been a collective experience for generations of Chinese students, creating messages to imaginary foreign friends they never expected to meet.

Receiving a reply wasn’t just about connection; it was about being truly seen at a time when Chinese people often feel underrepresented or mischaracterized in global contexts. Some users even called the replies to the Li Hua letters a “historical moment.”

 
✳️ Unity in a Time of Digital Divide
 

Alongside its political and cultural dimensions, the TikTok/Xiaohongshu “honeymoon” also reveals much about China and its digital environment. The fact that TikTok, a product of a Chinese company, has had such a profound impact on the American online landscape—and that American users are now flocking to another Chinese app—showcases the strength of Chinese digital products and the growing “de-westernization” of social media.

Of course, in Chinese official media discourse, this aspect of the story has been positively highlighted. Chinese state media portrays the migration of US TikTok users to Xiaohongshu as a victory for China: not only does it emphasize China’s role as a digital superpower and supposed geopolitical “connector” amidst US-China tensions, but it also serves as a way of mocking US authorities for the “witch hunt” against TikTok, suggesting that their actions have ultimately backfired—a win-win for China.

The Chinese Communist Party’s Publicity Department even made a tongue-in-cheek remark about Xiaohongshu’s sudden popularity among foreign users. The Weibo account of the propaganda app Study Xi, Strong Country, dedicated to promote Party history and Xi Jinping’s work, playfully suggested that if Americans are using a Chinese social media app today, they might be studying Xi Jinping Thought tomorrow, writing: “We warmly invite all friends, foreign and Chinese, new and old, to download the ‘Big Red Book’ app so we can study and make progress together!”

Perhaps the most positive takeaway from the TikTok/Xiaohongshu trend—regardless of how many American users remain on the app now that the TikTok ban has been delayed—is that it demonstrates the power of digital platforms to create new, transnational communities. It’s unfortunate that censorship, a TikTok ban, and the fragmentation of global social media triggered this moment, but it has opened a rare opportunity to build bridges across countries and platforms.

The “Dear Li Hua” letters are not just personal exchanges; they are part of a larger movement where digital tools are reshaping how people form relationships and challenge preconceived notions of others outside geopolitical contexts. Most importantly, it has shown Chinese and American social media users how confined they’ve been to their own bubbles, isolated on their own islands. An AI-powered social media app in the digital era became the unexpected medium for them to share kind words, have a laugh, exchange letters, and see each other for what they truly are: just humans.

As millions of Americans flock back to TikTok today, things will not be the same as before. They now know they have a friend in China called Li Hua.

By Manya Koetse

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