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Weibo Super Stars: Chinese Celebrities With Most Weibo Followers

They are China’s super stars and have the largest online fanbase in the world. What’s on Weibo has compiled a top 10 of people with the most followers on Sina Weibo.

Manya Koetse

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They are China’s super stars and have the largest online fan base in the world. What’s on Weibo has compiled a top 10 of people with the most followers on Sina Weibo.

The   Sina Weibo social media platform is often called the “Chinese Twitter”. Although Weibo is not really similar to Twitter, it does have the same ‘follower-followee’ system. Weibo users can become a ‘fan’ (粉丝) of another Weibo user, without having to be followed back. Being someone’s ‘fan’ means their posts will show up on your timeline, which you can like, share and comment on.

This is a list of celebrities from mainland China with the biggest fan base. In comparison: the celebrities with the most followers on Twitter are Katy Perry (75 million), Justin Bieber (67 million), and Barack Obama (63 million). The top two of China’s Weibo celebrities have over 78 and 77 million ‘followers’: the largest online fanbase in the world.

 

1. Yao Chen 姚晨

78.168.835 followers.

Yao Chen (1976) is a Chinese actress and Weibo celebrity, who was mentioned as the 83rd most powerful woman in the world by Forbes magazine. She is also called ‘China’s answer to Angelina Jolie’ (Telegraph).

Yao Chen is not necessarily China’s number one actress, but she was one of the first celebrities to share her personal life on Weibo since 2009, and interact with her fans. On Weibo, she talks about her everyday life, family, news-related issues, work, and fashion. She posts personal pictures every day. The combination of her popularity due to acting work, combined with her frequent Weibo updates and closeness to her fans, have made Yao Chen the number one Weibo celebrity.

yaochen

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2. Chen Kun 陈坤

77.979.847 followers.

Chinese actor and singer Chen Kun (1979, Chongqing) is known for his roles in, amongst others, Painted Skin and Balzac and the Little Chinese Seamstress. Chen Kun is not only popular because of his acting work, but also for his looks – he is known to have a large gay fanbase. 

chenkun

 

3. Zhao Wei 赵薇

73.311.919 followers.

Vicky Zhao (1976) is a Chinese film star, singer, entrepreneur and director. She is also known for her work as ambassador for various brands, which has added to her wealth.

Zhao Wei is the world’s wealthiest working actress. Together with actresses  Zhang Ziyi, Zhou Xun and Xu Jinglei, she belongs to China’s ‘Four Dan Actresses’ (四大花旦): the four greatest actresses of mainland China.

vickyzhao

Zhao Wei regularly updates her Weibo, where she posts about her work as an actress, her photoshoots, and her ambassador work for good causes. In the recent pictures below, she visits a hospital for children with leukaemia.

zhaowei

 

4. Xie Na 谢娜

72.962.003 followers.

Xie Na (1981), also nicknamed ‘Nana’, is a popular singer, actress and designer. She is also the co-host of ‘Happy Camp‘ (快乐大本管), one of China’s most popular variety TV shows. She is the colleague of He Jiong, the number 5 in this list.

Xie Na stars in many popular Chinese films and television series. She has also released several albums, founded a personal clothing line, and published two books.

Before getting married to Chinese singer Zhang Jie, Xie Na was in a 6-year relationship with her colleague Liu Ye, who is on number 7 of this list.

xiena

 

5. He Jiong 何炅

69.567.457 followers.

He Jiong has been the host of China’s popular Happy Camp TV show for over ten years. He is also a singer, actor and an Arabic teacher in Beijing Foreign Studies University.

‘Happy Camp’ (快乐大本馆) is a prime time variety show aired by Hunan TV. It is one of China’s most popular TV shows. With a viewership of tens of millions, it often holds the first place in China’s total viewing rating.

hejiong

 
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6. Guo Degang 郭德纲

62.386.148 followers.

Guo Degang is a Chinese comedian (1973) and known for his ‘xiangsheng‘ (相声), a traditional Chinese comedic performance in the form of a dialogue between two performers.

One of Guo Degang’s Weibo posts caused controversy in 2013, when the comedian posted a poem about karma the day after Beijing TV director Wang Xiaodong passed away.

Guo Degang recently posted on Weibo about stepping into the wine business.

guodegang

 

7. Liu Ye 刘烨

48.189.408 followers.

Liu Ye (1978) is a famous Chinese actor, who is known for taking on difficult roles. He played a young homosexual man in Lan Yu and starred opposite Meryl Streep in the Hollywood film Dark Matter.

The actor is currently a contestant in China’s popular reality show ‘Where Are We Going, Dad?‘, which is now a recurring topic in his Weibo posts.

liuye

 

8. Han Han 韩寒

41.933.102 followers.

Famous Chinese blogger, best-selling writer and race-car driver Han Han (1982) is one of the most influential people on Weibo, and was even named one of the most influential people in the world by Time magazine in 2010.

Han Han does not post daily updates on his Weibo, but he is known for addressing sensitive topics. Not long ago, he shared his thoughts on China not allowing single women to freeze their eggs.

Hanhan

 

9. Jia Nailiang 贾乃亮

41.310.313 followers.

Jia Nailiang (1984, Harbin) is an actor who has starred in TV series since he was a child. He has starred in over 30 TV series in the past 10 years. He is married to award-winning actress Li Xiaolu.

jianailiang

 

10. Fan Bingbing 范冰冰

38.591.597 followers.

Fan Bingbing (1981) is one of China’s most famous fashion icons and actresses, known for, amongst others, Lost in Beijing, Chongqing Blues and X-Men: Days of Future Past.

Fan Bingbing is the 4th highest-paid actress in the world.

fanbingbing

By Manya Koetse

©2015 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is the editor-in-chief of www.whatsonweibo.com. She is a writer and consultant (Sinologist, MPhil) on social trends in China, with a focus on social media and digital developments, popular culture, and gender issues. Contact at manya@whatsonweibo.com, or follow on Twitter.

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China Arts & Entertainment

China’s New Hit Drama ‘Nothing But Thirty’ Thrives in the “She Era”

Chinese latest hit drama ‘Nothing but Thirty’ has 20 billion views on its Weibo hashtag page.

Yin Lin Tan

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China’s latest TV drama hit Nothing But Thirty is flooding Weibo discussions. With over 20 billion views on its hashtag page, the show is one of the most popular shows of the season and demonstrates that China’s ‘she era’ (ta shidai 她时代) dramas are all the rage. What’s on Weibo’s Yin Lin Tan explains.

“Have you heard of ‘independent at the age of thirty’ (sān shí ér lì 三十而立)?” Wang Manni asks, her hair pulled back neatly and white shirt cleanly pressed. “I hope that, before I’m thirty, I’ll be promoted to supervisor.”

Riding on the wave of female protagonist (‘heroine’ 大女主) shows that have been taking over China’s entertainment scene, Nothing But Thirty (三十而已) is a 43-episode drama by Dragon Television that follows the challenges of three different women who have reached the ever-important age of thirty.

In a society where women are often expected to be married by their late twenties, a show like this, which tackles women’s present-day struggles, both in their personal and professional lives, has resonated with many.

In fact, the show is so popular that at the time of writing, the show’s hashtag (“Nothing But Thirty”, #三十而已#) has over 20 billion (!) views on Weibo.

 

Depicting the struggles of China’s thirty-something women

 

Nothing But Thirty revolves around the lives of three female leads from different walks of life. Gu Jia (Tong Yao) is a capable businesswoman turned full-time housewife; Wang Manni (Jiang Shuying) is an independent, career-oriented sales assistant; and Zhong Xiaoqin (Mao Xiaotong) is your run-of-the-mill office lady.

For Gu Jia, the birth of her son was what truly transformed her into a full-fledged housewife. In many ways, she seems like a perfect wife and mother: well-educated, capable, and thoughtful. But, eventually, she too has to face life’s challenges.

Driven and hardworking, Wang Manni is confident in both her looks and abilities. Her immediate goal, at least at the start of the show, is to achieve professional success. Throughout the show, her resilience is put to the test, personally and professionally.

Zhong Xiaoqin is described by many netizens as the most “average” or “normal” character. She is kind-hearted -sometimes to the point of being a pushover -, and has spent years at the same company without rising the ranks. Though her story might seem mundane at first, this peace is disrupted when her marriage takes a turn for the worse.

 

A story that resonates with the masses

 

“The show attracted wide attention, and it strongly resonated with female audiences. Many thirty-something working women saw their own lives reflected in the show,” Xinhua recently wrote about the show.

Nothing but Thirty currently carries a 7.6 out of 10 rating on Douban, an online reviewing platform.

Though some reviewers criticized how the later episodes of the show were unnecessarily draggy, most praised it for its portrayal of strong female characters, good acting, and largely realistic depiction of women above the age of thirty.

“I saw myself, and also saw the friends beside me,” a reviewer notes.

In China, women are, more often than not, burdened with expectations of getting married and settling down by the time they are in their late twenties. If you’re single and thirty, that’s made even worse.

Those who fall into this category carry the derogatory label of “leftover women” (剩女), a term that reflects how single women above the age of thirty are seen as consolation prizes or even unwanted goods.

Thirty is thus an incredibly important number, especially for women — something that’s clearly reflected in the show’s concept trailer.

Aside from societal expectations of starting a family, some women now also take it upon themselves to build their careers. In fact, you can chase after professional success without burdening yourself with the idea that you must be married – a notion exemplified by the character of Wang Manni.

Nothing But Thirty also showcases the sheer diversity of experiences for women above thirty: you don’t have to be married, you don’t have to be super capable, and you don’t have to be thinking about having children. Each woman goes through her own unique struggles and isn’t necessarily endowed with the so-called “protagonist’s halo.”

Ultimately, the popularity of the show is driven by the three female leads and the actresses who bring these strong characters to life.

By telling a story that is relatable and touches on relevant social issues, namely on expectations of women in society, Nothing But Thirty was able to achieve widespread popularity and is adding another notch on the trend of China’s ta shidai (她时代) dramas. 

 

The rise of ta shidai shows

 

Ta shidai literally translates to “her era” or “the ‘she’ era.”

Ta shidai shows explore what it’s like to be a woman in China today. The female characters are diverse when it comes to both their backgrounds and character arcs; they might have different jobs, different levels of education, or different personalities. These shows mostly center around a strong female lead and/or a main cast that is primarily female.

More importantly, they often feature capable women and how these women overcame the odds to achieve success.

Recent shows like The Romance of Tiger and Rose (传闻中的陈芊芊) and Sisters Who Make Waves (乘风破浪的姐姐) also fall under this category, as do somewhat older hit shows such as Ode to Joy (欢乐颂) and Women in Beijing (北京女子图鉴).

The Romance of Tiger and Rose is set in a society in which women are in charge and men are subordinate, in a daring reversal of gender roles. Though the show has been criticized for using social issues to attract attention, it gained a decent following for tackling topics like gender inequality and women’s rights.

The Romance of Tiger and Rose (传闻中的陈芊芊)

A reality TV competition that swept the Chinese entertainment scene, Sisters Who Make Waves attempted to rebuke stereotypes of women over 30 as “leftover women.”

The show brought together female celebrities above the age of 30 (the oldest competitor was 52), and had them go through a series of challenges, culminating in a girl group formed by the final competitors.

Nothing But Thirty is just another example of a show that’s attempted to depict the realistic struggles of women in modern-day China.

More Chinese dramas that feature women — specifically, their struggles and the expectations that society places on them — are slated to be released in 2020.

Over the past few years, more attention has been focused on women’s rights in China. As feminism becomes an increasingly important topic of discussion in China, strongly facilitated by social media and not without controversy, companies are likely to hop on the bandwagon and continue producing shows that fall squarely in the ta shidai category, given the genre’s rising popularity.

Though we can’t expect every single show to perfectly, accurately, and realistically portray women’s struggles, the fact that more stories like these are being produced already helps bring such conversations into the mainstream. 

Hopefully, the trend of ta shidai shows is a sign that these issues won’t just be tackled on camera, but in real life as well. 

 
Read more about Chinese TV dramas here.
 

By Yin Lin Tan

 Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2020 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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China Arts & Entertainment

Two Hour Time Limit for KTV: China’s Latest Covid-19 Measures Draw Online Criticism

China’s latest COVID-19 infection prevention and control measures are drawing criticism from social media users.

Manya Koetse

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First published

No more never-ending nights filled with singing and drinking at the karaoke bar for now, as new pandemic containment measures put a time limit as to how long people can stay inside entertainment locations and wangba (internet cafes).

On June 22nd, China’s Ministry of Culture and Tourism (文旅部) issued an adjusted version to earlier published guidelines on Covid-19-related prevention and control measures for theaters, internet cafes, and other indoor entertainment venues.

Some of the added regulations have become big news on Chinese social media today.

According to the latest guidelines, it will not be allowed for Chinese consumers to stay at various entertainment locations and wangba for more than two hours.

Singing and dancing entertainment venues, such as KTV bars, can only operate at no greater than 50% maximum occupancy. This also means that private karaoke rooms will be much emptier, as they will also only be able to operate at 50% capacity.

On Weibo, the news drew wide attention today, with the hashtag “KTV, Internet Cafe Time Limit of Two Hours” (#KTV网吧消费时间不得超2小时#) receiving over 220 million views at the time of writing. One news post reporting on the latest measures published on the People’s Daily Weibo account received over 7000 comments and 108,000 likes.

One popular comment, receiving over 9000 likes, criticized the current anti-coronavirus measures for entertainment locations, suggesting that dining venues – that have reopened across the country – actually pose a much greater risk than karaoke rooms due to the groups of people gathering in one space without a mask and the “saliva [drops] flying around.”

The comment, that was posted by popular comic blogger Xuexi, further argues that cinemas – that have suffered greatly from nationwide closures – are much safer, as people could wear masks inside and the maximum amount of seats could be minimized by 50%. Karaoke rooms are even safer, Xuexi writes, as the private rooms are only shared by friends or colleagues – people who don’t wear face masks around each other anyway.

Many people agree with the criticism, arguing that the latest guidelines do not make sense at all and that two hours is not nearly enough for singing songs at the karaoke bar or for playing online games at the internet cafe. Some wonder why (regular) bars are not closed instead, or why there is no two-hour time limit for their work at the office.

Most comments are about China’s cinemas, with Weibo users wondering why a karaoke bar, where people open their mouths to sing and talk, would be allowed to open, while the cinemas, where people sit quietly and watch the screen, remain closed.

Others also suggest that a two-hour limit would actually increase the number of individuals visiting one place in one night, saying that this would only increase the risks of spreading the virus.

“Where’s the scientific evidence?”, some wonder: “What’s the difference between staying there for two hours or one day?”

“As a wangba owner, this really fills me with sorrow,” one commenter writes: “Nobody cares about the financial losses we suffered over the past six months. Our landlord can’t reduce our rent. During the epidemic we fully conformed to the disease prevention measures, we haven’t opened our doors at all, and now there’s this policy. We don’t know what to do anymore.”

Among the more serious worries and fears, there are also some who are concerned about more trivial things: “There’s just no way we can eat all our food at the KTV place within a two-hour time frame!”

By Manya Koetse

*” 餐饮其实才更严重,一群人聚在一起,而且不戴口罩,唾沫横飞的。开了空调一样也是密闭空间。电影院完全可以要求必须戴口罩,而且座位可以只出售一半。KTV其实更安全,都是同事朋友的,本身在一起都不戴口罩了,在包间也无所谓。最危险的餐饮反而都不在意了”

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2020 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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