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Why the Gay Kisses in ‘Bohemian Rhapsody’ Won’t Make It to Chinese Cinemas

Fresh off its Oscar wins, “Bohemian Rhapsody” will hit theaters in China, but some scenes won’t make it to the Mainland.

Manya Koetse

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The award-winning movie Bohemian Rhapsody is set to debut in mainland China later this month but foreign media reports on censorship of gay scenes within the movie have prompted animated discussion on Chinese social media. Why are these scenes being cut at all? What’s on Weibo explains.

In March 2019, Bohemian Rhapsody, a biopic on the life and career of Freddie Mercury, will be released in theatres across mainland China, with various Chinese news outlets identifying the Chinese National Alliance of Arthouse Cinema (全国艺术电影联盟) as the movie’s distributor.

The National Alliance of Arthouse Cinema is a non-profit film distribution organization established in 2016. According to QDaily, the organization cooperates with major Chinese cinemas in distributing films throughout the country and has some 1500 member cinemas – about 3% of the country’s total number of movie theatres.

Various foreign media outlets, including The Guardian and The Hollywood Reporter, report that portrayals of drug use and several intimate kisses between Mercury and other male characters will be cut from the Chinese version of the film, a decision that has been regarded as controversial by social media users both inside and outside of China.

 

Film Censorship in China

 

The Chinese movie industry is an area that has always been subjected to strict control and censorship. The first movie censorship laws in China were implemented as early as the 1930s, carried out by the Central Film Inspection Committee since 1931, with the purpose of legally prohibiting movies deemed “offensive to the Chinese public” (Pang 2011, 463; Zhu 2003, 202).

Theatrical releases in China are controlled by the SARFT (State Administration for Radio, Film, and Television), which is overseen by the Propaganda Department of the Communist Party (Grimm 162-163).

Throughout the years, China’s censorship apparatus has affected the screening of hundreds of foreign films in the PRC in a multitude of ways. The famous Titanic scene in which Rose (Kate Winslet) poses naked for Jack (Leonardo DiCaprio), for instance, was cut from the Chinese version. In Mission: Impossible III a scene in which Ethan Hunt (Tom Cruise) distracts two Chinese henchmen and kills one was also eliminated in China.

In March 2017, a new film censorship law came into force in mainland China, officially titled the ‘Film Industry Promotion Law of the People’s Republic of China’ (中华人民共和国电影产业促进法),  laying out the regulations for prohibited content and content that must be cut. The law applies to the various pre-shooting and pre-screening stages, and is meant to “promote the healthy and prosperous development of the film industry.”

The law, as outlined here, stipulates that, among other things, movies cannot contain any elements that, for example:

  • violate, resist, or undermine the basic principles of the constitution
  • “harm national unity, sovereignty, or territorial integrity” or “damage the national dignity”
  • “slander ethnic cultural traditions” or “instigate hostility towards ethnic groups”
  • damage the “mental health of minors”
  • harm China’s “social morality” or disturb the “order of society”
  • promote “obscenities,” “gambling,” “drug abuse,” or “violence”

Although some of the stipulations in the law are straightforward, there are also many parts that are vague. How does one determine what is harmful to the “mental health of minors”? Is there an objective way to judge whether a film is “hurting the feelings of ethnic groups”? What is the censors’ definition of “obscene”?

In the end, these regulations leave ample room for the main censorship body, the SARFT, to determine case-by-case how and if foreign films that have been allowed to be screened in mainland China should be altered to stay ‘in line’ with the country’s strict censorship policies.

 

Banning Gay Content?

 

Homosexuality is no longer illegal in mainland China since 1997, and has been removed from a list of mental illnesses since 2001, but bans on content displaying homosexuality have made headlines over the years, highlighting the general discomfort of Chinese regulators towards gay-themed dramas and films.

In early 2016, Chinese State Administration released new regulations banning “homosexuality” in filmography for conveying “unnatural” values of love (Guangming Online). That same year, China’s popular gay-themed web series Addiction (上瘾) was yanked by censors due to disapproval at the plot’s lengthy exploration of homosexuality. A year later, Chinese regulators laid out rules stating that online videos showing “displays of homosexuality” were no longer allowed. In 2018, gay romance Call Me by Your Name was suddenly pulled from the Beijing film festival.

At the same time, there is no shortage of examples that show homosexuality has some leeway in China’s (online) film and media landscape. Last year, 2018, saw the mainland release of gay movie Seek McCartney (Looking for Rohmer) (寻找罗麦). Thai gay-themed film Fathers was released on popular video platform Bilibili in 2017.

Chinese version of Thai gay-themed film “Fathers” or “Two Fathers”

An online video showing a young Chinese man coming out to his parents as gay became an online hit in 2015. And now, in 2019, Bohemian Rhapsody, centered around one of the LGBT community’s most global cultural icons, is set to hit the big screen in China – albeit censored.

Mixed signals? Confused censors? Not necessarily. According to renowned Chinese sexologist Li Yinhe, the Chinese government is not against homosexuality per se. At an Amsterdam symposium in 2014, the LGBT rights activist stated that “the government is not against homosexuality, but against sex in general.”

Such a stance was made explicit with the March 2017 Film Industry Promotion Law, which, in the words of a Beijing-based film director, has since forced many in the industry to “prioritize education over art” so that their work can get past the censors. Any scenes including (explicit) portrayals of prostitution, LGBT relations, extramarital affairs, polyamory, or pornography, will generally not be permitted to reach a large Chinese audience, wrapped in conservative rhetoric that accuses such scenes of “promoting obscenities” or being “harmful to the healthy development of Chinese minors.”

At a time of a rapidly transforming (and aging) China, “healthy content” is mostly the kind of content that depicts the conventional family – marriage and children – as the cornerstone of a stable Chinese society. Depictions of Freddy Mercury kissing other men, apparently, does not fit the ideal family model propagated by Chinese authorities; with the government’s ongoing trumpeting of the two-child policy, homosexuality’s refusal to be dictated by the laws of biological fertility may also be one of the many reasons motivating the censors’ decision to tone down the ‘gayness’ of Bohemian Rhapsody.

 

Weibo Responses

 

On Weibo, news about censorship of the Chinese release of Bohemian Rhapsody became a trending topic.

Although a large number of netizens are happy that the movie will be released in China, there are also many dissatisfied with the censorship that comes with it.

Some people argue that the selective cutting of scenes will be detrimental to the overall quality of the movie. Popular Weibo user ‘Gongyuan 1874’ (@公元1874), a self-proclaimed ‘author’ and ‘cultural critic’ with more than 3 million online followers, wrote a lengthy post on February 28  in which he describes Freddie Mercury as a “rebel fighter” whose life was defined by freedom. The author argues that the “artistic value of the movie is “greatly reduced” by censoring those parts that show Mercury letting himself go.

Some commenters are so disgruntled at the movie’s censorship that they are boycotting it. One Weibo user wrote: “Because I want to protest against the unfair treatment of LGBT by authorities, I will not go and see the edited version of Bohemian Rhapsody.”

“I’d advise everyone to go and get a pirated version of the movie,” another commenter writes: “Homosexuality and drugs were a part of Freddie Mercury’s life, to ‘castrate’ this movie is disrespectful [to his memory].”

There are also some more moderate netizens, well aware of the current restrictions placed on the film and TV industry, who argue that cutting some scenes – total scene time cut from the Chinese release is alleged to be no longer than two minutes – will leave the message conveyed by the movie unharmed, and that viewers should be grateful such a film is being screened in China at all.

“I have been watching the comments about Bohemian Rhapsody and the deleted gay scenes,” one music blogger writes: “Some people think it’s an insult to Freddie Mercury, and say we should boycott the movie. I think this kind of reasoning doesn’t show much goodwill.”

The blogger argues: “I think Freddie Mercury is a great singer, a well-respected artist, and an icon of his time – not just a representative for gays. The exploration of his own identity was a major influence in his life and artistic work, but if you insist on discussing the content of the film, the legendary experiences of the band…their artistic achievements and rock ‘n roll spirit are all relevant – all in all, don’t hold on to sexual orientation [as the most crucial theme].”

There are some who might agree, asking “is it necessary to screen those deleted gay scenes in China?”

Amid hundreds of comments on the issue, there is no clear consensus. While some point out that the Chinese release of a movie such as Bohemian Rhapsody is a sign of ‘progress’ in a strictly controlled media environment, others see its censorship as doing a disservice to the film’s main themes of artistic freedom and LGBT emancipation.

However, in an age where censors even go after heterosexual, ancient Chinese dramas, the mere entry of Bohemian Rhapsody into the Mainland perhaps suggests an atypical loosening of the stranglehold being placed on China’s TV and film industry. Any way the wind blows, apparently, does really matter to Chinese netizens.

By Manya Koetse , edited by Eduardo Baptista

References [online sources via in-text hyperlinks]

Grimm, Jessica. 2015. “The Import of Hollywood Films in China: Censorship and Quotas.” Syracuse J. Int’l L. & Com. 43 (1): 155-190.

Pang, Laikwan. 2011. “The State Against Ghosts: A Genealogy of China’s Film Censorship Policy.” Screen 52 (4): 461-476.

Zhu, Ying. 2003. Chinese Cinema During the Era of Reform: The Ingenuity of the System. Westport, Connecticut, London: Prager.

Spotted a mistake or want to add something? Please email us.

©2019 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is a sinologist, writer, and public speaker specializing in China’s social trends, digital culture, and online media ecosystems. She founded What’s on Weibo in 2013 and now runs the Eye on Digital China newsletter. Learn more at manyakoetse.com or follow her on X, Instagram, or LinkedIn.

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Chapter Dive

The Power of Ugly: Why Niu Lai Became China’s Unlikeliest Box-Office Hit

How the two-person animated film Niu Lai turned its “ugly” visuals, dreamcore nostalgia, and remarkable cinema journey into a nationwide participatory meme.

Manya Koetse

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A mother-and-son duo’s animated 3D film earned just 342 yuan ($US50) on opening day. Then its crude visuals turned it into a viral success, propelling it into the top ten of the year’s domestic animated releases. A meaningless ‘miracle’ or sign of shifting cultural sentiments? An explainer.

Something extraordinary has happened in Chinese cinemas this month. A tiny animated film about a yellow cow on a dreamlike adventure opened in a few hundred Chinese theaters on August 5, 2026, with zero promotion and no trailer. On its first day, the movie’s box office revenue totaled just 342 yuan (US$50).

Nobody could have expected that this microbudget indie movie, initially playing to empty seats, would become a nationwide viral hit—not because people thought it was good, but because they found it so aesthetically ugly.

The 86-minute 3D animation is titled Niu Lai (牛来, literally “Here Comes the Cow/The Cow Comes”). It was produced by just two people from Dalian: 34-year-old Xin Yumeng (信雨萌) and his mother, Sun Lifang (孙丽芳). The pair spent five years making it.

The plot follows a young calf named Niu Lai, who is too afraid to stand. In his dreams, he befriends a skylark and a young leopard on a sometimes-scary adventure, during which he grows up, loses his mother in a wolf attack, and eventually wakes up with new life lessons.

Despite being complete newcomers to the film industry, Xin and his mother handled everything themselves, from directing and writing to animation, voice acting, and music—theirs were the only two names in the end credits.

They registered the script in 2021 and, after passing the content review, received a public-screening permit in 2024. The narrative contained no apparent sensitivities, and all the paperwork was in order. A film distributor they knew reportedly helped them secure screenings at a few hundred cinemas (even though, after seeing the film’s quality, he had advised them against a theatrical release).

Around August 13-14, the movie went viral when a few netizens who saw it shared their disbelief at the primitive visuals, which contrasted sharply with the…

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China AI

AI Actress Ad Pulled, Baihaitun Disrupts Shanghai and Cicada Meme Bugs Huawei

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Welcome to China Trend Watch (Week 32–33 | 2026), where I bring you the latest trends, memes, and debates driving conversation across Chinese social media. I’m Manya Koetse, a sinologist specializing in Chinese digital culture.

 


 

🗞️ QUICK SCROLLS

 

📈 Is China’s AI price war over? After a period of offering as much as possible to users at relatively low prices, Chinese AI (LLM) companies are now raising their prices. Last week, DeepSeek – known as the cheapest LLM model around – announced a raise in its API prices, showing that LLM models in China, like food delivery platforms, follow a clear strategy of first attracting users and subsidizing growth, then monetizing once users are locked in.

🐸 “Antibiotic bullfrogs” are a new cause for concern. Bullfrogs sold through e-commerce channels, popularly used in various dishes (like bullfrog hotpot), have been found to contain excessive antibiotic residues after being tested by an independent Shanghai investigation team. Antibiotics are widely used in bullfrog farming.

🌾 A 67-year-old farmer from Anhui ruined 25 acres of crops after following a chatbot’s advice on which pesticides to use. The AI tool recommended a strategy including fomesafen, which killed the farmer’s entire sesame plant crop. Chinese state media highlighted the story as a warning to the growing number of senior citizens who are relying on AI a bit too much.

👁️ A Chinese ad campaign for contact lenses has been taken offline because it starred an AI actress who doesn’t actually have eyes. Last week, I reported on the success of this AI actress, Fang Taozi (方桃子), in the AI micro drama “Laid-Off Girl” (被裁掉的女孩). After a Chinese cosmetic contact-lens brand paid a large sum to feature the actress in its commercial, regulators flagged it because the virtual actress claimed the contact lenses were “comfortable.” Because she doesn’t physically have eyes, this suggests false advertising, and the company could face an additional fine.

🎭 The famous Chinese actor Qin Yan (秦焰) has passed away at the age of 72. The veteran actor was a familiar face on Chinese TV since 1991 and was known for his many roles in TV series like Ruyi’s Royal Love in the Palace, The Knockout, and Joy of Life 2. While fans and colleagues are posting tributes online, the actor’s Baidu (Baike) page has turned black-and-white to mourn his death. The actor suffered from an illness that hasn’t been specified.

Images via Weibo, showing Qin Yan’s press photo on the left and on the right him portraying the role of Eunuch Dai, the corrupt director of the vegetable and food supply department in the popular historical drama series Joy of Life Season 2 (2024).

🏆 China’s animated film Ne Zha 2 was the biggest winner at the 38th Hundred Flower Awards, China’s most prestigious film awards. The movie grossed 15.9 billion yuan ($2.35 billion) and currently ranks as the world’s fifth highest-grossing film, right in between Titanic and Star Wars. Notably, director Jiaozi (real name Yang Yu 杨宇, b. 1980) was absent from the ceremony, as he always is. The director has a strong dislike for pointless socializing. 😂

🕯️ Remembered as a “Communist Warrior” (共产主义战士), the passing of former Chinese Premier and electrical engineer Zhu Rongji (朱镕基) became a top trending topic on Wednesday after an official obituary announced his death. Zhu is mostly remembered for his efforts to help transition from a planned economy to a socialist market economy, including his tax reform implementations, restructuring of state-owned enterprises, and creation of the mass home-ownership market. Zhu died of an illness in Beijing. He was 98 years old.


 

👁️ ZOOMING IN

 

1. Typhoon Baihaitun Brings Record Rainfall to Shanghai

 

Image via Weibo user @粗茶大白饭

Typhoon Baihaitun (白海豚 “White Dolphin”) has been one of the biggest keywords dominating Chinese social media this week as severe weather affected eastern China.

In Shanghai and surrounding areas, the typhoon caused major disruptions on August 9–10 due to strong winds and extreme rainfall. In Xujiahui, nearly 316 mm of rain fell within 24 hours, the highest amount recorded in Shanghai since observations began over 150 years ago. (The highest total was recorded at Lantian Station in Linhai, Taizhou, where rainfall surpassed a staggering 630 mm; that’s like buckets of water simply being poured down from the sky.)

Many roads, homes, and entire parking lots were completely flooded (video on X / Bluesky). Thousands of people were evacuated, flights were canceled, and metro lines were suspended. In some neighborhoods, residents reported that the water had reached all the way up the stairs.

The typhoon coincided with the Monday morning rush. Despite official guidance encouraging working from home, online complaints made it clear that many companies still expected their employees to show up at the office.

Shanghai Disneyland also remained open despite the severe weather. Videos show park visitors riding attractions in the pouring rain, and cast members in costumes needing help to navigate the rain and wind. The happiest place on earth has never looked so sad (see various videos in my thread here on X / Bluesky).

The impact of the typhoon is expected to last until at least Sunday.


 

2. Streisand Effect: Huawei Gets Bugged by Bamboo Cicada Toy

 

If the past week had one soundbite, it would be the rasping, buzzing cicada-like sound you get by spinning the traditional handmade “bamboo cicada” (竹知了 zhúzhīliǎo) wooden toy.

It became a viral sensation after netizens used its sounds to accompany videos of a Huawei event where Chairman Richard Yu (余承东) announced a new car. He described the AITO M9 as “the best SUV under 10 million yuan” (一千万以内最好,没有之一), prompting “wawaa” sounds and cheers from the audience. Soon, a meme was born in which social media users mixed the footage with the toy’s sound – not just because of the audience, but also because of Yu’s distinctive way of speaking.

That cicada toy meme would never have become as big if Huawei’s legal department hadn’t intervened. The company submitted complaints to social media platforms, and videos were removed. But this triggered a chain reaction – when people found the sound was being censored, it blew up in popularity. By now, not only is the sound used everywhere, but the toy itself has become a summer must-have (even though its origins are contested – some say it’s traditionally Japanese and not Chinese at all).

The American term “Streisand Effect” (in Chinese: 史翠珊效应 Shǐcuìshān xiàoyìng) has been used online to describe how Huawei’s reaction backfired.

The response by Huawei – or, more precisely, HIMA, the company’s smart-vehicle alliance brand – was criticized not only by netizens but also by official voices. The official account of Zhejiang Province was among many posting critiques, saying that “the stronger a company is, the greater its capacity to accept discussion” – in other words, calling Huawei weak for its reaction.

This makes it one of those rare moments when, especially when it’s about censorship, official and grassroots voices seem to agree, for once, on the limits of the kind of content that should and should not be controlled. In this way, the cicada sound has come to represent something much more than mocking Huawei, with netizens protecting their rights to criticize & ridicule China’s most powerful business players.


 

3. Japanese K-Pop Fan’s Death Shows Dark Side of Fan Culture

 

Miki Chan on the right, posing together with ENHYPEN group member NI-KI. Image via Weibo.

A tragic suicide livestreamed on TikTok became a trending topic across Chinese platforms over the past week, sparking discussions about toxic fan cultures and online bullying.

The 26-year-old Japanese K-pop influencer Mina Chan experienced an acute mental health crisis while livestreaming from her home in Seoul on August 5. This happened after she suffered weeks of severe online bullying stemming from an incident at the US concert of her favorite pop group, the boy band ENHYPEN.

During the concert, Mina tried to give sunflowers to her favorite singer, Nishimura Riki, better known as NI-KI, by throwing them onto the stage. When another group member picked them up instead, she appeared upset. When NI-KI later criticized fans for seeking personal attention rather than enjoying the concert, many fans felt he was referring to Mina.

In the following weeks, Mina received so much online harassment, doxxing, and hate that she first apologized on X and withdrew from the fan club before eventually broadcasting her final livestream, in which she died by hanging. Mean comments continued throughout the livestream.

Online discussions in China have largely framed the incident in terms of online aggression (网暴, wǎngbào) and problematic fan circles (饭圈, fànquān). Although Mina was a Japanese fan of a South Korean band, K-pop fandom is also enormous in China.

Both online aggression and toxic fan culture have been repeatedly targeted by Chinese cyberspace authorities in recent years, undoubtedly contributing to greater public awareness of these problems. Against this backdrop, Mina’s death has prompted widespread calls to end online bullying, while thousands of Chinese netizens have expressed their sorrow over the young woman’s death.

Notably, just one day before Mina’s livestream, American celebrity blogger Perez Hilton became a global trending topic after self-harming during a TikTok livestream that remained online for approximately fifteen minutes, allowing a large audience to watch the disturbing events unfold – similar to what happened with Mina’s livestream. In the United States, the incident sparked further discussion about platform moderation and TikTok’s failure to end livestreams quickly when signs of self-harm or an acute mental health crisis emerge.


 

📱ON MY FEED

 

This post reads:

China Southern, what on earth are you doing? I gulped it all down, only to realize it wasn’t grape juice, it was prune juice!!! This is the first time I’ve seen such a long, never-ending line of people waiting to use the restroom on a plane; the prize pool just kept growing.
Do you have any idea how much I suffered? #InFlightMeal #ChinaSouthern #PruneJuice

After passengers on a China Southern Airlines flight from Wuhan to Urumqi were served prune juice with their meal, the queues for the plane’s only two toilets kept growing as dozens of passengers felt the high urge to go.

One other review said:

What were you thinking, serving prune juice? China Southern, please answer me. You nearly made me shit myself.”


 

🔗 SEEN ELSEWHERE

 

🔹 “Grandma Economy” (“姥姥经济”) fills a void for urban Chinese Gen Z and millennial consumers who are increasingly projecting their nostalgia for the warmth of grandmothers onto the brands they buy, the content they consume, and the creators they follow. Read at Baiguan / by Amber Zhang.

🔹 Toddler twins are at the center of a very messy custody case involving a surrogate mother from Florida and a Chinese father who might never be allowed to enter the US. Born in November 2024, the twins are biologically not connected to the surrogate mother, but after the Chinese legal father never came to collect them, she and her husband want to adopt them. A new Florida law has now placed the case at the center of conservative outrage over Chinese parents allegedly exploiting the state’s lax surrogacy rules. Read at Wall Street Journal / by Katherine Long.

🔹 A Chinese state media correspondent has been accused of being a spy by the Czech Security Information Service, which identified Yang as an operative of China’s Ministry of State Security, alleging he used his cover as a journalist to collect compromising information on Czech politicians, particularly those supportive of closer ties with Taiwan. Read at Reporters Without Borders.

🔹 “What I feared to be my lifelong search has unexpectedly come to an end. Yesterday, I got a message from my family searcher in China on WeChat that I have a positive DNA match with my biological parents.” In late 2024, I wrote about how the Dutch adoptee Fengli Bottema had come to China in search of her biological family after she was left in front of an Anhui police station as a baby back in 2001. There’s now an update to her story, which echoes that of thousands of Chinese girls adopted abroad. Her search has finally come to an end. Read Fengli’s Instagram post here.


Thanks to Miranda Barnes for helping me curate topics for this edition.


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