SubscribeLog in
Connect with us

China Arts & Entertainment

Let’s Plant: China’s Variety Show “Become a Farmer” Is Harvesting Success Online

As iQIYI’s ‘Become a Farmer’ gains momentum, it highlights China’s growing trend of embracing rural themes in mainstream entertainment.

Wendy Huang

Published

on

With its focus on hard farm work and meeting actual targets, Become a Farmer is a fresh breeze of air for China’s variety show business, especially among young Chinese viewers who appreciate the show’s authenticity and the calmness of the rural scenes that pose a stark contrast with stressful urban life.

The Chinese variety show Become A Farmer has achieved tremendous popularity in China recently through the iQIYI platform, which is often hailed as the Chinese equivalent of Netflix. Become A Farmer recently gained over 4.6 billion (!) views on Weibo through the hashtag #种地吧# (Zhǒng dì ba), which translates to “Let’s Plant” or “Let’s Farm” in English and also happens to be the show’s name in Chinese.

Produced by iQIYI and Blue Sky Media Group (BSMG), Become A Farmer (Young Men edition) is a documentary-style interactive reality show that revolves around the theme of farming, with actual farm work as its central focus.

The show handpicked ten young men out of 300 candidates to assemble a “farming team.” With unwavering dedication, they toiled for over 190 days, diligently cultivating 142.8 mu (approximately 95,200 square meters) of land. They actively engaged in every aspect of farm work, starting from planting a single seed and guiding the audience through the complete journey of rice germination, growth, flowering, and ultimately reaping the harvest.

Chinese netizens have drawn comparisons between the show and the British television documentary series Clarkson’s Farm. Playfully, they remarked that if Clarkson’s Farm were to be introduced in the Chinese market, it could aptly be renamed “Become A Farmer (Old Men Edition).”

Become A Farmer released its first episode on February 4 of this year, initially receiving limited attention. However, as subsequent episodes were released, the show started garnering increased interest, with the audience discovering the genuine dedication of the ten young men towards their farming endeavors – and that it was not just for show.

The show’s nomination for the Shanghai TV Festival, and its current rating on Douban.

Its rating on Douban, China’s IMDB, has climbed up to 8.9 out of 10. Meanwhile, the series has been nominated for the prestigious Magnolia Award for Best Variety Program at the 28th Shanghai TV Festival.

A Fresh Take on Chinese Idol Survival Shows

Become A Farmer initially caught the attention of many Chinese netizens through the humorous jokes of veteran comedian Pang Bo during the fifth season of the stand-up comedy competition Rock & Roast.

At that time, the show had not yet been aired but its format had already been introduced during a media conference, and Pang Bo (庞博) had heard about it.

In Pang’s joke, he compared the show to a farmer version of idol survival shows, proposing that the four individuals who made the greatest contributions to the final harvest could come together as a group, forming a new generation of F4 (referring to the popular Asian boy band), playfully dubbed “Farmer 4.”

Pang Bo joking about the upcoming show.

While Chinese netizens were initially amused by this joke, little did they realize that iQIYI was actually turning it into a reality, albeit without the comedic intent.

“Food is not something we can take lightly with jokes and banter, especially considering the size of our farmland, which spans approximately 140 mu and has the potential to provide sustenance for many people. This is a matter of responsibility and morality,” stated Yang Changling (杨长岭), the show’s director.

Normally, Chinese entertainers are compensated for their involvement in reality or variety shows, as they play a crucial role in generating engaging content. Such shows often seek out celebrities with a large online fan base to ensure a favorable viewership.

But Become A Farmer is different. Among the ten young men, no one is a typical celebrity that has a huge fan base online. Moreover, they are not paid for filming the show but have to earn from the land rented from local farmers through their own hard work.

To legally sell the products grown on their farmland, the ten young men took the step of registering an official company. This registration allowed Chinese netizens to verify the company’s information on the government website, providing evidence of the project’s authenticity. As the information about the company circulated, the related hashtag (#种地吧 开公司#) gained traction on Weibo, eventually trending when the ten young men received their official company certificate.

(Snapshot from the show /The ten young men received the certificate of their company)

Become A Farmer leans more towards being a documentary rather than a traditional entertainment program. To underscore its authenticity, a novel approach has been adopted in China’s variety show landscape. It airs live for one hour every day, beginning at 9:30 am, synchronizing with the young men’s start of work. This timing allows netizens, who typically commence their own workday around that time, to actively participate as ‘online supervisors,’ overseeing the ten young men’s daily tasks while starting on their own tasks of the day.

Through livestreaming on both Weibo and Douyin (the Chinese version of TikTok), the show creates a natural teaser for the edited reality series while embodying its interactive nature.

As an additional element, the ten young men occasionally share vlogs on Weibo and Douyin during the filming process. This unique combination of long-form reality show footage + livestreaming + vlogs allows the audience to closely follow and stay updated on the progress of the ten young men’s work over the span of more than 190 days.

The show’s concept of gathering relatively unknown young men aspiring to make a breakthrough in the entertainment industry bears resemblance to popular shows like Youth With You, also produced by iQIYI. However, Youth With You‘s third season was suspended in 2021 for wasting large amounts of milk amid the China’s strengthened efforts in eradicating wasting food; viewers were ecouraged to buy bottled Mengniu milk and scan QR codes inside the caps to vote for their favorite trainees, which led to fans buying tons of bottles only to vote and getting rid of the milk.

Clearly, iQIYI has learned from the past and taken a different approach with Become A Farmer. In this show, there are no milk-wasting competitions or cutthroat rivalries. Instead, the ten young men are united in their goal to complete the farm work together and to run the company and get rid of its debt.

Focus on Vital China Topics: Empowering Youth, Food Security, and Rural Revitalization

Various topics that are relevant in today’s China come together in Become a Farmer. The show also explicitly addressed its objectives in producing this diverse variety show and released a pre-episode to emphasize the importance of food security and shed light on the challenges faced by Chinese youth upon entering the workforce.

In recent years, China has placed significant emphasis on food security, with leaders repeatedly stressing the need to ensure that “the Chinese rice bowl is firmly held in our own hands.”

The China Agricultural Outlook Report (2023-2032), released on April 20, outlined the ongoing consolidation of China’s food security foundation for the next decade. Notably, all 103 million hectares of permanent farmland will be transformed into high-standard farmland. The report also highlighted plans to diversify import channels for agricultural products, improve the trade structure, and reduce grain imports by 19.7 percent over the next decade.

During the pre-episode of the show, an expert who provided training courses to ten young men emphasized the need to address the aging agricultural workforce in China’s agricultural development.

Simultaneously, in 2023, China witnessed a record-breaking number of graduates, reaching 11.58 million.

Given the increasing digitalization in agriculture, encouraging young people to pursue farming careers emerges as a viable solution. By becoming New Era Farmers (新农人) and actively participating in the nine tasks outlined in China’s “No. 1 central document” for 2023, which promotes rural vitalization comprehensively, young talent can contribute to the development of rural areas instead of solely pursuing white-collar jobs in urban areas.

A Rural Trend in Chinese Entertainment

The increasing appeal of rural life among young people in China is reflected in a survey conducted by the Social Survey Center of China Youth Daily (中国青年报社社会调查中心) in September 2022. The survey revealed that 70.9% of the respondents believed that the countryside has become more attractive to young individuals. Factors such as a slower pace of life, lower pressure, and reduced costs were cited as the main reasons why young people find rural areas appealing.

As transportation and internet connectivity have gradually improved, rural life in China is no longer seen as isolated and cut off from the rest of the world. This transformation has sparked a growing interest in living in the countryside, particularly among young people. The countryside’s allure lies in its simplicity, natural beauty, and the chance to escape the fast-paced and hectic city life.

This growing interest in rural life may explain the popularity of shows like Become a Farmer. The commitment demonstrated by the ten young men to their farm work has garnered applause from Chinese netizens. Overcoming challenges such as working in adverse weather conditions, assisting with difficult births for animals, and engaging in physically demanding tasks have showcased their dedication and hard work. These aspects have resonated with the audience and contributed to the show’s success.

(The ten young men are diligently digging drainage ditches in the farmland during chilly weather, working hard to ensure they meet the planting season deadline.)

Snapshot from the show: Jiang Dunhao, the oldest among the ten young men and chairman of the company, joins forces with He Haonan to support in the challenging task of aiding the delivery of difficult births for ewes. Together, they strive to save the life of a premature lamb, seeking guidance from a professional veterinarian through online assistance.

Originally planned to conclude after 39 episodes, the show’s production team has decided to extend it to 50 episodes due to the abundance of material gathered from over 190 days of farm work and the increasing interest and positive feedback from viewers. This extended episode count goes beyond the typical duration for a variety show, highlighting its exceptional popularity.

It is evident that iQIYI, the broadcasting platform behind the show, is keen on fulfilling its alleged social responsibility to promote the importance of food security and sustainable food production, farming, and showing that young individuals that they can thrive in rural areas.

Capitalizing on the success of the reality show, iQIYI has also released a teaser for an upcoming drama called Romance on the Farm (田耕纪), which also revolves around farming. This drama portrays a contemporary woman unexpectedly finding herself in the countryside during the Song Dynasty and embarking on a journey of farming, prosperity, and love alongside the enigmatic Shen Nuo.

In the last couple of years, there were several countryside-themed dramas that showcased China’s rural revitalization efforts and highlighted the involvement of younger generations in supporting their rural hometowns, such as On The Way to Hope (在希望的田野上) or The Story of Xing Fu (幸福到万家) which starred the renowned Chinese actress Zhao Liying.

The success of Become a Farmer, the upcoming Romance on the Farm, and the overwhelming enthusiasm among Chinese viewers for these shows suggest that farming has become the latest ‘hip’ trend in China’s entertainment industry. It seems that plowing fields and tending to crops have now found their place in the limelight. With the growing interest and excitement surrounding these shows, it’s safe to say that we can expect a blooming harvest of more Chinese productions focused on farm work and rural life in the near future.

Watch “Become a Farmer” on Youtube here (including English subtitles).

By Wendy Huang

Spotted a mistake or want to add something? Please let us know in comments below or email us. Please note that your comment below will need to be manually approved if you’re a first-time poster here.

©2023 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

Wendy Huang is a China-based Beijing Language and Culture University graduate who currently works for a Public Relations & Media software company. She believes that, despite the many obstacles, Chinese social media sites such as Weibo can help Chinese internet users to become more informed and open-minded regarding various social issues in present-day China.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

China Arts & Entertainment

Going All In on Short Streaming: About China’s Online ‘Micro Drama’ Craze

For viewers, they’re the ultimate guilty pleasure. For producers, micro dramas mean big profit.

Ruixin Zhang

Published

on

PREMIUM CONTENT

Closely intertwined with the Chinese social media landscape and the fast-paced online entertainment scene, micro dramas have emerged as an immensely popular way to enjoy dramas in bite-sized portions. With their short-format style, these dramas have become big business, leading Chinese production studios to compete and rush to create the next ‘mini’ hit.

In February of this year, Chinese social media started flooding with various hashtags highlighting the huge commercial success of ‘online micro-short dramas’ (wǎngluò wēiduǎnjù 网络微短剧), also referred to as ‘micro drama’ or ‘short dramas’ (微短剧).

Stories ranged from “Micro drama screenwriters making over 100k yuan [$13.8k] monthly” to “Hengdian building earning 2.8 million yuan [$387.8k] rent from micro dramas within six months” and “Couple earns over 400 million [$55 million] in a month by making short dramas,” all reinforcing the same message: micro dramas mean big profits. (Respectively #短剧爆款编剧月入可超10万元#, #横店一栋楼半年靠短剧租金收入280万元#, #一对夫妇做短剧每月进账4亿多#.)

Micro dramas, taking China by storm and also gaining traction overseas, are basically super short streaming series, with each episode usually lasting no more than two minutes.

 
From Horizontal to Vertical
 

Online short dramas are closely tied to Chinese social media and have been around for about a decade, initially appearing on platforms like Youku and Tudou. However, the genre didn’t explode in popularity until 2020.

That year, China’s State Administration of Radio, Film, and Television (SARFT) introduced a “fast registration and filing module for online micro dramas” to their “Key Online Film and Television Drama Information Filing System.” Online dramas or films can only be broadcast after obtaining an “online filing number.”

Chinese streaming giants such as iQiyi, Tencent, and Youku then began releasing 10-15 minute horizontal short dramas in late 2020. Despite their shorter length and faster pace, they actually weren’t much different from regular TV dramas.

Soon after, short video social platforms like Douyin (TikTok) and Kuaishou joined the trend, launching their own short dramas with episodes only lasting around 3 minutes each.

Of course, Douyin wouldn’t miss out on this trend and actively contributed to boosting the genre. To better suit its interface, Douyin converted horizontal-screen dramas into vertical ones (竖屏短剧).

Then, in 2021, the so-called mini-program (小程序) short dramas emerged, condensing each episode to 1-2 minutes, often spanning over 100 episodes.

These short dramas are advertised on platforms like Douyin, and when users click, they are directed to mini-programs where they need to pay for further viewing. Besides direct payment revenue, micro dramas may also bring in revenue from advertising.

 
‘Losers’ Striking Back
 

You might wonder what could possibly unfold in a TV drama lasting just two minutes per episode.

The Chinese cultural media outlet ‘Hedgehog Society’ (刺猬公社) collected data from nearly 6,000 short dramas and generated a word cloud based on their content keywords.

In works targeted at female audiences, the most common words revolve around (romantic) relationships, such as “madam” (夫人) and “CEO” (总裁). Unlike Chinese internet novels from over a decade ago, which often depicted perfect love and luxurious lifestyles, these short dramas offer a different perspective on married life and self-discovery.

According to Hedgehog Society’s data, the frequency of the term “divorce” (离婚) in short dramas is ten times higher than “married” (结婚) or “newlyweds” (新婚). Many of these dramas focus on how the female protagonist builds a better life after divorce and successfully stands up to her ex-husband or to those who once underestimated her — both physically and emotionally.

One of the wordclouds by 刺猬公社.

In male-oriented short dramas, the pursuit of power is a common theme, with phrases like “the strongest in history” (史上最强) and “war god” (战神) frequently mentioned. Another surprising theme is “matrilocal son” (赘婿), the son-in-law who lives with his wife’s family. In China, this term is derogatory, particularly referring to husbands with lower economic income and social status than their wives, which is considered embarrassing in traditional Chinese views. However, in these short dramas, the matrilocal son will employ various methods to earn the respect of his wife’s family and achieve significant success.

Although storylines differ, a recurring theme in these short dramas is protagonists wanting to turn their lives around. This desire for transformation is portrayed from various perspectives, whether it’s from the viewpoint of a wealthy, elite individual or from those with lower social status, such as divorced single women or matrilocal son-in-laws. This “feel-good” sentiment appears to resonate with many Chinese viewers.

Cultural influencer Lu Xuyu (@卢旭宁) quoted from a forum on short dramas, explaining the types of short dramas that are popular: Men seek success and admiration, and want to be pursued by beautiful women. Women seek romantic love or are still hoping the men around them finally wake up. One netizen commented more bluntly: “They are all about the counterattack of the losers (屌丝逆袭).”

The word used here is “diaosi,” a term used by Chinese netizens for many years to describe themselves as losers in a self-deprecating way to cope with the hardships of a competitive life, in which it has become increasingly difficult for Chinese youths to climb the social ladder.

 
Addicted to Micro Drama
 

By early 2024, the viewership of China’s micro dramas had soared to 120 million monthly active users, with the genre particularly resonating with lower-income individuals and the elderly in lower-tier markets.

However, short dramas also enjoy widespread popularity among many young people. According to data cited by Bilibili creator Caoxiaoling (@曹小灵比比叨), 64.9% of the audience falls within the 15-29 age group.

For these young viewers, short dramas offer rapid plot twists, meme-worthy dialogues, condensing the content of several episodes of a long drama into just one minute—stripping away everything except the pure “feel-good” sentiment, which seems rare in the contemporary online media environment. Micro dramas have become the ultimate ‘guilty pleasure.’

Various micro dramas, image by Sicomedia.

Even the renowned Chinese actress Ning Jing (@宁静) admitted to being hooked on short dramas. She confessed that while initially feeling “scammed” by the poor production and acting, she became increasingly addicted as she continued watching.

It’s easy to get hooked. Despite criticisms of low quality or shallowness, micro dramas are easy to digest, featuring clear storylines and characters. They don’t demand night-long binge sessions or investment in complex storylines. Instead, people can quickly watch multiple episodes while waiting for their bus or during a short break, satisfying their daily drama fix without investing too much time.

 
Chasing the gold rush
 

During the recent Spring Festival holiday, the Chinese box office didn’t witness significant growth compared to previous years. In the meantime, the micro drama “I Went Back to the 80s and Became a Stepmother” (我在八零年代当后妈), shot in just 10 days with a post-production cost of 80,000 yuan ($11,000), achieved a single-day revenue exceeding 2 million yuan ($277k). It’s about a college girl who time-travels back to the 1980s, reluctantly getting married to a divorced pig farm owner with kids, but unexpectedly falling in love.

Despite its simple production and clichéd plot, micro dramas like this are drawing in millions of viewers. The producer earned over 100 million yuan ($13 million) from this drama and another short one.

“I Went Back to the 80s and Became a Stepmother” (我在八零年代当后妈).

The popularity of short dramas, along with these significant profits, has attracted many people to join the short drama industry. According to some industry insiders, a short drama production team often involves hundreds or even thousands of contributors who help in writing scripts. These contributors include college students, unemployed individuals, and online writers — seemingly anyone can participate.

By now, Hengdian World Studios, the largest film and television shooting base in China, is already packed with crews filming short dramas. With many production teams facing a shortage of extras, reports have surfaced indicating significant increases in salaries, with retired civil workers even being enlisted as actors.

Despite the overwhelming success of some short dramas like “I Went Back to the 80s and Became a Stepmother,” it is not easy to replicate their formula. The screenwriter of the time-travel drama, Mi Meng (@咪蒙的微故事), is a renowned online writer who is very familiar with how to use online strategies to draw in more viewers. For many average creators, their short drama production journey is much more difficult and less fruitful.

But with low costs and potentially high returns, even if only one out of a hundred productions succeeds, it could be sufficient to recover the expenses of the others. This high-stakes, cutthroat competition poses a significant challenge for smaller players in the micro drama industry – although they actually fueled the genre’s growth.

As more scriptwriters and short dramas flood the market, leading to content becoming increasingly similar, the chances of making profits are likely to decrease. Many short drama platforms have yet to start generating net profits.

This situation has sparked concerns among netizens and critics regarding the future of short dramas. Given the genre’s success and intense competition, a transformation seems inevitable: only the shortest dramas that cater to the largest audiences will survive.

In the meantime, however, netizens are enjoying the hugely wide selection of micro dramas still available to them. One Weibo blogger, Renmin University Professor Ma Liang (@学者马亮), writes: “I spent some time researching short videos and watched quite a few. I must admit, once you start, you just can’t stop. ”

By Ruixin Zhang, edited with further input by Manya Koetse

Independently reporting China trends for over a decade. Like what we do? Support us and get the story behind the hashtag by subscribing:

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2024 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Continue Reading

China Arts & Entertainment

“The End of the Golden Age of Japanese Manga”: Chinese Netizens Mourn Death of Akira Toriyama

Manya Koetse

Published

on

Chinese fans are mourning the death of Japanese manga artist and character creator Akira Toriyama. On Friday, his production company confirmed that the 68-year-old artist passed away due to acute subdural hematoma.

On Weibo, a hashtag related to his passing became trending as netizens shared their memories and appreciation for Toriyama’s work, as well as creating fan art in his honor.

The tribute to Toriyama reached beyond online fans – even spokesperson Mao Ning (毛宁) for the Ministry of Foreign Affairs of China expressed condolences during a regular press conference held on Friday (#外交部对漫画家鸟山明去世表示哀悼#).

Throughout his career, Toriyama created various works, but he is best known for his manga “Dragon Ball,” which was published between 1984-1995 in the magazine Shonen Jump and spawned TV series, films, and video games.

 
Chinese Love for “Dragon Ball”
 

Japanese comics and anime have had a significant impact on Chinese popular culture. In China, one of the largest comics markets globally, Japanese manga has been a major import since the 1980s.

Chinese readers form the largest fan community for Japanese comics and anime, and for many Chinese, the influential creations of Akira Toriyama, like “Dr. Slump” and particularly “Dragon Ball,” are cherished as part of their childhood or teenage memories (Fung et al 2019, 125-126).

The cultural link between Toriyama’s “Dragon Ball” and Chinese readers goes further than their mere appreciation for Japanese manga/anime. Toriyama drew inspiration from the Chinese book Journey to the West when he initially created the “Dragon Ball” story. That epic tale, filled with heroes and demons, revolves around supernatural monkey Sun Wukong who accompanies the Tang dynasty monk Xuanzang on a pilgrimage to India to obtain Buddhist sūtras (holy scriptures).

“Dragon Ball” chronicles the adventures of Son Goku, a superhuman boy with a monkey tail, who who is swept into a series of adventures connected to the wish-granting, magical dragon balls, sought after by his evil enemies.

Besides Journey to the West, “Dragon Ball” is filled with many other China-related references and word games, from Chinese mythology to martial arts (Mínguez-López 2014, 35).

In one online poll conducted by Sina News asking Weibo users if “Dragon Ball” is part of their childhood memories, a majority of people responded that the manga series was part of their post-1980s and post-1990s childhood, although younger people also indicated that they loved “Dragon Ball.”

 
Online Tributes to Toriyama
 

On Friday, many bloggers and online creators posted images and art to honor Akira Toriyama. Several images went viral and were reposted thousands of times.

Chinese graphic design artist Wuheqilin (@乌合麒麟) dedicated a particularly popular post and image to Toriyama, suggesting that his death symbolized “the end of the golden age of Japanese manga.”

Weibo post by Wuheqilin, March 8 2024.

Shituzi (@使徒子), a Chinese comic artist, posted an image for Toriyama with the words “goodbye.”

Posted by @使徒子.

Chinese comedian Yan Hexiang (阎鹤祥) wrote: “I just bought the Dr. Slump series online. I thank you for bringing me the memories of my childhood, I salute you.”

Automotive blogger Chen Zhen (陈震) posted an image of Dragon Ball protagonist Son Goku with wings on his back, waving goodbye, writing: “Rest in peace.”

Image posted by @陈震同学.

One Dragon Ball fan (@小佛手绘) posted another AI-generated image of Son Goku standing by Toriyama’s grave which was shared all over Weibo.

Posted or reposted by Weibo user @小佛手绘.

By Friday night, the hashtag “Akira Toriyama Passed Away” (#鸟山明去世#) had generated over one billion views on Weibo, showing just how impactful Toriyama’s work has been in China – a legacy that will last long after his passing.

By Manya Koetse

References

Fung, Anthony, Boris Pun, and Yoshitaka Mori. 2019. “Reading Border-Crossing Japanese Comics/Anime in China: Cultural Consumption, Fandom, and Imagination.” Global Media and China 4, no. 1: 125–137.

Xavier Mínguez-López. 2014. “Folktales and Other References in Toriyama’s Dragon Ball.” Animation: An Interdisciplinary Journal. Vol. 9 (1): 27–46.

Get the story behind the hashtag. Subscribe to What’s on Weibo here to receive our newsletter and get access to our latest articles:

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2024 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Continue Reading

Subscribe

What’s on Weibo is run by Manya Koetse (@manyapan), offering independent analysis of social trends in China for over a decade. Subscribe to show your support and gain access to all content, including the Weibo Watch newsletter, providing deeper insights into the China trends that matter.

Manya Koetse's Profile Picture

Get in touch

Would you like to become a contributor, or do you have any tips or suggestions? Get in touch here!

Popular Reads