SubscribeLog in
Connect with us

China Brands, Marketing & Consumers

Show-Inspired Journeys: Chinese Netizens Explore Next Travel Destination Through Favorite TV Series

The rising influence of Chinese TV dramas on tourism highlights the synergy between entertainment & social media in China, serving as a powerful tool for travel promotion.

Wendy Huang

Published

on

The Chinese TV series Meet Yourself has significantly boosted the popularity of Dali in Yunnan. The series’ success, coupled with the official funding behind it, not only underscores the impactful role of Chinese dramas in tourism but also illustrates how Chinese travel destination promotional strategies are being reshaped in a competitive post-Covid era.

On December 25th, the Dali Bai Autonomous Prefecture’s Culture and Tourism Bureau in Yunnan Province, Southwest China, announced a proposed subsidy of 2 million yuan ($282k) for the Chinese TV series Meet Yourself (去有风的地方).

The news soon went trending on Weibo (#去有风的地方获200万元补助#). Many found it noteworthy, especially since the announcement clarified that this funding is part of the prefecture’s special fund for cultural and tourism industry development, and the TV series was the only project under consideration.

There are several reasons why Dali might consider this strategy.

Firstly, Dali plays a pivotal role in Meet Yourself. Launched in January 2023, the TV series quickly became an online sensation, achieving an impressive rating of 8.7 out of 10 on Douban—a platform in China similar to IMDb. Spanning 40 episodes, the series features actress Liu Yifei (刘亦菲), renowned for her role in Disney’s live-action Mulan, and Chinese actor Li Xian (李现).

Promotional image for Meet Yourself (去有风的地方).

The narrative follows a white-collar worker in her mid-30s who, following her best friend’s unexpected cancer diagnosis and subsequent passing, embarks on a quest to understand the true meaning and purpose of life.

The TV series not only captivated audiences because of its soothing narrative about life and interpersonal relationships, but the show was also a hit because most of its scenes were filmed in Dali and showed picturesque rural landscapes and portrayed a slow-paced, idyllic lifestyle.

The show accumulated more than 3 billion views on the streaming platform Mango TV by the time its final episode aired on February 2, 2023. It also sparked numerous trending topics on Weibo during that time. For instance, one snapshot from the drama, “Liu Yifei Holding Flowers” (刘亦菲捧花), also went viral, with many netizens even changing their profile pictures to this image. Captivated by Liu’s beauty and charm, they believed that the image possessed some sort of magical power, like the symbolic significance of koi fish in Chinese culture and how they’re believed to bring good luck.

The ‘lucky’ Liu Yifei holding flowers image.

The lucky Liu Yifei holding flowers meme spread across social media in various ways.

Benefiting directly from the popularity generated by the TV series, Yunnan experienced a surge in visitors during the 2023 Spring Festival holiday. This influx significantly boosted its tourism revenue to an impressive 38.4 billion yuan (approximately US$5.4 billion), surpassing all other provinces and regions in the country.

The primary filming location of the drama, the Dali Bai Autonomous Prefecture, welcomed over 4.2 million visitors, marking a significant year-on-year increase. Within the first six days of the holiday, Dali boasted the highest room occupancy rate nationwide, and became the fifth most visited tourist destination across the country.

 
TV Series Inspiring Real-Life Travel to Featured Destination
 

Dali is not the only city or travel destination that has become popular because of Chinese dramas or TV shows. The recent Chinese TV series There Will Be Ample Time (故乡,别来无恙), in which Chengdu plays a major role, has also come to be seen as a promotion for the Sichuan Province capital city.

The series revolves around four women who grew up together, chose different paths in life, and then reconnect in Chengdu. The series showcases the city’s laid-back lifestyle, especially in contrast to the fast-paced metropolises like Beijing and Shanghai where the featured women return from.

Scene from There Will be Ample Time (故乡,别来无恙).

Back in 2003, the TV series Lost Time (似水年华), which was filmed in the historic scenic town of Wuzhen, also became popular. Lost Time was written, directed, and starred by the renowned Chinese actor and director Huang Lei (黄磊). The series narrates a poignant love story of a couple in their thirties who meet in Wuzhen, only to be separated by the vast distance between Wuzhen and Taipei.

The TV series successfully showcased the timeless beauty of the Wuzhen water town to a broader Chinese audience and, indirectly, promoted the town’s unique artistic and cultural atmosphere. This later led to the establishment of the Wuzhen Theatre Festival, a celebration of performing arts and a center for cultural exchange. The festival has since become one of the premier events in China and Asia. Each year, as the festival unfolds, there is a significant increase in business, with tourists flocking to the area.

On social media today, Lost Time is still seen as one of the major reasons why Wuzhen became so popular among Chinese travelers.

Wuzhen featured in Lost Time (似水年华).

But it’s not only the television series that portray a slower-paced and romantic lifestyle that motivate viewers to visit the showcased destinations. In 2020, the filming locations of the popular Chinese crime and suspense drama The Bad Kids (隐秘的角落) not only entertained its audience but also boosted tourism in the actual places where it was shot.

Much of the filming for the TV thriller took place in Chikan, an old township located in Zhanjiang in Guangdong. As a result, Zhanjiang’s popularity as a tourist destination skyrocketed by 261 percent in a single week.

Earlier in 2023, Jiangmen in Guangdong Province also gained popularity after it was featured in the popular crime TV drama The Knockout (狂飙). As a result, it became a sought-after destination during the May Day holiday, drawing numerous TV enthusiasts to the city. Jiangmen reportedly received over 765,200 visitors in the first two days of the May Day holiday alone, generating a revenue of approximately 439 million yuan (US$62.2 million).

Jiangmen’s popularity went beyond the May Day holiday. The Knockout caused a steady influx of visitors to the Guangdong city. From January to October of 2023, the city saw a total of 20,278,200 tourists, a reported year-on-year increase of 85.36%. This resulted in a tourism revenue of 19.649 billion yuan, representing an impressive increase of 133.77%.

 
Beyond the TV Screen: Social Media Creating Travel Hits
 

Over the past few years, we’ve seen how there are always unpredictable factors that help Chinese destinations suddenly become a hit among travelers. For instance, in late 2021, a song titled “Mohe Ballroom” (漠河舞厅) gained popularity across various social media platforms in China. This song narrates the story of a man who, for thirty years, danced alone in the Mohe Ballroom following the death of his beloved wife.

Prior to the song’s release, many Chinese netizens were familiar with Mohe as it is the northernmost point of China, and it is extremely cold. As the song gained traction on social media, the local government seized the opportunity to promote the city’s ice and snow tourism. Now, Mohe has emerged as a new destination for tourists seeking a unique, chilly experience.

Another example is Zibo, an ancient industrial city, which treated students well during their Covid quarantine period. So, when China lifted all Covid restrictions in the spring of 2023, these students returned to express their gratitude and celebrate the city. Their contagious enthusiasm, coupled with their social media posts about the city, sparked nationwide interest and people soon flocked to Zibo to enjoy the vibe and the local BBQ (read more here).

During the summer of 2023, the city of Tianjin became online hit due to a group of energetic seniors who transformed a local bridge into a stage for their remarkable water acrobatics. Tianjin’s so-called “diving grandpas” attracted attention for their daring dives into the river from the Stone Lion Forest Bridge (狮子林桥). Videos of their dives quickly went viral on China’s social media, drawing tourists, including many foreign residents in China, to witness the spectacle firsthand. Some people even joined to dive, including He Chong (何冲), the 2008 Olympic Champion in the 3m springboard.

Tianjin’s diving grandpas had to stop their diving activities after rising to internet fame, causing too many people to dive into the river.

In a playful twist, some visitors created their own scorecards, acting as judges and rating the divers’ performances. However, this spontaneous event eventually had to be toned down due to safety concerns. Despite this, the event kept Tianjin in the spotlight for quite a while as a tourist destination.

Social media has become a vital tool for cities and tourist destinations aiming to attract potential visitors. While some destinations organically become online sensations due to a combination of factors, other efforts are more deliberate and strategic. For instance, in spring of 2023, Chinese local government officials went all out to promote their hometowns via online channels, going viral on Weibo, Douyin, and beyond for dressing up in traditional outfits and creating original videos about their hometowns with low to zero budget.

However, when an article by Xinhua News criticized this approach, suggesting that local officials should prioritize improving service quality in their hometowns rather than striving for internet fame, the online trend appeared to wane.

Over the last year, different regions and industries in China made significant efforts to boost their local economies through tourism to recover from the impact of the pandemic. The China Tourism Academy recently published a report that forecasts that the number of China’s domestic tourists in 2023 has hit 5.407 billion, and domestic tourism revenue will amount to 5.2 trillion yuan. This figure allegedly represents a recovery to 90% compared to pre-Covid year 2019.

The upcoming Chinese New Year’s holiday is expected to kick off a promising start for the Chinese tourism industry in 2024. According to Trip.com data, bookings for the 2024 New Year’s holiday have surged by over threefold compared to the corresponding period last year. Furthermore, Tongcheng Travel highlights skiing, hot springs, Northern Lights viewing, music events, outdoor activities, island retreats, cruises, staycations, and firework displays as the top domestic travel preferences during this holiday season.

As China has significantly relaxed several travel and visa policies for both Chinese and international travelers, the number of outbound travel bookings for the New Year’s holiday on Trip.com has also seen a nearly fivefold increase compared to the same period last year while inbound tourism is on the rise.

Meanwhile, the way in which the TV drama Meet Yourself (去有风的地方) has boosted the tourism industry of Dali, which already was a popular tourist destination, is generating ongoing discussions on Chinese social media as it is a good example of how the integration of destination themes can captivate viewers’ attention, inspiring them to visit and discover the real-life locations.

In this way, TV shows serve as powerful platforms for local tourism authorities across China. First, utilizing television series provides them with a higher level of control compared to other methods of online promotion, including more fleeting trends. The show’s narratives, vibe, and filming locations can precisely showcase a destination’s unique features, attractions, and local culture.

Second, featuring destinations in TV series effectively accomplishes two goals at once, as Chinese TV dramas and online communities have become strongly intertwined. This amplifies the influence and reach of such productions, as fans engage, share, discuss, and promote the series and associated destinations across various social media platforms. And so, a featured scene or image, such as the one with Liu Yifei, can transcend the series itself and become an entire trend of its own on Chinese social media channels.

For travelers, visiting a destination featured in a beloved TV drama is not just about exploring a new location—it’s about experiencing a feeling and and immersing oneself in a fantasy. This trend won’t end with Meet Yourself, as new dramas inspire viewers to visit new locations again. As fans are binge watching the TV series Love Me, Love My Voice (很想很想你), Guangxi’s Guilin is the next hotspot attracting attention online for its portrayal in the show. “I finished watching the show,” one viewer wrote, “Now I want to start traveling.”

By Wendy Huang

Edited for clarity by Manya Koetse

Spotted a mistake or want to add something? Please let us know in comments below or email us. Please note that your comment below will need to be manually approved if you’re a first-time poster here.

©2024 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

Wendy Huang is a China-based Beijing Language and Culture University graduate who currently works for a Public Relations & Media software company. She believes that, despite the many obstacles, Chinese social media sites such as Weibo can help Chinese internet users to become more informed and open-minded regarding various social issues in present-day China.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

China Brands, Marketing & Consumers

House of Wahaha: Zong Fuli Resigns

In the year following her father’s death, Zong Fuli dealt with controversy after controversy as the head of Chinese food & beverage giant Wahaha.

Manya Koetse

Published

on

It’s a bit like a Succession-style corporate drama 🍿.

Over the past few years, we’ve covered stories surrounding Chinese beverage giant Wahaha (娃哈哈) several times — and with good reason.

Since the passing of its much-beloved founder Zong Qinghou (宗庆后) in March 2024, the company has been caught in waves of internal turmoil.

Some context: Wahaha is regarded as a patriotic brand in China — not only because it’s the country’s equivalent of Coca-Cola or PepsiCo (they even launched their own cola in 1998 called “Future Cola” 非常可乐, with the slogan “The future will be better” 未来会更好), but also because its iconic drinks are tied to the childhood memories of millions.

Future Cola by Wahaha via Wikipedia.

There’s also the famous 2006 story when Zong Qinghou refused a buyout offer from Danone. Although the details of that deal are complex, the rejection was widely seen as Zong’s defense of a Chinese brand against foreign takeover, contributing to his status as a national business hero.

After the death of Zong, his daughter Zong Fuli, also known as Kelly Zong (宗馥莉), took over.

🔹 But Zong Fuli soon faced controversy after controversy, including revelations that Wahaha had outsourced production of some bottled water lines to cheaper contractors (link).

🔹 There was also a high-profile family inheritance dispute involving three illegitimate children of Zong Qinghou, now living in the US, who sued Zong Fuli in Hong Kong courts, claiming they were each entitled to multi-million-dollar trust funds and assets.

🔹 More legal trouble arrived when regulators and other shareholders objected to Zong Fuli using the “Wahaha” mark through subsidiaries and for new products outside officially approved channels (the company has 46% state ownership).

⚡️ The trending news of the moment is that Zong Fuli has officially resigned from all positions at Wahaha Group as chairman, legal representative, and director. She reportedly resigned on September 12, after which she started her own brand named “Wa Xiao Zong” (娃小宗). One related hashtag received over 320 million views on Weibo (#宗馥莉已经辞职#). Wahaha’s board confirmed the move on October 10, appointing Xu Simin (许思敏) as the new General Manager. Zong remains Wahaha’s second-largest shareholder.

🔹 To complicate matters further, Zong’s uncle, Zong Wei (宗伟), has now launched a rival brand — Hu Xiao Wa (沪小娃) — with product lines and distribution networks nearly identical to Wahaha’s.

As explained by Weibo blogger Tusiji (兔撕鸡大老爷), under Zong Qinghou, Wahaha relied on a family-run “feudal” system with various family-controlled factories. Zong Fuli allegedly tried to dismantle this system to centralize power, fracturing the Wahaha brand and angering both relatives and state investors.

Others also claim that Zong had already been engaged in a major “De-Wahaha-ization” (去娃哈哈化) campaign long before her resignation.

In August of this year, Zong gave an exclusive interview to Caijing (财经) magazine where she addressed leadership challenges and public controversies. In the interview, Zong spoke more about her views on running Wahaha, advocating long-term strategic growth over short-term results, and sharing her determination to not let controversy distract her from business operations. That plan seems to have failed.

While Chinese netizens are watching this family brand war unfold, many are rooting for Zong after everything she has gone through – they feel her father left her in a complicated mess after his death.

At the same time, others believe she tried to run Wahaha in a modern “Western” way and blame her for that.

For the brand image of Wahaha, the whole ordeal is a huge blow. Many people are now vowing not to buy the brand again.

As for Zong’s new brand, we’ll have to wait for the next episode in this family company drama to see how it unfolds.

By Manya Koetse

(follow on X, LinkedIn, or Instagram)

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2025 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Continue Reading

China Animals

China Faces Unprecedented Donkey Shortage Crisis

“We have plenty of cattle and horses in China now — just not enough donkeys” (“目前我国牛马都不缺,就缺驴”).

Manya Koetse

Published

on

China is facing a serious donkey shortage. China’s donkey population is far below market demand, and the prices of donkey-related products continue to rise.

Recently, this issue went trending on Weibo under hashtags such as “China Currently Faces a Donkey Crisis” (#我国正面临缺驴危机#).

The Donkey Branch of China’s Livestock Association (中国畜牧业协会驴业分会) addressed this issue in Chinese media earlier last week, telling China News Weekly (中国新闻周刊): “We have plenty of cattle and horses in China now — just not enough donkeys” (“目前我国牛马都不缺,就缺驴”).

China’s donkey population has plummeted by nearly 90% over the past decades, from 11.2 million in 1990 to just 1.46 million in 2023.

The massive drop is related to the modernization of China’s agricultural industry, in which the traditional role of donkeys as farming helpers — “tractors” — has diminished. As agricultural machines took over, donkeys lost their role in Chinese villages and were “laid off.”

Donkeys also reproduce slowly, and breeding them is less profitable than pigs or sheep, partly due to their small body size.

Since 2008, Africa has surpassed Asia as the world’s largest donkey-producing region. Over the years, China has increasingly relied on imports to meet its demand for donkey products, with only about 20–30% of the donkey meat on the market coming from domestic sources.

China’s demand for donkeys mostly consists of meat and hides. As for the meat — donkey meat is both popular and culturally relevant in China, especially in northern provinces, where you’ll find many donkey meat dishes, from burgers to soups to donkey meat hotpot (驴肉火锅).

However, the main driver of donkey demand is the need for hides used to produce Ejiao (阿胶) — a traditional Chinese medicine made by stewing and concentrating donkey skin. Demand for Ejiao has surged in recent years, fueling a booming industry.

China’s dwindling donkey population has contributed to widespread overhunting and illegal killings across Africa. In response, the African Union imposed a 15-year ban on donkey skin exports in February 2023 to protect the continent’s remaining donkey population.

As a result of China’s ongoing “donkey crisis,” you’ll see increased prices for donkey hides and Ejiao products, and oh, those “donkey meat burgers” you order in China might actually be horse meat nowadays. Many vendors have switched — some secretly so (although that is officially illegal).

Efforts are underway to reverse the trend, including breeding incentives in Gansu and large-scale farms in Inner Mongolia and Xinjiang.

China is also cooperating with Pakistan, one of the world’s top donkey-producing nations, and will invest $37 million in donkey breeding.

However, experts say the shortage is unlikely to be resolved in the short term.

The quote that was featured by China News Weekly — “We have cows and horses, but no donkeys” (“牛马有的是,就缺驴”) — has sparked viral discussion online, not just because of the actual crisis but also due to some wordplay in Chinese, with “cows and horses” (“牛马”) often referring to hardworking, obedient workers, while “donkey” (“驴”) is used to describe more stubborn and less willing-to-comply individuals.

Not only is this quote making the shortage a metaphor for modern workplace dynamics in China, it also reflects on the state media editor who dared to feature this as the main header for the article. One Weibo user wrote: “It’s easy to be a cow or a horse. But being a donkey takes courage.”

By Manya Koetse

(follow on X, LinkedIn, or Instagram)

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2025 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Continue Reading

Popular Reads