Newsletter
The Hashtagification of Chinese Propaganda
From tech-powered messaging to pop culture politics, China’s propaganda has undergone a major transformation in the social media age.

Published
7 months agoon

PREMIUM NEWSLETTER | ISSUE #38
Dear Reader,
October 1st marked the 75th anniversary of the founding of the People’s Republic of China. Flags, hearts, balloons—National Day celebrations turned Chinese social media red.
Among the key players in leading the propaganda around National Day was People’s Daily, the official newspaper of the Communist Party of China. To commemorate the occasion, People’s Daily published a column titled “Today’s China, Tomorrow’s China” (今天的中国,明天的中国)1, outlining a clear vision for the future and emphasizing China’s rise under the Party’s leadership.
The article highlighted how hard work and perseverance are crucial to achieving the ‘China Dream,’ with national unity being the driving force behind the country’s continued progress. It also stressed the pivotal role of China’s youth in shaping the future of the nation.
The article was accompanied by four posters, each conveying a specific message:
“Today’s China is a China where dreams are continuously realized” (今天的中国是梦想接连实现的中国)
“Today’s China is a China full of vibrancy and vitality” (今天的中国是充满生机活力的中国)
“Today’s China is a China that carries on the national spirit” (今天的中国是赓续民族精神的中国)
“Today’s China is a China closely connected to the world” (今天的中国是紧密联系世界的中国)
A related hashtag, “75th Anniversary of the Founding of the People’s Republic of China” (#新中国成立75周年#), received over 590 million views on Weibo.
But People’s Daily also put out a much simpler message, posting the hashtag: “I Love You, China” (#我爱你中国#).
This hashtag was accompanied by an online poster featuring the Chinese characters for “China.” The characters in the picture are shaped by various symbols representing both traditional and modern China, from lanterns and Tiananmen to rockets and railways. That post was shared over six million times.
The immense popularity of the poster and the “I Love You China” hashtag page, initiated by People’s Daily and garnering over eight billion views through the times, highlights the strength of Party-led propaganda in the social media era.
A Major Shift
A few days ago, De Balie, a cultural venue in Amsterdam, hosted an event focused on how Chinese state propaganda has evolved, coinciding with the 75th anniversary of the People’s Republic of China. As a participant in the discussion, I’ve recently been reflecting on the nature of Chinese propaganda in the digital age.
Propaganda has always been a key element of the Party’s strategy—not just for the past 75 years, but for over a century. Since the founding of the Central Propaganda Department in 1924, three years after the establishment of the Communist Party, propaganda has played a central role in shaping official narratives. China’s propaganda system exerts significant influence over nearly every major medium involved in disseminating information within the country, from news outlets and educational institutions to cultural organizations, artistic circles, and literary institutions.2
China’s rapid digitalization and the rise of social media posed significant challenges for officials in disseminating propaganda, particularly in the early 2010s when there was an explosion of self-media, app culture, and intense celebrity idolization. Amid this cacophony of new media channels, Party propaganda was increasingly overlooked as people’s attention shifted to what they found more engaging, such as movie stars and other celebrities representing new, exciting lifestyles.3
This was not the first ‘disruptive force’ the Party Propaganda Department had to confront. (Side note: Chinese officials, aware of the negative connotations of ‘propaganda’ in English—though it’s a neutral term in Chinese, 宣传—later changed its English name to the ‘Publicity Department.’)
As Stefan Landsberger notes in Chinese Propaganda Posters,4 the Party’s well-established system for propaganda and political education faced similar challenges in the 1980s following the Open Door policy. This policy significantly transformed Chinese society, bringing a wave of foreign cultural and lifestyle influences and accelerating the spread of electronic media.
Although the spread of non-official media and information may have disrupted the central messaging dynamics of the Propaganda Department in the 1980s, the growing presence of radio and television sets in people’s homes also allowed Party leaders to shift their focus from propaganda posters to new media as a means of communicating political messages.5
A similar shift has occurred over the past seven to eight years when it comes to social media. Initially, propaganda authorities struggled to convey official messages on Weibo and other emerging digital platforms, but in 2017, China’s propaganda system saw a pivotal change in its approach to domestic social media, particularly on Weibo.
Instead of trying to pull young people into traditional Party narratives, it began weaving propaganda directly the fabric of social media itself —blending politics seamlessly into the digital content young audiences were already engaging with.

No three-and-a-half-hour speech, but a three-and-a-half minute video. In 2017, Chinese state media explained China’s new strategies through catchy rap music and trendy graphics. Read more.
2017 was a pivotal year for Chinese propaganda with three major events: the One Belt One Road (OBOR) Summit, the 19th Party Congress, and the APEC Summit. For each occasion, publicity authorities launched distinctive, high-profile campaigns.
The OBOR Summit featured several high-production videos with catchy tunes, often starring foreigners (though some found them awkward). The 19th Party Congress saw a flood of new propaganda videos and initiatives, including a clapping game produced by Tencent that allowed users to applaud Xi Jinping’s speech. Meanwhile, the APEC Summit videos saw a manga-style version of Xi Jinping, portraying him as lovable and approachable.
Hashtagification of Propaganda
Propaganda departments in China have adapted various strategies over the past few years to make official Party narratives more appealing by adjusting to the fast-paced, fleeting, and trendy nature of China’s social media environment. I’d call this the ‘hashtagification’ of Chinese propaganda—turning political messaging into viral trends by embedding it in hashtags and social media content. These are essentially hashtag-driven narratives that netizens can easily engage with and share.
Within this movement, I see six major strategies of digital propaganda emerging on Weibo and other social apps, such as Douyin, from 2017 to 2024.
📌 1. Old Message, New Media: Revival of Classic Propaganda
The types of posts that People’s Daily shares around National Day and other celebrations often echo classic nationalist messages about unity and national pride. This is part of a broader strategy within China’s social media propaganda, focusing on strong, simple messages that, at their core, are not much different from the political narratives promoted in previous decades. However, these messages are now disseminated through modern channels, using more sophisticated techniques and production methods. These can include online posters, as well as music or high-quality videos (example).
📌 2. Double Agenda: Foreign-Facing Propaganda with Domestic Goal
Although there’s traditionally been a clear distinction between domestic propaganda and waixuan (“external propaganda”), the past few years have seen the rise of a new kind of propaganda. It appears to target an international audience but is actually aimed at bolstering domestic support and reinforcing a positive image of China. Assertive or aggressive videos and posts, supposedly directed at foreign viewers, are often used to stir national pride at home. A good example of this is the Xinhua video series featuring Young Lady Guoshe (国社小姐姐), whose real name is Wang Dier (王迪迩), an anchor for Xinhua who previously worked for CCTV. If you’re unsure what this looks like, check the full clip here.
📌 3. Grassroots ‘Propaganda’ in Official Communication
Over the past few years, particularly during the Covid period, official channels began repurposing satirical online artworks created by independent artists or popular nationalistic influencers as a form of national propaganda. Much of this art was produced by Chinese cartoonists and artists, mocking Western hypocrisy and political leaders. These pieces were then retweeted and widely shared by official Chinese channels, amplifying domestic support and fueling anti-Western sentiment. You can read more about this trend here.

‘Investigate Thoroughly! Except Here’ (‘彻查!除了这儿’) satirical illustration by artist 半桶老阿汤 / Half Can of Old Soup in response to US calls for investigation into the origins of Covid in China while ignoring a possible link with Fort Detrick. This post was shared by the Communist Youth League on social media.
📌 4. Tech-Driven Party Messages
The use of advanced technologies such as artificial intelligence, virtual reality, and gamification by Chinese state media serves a dual purpose: reinforcing the Party’s messaging while simultaneously showcasing China’s digital innovation. By integrating technology with propaganda, the Party’s message becomes more engaging and interactive, while also projecting China as a leading tech power. For instance, in recent years, the annual CCTV New Year’s Gala has become a platform to display China’s cutting-edge digital technologies on stage. Online, tech and propaganda are frequently intertwined, such as in the aforementioned clapping game by Tencent. Other examples include virtual newsreaders for state media and the ‘Study Xi app’ (Xuexi Qiangguo), which allows users to earn points for engaging with official Party content. You can read more about these innovations here and here.
📌 5. Pop Culture Propaganda
By ‘Pop Culture Propaganda,’ I refer to the blending of propaganda with pop culture in various ways. One example is the use of Chinese celebrities to promote official Party messages, such as the 2017 campaign for China’s New Era (hashtag: ‘Give A Shout-Out to the New Era‘) or the Social Credit song launched by the Communist Youth League. Another form of this propaganda involves colorful and cute animations and cartoons that primarily appeal to younger generations. These often incorporate Japanese influences, like anime and manga, which are especially popular among Chinese youth, making propaganda more accessible and attractive. Currently, many manga-themed propaganda-style images are circulating, blurring the lines between fan-made content and official productions (as mentioned in point 3!).

Official or not? Official channels sometimes share non-official digital art on their pages, while everyday netizens often post official “pop propaganda” on their own accounts (Images via Weibo).
📌 6. Guerrilla Propaganda: Coordinated, Multi-Front Engagement Across Media & Influencers
A final technique I’ve observed on Chinese social media since 2016-2017 is topic-centered propaganda that is spread simultaneously across multiple platforms. In these campaigns, social media, local authorities, businesses, and influencers collaborate to create a coordinated wave of messaging. A notable example is the 2021 Xinjiang cotton campaign, which followed H&M and the Better Cotton Initiative’s boycott of Xinjiang cotton over alleged human rights abuses. In response, a massive pro-Xinjiang cotton campaign erupted on Weibo, with state media, Baidu, e-commerce platforms, and celebrities uniting to cancel H&M and support Xinjiang-sourced cotton. The campaign was highly effective, with the hashtag “Wo Zhichi Xinjiang Mianhua” (“I Support Xinjiang Cotton” #我支持新疆棉花#) receiving over 8 billion views on Weibo—comparable to the “I Love China” hashtag.

Propaganda posters by People’s Daily at the time of the Xinjiang cotton controversy. The posters say “Xinjiang Mianhua” (Xinjiang cotton) in a similar font to the H&M logo, the “H” and “M” within ‘mianhua‘ being identical to the H&M letters.
What’s particularly interesting about propaganda in China’s social media era is that, unlike previous periods, it’s no longer a one-way street from billboard to pedestrian or from TV screen to viewer. Social media is inherently interactive, and despite the overwhelming presence of official accounts on platforms like Weibo, WeChat, and Douyin, there are still over a billion individual social media users in China who can choose to scroll away, mute, or ignore these messages.
While the line between state media and other accounts is increasingly blurred, state propaganda continues to compete for attention in a dynamic and vibrant online culture.
Stefan Landsberger – In Memoriam
There is so much more to say about all of this, and it only highlights how multi-faceted and complex the topic of propaganda in China truly is.
No one understood this better than sinologist Prof. Dr. Stefan Landsberger. I was shocked and deeply saddened to hear of his sudden passing this week. Coincidentally, I received the news while working on this newsletter, with his beautiful Chinese Propaganda Posters book open on my lap.
If you’re not familiar with his name, you might have come across his work if you’ve ever read anything about Chinese propaganda. Landsberger was a leading authority on the subject, having spent decades—since the late 1970s—collecting an extensive array of posters and conducting thorough research in the field. His collection grew to become one of the largest private collections of Chinese propaganda posters in the world.
Landsberger was an Associate Professor of Contemporary Chinese History and Society at Leiden University. In that role, he also taught me Chinese Modern History when I was an undergraduate there. He was a dedicated teacher—often critical, which made him intimidating to some students—but deeply appreciated by most for his brutal honesty and his immense passion for Chinese history and modern Sinology.
One memory from 2018 stands out. I was in China as a post-graduate student and took a taxi on a cold and rainy January night in Beijing. During the ride, I struck up a conversation with the driver, who asked me where I was from. When I told him I was Dutch, he proudly shared that he had a Dutch friend—one of his dearest, he said, whom he’d known since the early 1980s. That intrigued me, as I’d never heard anything like that from a Beijing taxi driver before. As we continued talking, he mentioned that his friend was a teacher and then showed me a photo on his phone of them together. I was surprised to see that the man in the picture, smiling warmly beside the taxi driver, was none other than my own teacher Stefan Landsberger.
In a city of 21 million people, I had somehow hailed a cab driven by one of Landsberger’s oldest friends in the city, whom he had known since he was a student in Beijing. I shared this story with Dr. Landsberger later through WeChat—it made him laugh. This chance encounter left a lasting impression on me, not just because of the coincidence, but because it spoke volumes about Landsberger’s enduring love for China and his ability to cultivate deep, lasting friendships. It showed his loyalty, not just to his work and research but to the people and connections he built over decades.
Landsberger will be greatly missed. His contributions to the growing body of work on Chinese propaganda are invaluable. This ever-evolving phenomenon can only be fully understood by examining both its current trends and its historical roots—and Landsberger’s work will forever be foundational in that effort, helping to better understand “Today’s China, Tomorrow’s China.”
My thoughts are with his family and friends during this difficult time.
Best,
Manya Koetse
(@manyapan)
1 Ren Ping, “今天的中国,明天的中国” [Today’s China, Tomorrow’s China], People’s Daily, September 29, 2024, https://weibo.com/ttarticle/p/show?id=2309405083853533610297
2 David Shambaugh, “China’s Propaganda System: Institutions, Processes and Efficacy,” The China Journal 57 (2007):27-28.
3 See Willy Lam quoted in Yi-Ling Liu, “Chinese Propaganda Faces Stiff Competition from Celebrities,” AP News, October 23, 2017, https://apnews.com/article/1616c60ab01d43caae024d34cb98d532 (accessed October 12, 2024).
4 Stefan Landsberger, Chinese Propaganda Posters: From Revolution to Modernization (Amsterdam: The Pepin Press, 2001): 11.
5 Landsberger, Chinese Propaganda Posters, 15.
PS: If you’re a loyal reader of Weibo Watch, you might have noticed I’ve been trying out some changes in the newsletters lately to deliver more frequent updates while balancing things on the site. Don’t worry if this edition is missing the hot topics section—it’s not going anywhere! But if there’s anything you’d love to see in the newsletters moving forward, please let me know. Your feedback really helps with planning future editions.
What’s New
Golden Week | China celebrated its National Day Holiday earlier this month. This week-long holiday, also known as the Golden Week, is a popular time for trips, travel, and sightseeing. On Chinese social media, it has become somewhat of a tradition to post about just how busy it is in China’s various sightseeing spots. This is often done by using hashtags including “人人人人[place]人人人人.”
Being Watched | Could it be that someone is watching you while you think you’re all alone in your private hotel room? Without realizing it, some guesthouses or hotels may have hidden cameras secretly recording their guests. This issue has long been a source of concern in China and has recently become a hot topic again. The Chinese Douyin and Weibo blogger @ShadowsDontLie (@影子不会说谎), an ‘anti-fraud’ influencer, has made it his mission to expose hidden cameras in guesthouses. The controversy following his recent discoveries are perhaps just a tip of the iceberg – we’ll follow up on this story soon. Meanwhile, check out the full story here.
For the Clicks |The debate over influencers performing dangerous stunts for clout is ongoing in the West, but it has also recently gained attention in China after another motorcycle influencer was killed in a crash.
China’s Image | On October 10, 2024, De Balie hosted an event discussing how China portrays itself to its citizens and the world, marking the 75th anniversary of the People’s Republic. The panel explored the evolution of Chinese state propaganda, the public’s response, and how the emergence of digital China has reshaped the landscape. Speakers included Ardi Bouwers, Florian Schneider, Qian Huang, and myself (Qian and I appear in the second half). You can watch the full event here.
What’s Memorable
Old one-child policy propaganda slogans, especially in rural areas, remain visible on walls across China, even though they contradict the government’s current push for families to have more children due to declining birth rates. While efforts to remove these outdated slogans have intensified, some people question the urgency.
Weibo Word of the Week
Rushing to the Counties
Our Weibo word of the week is 奔县 (bèn xiàn), which translates to “rushing to the county.” This term has recently surged in Chinese media after this month’s National Day holiday, a popular travel time, saw an increased popularity of lesser-known county-level towns instead of large cities or famous tourist destinations.
According to the latest travel industry reports following the week-long holiday, bookings have significantly increased compared to last year, despite last year already being notably crowded. This year, 765 million trips were taken nationwide, marking a 10.2% increase compared to pre-pandemic 2019.
Last year, ‘domestic travel’ was the key trend, with the so-called “special forces travel” (特种兵旅游 tè zhǒng bīng lǚxíng) becoming popular among Chinese youth. That trend was all about visiting as many places as possible at the lowest cost within a limited time, often involving incredibly tight schedules and 12-hour travel days.
This year, the focus has shifted to a more relaxed and cost-effective approach. This has turned county-level tourism (奔县游 bènxiànyóu) into a new trend. People are not just visiting county-level towns to see family; more young travelers from China’s major cities are exploring nearby smaller towns for “micro-holidays” (微度假 wēi dùjià).
County-level towns in China are smaller than bigger cities like Beijing or Shanghai, but still big enough to usually have plenty to do as they are important hubs for the surrounding rural areas. In these county-level destinations, the cost of hotels and meals tends to be much cheaper than in popular tourist hotspots. Staying closer to home also reduces travel time and expenses, while offering the opportunity to visit lesser-known locations and avoid the peak tourist crowds.
According to The Observer, places like Jiuzhaigou, Anji, Shangri-La, Pingtan, Dujiangyan, and Jinghong saw booking increases of 109%, 86%, 74%, 67%, 51%, and 50%, respectively.
This is an on-site version of the Weibo Watch newsletter by What’s on Weibo. Missed last week’s newsletter? Find it here. If you are already subscribed to What’s on Weibo but are not yet receiving this newsletter in your inbox, please contact us directly to let us know.
Manya is the founder and editor-in-chief of What's on Weibo, offering independent analysis of social trends, online media, and digital culture in China for over a decade. Subscribe to gain access to content, including the Weibo Watch newsletter, which provides deeper insights into the China trends that matter. More about Manya at manyakoetse.com or follow on X.

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Newsletter
IShowSpeed in China: Streaming China’s Stories Well

Published
1 month agoon
March 30, 2025
“This man is doing God’s work. In just six hours, he eliminated all Western media propaganda about China,” Chinese influencer Li Sanjin (李三金) said in one of his videos this week. The man he referred to, allegedly doing ‘God’s work,’ is the American YouTuber and online streamer Darren Watkins, better known as IShowSpeed or Speed, who visited China this week and livestreamed from various locations.
With 37 million followers on his YouTube account, Watkins’ visit hasn’t exactly flown under the radar. His streams from China have already accumulated over 17.5 million views on YouTube alone, and he also became the talk of the week on Chinese social media.
In China, the 20-year-old IShowSpeed is known as Jiǎkànggē (甲亢哥), or “Hyper Bro,” since the immensely popular YouTube star is known for being highly energetic.
Although IShowSpeed is originally known for soccer and gaming-related content, he’s been streaming live from various countries over the past year, from Ecuador to Bolivia, from Australia to Indonesia, from Romania to Japan, and also from the Netherlands, where a mob of fans harassed the YouTuber to such an extent that the influencer fled and panicked, until the police intervened and asked him to shut down the livestream for safety reasons — which he did not comply with.
It was not the only time IShowSpeed’s visit got chaotic. He also got into trouble during livestreams from other countries. While streaming from Norway, he injured his ankle and was swarmed by a crowd while trying to get out. In Greece and Indonesia, he had to ask for police support as well. In Thailand, he crashed a tuk-tuk into a temple wall.
In China, IShowSpeed’s livestreams went far more smoothly, and netizens, state media, and other official channels raved about his visit and its favorable portrayal of the country and its culture.
🔹 Symbol of Cultural Exchange & Positive Diplomacy
“Jiǎkànggē” became one of the viral terms of the week, on Weibo, Kuaishou, Douyin, and Toutiao. During his China trip, the livestreamer hit several YouTube milestones — not only breaking the 37 million subscriber mark while on stream, but also surpassing the magic number of 10 million views in total.
Watkins, also known for being (sometimes aggressively) loud and chaotic, suddenly emerged as a symbol of cultural exchange and positive diplomacy. The past week saw hashtags such as:
#️⃣”IShowSpeed gives young foreigners a full-window view into China” (#甲亢哥给国外年轻人开了全景天窗#)
#️⃣”IShowSpeed’s Shanghai livestream breaks Western filter on China” (#甲亢哥上海直播打破西方对中国滤镜#)
#️⃣”American influencer IShowSpeed amazed by stable wifi on China’s high-speed train” (#美国网红甲亢哥被高铁稳定网络震惊#)
#️⃣”IShowSpeed praised deep tried tripe for being incredibly delicious” (#甲亢哥赞爆肚太好吃了#), or
#️⃣ “IShowSpeed bridges the cultural divide” (#甲亢哥弥合文化鸿沟#).
While in Chinese media, Watkins was lauded for shining a positive light on China, this message was also promoted on English-language social media, where he was praised by the Chinese embassy in the US (#驻美大使馆称赞甲亢哥中国行#), writing:

Post by Chinese Embassy in the US on X, March 26.
“This 20-year-old American internet star is bridging cultural gaps through digital means and creating new channels for foreign audiences to better understand China.”
So what exactly did IShowSpeed do while in China?
On March 24, Watkins livestreamed from Shanghai. He wandered around the city center, visited a KFC, danced with fellow streamers, stopped by a marriage market, ate noodles, played ping-pong, had hotpot, joined a dragon dance group and got acquainted with some traditional Chinese opera performance, and walked along the Bund.
On March 26, he streamed from Beijing, starting in Donghuamen before briefly entering the Forbidden City—dressed in a Dongbei-style floral suit. He later took a stroll around Nanluoguxiang and the scenic Houhai lake, rode a train, and finally visited the Great Wall, where he did backflips.
In his stream on March 28, Watkins traveled to Henan to visit the famous Shaolin Temple in Dengfeng, hoping to find a master to teach him kung fu. He trained with Shaolin monks—footage that quickly went viral.
Lastly, on March 29, he opened his own Weibo account and published his first post. On Douyin, he shared a video of his visit to Fuxi Mountain in Zhengzhou, featuring the popular “Stairway to Heaven” tourist spot.
On social media, many viewers were captivated by the content. One major talking point was the remarkably strong internet connection that allowed him to livestream for six-hour stretches without losing signal in Shanghai. (Though his Beijing stream started off patchier, the drop was minor.) For many, it symbolized the quality of China’s 5G services.
Foreign viewers also praised how safe, friendly, and clean the country appeared, and how his streams highlighted various aspects of Chinese culture—from everyday people to traditional arts and local cuisine.
🔹 Telling & Spreading China’s Stories Well
It is no wonder the success of the Jiǎkànggē livestreams is celebrated by Chinese official media in an age where China’s foreign communication aims to increase China’s international discourse power, shaping how the world views China and making that image more credible, more respectable, and more lovable.
That’s not just an observation — it’s an official strategy. Introduced by Xi Jinping in 2013, “Telling China’s Story Well” (“讲好中国故事”) is a political slogan that has become a key propaganda strategy for China and continues to be a priority in finding different ways of promoting Chinese culture — new ways of telling China’s story in the social media age – while countering Western dominant narratives about China.
In increasingly digitalized times, it is not just about telling China’s story well, but also spreading China’s message effectively — preferably through genuine and engaging stories (Cai 2013; Qiushi 2021).
Especially young, non-official ‘storytellers’ can make China’s image more relatable and dynamic. One major example, highlighted in a 2022 case study by Zeng Dan (曾丹), is Chinese influencer Li Ziqi (李子柒). You’ve probably heard of her, or seen snippets of her videos: she creates soothing, cinematic content depicting China’s countryside lifestyle, focused on cooking, crafts, and gardening. With 26 million followers on YouTube, Li Ziqi became a viral sensation who successfully communicated an authentic and appealing ‘China story’ to a broad global audience.

Li Ziqi in one of her YouTube videos.
Although the calm and composed Li Ziqi and the loud, chaotic IShowSpeed couldn’t be more different, they have some things in common: both have large international fanbases, including their millions of YouTube subscribers; they offer perspectives that differ from Chinese state media or official channels; and they have the capacity not just to tell China’s story well, but to spread it effectively through videos and livestreams.
🔹 Spontaneous Stream or Scripted Propaganda?
IShowSpeed’s China streams have triggered a wave of responses from fans and viewers, sparking discussions across international social media and even making newspaper headlines.
In English-language online media spheres, there appear to be a range of perspectives on Watkins’ China trip:
📌 One prominent view—also echoed by various foreign influencers on YouTube and other platforms—is that IShowSpeed’s visit counters “Western media lies” about China and has successfully shown the “real China” through his livestreams. The Shanghai-based media outlet Radii claimed that “IShowSpeed’s China Tour is doing more for Chinese Soft Power than most diplomats ever could.”
📌 Others challenge this narrative, questioning which dominant Western portrayals of China IShowSpeed has actually disproven. Some argue that the idea of China being a “bleak place with nothing to do where people live in misery” is itself a false narrative, and that presenting IShowSpeed’s livestreams as a counter to that is its own form of propaganda (see: Chopsticks and Trains).
📌 There are also those who see Watkins’ trip as a form of scripted propaganda. To what extent were his livestreams planned or orchestrated? That question has become one of the central points of debate surrounding the hype around his visit.
These rumors have been addressed by cameraman Slipz (@shotbyslipz), who took to X on March 28, 2025. Slipz posted that the team is “(..) not making political content, not any documentary and no journalism,” and later added: “Fact: amount of money IShowSpeed has received from Chinese Government = $0.”
But does the fact that IShowSpeed did not receive money from the Chinese government mean that it wasn’t also a form of China promotion?
➡️ Organized — it definitely was. Any media trip in China has to be. IShowSpeed would have needed a visa, he had translators with him, and throughout the streams it’s evident that local guards and public security officers were present, walking alongside and helping to keep things under control, especially in crowded areas and at major tourist spots — from Nanjing Road in Shanghai to an entire group of guards seemingly accompanying the entourage in the Forbidden City.
One logistical “advantage” to his visit was the fact that YouTube is blocked in China. While some Chinese fans do bypass the Great Firewall to access the platform, IShowSpeed remains far less known in China than in many other countries — a factor that likely contributed to how smoothly the streams went and helped prevent chaos. The team also launched a Douyin account during the trip, where he now has over two million followers. (To stream directly to their 37 million followers on YouTube, Watkins’ team either needed a VPN to access WiFi or had arranged roaming SIM cards to stay connected.)
➡️ Was it staged? Many parts clearly weren’t: casual public conversations, spontaneous barber visits in both Shanghai and Beijing (with barbers looking unsure of how to handle the situation), and wholesome fan encounters. There was even a moment when Watkins walked into a public restroom and forgot to mute the sound.
But other parts of the trip were undeniably staged — or at least framed to appear spontaneous. When visiting a marriage market in Shanghai, for instance, two actors appeared, including one woman with a sign stating she was looking for someone “capable of doing backflips.”
When Watkins took a “random” ride in what was described as the fastest car in China — the Xiaomi SU7 Ultra — the vehicle appeared to be conveniently parked and ready.
Similarly, when the streamer “ran into” Chinese-American TikTok influencer Miles Moretti (李美越) in Beijing, it turned out to be the person who would give him the now-iconic bright Dongbei flower suit and accompany him on his journey.
The ping-pong, the kung fu, the Peking opera, the hotpot, the Forbidden City tour — it all plays into the kinds of experiences that official channels also like to highlight. While likely planned by Watkins’ team in coordination with local partners, it was all far more orderly and tourism-focused than, for example, Watkins’ chaotic visit to the Netherlands.
Watkins and his entourage were also well-informed about the local dos and don’ts. At one point, Watkins even mentions “following the rules,” and when Moretti tells him mid-stream that “somebody very important lives on our left,” Watkins asks “Who?” — but the camera zooms out and the question goes unanswered, suggesting they may have been reminded that certain names or topics were off-limits (judge the moment for yourself here).
The livestream didn’t always go exactly the way Watkins wanted, either. When he attempted to take more random walks around the city, the crew appeared to be informed that some areas were off-limits, and he was asked to return to the car to continue the trip (clips here and here).
🔹 The “Nàge” Song
One major talking point surrounding IShowSpeed’s China livestreams was “the N-word.” No, not that N-word — but the Chinese filler word “nàge” or “nèige” (那个). Like “uhm” in English or “eto” in Japanese, “nàge” is a hesitation marker commonly used in everyday Mandarin conversation. It also functions as a demonstrative pronoun meaning “that.”
The word has previously stirred controversy because of its phonetic resemblance to a racial slur in English. In 2020, an American professor at the University of Southern California’s Marshall School of Business was even temporarily suspended after using the word during an online communications class — some students misunderstood its context and took offense.
The word — and the song “Sunshine, Rainbow, White Pony” (阳光彩虹小白马) by Chinese singer Wowkie Zhang (大张伟), which repeatedly features the word nàge in its chorus — popped up multiple times during Watkins’ trip. The catchy tune essentially became the theme song of his visit.
The first nàge moment actually already appeared within the first five minutes of Watkins’ Shanghai stream, when a Chinese comedian approached him on the street, trying to recall a joke. “What?!” Watkins reacted, with laughter in the background. “That’s not a joke, you said n**! It’s my first five minutes in China!” he exclaimed, before patting the man’s back in a friendly gesture, clearly not offended.
🔄 It resurfaced again within the first hour when Watkins visited a marriage market and one of the performers sang the Wowkie Zhang song. Watkins initially acted shocked, then demanded they sing it again — only to burst out laughing and start singing along.
🔄 Later, he sang the song again with a street saxophonist and encouraged others to join in.
🔄 At other moments, he played up the drama again, feigning anger when a crowd broke into the chorus, and it became a recurring gag throughout the streams.
These incidents all seem staged. One of the main reasons Watkins is known to many netizens in China is because of an older video clip showing his exaggerated reaction to the nàge song — dating back to at least 2022. So while it may have looked spontaneous, Watkins was already familiar with the word and the viral song long before his China trip.The attention given to the nàge ‘controversy’ was likely amplified for views and engagement.
While Watkins was clearly in on this part of the show — as with others — he also seemed genuinely, and at times amusingly, unaware of many things in China. He repeatedly referred to RMB as “dollars,” mistook elderly women for retired YouTube streamers, and even assumed that a woman livestreaming near the Forbidden City was reading his chat and trying to collaborate with him — although she seemed totally uninterested and was just minding her own business.
🔹 A Win-Win Situation
In the end, IShowSpeed’s visit highlighted two sides effectively doing their job. Watkins and his team successfully arranged a YouTube trip that generated high ad revenue, attracted millions of new subscribers, and boosted his brand and global fame.
On the Chinese side, there was clearly coordination behind the scenes to ensure the trip went smoothly: avoiding controversy, ensuring safety, and showcasing positive aspects of Chinese culture. From traditional opera and kung fu to ping pong, IShowSpeed’s content gave center stage to the kinds of cultural highlights that align closely with China’s official narratives and tourism goals. Even if the government didn’t pay the YouTuber directly, as his team has emphasized (and there’s no reason to doubt them), the trip still fit seamlessly into China’s soft power strategy.
IShowSpeed’s China visit has created a unique media moment that resonates for several reasons: it’s the encounter of a young modern American with old traditional China; it is a streamer known for chaos visiting a nation known for control. And it brings different benefits to both sides: clicks and ad revenue for IShowSpeed, and free foreign-facing publicity for China.
No, IShowSpeed didn’t undo years of critical Western media coverage on China. But what his visit shows is that we’ve entered a phase where China is becoming more skilled at letting others help tell its story — in ways that resonate with a global, young, online audience. He didn’t do “God’s work.” He simply did what he always does: stream. And with China’s help, he streamed China very well.
There’s so much more I want to share with you this week — from Chinese reactions to the devastating Myanmar earthquake, to a recent podcast I joined with Dutch newspaper De Telegraaf (link in Dutch, for those interested). But it also happens to be my birthday today, and I’m really hoping to still grab some birthday hotpot — so I’ll wrap this up here. I’ll keep you informed on the other trends in the next newsletter.📨.
Best,
Manya
(@manyapan)
References:
Cai, Mingzhao 蔡名照. 2013. “Telling China’s Stories Well and Spreading China’s Voice: Thoroughly Studying and Implementing the Spirit of Comrade Xi Jinping’s Important Speech at the National Conference on Propaganda and Ideological Work [讲好中国故事,传播好中国声音——深入学习贯彻习近平同志在全国宣传思想工作会议上的重要讲话精神].” People’s Daily 人民日报, October 10. http://politics.people.com.cn/n/2013/1010/c1001-23144775.html. Accessed March 29.
Qiushi 求是网. 2021. “Xi Jinping: Telling China’s Story Well, Spread China’s Voice Well [习近平:讲好中国故事,传播好中国声音].” Qs Theory, June 6. http://www.qstheory.cn/zhuanqu/2021-06/02/c_1127522386.htm. Accessed March 29.
Zeng Dan 曾丹. 2022. “How to Tell China’s Story Well: Taking Li Ziqi as an Example [如何讲好中国故事——以李子柒为例].” Progress in Social Sciences 社会科学进展 4 (1): 10–19. https://doi.org/10.35534/pss.0401002.
What’s Featured
Quite terrifying and interesting, as this trending story touched upon so many different issues.
What started as a single snarky comment on Weibo spiraled into an online witch hunt, exposing not just some dark sides of online Kpop fandom but also, most importantly, the vulnerabilities in China’s digital privacy.
Read the story, the latest by Ruixin Zhang 👀
This is an on-site version of the Weibo Watch newsletter by What’s on Weibo. Missed last week’s newsletter? Find it here. If you are already subscribed to What’s on Weibo but are not yet receiving this newsletter in your inbox, please contact us directly to let us know.
Newsletter
Weibo Watch: The Great Squat vs Sitting Toilet Debate in China🧻
This week, the Catch-22 of sitting versus squat toilets sparked heated discussion on Weibo after a Beijing News article exposed the messy reality of sitting toilets in Beijing malls.

Published
1 month agoon
March 23, 2025
PREMIUM NEWSLETTER | ISSUE #50
Dear Reader,
Shoe prints on top of the toilet seat are never a pretty sight. To prevent people from squatting over Western-style sitting toilets, there are some places that will place stickers above the toilet, reminding people that standing on the seat is strictly forbidden.
For years, this problem has sparked debate. Initially, these discussions would mostly take place outside of China, in places with a large number of Chinese tourists. In Switzerland, for example, the famous Rigi Railways caused controversy for introducing separate trains with special signs explaining to tourists, especially from China, how (not) to use the toilet.
Squat toilets are common across public areas in China, especially in rural regions, for a mix of historical, cultural, and practical reasons. There is also a long-held belief — backed by studies (like here or here) — that the squatting position is healthier for bowel movements (for more about the history of squat toilets in China, see Sixth Tone’s insightful article here).

Public squatting toilets in Beijing, images via Xiaohongshu.
Without access to the ground-level squat toilets they are used to — and feel more comfortable with — some people will climb on top of sitting toilets to use them in the way they’re accustomed to, seeing squatting as the more natural and hygienic method.
Not only does this make the toilet seat all messy and muddy, it is also quite a dangerous stunt to pull, can break the toilet, and lead to pee and poo going into all kinds of unintended directions. Quite shitty.

Squatting on toilets makes the seat dirty and can even break the toilet.
Along with the rapid modernization of Chinese public facilities and the country’s “Toilet Revolution” over the past decade, sitting toilets have become more common in urban areas, and thus the sitting-toilet-used-as-squat-toilet problem is increasingly becoming topic of public debate within China.
The Toilet Committee and Preference for Sitting Toilets
Is China slowly shifting to sitting toilets? Especially in modern malls in cities like Beijing, or even at airports, you see an increasing number of Western-style sitting toilets (坐厕) rather than squatting toilets (蹲厕).
This shift is due to several factors:
🚽📌 First, one major reason for the rise in sitting toilets in Chinese public places is to accommodate (foreign) tourists.
In 2015, China Daily reported that one of the most common complaints among international visitors was the poor condition of public toilets — a serious issue considering tourists are estimated to use public restrooms over 27 billion times per year.
That same year, China’s so-called “Toilet Revolution” (厕所革命) began gaining momentum. While not a centralized campaign, it marked a nationwide push to upgrade toilets across the country and improve sanitation systems to make them cleaner, safer, and more modern.
This movement was largely led by the tourism sector, with the needs of both domestic and international travelers in mind. These efforts, and the buzzword “Toilet Revolution,” especially gained attention when Xi Jinping publicly endorsed the campaign and connected it to promoting civilized tourism.
In that sense, China’s toilet revolution is also a “tourism toilet revolution” (旅游厕所革命), part of improving not just hygiene, but the national image presented to the world (Cheng et al. 2018; Li 2015).
🚽📌 Second, the growing number of sitting toilets in malls and other (semi)public spaces in Beijing relates to the idea that Western-style toilets are more sanitary.
Although various studies comparing the benefits of squatting and sitting toilets show mixed outcomes, sitting toilets — especially in shared restrooms — are generally considered more hygienic as they release fewer airborne germs after flushing and reduce the risk of infection (Ali 2022).
There are additional reasons why sitting toilets are favored in new toilet designs. According to Liang Ji (梁骥), vice-secretary of the Toilet Committee of the China Urban Environmental Sanitation Association (中国城市环境卫生协会厕所专业委员会), sitting toilets are also increasingly being introduced in public spaces due to practical concerns.
🚽📌 Squatting is not always easy, and can pose a safety risk, particularly for the elderly, pregnant women, and people with disabilities.
🚽📌 Then there are economic reasons: building squat toilets in malls (or elsewhere) requires a deeper floor design due to the sunken space needed below the fixture, which increases both construction time and cost.
🚽📌 Liang also points to an aesthetic factor: sitting toilets simply look more “high-end” and are easier to clean, which is why many consumer-oriented spaces prefer to install Western-style toilets.
So although there are plenty of reasons why sitting toilets are becoming a norm in newly built public spaces and trendy malls, they also lead to footprints on toilet seats — and all the problems that come with it.
The Catch 22 of Sitting vs Squad Toilets
This week, the issue became a trending topic on Weibo after Beijing News published an investigative report on it. The report suggested that most shopping malls in Beijing now have restrooms with sitting toilets, which should, in theory, be cleaner than the squat toilets of the past — but in reality, they’re often dirtier because people stand on them. This issue is more common in women’s restrooms, as men’s restrooms typically include urinals.
In researching the issue, a reporter visited several Beijing malls. In one women’s restroom, the reporter observed 23 people entering within five minutes. Although the restroom had only three squat toilets versus seven sitting ones, around 70% of the users opted for the squat toilets.
Upon inspection, most of the seven sitting toilets were dirty — despite being equipped with disposable seat covers — showing clear signs of urine stains and footprints. They found that sitting toilets being used as squat toilets is extremely common.
It’s a bit of a Catch-22. People generally prefer clean toilets, and there’s also a widespread preference for squat toilets. This leads to sitting toilets being used as squat toilets, which makes them dirty — reinforcing the preference for squat toilets, since the sitting toilets, though meant to be cleaner, end up dirtier.
In interviews with 20 women, nearly 80% said they either hover in a squat or directly squat on the toilet seat. One woman said, “I won’t sit unless I absolutely have to.” While some of those quoted in the article said that sitting toilets are more comfortable, especially for elderly people, they are still not preferred when the seats are not clean.
In the Beijing News article, the Toilet Committee’s Liang Ji suggested that while a balanced ratio of squat and sitting toilets is necessary, a gradual shift toward sitting toilets is likely the future for public restrooms in China.

How NOT to use the sitting toilet. Sign photographed by Xiaohongshu user @FREAK.00.com.
Liang also highlighted the importance of correct toilet use and the need to consider public habits in toilet design.
In Squatting We Trust
On Chinese social media, however, the majority of commenters support squatting toilets. One popular comment said:
💬 “Please make all public toilets squat toilets, with just one sitting toilet reserved for people with disabilities.”

Squatting toilets in a public toilet in a Beijing hutong area, image by Xiaohongshu user @00后饭桶.
The preference for squatting, however, doesn’t always come down to bowel movements or tradition. Many cite a lack of trust in how others use public toilets:
💬 “When it comes to things for public use, it’s best to reduce touching them directly. Honestly, I don’t trust other people…”
💬 “Squatting is the most hygienic. At least I don’t have to worry about touching something others touched with their skin.”
💬 “I hate it when all the toilets in the women’s restroom at the mall are sitting toilets. I’m almost mastering the art of doing the martial-arts squat (蹲马步).”
Others view the gradual shift toward sitting toilets as a result of Westernization:
💬 “Sitting toilets are a product of widespread ‘Westernization’ back in the day — the further south you go, the worse it gets.”
But some come to the defense of sitting toilets:
💬 “Are there really still people who think squat toilets are cleaner? The chances of stepping in poop with squat toilets are way higher than with sitting ones. Sitting toilet seats can be wiped with disinfectant or covered with paper. Some people only care about keeping themselves ‘clean’ without thinking about whether the next person might end up stepping in their mess.”
💬 One reply bluntly said: “I don’t use sitting toilets. If that’s all there is, I’ll just squat on top of it. Not even gonna bother wiping it.”
It’s clear this debate is far from over, and the issue of people standing on toilet seats isn’t going away anytime soon. As China’s toilet revolution continues, various Toilet Committees across the country may need to rethink their strategies — especially if they continue leaning toward installing more sitting toilets in public spaces.
As always, Taobao has a solution. For just 50 RMB (~$6.70), you can order an anti-slip sitting-to-squatting toilet aid through the popular e-commerce platform.

The Taobao solution.
For Chinese malls, offering these might be cheaper than dealing with broken toilets and the never-ending battle against footprints on toilet seats…
Best,
Manya
(@manyapan)
References:
Ali, Wajid, Dong-zi An, Ya-fei Yang, Bei-bei Cui, Jia-xin Ma, Hao Zhu, Ming Li, Xiao-Jun Ai, and Cheng Yan. 2022. “Comparing Bioaerosol Emission after Flushing in Squat and Bidet Toilets: Quantitative Microbial Risk Assessment for Defecation and Hand Washing Postures.” Building and Environment 221: 109284. https://doi.org/10.1016/j.buildenv.2022.109284.
Bhattacharya, Sudip, Vijay Kumar Chattu, and Amarjeet Singh. 2019. “Health Promotion and Prevention of Bowel Disorders Through Toilet Designs: A Myth or Reality?” Journal of Education and Health Promotion 8 (40). https://doi.org/10.4103/jehp.jehp_198_18.
Cao, Jingrui 曹晶瑞, and Tian Jiexiong 田杰雄. 2025. “城市微调查|商场女卫生间,坐厕为何频频变“蹲坑”? [In Shopping Mall Women’s Restrooms, Why Do Sitting Toilets Frequently Turn into ‘Squat Toilets’?]” Beijing News, March 20. https://weibo.com/ttarticle/p/show?id=2309405146044773302810. Accessed March 19, 2025.
Cheng, Shikun, Zifu Li, Sayed Mohammad Nazim Uddin, Heinz-Peter Mang, Xiaoqin Zhou, Jian Zhang, Lei Zheng, and Lingling Zhang. 2018. “Toilet Revolution in China.” Journal of Environmental Management 216: 347–356. https://doi.org/10.1016/j.jenvman.2017.09.043.
Dai, Wangyun. 2018. “Seats, Squats, and Leaves: A Brief History of Chinese Toilets.” Sixth Tone, January 13. https://www.sixthtone.com/news/1001550. Accessed March 22, 2025.
Li, Jinzao. 2015. “Toilet Revolution for Tourism Evolution.” China Daily, April 7. https://europe.chinadaily.com.cn/opinion/2015-04/07/content_20012249_2.htm. Accessed March 22, 2025.
China’s Online Discourse on the Russia-Ukraine War
In case you missed it in our earlier newsletter, we recently published the article “US-Russia Rapprochement and ‘Saint Zelensky’: Chinese Online Reactions to Trump’s Shake-Up” as part of our What’s on Weibo Chapters. For more insights into how the war is discussed on Chinese social media, you can catch up here.
Stay tuned — we’re publishing another article on this topic later this week, exploring the unexpected connection between the Russia-Ukraine war and Chinese cosplayers.
What’s Trending
🍏 Chinese Netizens Turn to Tim Cook Over Factory’s Illegal Overtime
Netizens have recently started reaching out to Apple and its CEO Tim Cook in order to put pressure on a Chinese battery factory accused of violating labor laws. The controversy involves the Huizhou factory of Desay Battery (德赛电池), known for producing lithium batteries for the high-end smartphone market, including Apple and Samsung. The factory caught netizens’ attention after a worker exposed in a video that his superiors were deducting three days of wages because he worked an 8-hour shift instead of the company’s “mandatory 10-hour on-duty.” Compulsory overtime violates China’s labor laws.
In response, the worker and other netizens started to let Apple know about the situation through email and social media, trying to put pressure on the factory by highlighting its position in the Apple supply chain. By now, Desay Battery issued an official statement, admitting to “management oversights regarding employee rights protection” (“保障员工权益的管理上存在疏漏”) and promising to do better in safeguarding employee rights.
It’s an interesting story, and some commentators suggest that it shows that Chinese workers can effectively expose labor violations by reporting them to Western suppliers or EU regulators. But opinions vary. Others are less optimistic about the effectiveness, arguing that companies like Apple would be quick to drop suppliers over product quality issues but more willing to turn a blind eye to labor violations—since cheap labor remains a key competitive advantage in Chinese manufacturing.
💸 From Patriotic Influencer to Tax Evader: Sima Nan Fined More Than Nine Million Yuan
China’s well-known nationalist blogger Sima Nan (司马南) became a trending topic on Friday after being hit with a 9 million RMB ($1.2 million) fine for tax evasion. According to state media, from 2019 to 2023, he underpaid millions of yuan in personal income tax and other taxes by concealing income and submitting false declarations.
Sima responded to media, saying he fully admits guilt. At the same time he’s also blaming the multi-channel network that allegedly was in charge of paying taxes on his behalf at the time.
📌 Noteworthy: Sima Nan promised that- if he’ll still be allowed to have his social media presence – he would in detail explain how he ended up becoming a tax evader. This is kind of funny, because it shows just how good he is in what he does, turning his PR crisis into an opportunity for clicks and views 📈 (yes we do want to know how he went from patriotic influencer to becoming a multi-million tax dodger).
📌Public reaction: The most recurring comments I’ve seen on Weibo is that people are amazed at his high income. They note the hypocrisy of a nationalist, patriotic influencer who’s always preaching truth & justice evading taxes himself, and also conclude that being a nationalist is truly a money-making business🤑🇨🇳
💔 Tragedy at Hubei University: Zhang Yuzhen’s Disappearance and Aftermath
The disappearance of 19-year-old Chinese student Zhang Yuzhen (张钰臻) has captured nationwide attention this week. Zhang did not return after leaving her campus at Hubei University around 5 p.m. on March 15. Her phone remained traceable until 5:54 p.m., about one kilometer from campus. The case became a hot topic as millions of netizens turned into online sleuths, searching for clues that might lead to Zhang’s whereabouts.
On the afternoon of March 20, it was reported that Zhang’s personal items — including her keys and glasses — were discovered by a passerby next to a lake near the university. Police then began searching the lake. By that evening, her remains were found. The case is still under investigation.
There has been some online criticism regarding how the university handled Zhang’s disappearance. Although she was last seen on March 15, it wasn’t until March 18 that her parents were notified by a school counselor. They then reported her missing to the police, after which the school began cooperating with the investigation.
Now, there is also much discussion surrounding the behavior of Zhang’s mother, who has been publicly expressing her grief and anger on Douyin. After learning of her daughter’s death, she became emotionally distraught — screaming, crying, and demanding answers. She seemingly caused some public disturbance when she was prevented from immediately seeing her daughter’s remains, and was also not allowed to leave her hotel (perhaps due to concerns over her emotional state, though details remain unclear at this time). While some online voices have criticized her behavior, many are calling for empathy, arguing that any mother who has just lost her child would be desperate and distraught.
What’s Noteworthy
“The world is so big, I want to go out and see it” (Shìjiè nàme dà, wǒ xiǎng qù kànkan “世界那么大,我想去看看”).
This ten-character sentence became part of China’s collective social media memory after a teacher’s resignation note went viral in 2015. Now, a decade later, the phrase has gone viral once again.
In April 2015, the phrase caused a huge buzz on China’s social media when the female teacher Gu Shaoqiang (顾少强) at Zhengzhou’s Henan Experimental High School resigned from her job. Working as a psychology teacher for 11 years, she gave a class in which she made students write a letter to their future self. The exercise made her realize that she, too, wanted more from life. Despite having little savings, she submitted a simple resignation note that read: “The world is so big, I want to go out and see it.”
The resignation letter was approved, and she posted it to social media.
The letter resonated with millions of Chinese who felt they also wanted to do something different with their life, like go and travel, see the world, and escape the pressures and routines of their daily life. The phrase became so popular that it was adapted in all kinds of ways and manners, by meme creators, in books, by brands, and even by Xi Jinping, who said: “China’s market is so big, we welcome everyone to come and see it” (“中国市场这么大,欢迎大家都来看看”).
This week, Lěngshān Record (冷杉Record), the Wechat account under Chinese media outlet Phoenix Weekly (凤凰周刊), revisited the phrase and published a short documentary about Gu’s life after the resignation and the hype surrounding it.
An earlier news article about Gu’s life post-resignation already disclosed that Gu, despite receiving many sponsorship deals, never actually extensively traveled the world. In the short documentary, Gu explains that she chose to “return home after seeing the world.” By this, she doesn’t mean traveling extensively abroad, but rather gaining life experience in a broader sense. While she did travel, it was within China, including in Tibet and Qinghai.
What truly changed was her life path. She left Zhengzhou and relocated to Chengdu to be near Yu Fu (于夫), a man she had met just weeks earlier by chance during a trip to Yunnan. Six months after the resignation letter, she married him. Together, they ended up opening a hostel near Chengdu, married, and had a daughter.
Gu, now 45 years old, has been back in her hometown of Zhengzhou for the past years, caring for her aging mother and 9-year-old daughter. She is living separately from her husband, who manages their business in Chengdu. She also runs her own livestreaming and online parenting consultancy business.
Although the woman who wanted to “see the world” ended up back home, she has zero regrets about what she did, suggesting her courage to step out of the life she found limiting ultimately transformed her in a meaningful way.
On Chinese social media, the topic went trending on March 19. Most people cannot believe it’s already been ten years since the sentence went trending (“What? How could time fly like that?”). Others, however, wonder about the hopes and dreams behind the original message—and how it all turned out.
💬 “Seeing the world? She just escaped her old life, got married, and had a baby. How is that ‘seeing the world’?” one commenter wondered (@-NANA酱- ).
💬 “The world is so big—what did she end up seeing?” others questioned. “She went from Zhengzhou to Chengdu.”
💬 “Seeing the world takes money,” some pointed out.
💬 But others came to her defense, saying that “seeing the world” also means stepping out of your comfort zone and exploring a different life. In the end, Gu certainly did just that.
💬 “She was quite courageous,” another commenter wrote: “She gave up a stable job to go and see the world. Perhaps her life didn’t end up so rich, but the experiences she gained are priceless.”
The world is still big, though, and there’s plenty left for Gu Shaoqiang to see.
Also read what we wrote about this in 2015: In The Digital Age, ‘Handwritten Weibo’ Have Become All The Rage
What’s Memorable
📚 This pick from our archive is from last year, about Fan Zeng (范曾), the famous Chinese calligrapher, who is turning 87 soon and has a wife 50 years his junior.
This week, some videos featuring Chinese theoretical physicist & Nobel Prize winner Yang Chen-Ning (杨振宁) circulated on social media. Yang is turning 103 this year. Still sharp of mind, and he takes a walk every day.

Yang Chen-ning
In this interview here, when asked about the secret to his longevity, he points to one thing above all: luck.
🍀 Mostly, he suggests it’s the luck of good genes. On his father’s side, diabetes was common, but he was fortunate to inherit his mother’s genes in that regard.
🍚 He also mentions the luck of never experiencing extreme hunger during wartime — he lived in Kunming during those years.
💪 And then he stresses the importance of taking walks, every day, since he was about 70. Keep moving, keep the blood flowing!
What he doesn’t mention, however, is that his wife, Weng Fang (翁帆), is 54 years (!) his junior — I’m pretty sure she helps keep him young too…
Fan and Yang are good friends, and Yang’s good health might have inspired him to marry his 50-years-younger girlfriend last year. Read more 👇
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