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56 Flowers: The All-Girl Group Promoting Socialist Values

The all-girl group ’56 Flowers’ (五十六朵花) is all about promoting China’s core socialist values. Although many Chinese are happy with the group’s “positive energy”, there are also those who are fearful for its revival of the Cultural Revolution.

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The girl group ’56 Flowers’ (五十六朵花) is all about promoting China’s core socialist values. Although some Chinese netizens are happy with the group’s “positive energy”, there are also those who are fearful for its rekindling of the Cultural Revolution-era .

Chinese idol girl group ’56 Flowers’ had the debut performance of their latest concert in the Great Hall of the People on April 23, 2016, and has since been a popular topic on Chinese social media.

The Great Hall of the People (人民大会堂), located near Beijing’s Tiananmen Square, is generally used for legislative and ceremonial activities by the PRC and the Communist Party of China.

The 56 Flowers program consists of “red songs” about the Chinese nation, the socialist regime and its core values. The girl group’s combination of political propaganda and pop culture has drawn much attention from Chinese netizens, who have contrasting opinions about the new pop group.

“China’s Dream, the Most Beautiful”

56 Flowers (五十六朵花; 56朵花吧) is a girl music group with 56 members. They are young women aged between 16 and 23, and are selected from the 56 different ethnic groups of China.

First appearing on stage in June of last year, 56 Flowers reportedly aims to be the biggest idol girl group in the world. The director of the group, Chen Guang (陈光), compares them to the popular Japanese group AKB 48. On stage, the uniforms and dancing styles of the singers are indeed not much different from their mainstream Japanese or Korean counterparts – their message, however, is.

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Chen Guang said that his goal was to nurture the “purest Chinese girls” and run a popular music group that follows the “main theme” (主旋律) of China’s Party and the State. The emblem of 56 Flowers meets Chen’s idea; it adopts the red and yellow of China’s national flag, and resembles the national emblem of China. Below the group’s name the phrase “China’s Dream, the Most Beautiful” (中国梦,最美丽) is featured.

56 Flowers: Socialist-Style Pop Group

56 Flowers sings “red songs” – songs that praise the socialist regime, the Communist party, and the Chinese nation in general.

Earlier this year, 56 Flowers appeared in the Pre-New Year Gala of Hunan TV, a local broadcaster famous for its entertainment programs. In the gala, 56 Flowers presented an original song “Don’t Know How to Address You” (不知该怎么称呼你). The song referred to Xi Jinping’s 2013 visit to ethnic groups in Guangxi Province. All 56 girls, dressed in traditional Miao clothes, sang an ode to the president: “You love the people and the people of the whole nation deeply love you.”

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In the most recent performance at the Great Hall of the People, 56 Flowers brought back memories of the Maoist era with the song ‘Sailing the Sea Depends on the Helmsman‘ (大海航行靠舵手). Originally named ‘Revolution Depends on Maoist Thoughts’ (干革命要靠毛泽东思想), this was a popular song during the Cultural Revolution.

Echoing the lyrics “Maoist thoughts are the sun of China”, the performance was accompanied by a big portrait of Mao in the middle of a radiant sun. They also chanted about “socialism is good” and “down with American imperialism.”

No to Sexy, No to Glamour, No to Romance

The 56 girls of 56 Flowers were dressed in black and white t-shirts, hair tied up in a pony tail, during first public appearance June 2015. Art director of the group, Liu Yanxi, told South Weekend (南方周末) about his member selection criteria: the girls can absolutely not be sexy, nor glamourous, no blond or dyed hair, and cannot be “street-wise”. Another strict rule is that the members of 56 Flowers should not be involved in any romantic relationships. According to the director, the last criterion is to ensure a “pure and innocent” image of the girls.

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Once selected, what awaits the girls is tough training. Living in four-person dormitories, they have a tight daily schedule that runs from 6:00 till 17:00, including physical training, figure training, Chinese dancing, and lessons on how to be a pop idol. Evenings are dedicated to patriotic education, literature lectures, and training in eloquency. The singers have one day off each week, and contracted members receive 3000 RMB (460 US$) per month with performance subsidies.

By now, only a few girls of the group are actual contracted members; most singers are temporary members that participate in daily training. Two girls were fired last July for participating in an AKB 48 audition.

Reviving the Cultural Revolution?

Since their first appearance last June, 56 Flowers has been attracting contrasting opinions on Chinese social media.

Supporters say the group sings songs that “encourages people, inspires national solidarity, and expresses much energy”, that “realizes the Chinese dream”, with songs full of “positive energy”.

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But some netizens worry that singing “red songs” may revive the Cultural Revolution. “Singing red songs in such a sensitive place as the Great Hall of the People, everyone will associate it to a revival of the Cultural Revolution, a second round of personal worship, a second round of dictatorship!”, one Weibo netizen says.

Some netizens also criticize the group for using young girls for political propaganda: “The remains of the Cultural Revolution are used to poison young girls. Those who utilize children and tarnish true art will not die in peace!” Another netizen remarks with annoyance: “Why destroy the children!?”

Politics through Popular Art

Around the world, pop music is often used to convey political and nationalistic messages – in that regard, China’s 56 Flowers is no exception.

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The Moranbong Band of North Korea (see image) is a state-orchestrated all-female music group. Initiated by Kim Jong-Il in 2012 and featuring modern-looking young artists, the objective of the group is to promote revolutionary creativity and advocate the battle for nation and country in a modern fashion. The band has just performed on the closing ceremony of the 7the National Congress of North Korea.

There is also a myriad of international examples of single songs, rather than pop groups, focused on political or nationalistic messages. In the West, UK Independence Party candidate Mandy Boylett released a song Britain’s Coming Home in February 2016 to propagate the Brexit campaign. The song sends the explicit message that the EU had “gone too far” and “it’s time to get out”.

In the Netherlands, the National Inauguration Comittee (NCI) released a King’s Song (Koningslied) to celebrate the 2013 inauguration of King Willem Alexander. Asking the public to contribute phrases for the song, the final lyrics ended up with phrases such as “I will shelter you in the storm; I will keep you safe as long as I live”, and “I will fight like a lion, to make sure you have all you need.”

56 Flowers in Trouble?

It is not just the songs by UKIP and the Dutch NCI that received much public criticism for the aforementioned songs – the music by 56 Flowers has also drawn much controversy. Besides voices that warn against a revival of the Cultural Revolution, 56 Flowers is also criticized for utilizing “red songs” for commercial purposes, and for other things, such as delaying payment for members, or giving false information about the band’s background.

There are some signs that the controversies surrounding the pop group are affecting its online presence. The official 56 Flowers website 56hua.cn has recently become inaccessible, and its video album on China’s online video platform Tudo.com has been deleted. Other recent news coverage on the group by prominent Chinese news agencies, including reports about the group’s controversies, have been removed. This might relate to the fact that its official website previously stated that the group was supported by a committee on the promotion of socialist values, which later turned out to be non-existing.

Where 56 Flowers will go from here remains a question for now. But the media sensation and controversy the group has created shows how tricky it can be to combine political propaganda with popular culture – even when (or especially when?) its message conveys the official Party line.

– By Diandian Guo

©2016 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Diandian Guo is a China-born Master student of transdisciplinary and global society, politics & culture at the University of Groningen with a special interest for new media in China. She has a BA in International Relations from Beijing Foreign Language University, and is specialized in China's cultural memory.

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China Memes & Viral

When a Scene from a 2010 Chinese TV Drama Goes Viral: The ‘Cao Cao Flips Rice Bowl’ Meme

Cao Cao flipping the rice bowl is another Cao Cao meme that’s widely used to convey internal struggles about facing reality.

Zilan Qian

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These days, a viral meme originating from the Chinese TV series Three Kingdoms (三国) has gained significant traction on Chinese social media.

In a memorable scene from the 2010 series, Cao Cao, a prominent warlord in Chinese history played by actor Chen Jianbin (陈建斌), angrily flips his rice bowl upon receiving news of a surprise attack, only to gather the spilled rice back into the bowl later.

This scene featuring an enraged Cao Cao has resurfaced and struck a chord with individuals reluctantly facing reality.

Turning into a popular meme, Cao Cao flipping the rice bowl has become widely employed to convey sentiments of self-inflicted humiliation or the hesitation to undertake certain actions.

The Context of the Scene

The specific scene comes from episode 12 of the Three Kingdoms. Warlord Cao Cao, who is governor of Yan Province, is enjoying his meal when his advisor comes in to inform him about a surprise attack by Chinese military general Lü Bu (吕布), capturing almost the entire province.

The meme of “曹操盖饭.” The term “盖” is often translated as “covering” or “capping.” When combined with 饭 (rice), it forms a noun that refers to a dish where various toppings, such as cooked meat or sauces, cover the rice, similar to a Donburi-style meal.

Upon receiving this alarming report, Cao Cao’s anger flared, and he promptly flipped his rice bowl upside down on the table, an act now commonly referred to as “Cao Cao flips the rice bowl” (曹操盖饭).

Cao Cao’s anger was intertwined with disbelief at Lü Bu’s audacity to execute such a daring attack. Cao Cao’s advisor swiftly clarified that the mastermind behind the attack was Lü Bu’s strategist, Chen Gong (陈宫), who was also renowned as a brilliant strategist during the Three Kingdoms era.

As he grasped the true situation, Cao Cao gradually regained his composure and meticulously gathered the spilled rice back into his bowl – an act now known as “Cao Cao retrieving his bowl of rice” (曹操撤回了一碗饭),- before resuming his meal.

The catchphrase that is used to describe Cao Cao retrieving his rice utilizes the word “chèhuí” (撤回), which means “to recall” or “to retract.” It can be understood as “Cao Cao recalled his bowl of rice,” drawing a parallel to the recall function in WeChat that allows users to retract or cancel a message after it has been sent.

How To Use the Meme

The contrast between the forceful act of flipping the rice bowl and the subsequent unwillingness and silence displayed while putting the scattered rice back into the bowl is a key factor contributing to the meme’s viral nature on the internet.

Netizens have creatively applied Cao Cao’s meme in various situations to express their own internal struggles or a sense of self-inflicted humiliation they experience (自己打自己脸).

For instance, the meme effectively captures the feelings of both white-collar workers and students who utilize the “Cao Cao flips the rice bowl” meme on Fridays. On this day, they express their frustration with the demanding work week and their eagerness to leave their tasks behind.

However, the arrival of Monday brings a sense of reality as they realize the necessity of returning to the office or school. The “Cao Cao retrieves his bowl of rice” meme is then employed to represent the unavoidable resumption of their daily routines.

In this regard, the meme is somewhat comparable to the English “F*ck This Job, *Goes to Work*” meme (link).

“Not Possible, Absolutely Not Possible”

It is not the first time for Three Kingdom‘s Cao Cao to achieve viral status through memes.

Prior to the emergence of the ‘Cao Cao flips/retrieves the rice’ meme, Cao Cao was already well-known for another meme phrase: “Not possible, absolutely not possible” (“不可能,绝对不可能”).

This meme originated from a scene where Cao Cao received news of Liu Bei’s rebellion, immediately after confidently asserting that Liu Bei, another major warlord, would never betray him.

“Not possible, absolutely not possible”

The meme captures the essence of self-deception and the unwillingness to accept the truth. Similar to the current popular meme, this meme is often used to depict situations where someone unintentionally exposes their own flaws or contradicts their previous statements, symbolizing a self-inflicted “slap in the face.”

Read more of our articles about memes in China here.

By Zilan Qian

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©2023 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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China Celebs

Fandom Meets Matrimony: Sea of Brides at Roy Wang’s Concert as Female Fans Show Up in Wedding Gowns

After showing up as brides at Roy Wang’s concert, some female fans attempted to return their gowns within the store’s 7-day ‘No Questions Asked Return Policy’.

Manya Koetse

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A recent concert by Chinese celebrity Roy Wang (Wang Yuan 王源) has become a hot topic on Chinese social media as female fans attending the show collectively decided to wear wedding dresses to express their love for the singer.

Born in 2000, Roy Wang is best known as a member of the hugely popular TFboys idol group that debuted in 2013, but his solo career has also been thriving for years. Wang is an award-winning musician, who is now among China’s most influential young celebrities. On Weibo, he has nearly 85 million followers.

The sight of so many fans coming to Wang’s Chongqing concert wearing wedding dresses was already remarkable, but it garnered even greater attention when it turned out that some of the women’s boyfriends were so upset over their girlfriends wearing a wedding dress for another man that they ended the relationship because of it.

On Douyin (China’s TikTok), the related discussion made it to the top 5 trending daily topics list.

Female fans partying in their wedding dress. Photo posted on Weibo.

The story gained further traction when reports emerged that some female fans who had recently purchased wedding dresses for the concert attempted to return them to the store the next day, taking advantage of the store’s policy that allows returns within seven days without requiring a specific reason (7天无理由退货).

“I already wondered why business was suddenly booming,” one Chongqing wedding gown seller wrote on social media, complaining how the return policy was being abused by some of Roy Wang’s fans.

Others saw the fact that they wore the wedding dress to the concert as a unique selling point, and tried to resell their gowns online for more than the original price, claiming that the dress still had “a hint of the concert’s aroma.”

Scene of the concert.

Commenters bombarded these women with negative comments, as the topic also drew wider discussions on how far some fans are willing to go to show their love for their idols.

Some social media users expressed that a wedding dress has a symbolical or even sacred function, and that tying the concept of fandom to matrimony is inappropriate. They condemned the women for showing up to the concert as brides.

Given that many of the commenters criticizing the women were male, there were also feminist voices that condemned these men for their pettiness and chauvinistic attitudes. One comment stood out: “There will always be men whose ego is bruised when women they don’t even know won’t wear a wedding dress and save their chastity for them. Thanks to Roy Wang’s concert, I once again realize the diversity of species.”

In an online poll asking people “Can women only wear a wedding dress once in their lives” (#女生一生只能穿一次婚纱吗#) the majority of people replied that they should just wear whatever they like.

“My first thought is that this is romantic,” one popular entertainment blogging account (@娱大蜀黍) wrote: “My second thought is that it’s actually quite moving. In the midst of their youth, they are writing a passionate chapter for themselves. They will treasure it as a beautiful memory later on in life. They do what they love and they’re not bothering anyone. It’s perfectly fine.”

By Manya Koetse & Miranda Barnes

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©2023 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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