China Arts & Entertainment
Ang Lee the Chameleon Director and Billy Lynn’s Long Halftime Walk
Ang Lee’s new film Billy Lynn’s Long Halftime Walk is the talk of the day on Chinese social media. The cutting-edge yet criticized blockbuster is the latest addition to the Chinese director’s filmography of wildly different movies.
The latest movie by renowned Chinese director Ang Lee (李安), that premiered at the New York Film Festival on Friday, became the number one trending topic on Sina Weibo on Sunday, October 16.
With over 73 million topic views, Billy Lynn’s Long Halftime Walk (#比利林恩的中场战事#) became Weibo’s talk of the day.
Ang Lee’s latest film is an adaptation of the novel by Ben Fountain that is also titled Billy Lynn’s Long Halftime Walk (2012). One of the reasons the movie is such a hot topic is its use of novelty techniques, with a special use of 3D and an increased frame rate of 120 frames per second shot with 4K HD cameras that makes the picture look extremely real. Its official release will follow on November 11.
The story revolves around Billy Lynn (Joe Alwyn), a 19-year-old American soldier who is glamorously honored in the USA after returning home from Iraq. While Billy is struggling with his experiences in the war overseas, he also needs to deal with the surreal “Victory Tour” he is receiving in his home country and tries to reconnect with his family.
Although international media have criticized the movie for its “hyper-real” effect due to its incredibly high frame rate, many Weibo users cannot wait to see it – especially because they have high expectations of Chinese “master” director Ang Lee.
Ang Lee is known for internationally acclaimed movies such as The Life of Pi (2012), Brokeback Mountain (2005), Sense and Sensibility (1995), or The Wedding Banquet (喜宴, 1993).
“Ang Lee is a chameleon filmmaker whose signature seems almost invisible in his multicolored work.”
What is notable about Ang Lee’s films is how they seem to be so wildly different. From smoking cowboys in the American mountains to pale ladies in 19th century England, Ang Lee is a chameleon filmmaker whose signature seems almost invisible in his multicolored work.
Ang Lee’s work as a director is characterized by his multifariousness, as Lee experiments with diverse and often controversial themes and techniques.
Ang Lee was born in Taiwan in 1954. He graduated from the national film academy in 1975 and continued his studies in Illinois and later New York. Since his first movie in 1992 (Pushing Hands 推手), Lee has consistently collaborated with American screenwriters, actors, and production companies.
Although Ang’s first films involved China-related storylines, the 1995 Sense and Sensibility was Ang’s first film that had nothing to do with China. His major international breakthrough came with the award-winning Brokeback Mountain, that especially caused commotion due to its portrayal of gay love.
It might seem as if Ang’s movies are so varied that they have nothing in common at all. But besides the fact that many of these works include experimental features in terms of narrative or technique, there are also some overarching themes or characteristics in Lee’s work.
“Lee’s ability to be such a huge cross-cultural influence is unique.”
Born and raised in Taiwan, Ang Lee grew up with Chinese cinema. When he later lived and studied in America, he became familiar with a different cinema tradition.
The influence of both Chinese and American cinema, but also Ang’s personal experience of living in a new culture as an immigrant, are visible in his work.
Especially in Ang’s earlier films, the filmmaker worked with both Chinese and American actors and focused on the themes of culture clash and immigration.
But on a deeper level, Ang’s films are also characterized by their transnationality. By being a true ‘multicultural’ director, Ang cannot be marked as being either a typical ‘Chinese’ or ‘American’ film director. Instead, he is more culture-neutral and seems to leave any judgment over the films’ narratives to the audience.
Chinese actress Zhang Ziyi once said about Lee:
“Lee’s ability to be such a huge cross-cultural influence is, I think, unique. His Taiwanese upbringing, which kept him deeply rooted in the Chinese way of being and living, combined with his well-informed understanding of Western movies and filmmaking techniques have allowed him to speak to those two worlds in a way no other director has.”
Billy Lynn’s Long Halftime Walk also deals with the clash between the situation in Iraq and modern American society. Billy Lynn is faced with the glitter and glamor of his heroic American “victory tour” that poses a stark contrast to his experiences in the battle of Iraq war. “It is sort of weird being honored for the worst day of your life,” protagonist Billy says at one point.
“Great romance needs great obstacles and textures.”
Another important recurring characteristic of Ang’s films is its representation of complexity within family relations. In Ang’s movies, family is more than a blood relation; it is a social network with certain inescapable codes and rules. The main characters often struggle to adapt to them and have troubles finding their own way in the sometimes smothering family webs.
Although it might not be at the heart of the story, the connection between Billy and his family, namely his anti-war sister (Kristen Stewart), plays an important role in Billy Lynn’s Long Halftime Walk.
A third typical Ang Lee film feature is the impossible love affair. In an interview with Garth Franklin, Ang Lee once told:
“I think great romance needs great obstacles and textures. Romance and love are abstract ideas, an illusion. How do you make that? I think, most of the time, obstacles help build the romance. It helps to envision and make it feel real to you.”
“I’ve been using repression, the struggle between behaving as a social animal.”
A final but significant feature in Ang Lee’s films is the repression of emotions. Ang Lee explains:
“I’ve been using repression, the struggle between behaving as a social animal. You’re seeking to be honest with your free will, less conflict. I think that’s an important subject with me. That’s who I am, how I was brought up.”
Repression of emotions is prevalent in all of Ang’s films, but probably most visible in Brokeback Mountain since the acknowledgment of their homosexual feelings is such a taboo for the two main characters.
Although Ang Lee has been called a ‘director of gay cinema’ before, the issue of sexuality is not as important as the theme of repression that often comes with it.
Together with the obstacle-filled love affair (the cheerleader who wants a mystical war hero), the aspect of repressed emotions is clear in Billy Lynn’s Long Halftime Walk, as it is the story of a “hero who doesn’t want to be a hero”, because everyone wants something from him and he does not know how to deal with it (Collider 2016).
Billy Lynn’s Long Halftime Walk has not been receiving rave reviews directly after his first screening. Most critics agree that there seems to have been more attention to technical features of the film than its narrative depth and that it does not do the film much good.
Nevertheless, Ang Lee has pleaded viewers to “please give this a chance”, and to “have an open mind.” Ang Lee is not afraid to be a pioneer of new cinema techniques, even if he is criticized for it – in that regards, Billy Lynn’s Long Halftime Walk is very much an Ang Lee film.
On Weibo, many netizens are excited about the much-anticipated movie. “I am already preparing to go and see Ang Lee’s next work,” one netizen writes. “I am a die-hard fan of Ang Lee, and I expect this film to be a great work again,” another Weibo user says.
Ang’s films are about cultural contrasts, love with obstacles, individuals that struggle with the codes of family culture, and especially people repressing their emotions – all transnational themes that also play a role in Billy Lynn’s Long Halftime Walk. In this way, his latest work, as innovating and controversial as it may be, is once again a typical ‘Ang Lee-an’ work of art.
– By Manya Koetse
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To read recent reviews of Billy Lynn’s Long Halftime Walk, go, for example, to The Guardian or US Magazine.
Sources (other sources linked to within text)
* “Ang Lee: Asian audiences more accepting of gay subject.” China Daily 21 jan 2006. 12 juni 2007. <http://www.chinadaily.com.cn/english/doc/200601/21/content_514390.htm>
* Franklin, Garth. “ Interview: Ang Lee, Brokeback Mountain.” Dark Horizons. 7 dec. 2005. 12 jun. 2007. http://www.darkhorizons.com/news05/brokeback2.php
* Martin, Fran. “The China Simulcrum: Genre, Feminism, and Pan-Chinese Cultural Politics in Crouching Tiger, Hidden Dragon”, in: Chris Berry en Feii Lu (eds), Island on the Edge: Taiwan New Cinema and After, Hong Kong: Hong Kong UP, 2005: 149-159+163-164+188-190
* Zhang, Ziyi. “Ang Lee”, Time. 30 apr. 2006. 12 jun. 2007.
<http://www.time.com/time/magazine/article/0,9171,1187225,00.html>
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China Arts & Entertainment
How K-pop Fans and the 13-Year-Old Daughter of Baidu VP Sparked a Debate on Online Privacy
What began as K-pop fan outrage targeting a snarky commenter quickly escalated into a Baidu-linked scandal and a broader conversation about data privacy on Chinese social media.
For an ordinary person with just a few followers, a Weibo account can sometimes be like a refuge from real life—almost like a private space on a public platform—where, along with millions of others, they can express dissatisfaction about daily annoyances or vent frustration about personal life situations.
But over recent years, even the most ordinary social media users could become victims of “opening the box” (开盒 kāihé)—the Chinese internet term for doxxing, meaning the deliberate leaking of personal information to expose or harass someone online.
A K-pop Fan-Led Online Witch Hunt
On March 12, a Chinese social media account focusing on K-pop content, Yuanqi Taopu Xuanshou (@元气桃浦选手), posted about Jang Wonyoung, a popular member of the Korean girl group IVE. As the South Korean singer and model attended Paris Fashion Week and then flew back the same day, the account suggested she was on a “crazy schedule.”
In the comment section, one female Weibo user nicknamed “Charihe” replied:
💬 “It’s a 12-hour flight and it’s not like she’s flying the plane herself. Isn’t sleeping in business class considered resting? Who says she can’t rest? What are you actually talking about by calling this a ‘crazy schedule’..”
Although the comment may have come across as a bit snarky, it was generally lighthearted and harmless. Yet unexpectedly, it brought disaster upon her.
That very evening, the woman nicknamed Charihe was bombarded with direct messages filled with insults from fans of Jang Wonyoung and IVE.
Ironically, Charihe’s profile showed she was anything but a hater of the pop star—her Weibo page included multiple posts praising Wonyoung’s beauty and charm. But that context was ignored by overzealous fans, who combed through her social media accounts looking for other posts to criticize, framing her as a terrible person.
After discovering through Charihe’s account that she was pregnant, Jang Wonyoung’s fans escalated their attacks by targeting her unborn child with insults.
The harassment did not stop there. Around midnight, fans doxxed Charihe, exposing her personal information, workplace, and the contact details of her family and friends. Her friends were flooded with messages, and some were even targeted at their workplaces.
Then, they tracked down Charihe’s husband’s WeChat account, sent him screenshots of her posts, and encouraged him to “physically punish” her.
The extremity of the online harassment finally drew backlash from netizens, who expressed concern for this ordinary pregnant woman’s situation:
💬 “Her entire life was exposed to people she never wanted to know about.”
💬 “Suffering this kind of attack during pregnancy is truly an undeserved disaster.”
Despite condemnation of the hate, some extreme self-proclaimed “fans” remained relentless in the online witch hunt against Charihe.
Baidu Takes a Hit After VP’s 13-Year-Old Daughter Is Exposed
One female fan, nicknamed “YourEyes” (@你的眼眸是世界上最小的湖泊), soon started doxxing commenters who had defended her. The speed and efficiency of these attacks left many stunned at just how easy it apparently is to trace social media users and doxx them.
Digging into old Weibo posts from the “YourEyes” account, people found she had repeatedly doxxed people on social media since last year, using various alt accounts.
She had previously also shared information claiming to study in Canada and boasted about her father’s monthly salary of 220,000 RMB (approx. $30.3K), along with a photo of a confirmation document.
Piecing together the clues, online sleuths finally identified her as the daughter of Xie Guangjun (谢广军), Vice President of Baidu.
From an online hate campaign against an innocent, snarky commenter, the case then became a headline in Chinese state media, and even made international headlines, after it was confirmed that the user “YourEyes”—who had been so quick to dig up others’ personal details—was in fact the 13-year-old daughter of Xie Guangjun, vice president at one of China’s biggest tech giants.
On March 17, Xie Guangjun posted the following apology to his WeChat Moments:
💬 “Recently, my 13-year-old daughter got into an online dispute. Losing control of her emotions, she published other people’s private information from overseas social platforms onto her own account. This led to her own personal information also getting exposed, triggering widespread negative discussion.
As her father, I failed to detect the problem in time and failed to guide her in how to properly handle the situation. I did not teach her the importance of respecting and protecting the privacy of others and of herself, for which I feel deep regret.
In response to this incident, I have communicated with my daughter and sternly criticized her actions. I hereby sincerely apologize to all friends affected.
As a minor, my daughter’s emotional and cognitive maturity is still developing. In a moment of impulsiveness, she made a wrong decision that hurt others and, at the same time, found herself caught in a storm of controversy that has subjected her to pressure and distress far beyond her age.
Here, I respectfully ask everyone to stop spreading related content and to give her the opportunity to correct her mistakes and grow.
Once again, I extend my apologies, and I sincerely thank everyone for your understanding and kindness.”
The public response to Xie’s apology has been largely negative. Many criticized the fact that it was posted privately on WeChat Moments rather than shared on a public platform like Weibo. Some dismissed the statement as an attempt to pacify Baidu shareholders and colleagues rather than take real accountability.
Netizens also pointed out that the apology avoided addressing the core issue of doxxing. Concerns were raised about whether Xie’s position at Baidu—and potential access to sensitive information—may have helped his daughter acquire the data she used to doxx others.
Adding fuel to the speculation were past conversations allegedly involving one of @YourEyes’ alt accounts. In one exchange, when asked “Who are you doxxing next?” she replied, “My parents provided the info,” with a friend adding, “The Baidu database can doxx your entire family.”
Following an internal investigation, Baidu’s head of security, Chen Yang (陈洋), stated on the company’s internal forum that Xie Guangjun’s daughter did not obtain data from Baidu but from “overseas sources.”
However, this clarification did little to reassure the public—and Baidu’s reputation has taken a hit. The company has faced prior scandals, most notably a the 2016 controversy over profiting from misleading medical advertisements.
Online Vulnerability
Beyond Baidu’s involvement, the incident reignited wider concerns about online privacy in China. “Even if it didn’t come from Baidu,” one user wrote, “the fact that a 13-year-old can access such personal information about strangers is terrifying.”
Using the hashtag “Reporter buys own confidential data” (#记者买到了自己的秘密#), Chinese media outlet Southern Metropolis Daily (@南方都市报) recently reported that China’s gray market for personal data has grown significantly. For just 300 RMB ($41), their journalist was able to purchase their own household registration data.
Further investigation uncovered underground networks that claim to cooperate with police, offering a “70-30 profit split” on data transactions.
These illegal data practices are not just connected to doxxing but also to widespread online fraud.
In response, some netizens have begun sharing guides on how to protect oneself from doxxing. For example, they recommend people disable phone number search on apps like WeChat and Alipay, hide their real name in settings, and avoid adding strangers, especially if they are active in fan communities.
Amid the chaos, K-pop fan wars continue to rage online. But some voices—such as influencer Jingzai (@一个特别虚荣的人)—have pointed out that the real issue isn’t fandom, but the deeper problem of data security.
💬 “You should question Baidu, question the telecom giants, question the government, and only then, fight over which fan group started this.”
As for ‘Charihe,’ whose comment sparked it all—her account is now gone. Her username has become a hashtag. For some, it’s still a target for online abuse. For others, it is a reminder of just how vulnerable every user is in a world where digital privacy is far from guaranteed.
By Ruixin Zhang
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edited for clarity by Manya Koetse
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