China Fashion & Beauty
“Moonlight Fairy”, the 88-Year-Old Taiwan Grannie with a Unique Sense of Style
There is no age limit when it comes to style. This is something that is especially apparent when looking at the Taiwanese ‘Moonlight Fairy’, an 88-year-old grandmother with a unique sense of style.
The 88-year-old Linzhuang Yueli (林莊月里) from Taiwan likes to be called “Moonlight Fairy” (月光仙子). She has a mix and match fashion style that is more trendy than that of many people decades younger than her – she even makes oversized IKEA shopping bags and DHL tshirts look cool.
Photos of the grandmother, whose social media handle is ‘@moonlin0106’, were shared on Weibo by various fashion accounts, praising the woman’s cool style.
Moonlight Fairy currently has nearly 70,000 followers on her Instagram account, where she posted her first photo on May 15 this year.
Linzhuang likes to shop at second-hand stores and mixes various brands, but she especially has a preference for Adidas.
On Weibo, many people said: “I wanna look like this when I am that age.”
Some netizens also commented that a unique fashion style is not always understood. “I also bought that IKEA shirt and wore it,” one person said: “Then my teacher asked if I work there.”
Others also asked about where to buy clothes worn by Moonlight Fairy.
“I can only say: her style is extremely cool!”
By Manya Koetse
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©2017 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.
China Digital
Too Sexy for Weibo? Online Discussions on the Concept of ‘Cābiān’
Delving into the ongoing discussion on ‘cābiān’ and its influence on women’s expression in China’s digital realm.
In the fast-moving world of China’s internet, a new term has emerged: Cābiān (擦边). Originally a sports term describing a ball grazing the edge of a table (擦边球), it now primarily refers to the delicate balance in content that may be seen as sexually suggestive, teetering on the line between ‘sexy’ and ‘sexually explicit’ in the context of China’s internet culture.
The term mainly refers to women’s behavior, style, language, and actions that are considered inappropriate or that are pushing the boundaries of acceptability. Cābiān can be understood as borderline sexual content that basically navigates the boundaries of platform rules without actually breaking them. Nevertheless, is generally seen as ‘not in line’ with what is expected of Chinese women in today’s society.
This term has sparked controversy recently, prompting fervent debates surrounding its implications for women’s self-expression.
Too Sexy for Weibo? Jingchuan Liyu’s Divisive Pictures
Social media plays a central role in the “cābiān” debate. A recent example involves a Weibo post by Jingchuan Liyu (井川里予, @悲伤荷包蛋), a prominent Chinese influencer active on Weibo and Xiaohongshu.
Jingchuan Liyu is known for embodying both innocence and sensuality in her online persona. Mainly by male netizens, she has been labeled as a symbol of “chúnyù” (纯欲). This term signifies a blend of childlike innocence (纯洁, chúnjié) and allure (欲望, yùwàng).
Jingchuan Liyu became a focal point in the cābiān debate when she posted a series of photos during the summer of this year. While these photos didn’t violate any official guidelines, they departed from her typical “innocent yet sexy” style. In these pictures, she was seen wearing thongs and other undergarments, which apparently made some social media users uneasy.
The controversy surrounding the photos intensified when Jingchuan Liyu responded to these criticisms on her Weibo page. While her supporters defended her freedom to dress as she pleases, others viewed her photos as being more about provocative sexual suggestion than about freedom of fashion.
Dog-Headed Lolita: Judged, Harassed, and Labeled Cābiān
Beyond online debates, the condemnation of “cābiān” is also having real-world consequences. One recent example is the case of the Chinese influencer known as Dog-Head Lolita (狗头萝莉 @我是狗头萝莉).
Despite having a problematic childhood, ‘Dog-Head Lolita’ managed to turn her life around and became a successful streamer. But her reputation suffered a severe blow when explicit videos of her, recorded by her ex-boyfriend, were made public.
This incident and its aftermath damaged her career and, partly due to getting cheated by her manager, was left with a staggering debt of 6 million RMB ($836K). Trying to start an alternative career, Dog-Head Lolita took up selling Chinese pancakes (jiānbǐng 煎饼) at a street stall as a means to make a living and work towards repaying her debts.
In addition to her physical labor, she also posted short videos of herself selling pancakes online and continued to livestream and engage with her followers to generate more income.
While her efforts garnered sympathy and admiration from some netizens, she also faced accusations of using her pancake-selling business as a form of cābiān.
Her choice of attire, which emphasized her figure, became a central topic of discussion. Some netizens raised questions about whether her videos, showcasing her interactions with fans while selling pancakes, carried a sexual undertone. Moreover, there were arguments suggesting that her true business wasn’t selling pancakes but rather producing sexually suggestive content.
Some critics of Dog-Head Lolita went further and turned online criticism into harassment. Some filed reports regarding the hygiene conditions of her business, while others intentionally vandalized her pancake cart and left insulting messages on it.
Facing this harassment linked to accusations of being cābiān, Dog-Head Lolita voiced her frustration on her Weibo page.
She emphasized that her physique was something beyond her control and that selling pancakes shouldn’t be judged in the same way as her previous online presence. She complained that her livelihood was being scrutinized, even in the most ordinary and innocuous settings.
Challenging the Concept of Cābiān
Defining the precise boundaries of what is and is not cābiān is not easy, as it has become a catch-all term for anything remotely sexually suggestive, erotic, or resembling “soft pornography.”
While the distinction between suggestive and non-suggestive content remains hazy, new voices have emerged to challenge the very idea of “cābiān.”
Some believe that cābiān is a societal construct imposed on women, rather than an intrinsic concept. They argue that before the term “cābiān” gained popularity, suggestive pelvic dances were widespread in China due to the prevalence of K-pop boy groups, and male celebrities could appear shirtless and flirtatious on TV without anyone accusing them of “cābiān.”
But when it comes to women, the standards of cābiān can be unclear and are often unforgiving. This term is used not only to regulate their clothing choices but also their behavior or even facial expressions—essentially, anything a woman might do.
Once a female online influencer is seen as attractive and desireable, she seemingly becomes more prone to be labeled a “cābiān nǚ” (擦边女) – a woman who is seen as flaunting her sensuality within the context of social media and online platforms.
If this trend of labeling people as sexually suggestive continues, “cābiān” might turn into an unclear social rule, resulting in ongoing moral judgments of women, especially female online influencers.
On the other hand, some netizens see the increasing acceptance of women displaying their bodies in a sensual manner as a form of female empowerment.
One notable Weibo by ‘Wang’ede’ (@王饿德) post that gained a lot of attention suggested that there is a distinction between how others interpret women’s bodies and how women themselves perceive it. The post asserts that revealing skin and wearing “sexy” clothing can be a proactive expression of women’s own desires and confidence rather than solely meaning to please a male audience.
This active pursuit is seen as a form of ‘decolonization’ of the traditional patriarchal gaze— it’s described as “a reevaluation of women’s bodies by women themselves that allows us to reclaim ownership of our bodies,” as stated by the author of the post.
Neverending Discussions
As the debates continue, Weibo users are noticing a deadlock in these online discussions. Conversations about the who, what, and why of cābiān are recurring and appear to be never-ending.
In 2019, a significant debate arose concerning the attire worn by actress Rayzha Alimjan. In 2022, controversies revolved around busty women. There was also a cyberbullying incident involving a mother who had recently lost her son in a car accident and faced criticism for wearing elegant clothing and makeup (read). Most recently, there has been a series of new discussions, ranging from criticizing the latest TV drama starring singer/actress Lai Meiyun and onwards.
Contemplating this phenomenon, some internet users are thinking about the evolution of Jingchuan Liyu’s style. A decade or two ago, her aesthetic might have been categorized as ’emo,’ ‘alternative,’ or just seen as a form of decadent beauty. However, nowadays, it is quickly subjected to examination to determine whether or not it falls into the category of cābiān.
In the eyes of many Chinese netizens, this trend is seen as a discouraging step backward. Influential bloggers repost their previous cābiān-related Weibo posts from years or even just months ago, highlighting the seemingly futile nature of these discussions.
Who will be the next woman to be branded as cābiān? Will she face online insults and offline harassment? On Weibo, some express their exhaustion at being stuck in this repetitive loop, engaging in similar debates time and time again.
Perhaps it is time to reevaluate the term “cābiān” and engage in more meaningful discussions about women’s bodies and their freedom in China. As one netizen put it on Weibo: “Maybe we should redirect this energy toward discussions that genuinely promote progress instead of endlessly revisiting these cyclic debates.”
By Ruixin Zhang
edited for clarity by Zilan Qian & Manya Koetse
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China Brands, Marketing & Consumers
China’s ‘Chanel’? Chinese Beauty Brand Florasis Is Raising Eyebrows on Weibo
Some netizens wonder if the Florasis PR team might have lost their marbles, as their strategy appears to have taken an unusual turn, featuring emotionally charged replies on Weibo.
In the world of Chinese cosmetic brands, all eyes are on Florasis (花西子) recently. This Chinese make-up brand gained significant attention earlier this month when the popular beauty influencer ‘Lipstick King’ Li Jiaqi promoted one of their eyebrow pencils during a livestream.
After some viewers questioned whether a single eyebrow pencil costing 79 yuan ($10.8) was perhaps too expensive, Li lashed out and suggested viewers should instead ask themselves if they worked hard enough to deserve a raise.
That moment triggered a social media storm (read here), and suddenly everyone knew about Florasis, which is known as Huāxīzǐ (花西子) in China.
“Huaxi Coins” and Public Mockery
The incident sparked a series of memes and discussions, and among them, the question of what one can buy with 79 yuan in China today was a big one.
While some suggested they could feed an entire family for one day with 79 yuan, others said that it would buy their office lunches for a week. This humorous situation gave rise to the term ‘Huaxi Coins’ or ‘Floracash’ (花西币), with netizens playfully using the price of one Florasis eyebrow pencil’s price as a new currency unit (one ‘Huaxi Coin’ equals 79 yuan/$10.8).
Although Li Jiaqi apologized to his viewers soon after his controversy, it took some time for Florasis to respond the controversy the brand found itself embroiled in.
Florasis, a brand established in Hangzhou in 2017, is deeply connected to Li Jiaqi, as he has been the chief brand ambassador since 2019 and has actively participated in their product development.
Li Jiaqi x Huaxizi/Florasis.
The entire social media storm prompted a heightened focus on why Florasis products are perceived as relatively expensive.
As reported by Qing Na at Dao Insights, one post that gained significant traction on September 12 revealed that a five-piece Jade Makeup Brush set from Florasis, priced at 919 RMB ($126.28), was, in fact, made by using synthetic fiber bristles, considered cheap and of lower quality. This revelation garnered over 240 million views in just a few hours, adding to the public mockery of the national beauty brand.
The Florasis Dream: Becoming a Leading International Luxury Brand
On September 19, Florasis/Huaxizi finally apologized on social media for its late response to the controversy, and the brand stated that the incident provided an opportunity for them to listen to “the voice of their consumers,” although they did not delve deeper into the price of their products.
Florasis apology on Weibo, screenshot.
Although people criticized the letter posted by Florasis and the words they used in it, their decision to release a statement initially seemed fruitful: they gained 20,000 new followers in a single night.
Chinese netizens picking apart the apology letter posted by Huaxizi/Florasis. Via Xiaohongshu user @边际平衡術.
While the entire situation drew more attention to the Chinese make-up brand, it also seems to have prompted Florasis to reconsider its own position in the cosmetics industry, both in China and globally. Because on September 26th, the brand publicly and somewhat suddenly declared its ambition of becoming a leading international luxury cosmetics brand.
“Me, Florasis, I’m 6,5 years old,” the post read: “I have a dream: to be a high-end brand, rooted in China, going global.”
Florasis announces its ambition to become a globally recognized make-up brand.
In their post, Florasis used a quote saying “A Positive Mindset Shapes Huaxizi’s Lifetime,” which is derived from the title of a well-known Chinese self-help book from 2012 called “A Positive Mindset Shapes a Woman’s Lifetime” (好心态决定女人一生).
One of the main ideas presented in this book, authored by Li Jin (李津), is that success can never come from a negative or pessimistic mindset; if you see yourself as a failure, you’re likely to fail, but if you envision success, you’re more likely to achieve it.
Next to Chanel: Confusion about Florasis’ Public Relations Tactics
The company’s ambition, on its own, may not be particularly surprising. As stated in a report published by Paicaijing (派财经), Florasis’ co-founder, Fei Man (飞慢), had previously questioned in an interview why Chinese brands were always associated with being cheap, expressing Florasis’ wish to break the “price ceiling” (价格天花板) and escape the ongoing “low price competition” (低价竞争) in China’s beauty industry by delivering high-quality products at a premium price.
However, the wording and the timing seemed odd, and the post created both banter and confusion about Florasis’ public relations tactics, especially because they did much more than that post alone.
On September 20th, approximately ten days after the ‘eyebrow pencil gate’ controversy, the company’s founder, Hua Mantian (花满天), made an announcement on his WeChat channel. He revealed that the brand would be distributing their premium eyebrow pencils, originally priced at 119 yuan ($16.3), during a livestream promotional event that night. They planned to give away free pencils to hundreds of viewers every ten minutes. By giving out over 10,000 free eyebrow pencils in total, the company allegedly hoped to gain more feedback on their product in order to further improve it. Over 400,000 people tuned in to that livestream.
Since then, Florasis seems to be doing all it can to catch the public’s attention, and some netizens even wonder if the editors at the Florasis PR team might have lost their marbles, as they keep posting a lot of unusual replies, – some emotional and somewhat unhinged, – to their own threads on their Weibo account.
Throughout September 26, the account posted dozens of texts/replies, responding to many netizens’ comments. Florasis not only declared its wish to be China’s ‘Chanel’ when it comes to beauty products, it also praised its own efforts in contributing to women’s mental health, preserving traditional culture, innovating cosmetics, and much more.
Their social media texts included phrases such as: “I’m super awesome,” or writing:
“I’m really becoming a bit emotional. I established my own laboratory at just three years old! We now have over 200 research partners, and their leader is Li Huiliang (李慧良), known as the “Number One in Chinese Cosmetics Research and Development.” He’s like a superstar in the industry. We have five big innovation research and development centers, over 7000 square meters, larger than a football field. Don’t I deserve a gold star sticker for that?”
And:
“As a Chinese brand, every generation has a mission. Our generation’s mission is to fight in the international market with high-end presence! You can mock and ridicule me, it’s ok [sad face emoji] I’m already neighbors with Louis Vuitton and Gucci at the [Hangzhou] West Lake [shopping street]! And I will be next to Chanel at Japan’s top-notch department store Isetan. Next up is France, Dubai, America, see you there!”
Subsequently, the hashtag “Florasis Says It’ll Be Side-to-Side with Chanel” (#花西子称要和香奈儿门对门#) received over 470 million views on Weibo. Another hashtag, “Florasis Wants to Be a High-end Brand” (#花西子称想做高端品牌#), received more than 220 million views.
Mad Marketing
By now, the hashtag “Huaxizi Lost It” (#花西子发疯#) has also gone trending on Chinese social media platform Weibo, where people have different thoughts on what might have triggered Florasis’ social media behavior.
While some people really think that Florasis has gone crazy, others see the entire ordeal as a social media spectacle meant to distract attention from what happened with Li Jiaqi, or as a cheap marketing stunt.
One poll conducted by Sina News asked people about the situation. The majority of respondents believed that the social media editor must have lost their mind, while others considered it just another version of “bad marketing is still marketing” – suggesting that even if the publicity strategy is cheap or questionable, it is still used as a marketing tactic to gain attention.
Another question is: does it even matter what the reason behind this unusual online media approach is?
If Florasis is really letting its PR team run wild, it is doing so at a crucial moment, shortly after a significant controversy that cast the brand in a negative light. This moment calls for careful control rather than unconventional tactics. Furthermore, the social media strategy appears to be at odds with Florasis’ typical marketing image, which emphasizes tradition, glamour, and perfection.
If Florasis is using this strategy to attract and divert attention, it also appears that this approach is not yielding the desired results, as many people express a common sentiment: “I didn’t purchase Florasis before, and I certainly won’t be buying it now.”
By Manya Koetse
With contributions by Miranda Barnes
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