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A Film Lover’s Complaint: Netizens Weary of China’s “Domestic Movie Protection Month”

During the summer season, big international movies are blocked from Chinese cinemas. The policy, meant to boost China’s domestic film industry, is a dreaded one amongst China’s movie-loving social media users.

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During China’s summer season, big international movies are blocked from cinemas in the PRC. The policy, meant to boost China’s domestic film industry, is a dreaded one amongst many movie-loving social media users.

This summer, while big Hollywood films such as Spiderman: Homecoming or War of the Planet of the Apes are riding the heat wave in North America, audiences in China will not be seeing them until end of August. The only big western film they can see during this two-month-period is Despicable Me 3.

The measure is a much-dreaded one on Chinese social media, where many young people complain that now that they finally have the time to go and see their favorite movies in the cinema, they can’t because they are blocked: “I’m always in school and can’t see any movies. Now that I’m free I still can’t see them.”

 

DOMESTIC FILM PROTECTION MONTH

“What once started out as a month-long Hollywood ‘blackout’ has gradually extended over the years.”

 

The reason behind the delay is the “invisible hand” of the Chinese state. During the summer holidays, the Chinese National Film Board blocks many imported foreign blockbusters, a phenomenon called “Domestic Film Protection Month” (国产电影保护月).

The term was allegedly coined in 2004, when Chinese media reported about an order restricting screening foreign films between June 10 and July 10 each year. According to Baidu Baike (百度百科), Baidu’s equivalent of Wikipedia, there are no publicly available official documents defining this policy.

The term was also used in an item published by regional media in 2006. The article (“国产电影保护月”沈阳遇冷引发议论“) states that the policy was launched in order to protect China’s domestic movie business. During “Domestic Film Protection Month,” as it was dubbed by the media and film industry, it is not “encouraged” to show big foreign films in China’s cinemas.

What once started out as a month-long Hollywood ‘blackout’ has gradually extended over the years. Currently, the blocking of foreign blockbusters lasts around 2 months each summer.

Although the measure was never officially admitted by government officials, this unspoken policy has been executed for the past 14 years. The policy has also extended to several other major national holidays like Chinese New Year and the National Day holiday. During these holidays, a majority of China’s population is off work – a peak moment for cinemas.

 

BOOSTING CHINA’S FILM INDUSTRY

“The scene in which Tom Cruise’s character kills two Chinese henchmen was one of those eliminated scenes, as it was deemed ‘truly insulting'”

 

There are various ways in which the Chinese state interferes in the movie industry to support and protect domestic film production. Besides the “Domestic Film Protection Month” and other measures – such as opening two big Hollywood movies on the same day – there is also a limit to the number of foreign films accepted into China’s cinemas; Chinese audiences can only see 34 overseas films per year. Revenues from these films are shared between the Chinese film distributors and the western producers.

The measurements are part of a wider campaign to boost the domestic film industry. In the 2005-2012 period, only one-third of China’s domestic movies were screened by China’s major cinemas; up to 80% of Chinese film projects lost money as a consequence. The ‘blackout’ periods need “to ensure that Hollywood films account for no more than 50% of the market in any given year” (Su 2016).

Some of the films that were postponed in China over the past decade include Spider-Man 2 (2004), Mr. Smith&Mrs Smith (2004) Garfield (2006), Transformers (2007), Harry Potter (2011), Ben-Hur (2016), and many others.

But support for domestic films is not always the only reason why the release of Hollywood films is postponed in Chinese cinemas. The process of translation and censorship also contributes to the final date a western film is released in China.

The release of Mission Impossible 3 in 2006, for example, was delayed because some scenes filmed in Shanghai needed to be erased. The scene in which Tom Cruise’s character kills two Chinese henchmen was one of those eliminated scenes, as it was deemed “truly insulting” by the China Film Group. The film could only be released after this part was censored.

 

FUTILE EFFORTS?

“Despite the endless efforts, Hollywood films are still making substantially more money than their domestic rivals in Chinese cinemas.”

 

Despite the endless efforts, Hollywood films are still making substantially more money than their domestic rivals in Chinese cinemas. In 2016, Terminator Genysis was the first big foreign film to come out after the ‘protection month.’

This film, that was rather mediocre considering its ratings and ticket sales in North America, received a warm welcome from Chinese audiences: it made a staggering RMB 181 million (USD 27million) on its opening day. Thanks to its sales in China, this film could be deemed – financially at least – a success.

Data shows that in the first half of 2017, 76% of the published films were domestic ones – yet they only account for 39% of the total ticket sales.

Despicable Me 3, the only western film to have been allowed outside of this summer’s ‘Hollywood blackout’, exceeded RMB 300 million (USD 44.6m) in ticket sales within 2 days after its release. As of 31st July, 25 days after in Chinese cinemas, that number had already risen to RMB 990 million (±USD 147m).

Ironically, its success also comes as a result of the ‘Domestic Film Protection Month’. As some netizens say on Weibo: “Thanks to the domestic film protection month, ???, I’ve seen too many sh*t films; I need to see some cartoon [Despicable Me 3] to wash my eyes.”

 

A FILM-LOVER’S COMPLAINT

“I’m in despair – when will the ‘Domestic Film Protection Month’ finally be over?!”

 

On Chinese social media, many other film-loving netizens also complain about the summer restrictions on foreign movies and express their wish to watch big foreign films at the same time as the rest of the world. Many also indicate they would rather support movies based on their quality than where come from.

“I’m in despair – when will the ‘Domestic Film Protection Month’ finally be over?!” some commenters asked.

“Are you done protecting your stuff yet? I’m waiting,” others said.

Despite the criticism, there are also netizens who say they hope that China’s domestic cinema can grow and develop into a more thriving industry. Their wishes might be fulfilled, as recent reports show that Chinese films such as Wolf Warrior 2 (战狼2) are benefiting from the fact that China blocks international competition from the market during this period; the patriotic blockbuster made a massive $130M debut this summer.

Some netizens are satisfied despite the restrictions, and praised the movie on their Weibo account, adding: “Wolf Warrior 2 has become the movie hit of the summer. I didn’t expect it – it’s not easy to see a good movie during the ‘protect movies’ summer season.”

By Miranda Barnes & Richard Barnes

This article has been revised by the editor.

©2017 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

References (online references linked to through text):

Su, Wendy. 2016. China’s Encounter with Global Hollywood. Kentucky: University Press of Kentucky.

Miranda Barnes is a Chinese blogger and part-time translator with a strong interest in Chinese media and culture. Born in Shenyang, she used to work and live in Beijing and is now based in London. On www.abearandapig.com she shares news of her travels around Europe and Asia with her husband.

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3 Comments

3 Comments

  1. Avatar

    Roge Arias

    August 5, 2017 at 1:54 am

    I have seen some of that too; didnt know it was real , tho … i mean, the phone is that strong – must be at least a little – exagerated: but i have read about the agm x2 tho: i dunno about durabilty yet but the specs are reeeeally good!the Qualcomm Snapdragon 800 alone is quite interesting in that price range

    • Avatar

      Luis Tejada

      August 5, 2017 at 2:30 am

      The ruggeds usually ARE more expensive but , dude: they are too good i mean: why should i get a phone that is gonna break for a ridiculous fall if i can have something like the X1 or x2 ( talking about AGM) for waaay less than a sansumg… not even nomu; their phones are not like they look in their annoucements and their Customer services is awful; i honestly prefer Agm most that all for the good english customer service and the specs too.

  2. Avatar

    Luis Tejada

    August 5, 2017 at 2:30 am

    I love WJLF in this one! He is my fav! By the way, i have seen him promoting this brand before ( Agm phones) , a friend of mine have one and it looks amazing but i am too embarassed to ask him to let me toss his phone like in the movie xD

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China Arts & Entertainment

Chinese Movie ‘Home Coming’ Becomes National Day Box Office Hit

China’s latest patriotic blockbuster ‘Home Coming’ focuses on Chinese diplomats as the saviours of overseas Chinese in times of trouble.

Manya Koetse

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China has got another patriotic box office hit this National Day holiday. ‘Home Coming’ (万里归途) is inspired by China’s overseas citizens protection response during the 2011 Libya crisis, and is sparking waves of nationalistic sentiments.

On October 1st, China’s National Day, the Chinese movie Home Coming (万里归途) became a trending topic on Chinese social media after its cinema debut on September 30. On Saturday, the movie’s box office sales hit 200 million yuan ($28 million) (#万里归途票房破2亿#).

The National Day holiday, which started on Saturday, is a common time for Chinese domestic movies – often patriotic ones – to hit the theaters. It is one of the most profitable times of the year for Chinese cinemas and also the time when the biggest domestically-produced films are boosted while Hollywood movies are limited.

The 2022 Home Coming war drama was directed by Rao Xiaozhi (饶晓志) and features major Chinese actors such as Zhang Yi (张译), Wang Junkai (王俊凯) and Yin Tao (殷桃).

The film tells the story of Chinese diplomats Zong Dawei (大伟与) and Cheng Lang (成朗), who are ordered to assist in the evacuation of overseas Chinese when war breaks out in North Africa in 2011. Just when they think they’ve successfully completed their mission, they learn they have to return to save a group of 125 compatriots who are still left behind.

The movie is said to be based on real events but it is set in the fictional Numia Republic (努米亚共和国). According to Chinese state media outlet China.org, Home Coming is inspired by an evacuation event in Libya in 2011, when the Chinese embassy reportedly evacuated more than 30,000 Chinese nationals in a time frame of 12 days.

At the time, Chinese official media called it “the largest such operation China had mounted abroad since the Nationalists fled in 1949” and Chinese nationals were evacuated from the war-torn Libya via land, sea, and air (Zerba 2015, 107).

On Weibo, there are many reviewers giving Home Coming a five-star rating, with some saying the movie moved them to tears. “I needed four tissues,” one movie-goer said, while another person complained that they forgot to bring any tissues to dry their tears. In light of the movie’s premiere, photos of people crying while watching the film also circulated online.

Although there were also a lot of fans who especially loved the role played by the super popular Wang Junkai, many movie-goers expressed pride in China after watching the movie, which revolves around the idea of finding one’s way back home – back to China.

Although Home Coming is said to be the first film about a Chinese foreign evacuation from a diplomat’s perspective, there have been multiple domestic movies over the past decade focusing on Chinese civilians needing to be rescued from chaos erupting abroad.

In Operation Red Sea (红海行动, 2018), which also stars Zhang Yi, a Chinese special task force sets out on a risky mission to evacuate civilians amid civil war in the fictional ‘Republic of Ihwea’ – loosely based on the evacuation of Chinese citizens from Yemen in 2015.

At the end of the Home Coming movie, a text showed up on the screen to remind Chinese viewers to always get in touch with the Foreign Ministry hotline for assistance if they find themselves in an emergency situation while abroad.

Chinese movie star Wu Jing (吴京) also makes a cameo appearance in this film. Wu is most famous for his role in Wolf Warrior 2, in which he plays a special forces soldier who battles foreign mercenaries and helps Chinese and African citizens during a local war in Africa.

“My love for my country reached a new height after seeing this film,” one person wrote, with others applauding the efforts of Chinese diplomats and saying they were so happy be a Chinese national.

While Home Coming was trending on Chinese social media, last year’s patriotic hit film also went trending at the same time (#长津湖首播收视率第一#): Battle at Lake Changjin was aired on TV for the first time by CCTV-6 on the evening of October 1st. To read more about why that movie became such a major success, check out our article here.

By Manya Koetse 

References

Zerba, Shaio H. 2015. “China’s Libya Evacuation Operation: a new diplomatic imperative – overseas citizen protection.” In Suisheng Zhao (ed), China in Africa: Strategic Motives and Economic Interests, p 100-120.

 

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China Arts & Entertainment

Hundred Flowers Awards 2022: Full List of Nominees and Must-Watch Chinese Movies (Updated)

The complete list of Hundred Flowers Award nominees for 2022.

Manya Koetse

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Which Chinese movies released from February 2020 to February 2022 are nominated for this year’s Hundred Flowers Awards? Who are the best directors and which actors could expect an award? Here’s all you need to know about the upcoming Hundred Flowers Awards and the list of nominations.

Update July 31st: we’ve marked the winners in each list in this text. We’ve also embedded the author’s Twitter thread on the Award ceremony below this article, which includes all winners. To go directly to the thread, click here.

This week, China’s Hundred Flowers Film Festival and award ceremony will take place in Wuhan from July 28-30; the red carpet ceremony will take place July 30. Earlier this month, on July 20, nominees for the 36th edition of China’s Hundred Flowers Awards were announced, with the list of nominees becoming a trending topic on Chinese social media.

Here is all you need to know about the Hundred Flowers Awards and the nominations.

ABOUT THE AWARDS

The Hundred Flowers Awards are one of China’s most important government-approved film awards along with the Golden Rooster Awards and Huabiao Awards.

The Hundred Flowers Awards were first established in 1961 by the Association of Chinese film Artists in collaboration with Popular Cinema magazine (大众电影), based on readers’ votes. The initial initiative was proposed by Premier Zhou Enlai at the time and approved by the Central Propaganda Department.

Known as the ‘people’s’ awards, the Hundred Flowers’ first edition was presented in May of 1962, when 117,000 people voted for the best films. Amid the turmoil and political mobilization of the Cultural Revolution, the awards were suspended from 1963-1979 but were reinstated in 1980. In that year, 700,000 people cast their votes (Wang 2014, p. 136; Nakajima 2019, p. 232).

Since 2004, the Hundred Flowers Award Ceremony is no longer an annual one but a bi-annual one, alternating with the Golden Rooster Awards. The two festivals also share one account (@金鸡百花电影节) on Chinese social media platform Weibo.

As explained by Nakajima (2019, p. 233), the initial selection for the films is made by a group of committee members under the organization of major film theatre managers belonging to the China Film Distribution Exhibition Association. After the approval of the Awards Organising Committee, the nominations are then sent to the China Literary and Art Federation, which decides on the ten final nominees and also selects the individual awards from these movies.

The round-up of the ten nominated films is then publicized and people’s votes determine the final five candidates for each category. The final selection comes down to a pre-approved group of 101 audience juries, from students to military staff, to cast votes at the Awards Ceremony.

This year, the official social media account of the Hundred Flowers Awards also clarified that all of the selected movies have been viewed by more than one million people, and were released and screened in nationwide cinemas nationwide from February 1, 2020, to February 28, 2022. There were a total of 108 films meeting the eligibility criteria.

 

The Nominated Films:

in random order



 

#1 Battle at Changjin Lake (长津湖) (UPDATE: WINNER)

As one of China’s biggest movies of the past few years, the war movie Battle at Lake Changjin became a social media sensation in the fall of 2021. The movie provides a Chinese perspective on the start of the Korean War and the lead-up and unfolding of the battle of Chosin Reservoir, a massive ground attack of the Chinese 9th Army Group against American forces, preventing them from driving Kim Il-Sung and his government out of North Korea. The film specifically follows the Wu brothers, company commander Wu Qianli (Wu Jing) and the young volunteer soldier Wu Wanli (Jackson Yee), and their fellow soldiers fighting side by side in extreme conditions. If you want to read more about this movie, we did a background article on it here. Watch the trailer here.

#2 Hi Mom (你好,李焕英)

Hi Mom was the box office favorite in China during the 2021 Spring Festival period. It tells the story of Jia Xiaoling (Jia Ling) who is devastated when her mother Li Huanying has a serious accident one day and passes away. Jia is especially grief-stricken because she feels she has not become the daughter she wanted to be for her mother. When she finds herself transported back in time to the year 1981, she meets her young mother before she was her mum, and becomes her friend in the hopes of making her happy and change her life for the better. For more about this movie, also check our article here. Watch the trailer here.

#3 Nice View (奇迹·笨小孩)

Released in February 2022, Nice View tells the story of the 20-year-old Jing Hao (Jackson Yee) who comes to live in Shenzhen to look after his little sister Tong Tong after the unexpected death of their mother. Desperate to pay for his little sister’s much-needed heart surgery and hoping for a better future, Jing Hao does everything he can to provide an income and create a more stable life for him ad Tong Tong, but he faces many hurdles along the way (think Pursuit of Happyness). Watch the trailer here.

#4 A Little Red Flower (送你一朵小红花)

A Little Red Flower is a touching movie about family, romance, and two cancer patients. The cynical young Wei Yihang – who claims he can see the future – and the open-minded Ma Xiaoyuan meet each other during a particularly tough time in their lives when they are caught between their past and uncertain future. Anyone familiar with American hit film The Fault in Our Stars might feel there is a striking similarity between the two movies, something that has also been discussed in the media. Watch the trailer here.

#5 Chinese Doctors (中国医生)

Chinese Doctors is a medical drama that features the story of a group of doctors at a Wuhan hospital, being the first in the world to deal with the novel coronavirus. The movie, based on true events, shows the struggles of medical front-line workers facing a virus that would change the world as we know it. Watch the trailer here.

 

Nominated for Best Screenplay:

in random order



 

#1 Hi Mom (你好,李焕英)

Jia Ling (贾玲) and Sun Jibin (孙集斌) were nominated for the screenplay of Hi Mom. Besides being responsible for the screenplay, which was inspired by events in her own life, Jia Ling also directed the movie and plays the main protagonist. Sun Jibin also wrote the screenplay for the 2017 Trouble Makers.

#2 Battle at Lake Changjin (长津湖)

Lan Xiaolong (兰晓龙) and Huang Xin (黄欣) were nominated for the screenplay of Battle at Lake Changjin. Both screenwriters also did the screenplay for the sequel of this film, titled Water Gate Bridge (长津湖之水门桥).

#3 Be Somebody (扬名立万) (UPDATE: WINNER)

Libashen (里八神), Liu Xunzimo (刘循子墨, also the director), Zhang Benyu (张本煜), and Ke Da (柯达) were nominated for their writing team efforts on the Be Somebody screenplay, which they began writing in 2018 and finished in 2020 before filming began. The small budget film became an unexpected success after National Day in 2021. It is a mystery comedy set during the Republic of China (1912-1949) that follows the story of a group of frustrated filmmakers who gather to plan a new film about a notorious criminal case. Little do they know that the actual murderer is among them. Watch the trailer here (no English subtitles).

#4 Chinese Doctors (中国医生)

Yu Yonggan (于勇敢) was nominated for best screenplay for the movie Chinese Doctors. Yu is also known for his work for The Captain and The Bravest.

#5 Nice View (奇迹·笨小孩)

Zhou Chuchen (周楚岑), Xiu Mengdi (修梦迪), Wen Muye (文牧野), Han Xiaohan (韩晓邯), Zhong Wei (钟伟) were nominated for the screenplay of Nice View.

 

Nominees for Best Directing:

in random order


 

#1 Battle at Lake Changjin (长津湖)

The ‘dream team’ of Chen Kaige (陈凯歌), Tsui Hark (徐克), Dante Lam (林超贤) are nominated for directing The Battle at Changjin Lake.

#2 Hi Mom (你好,李焕英)

For director Jia Ling, this nomination as best director is especially noteworthy since Jia is mostly known as a comedian in China, often performing during the annual Spring Festival Gala. This movie is her directorial debut.

#3 Chinese Doctors (中国医生)

Andrew Lau, known in China as Liu Weiqiang (刘伟强), was nominated as best director for Chinese Doctors (中国医生). The prolific Hong Kong film director, producer, and cinematographer most most notable in the West for his action and crime films.

#4 Be Somebody (扬名立万)

Liu Xunzimo (刘循子墨) is both the director and co-writer for Be Somebody.

#5 Nice View (奇迹·笨小孩)

Director Wen Muye (文牧野) is nominated for Nice View, which is the second feature film by the director. The Chinese film Dying to Survive was the young director’s debut in 2018, and it became an absolute box office sensation and one of China’s highest-grossing films of all time. For Dying to Survive, Wen also worked together with producer Ning Hao and Jackson Yee, who also stars in Nice View.

 

Nominated for Best Actor:

in random order



 

#1 Liu Ye (刘烨)

The renowned actor Liu Ye (1978) is nominated for his role as Wang Jicai (王继才) in Island Keeper (守岛人). Liu already won best actor for the same role during the Golden Deer Awards in December of 2021. Island Keeper is about the true story of Wang Jicai and his wife Wang Shihua who guarded a Chinese border island – Kaishan Island – for 32 years from 1986 to 2018.

#2 Shen Teng (沈腾)

Shen Teng (1979) was nominated for his role as bionic robot Xing Yihao (邢一浩) in My Country, My Parents (我和我的父辈), a four-part anthology drama film directed by four directors, who also each star in their own segment. Shen’s segment is called Go Youth. Shen previously also starred in other successful movies, such as Goodbye Mr. Loser and Hello Mr. Billionaire.

#3 Wu Jing (吴京)

Wu Jing (1974) also known as Jacky Wu, is nominated for his role as commander Wu Qianli (伍千里) in Battle at Changjin Lake (长津湖). Wu is a renowned and award-winning actor who starred in some of the most famous Chinese films of the past decade, including The Wandering Earth and Wolf Warrior.

#4 Jackson Yee (易烊千玺)

Jackson Yee is definitely one of the most-discussed people for this award edition. As a singer, dancer, and youngest member of popular boy band TF Boys since 2013, Yee has a major fan base. Over the past years, he has become a notable actor and he starred in the nominated films A Little Red Flower, Nice View, and The Battle at Lake Changjin. This nomination is for his role as Jing Hao (景浩) in Nice View (奇迹·笨小孩). Yee previously also received critical acclaim for his role in Better Days (2019).

#5 Zhang Yi (张译) (UPDATE: WINNER)

Zhang Yi (1978) is nominated for his role as Zhang Xianzhen (张宪臣) in Cliff Walkers (悬崖之上), a film by Zhang Yimou about four Communist Party special agents who embark on a secret mission and find themselves surrounded by threats on all sides.

 

Nominated for Best Actress:

in random order



 

#1 Deng Jiajia (邓家佳)

Deng Jiajia (1983) was nominated for her role as Su Mengdie (苏梦蝶) in Be Somebody (扬名立万). Deng starred in various well-known movies and TV dramas, among them the romantic comedy television series iPartment (爱情公寓).

#2 Jia Ling (贾玲)

Besides Jackson Yee, Jia Ling is also one of the names that are nominated multiple times. Besides being nominated for directing and writing Hi Mom, she is also on the nomination list for best actress starring as Jia Xiaoling (贾晓玲).

#3 Yuan Quan (袁泉) (UPDATE: WINNER)

Yuan Quan (1977) was nominated for her role as Wen Ting (文婷) in Chinese Doctors, for which she worked again with director Andrew Lau and co-star Zhang Hanyu like she did for The Captain (2019).

#4 Zhang Xiaofei (张小斐)

Zhang Xiaofei (1936) is nominated for her role as Li Huanying in Hi Mom, which means she is a direct competitor of Jia Ling, who plays her daughter in the film.

#5 Zhang Zifeng (张子枫)

The young Zhang Zifeng (2001) is nominated for her role as An Ran (安然) in Sister (我的姐姐). The movie, directed by Yin Ruoxin (殷若昕), revolves around the story of An Ran, an 18-year-old daughter who is unexpectedly facing the major responsibility for her 6-year-old brother after the tragic loss of their parents. Read more about this film in this article about how the film stirred online discussions on traditional fanily values in 2021.

 

Best Supporting Actor Nominations:

in random order


 

#1 Hou Yong (侯勇) (UPDATE: WINNER)

Hou Yong (1967) was nomiated for his role as Wang Changjie (王长杰) in Island Keeper.

#2 Liu Haoran (刘昊然)

Noteworthy enough, this is the only category nomination for the movie 1921, which came out to commemorate the centennial year anniversary of the Chinese Communist Party and tells the story of the founding of the Chinese Communist Party. Liu Haoran (1997) was nominated for his role as Liu Renjing (刘仁静).

#3 Tian Yu (田雨)

Another nomination for Nice View is for Tian Yu (1975) for his role as Liang Yongcheng (梁永诚).

#4 Jackson Yee (易烊千玺)

Besides his other nomination for Best Actor (Nice View), Jackson Yee was also nominated for his role in Chinese Doctors as Yang Xiaoyang (杨小羊).

#5 Zhu Yawen (朱亚文)

Zhu Yawen (1984) was nominiated for his role as political instructor Mei Sheng (梅生) in Battle at Changjin Lake.

 

Nominations for Best Supporting Actress:

in random order


 

#1 Hai Qing (海清)

Hai Qing (1978) is nominated in this category for playing the eldest sister in My Country, My Parents.

#2 Liu Jia (刘佳)

Liu Jia (1960) was nominated for playing the middle-aged Li Huanying in Hi, Mom.

#3 Qi Xi (齐溪)

Qi Xi (1984) was nominated for her role as Wang Chunmei, the female worker who helps Jing Hao (Jackson Yee) reach his goals, in Nice View.

#4 Zhou Ye (周也)

Zhou Ye was nominated for starring in Chinese Doctors as Xiao Wen (小文).

#5 Zhu Yuanyuan (朱媛媛)(UPDATE: WINNER)

A second nomination for Sister is for Zhu Yuanyuan (1974) as Antie Rongrong.

 

Best Newcomer Nomination:

in random order



 

#1 Chen Halin (陈哈琳)(UPDATE: WINNER)

The little Chen Halin, just nine years old, is was nominated for her role as the little sister ‘Tong Tong’ in Nice View.

#2 Qin Xiaoshen (秦霄贤)

The Chinese comedian ad host Qin Xiaoshen (1997), also known as Victor Qin was nominated for playing Dahai (大海) in Be Somebody.

#3 Ren Sinuo (任思诺)

Ren is the youngest newcomer at the awards, she starred in My Country, My Parents and is just six years old.

#4 Xu Yu (徐砡)

Xu Yu (2011) is another child star who played Xiao Bao (小宝) in Island Keeper.

#5 Yuan Jinhui (袁近辉)

Yuan Jinhui (2011) was nominated for playing the little brother in My Country, My Parents.

 
Read more about Chinese cinema here.
 

Update on ceremony and winners in thread below:

By Manya Koetse

 

Get the story behind the hashtag. Subscribe to What’s on Weibo here to receive our weekly newsletter and get access to our latest articles:

References

Nakajima, Seio. 2019. “Official Chinese film awards and film festivals: History, configuration and transnational legitimation.” Journal of Chinese Cinemas 13 (3): 228–243

Wang, Zhuoyi, 2014. Revolutionary Cycles in Chinese Cinema, 1951-1979. New York: Palgrave Macmillan.

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