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Watch: Top 5 Popular Chinese TV Dramas (Spring/Summer 2020)

Some of the most popular Chinese tv dramas of the moment.

Jialing Xie

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These are some of the most popular TV dramas in China of the past weeks worth catching up on. An overview by What’s on Weibo.

It has been some time since we have made an overview of popular Chinese TV dramas to watch this season. It is high time to do an update, especially because – in the wake of China’s emerging COVID19 crisis in early February – there has been a peak in the already overwhelming popularity of TV dramas in China. Live streams and online shows have become people’s virtual stay-at-home “resort” to pass time and cope with anxiety and stress in times of corona.

While the stay-at-home orders have now been lifted and life is slowly returning back to normal, the popularity of some TV dramas has continued and even continues to grow.

We compiled a shortlist of China’s top TV dramas based on recent top search results on leading online video hosting platforms, including iQiyi, Sougou, 360Kan, and Baidu’s top charts for entertainment.

You can find most of the dramas with English subtitles available on YouTube. These are five of the shows that have been recently trending and are worth to catch up on!

 

1. Autumn Cicada (秋蝉 Qiū chán)

  • Date: Produced in 2017 and premiered on May 4, 2020
  • Genre: Action, historical, war
  • About: This drama is set during the Japanese occupation of Hong Kong in 1941 and revolves around Ye Chong, a Communist agent disguised as a military officer, who goes to Hong Kong to help build the Japanese military presence in the area. With the sworn loyalty to his party and countrymen, Ye operates under the codename “autumn cicada” to leak important messages from inside the Japanese intelligence to his comrades outside. 
  • Context: The surrender of British Hong Kong to Japan on 25 December 1941, also known as “Black Christmas”, marks the beginning of the Imperial Japanese occupation of Hong Kong (香港日据时期). The occupation lasted for three years and eight months, until the Empire of Japan announced its surrender which brought WWII to an end.
  • Also: Autumn Cicada is probably not just popular because of its theme – spy activities during WWII have been an ongoing theme in Chinese popular culture – but also because its storyline is set in Hong Kong, a place that has become the focus of everyone’s attention ever since the Hong Kong protests erupted last year.  
  • Link: Youtube

 

2. Hunting 猎狐 Liè hú

  • Date: Produced in 2019 and premiered on April 14, 2020
  • Genre: Thriller, crime
  • About: Police agents Xia Yuan and Wu Jiaqi join hands to battle cross-border the financial crimes committed by Boling Wang, billionaire and chairman of Kerui Pharmaceutical Group. 
  • Context: The drama is based on China’s 2014 overseas campaign against corrupt officials, which was also called ‘Fox Hunt 2014′ or the ‘Operation Fox Hunt’ initiative. The campaign started on July 22, 2014, and had scored a victory with 428 economic criminals arrested from 60 countries and regions within 135 days
  • Also: Along with a domestic anti-corruption campaign named “beating the tiger” and “catching the flies,” the Fox Hunt initiative remains to be one of the largest crackdown campaigns on corruption China has ever seen.
  • Link: Youtube (no English subs)

 

3. Legend of Awakening 天醒之路 Tiānxǐng zhī lù

  • Date: Produced in 2018 and premiered on April 23, 2020
  • Genre: Action, adventure, historical, romance, wuxia, fantasy
  • About: In the Five Dynasties and Ten Kingdoms era (五代十国时期), the young Lu Ping escapes the haunted Shanghai Tower and discovers that he possesses a rare set of superpowers known as “six distinct souls.” Together with people he meets on his journey to defeat the evil forces in the martial arts world, Lu and his friends transcend to the legend of awakening.
  • Context: The story is based on the fantasy novel of the same name by an online writer nicknamed Blue of Butterflies (蝴蝶蓝) on Starting Point Chinese Net (起点中文网), one of the largest reading and writing online communities in China. The story Legend of Awakening comes belongs to the Wuxia and Xianxia genres and is influenced by traditional Chinese elements including Chinese mythology, philosophy, and martial arts. 
  • Link: Youtube

 

4. Serenade of Peaceful Joy / Held in the Lonely Castle 清平乐 Qīngpíng yuè

  • Date: Premiered on April 7
  • Genre: Historical, Romance, Period Drama
  • About: The drama revolves around the life of Zhao Zhen (赵祯), the fourth emperor of the Northern Song Dynasty, and his efforts to maintain a balance between governing the country during turbulent times and his love for his family. 
  • Context: The drama is based on Milan Lady’s novel Held in the Lonely Castle (孤城闭) which originally tells the poignant love story between Princess Fukang and eunuch Liang Huaiji.
  • Link: YouTube

 

5. Intense Love 韫色过浓 Yùn sèguò nóng

  • Date: Released in 2019 and premiered on May 2, 2020
  • Genre: Comedy, Romance, Life
  • About: Jinbei Su, a stunning actress, and Shiyun Zhou, a doctor, are set up by their parents to get married.  Although they initially refuse to follow their parents’ wishes, they later realize that their romance might be part of their destiny. 
  • Context: This tv drama has stirred quite some excitement on Chinese social media, with 998,000 hashtagged posts on Weibo (#韫色过浓#), the topic page attracting more than 2.2 billion views. While some netizens found pleasure in the drama’s somewhat cheesy storylines, others criticized the show’s unrealistic beauty and social standards.
  • Also: Shows like Intense Love may change in the future because of a new regulation issued by the National Radio and Television Administration on April 13 of this year in response to numerous problems underlying the TV industry. The new regulation states dramas cannot exceed 40 episodes along with a limitation on how much actors can be paid for their roles (#广电总局拟规定剧集不能超40集#). The TV dramas released prior to the issue of the regulation are still unaffected by the maximum 40-episode limitation.
  • Link: Youtube

Wanna read more on Chinese tv dramas? Check our other articles here.

By Jialing Xie
Follow @whatsonweibo

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2020 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Jialing is a Baruch College Business School graduate and a former student at the Beijing University of Technology. She currently works in the US-China business development industry in the San Francisco Bay Area. With a passion for literature and humanity studies, Jialing aims to deepen the general understanding of developments in contemporary China.

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China Celebs

Chinese Social Media Users Stand up Against Body Shaming

Manya Koetse

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Recent photos of famous actress Gong Li that showed her curvier figure have gone viral on Sina Weibo, receiving over 850 million clicks. With Gong Li’s weight gain becoming all the talk on Weibo, the public’s focus on her appearance has sparked an online wave of body positivity posts, with web users rejecting the all-too-common phenomenon of body shaming on Chinese social media.

First, there was the ‘A4 Waist‘ hype, then there was the ‘iPhone6 Legs‘ trend, the ‘belly button backhand,’ and the online challenge of putting coins in your collarbone to show off how thin you are (锁骨放硬币). Over the past five years, China has seen multiple social media trends that propagated a thin figure as the ruling beauty standard.

But now a different kind of trend is hitting Weibo’s hotlists: one that rejects body shaming and promotes the acceptance of a greater diversity in body sizes and shapes in China.

On August 26, Weibo user @_HYIII_ from Shanghai posted several pictures, writing:

Reject body shaming! Why should we all have the same figure? Tall or short, thin or fat, all have their own characteristics. Embrace yourself, and show off your own unique beauty!

The post was soon shared over 900 times, receiving more than 32,000 likes, with the “body shame” phrase soon reaching the top keyword trending list of Sina Weibo.

 

Gong Li Weight Gain

 

The body positivity post by ‘_HYIII_’ is going viral on the same day that the apparent weight gain of Chinese actress Gong Li (巩俐) is attracting major attention on Chinese social media platforms such as Weibo and Douyin.

The 54-year-old actress, who is known for starring in famous movies such as Farewell My Concubine, To Live, and Memoirs of a Geisha, was spotted taking a walk with her husband in France on August 24. The photos went viral, with media outlets such as Sina Entertainment noting how Gong Li had become “much rounder” and had put on some “happy fat” (幸福肥).

By now, the hashtag page “Gong Li’s Figure” (#巩俐身材#) has received more than 850 million (!) views on Weibo, with thousands of people commenting on the appearance of the actress. In the comment sections, there were many who lashed out against the focus on Gong Li’s weight gain.

“She just has a regular female body shape. Stop using ‘white / skinny / young’ as the main beauty standard to assess other people,” one commenter said, with another person writing: “Why do you all keep focusing on her figure, did she steal your rice and eat it?!”

 

“Why do you all keep focusing on her figure, did she steal your rice and eat it?”

 

Some people suggested that the COVID19 pandemic might have to do with Gong Li’s weight gain, with others writing: “If she is healthy is what matters, skinny or fat is not the way to assess her beauty.”

What stands out from the discussions flooding social media at this time, is that a majority of web users seem to be fed up with the fact that a skinny body is the common standard of women’s beauty in China today – and that accomplished and talented women such as Gong Li are still judged by the size of their waist.

 

Say No to Body Shaming

 

In light of the controversy surrounding Gong Li’s recent photos and the following discussions, posts on ‘body shaming’ (身材羞辱) are now flooding Weibo, with many Weibo users calling on people to “reject body shaming” (拒绝#body shame#) and to stop imposing strict beauty standards upon Chinese women.

The pressure to be thin, whether it comes from the media or from others within one’s social circle, is very real and can seriously affect one’s self-esteem. Various studies have found an association between body dissatisfaction and social pressure to be thin and body shaming in Chinese adolescents and young adults (Yan et al 2018).

The main message in this recent Weibo grassroots campaign against body shaming, is that there are many ways in which women can be beautiful and that their beauty should not be merely defined by limited views on the ideal weight, height, or skin color.

Over the past decades, women’s beauty ideals have undergone drastic changes in China, where there has been a traditional preference for “round faces” and “plump bodies.” In today’s society, thin bodies, sharp faces, and a pointy chin are usually regarded as the standard of female ideal beauty (Jung 2018, 68). China’s most popular photo apps, such as Meitu or Pitu, often also include features to make one’s face pointier or one’s legs more skinny.

This is not the first time Weibo sees a growing trend of women opposing strict beauty standards. Although the word ‘body shaming’ has not often been included in previous trends, there have been major trends of women opposing popular skinny challenges and even one social media campaign in which young women showed their hairy armpits to trigger discussions on China’s female aesthetics.

Especially in times of a pandemic, many netizens now stress the importance of health: “Skinny or fat, it really doesn’t matter how much you weigh, as long as you’re healthy – that’s what counts.”

Also read:

 

By Manya Koetse

 

References

Jung, Jaehee. 2018. “Young Women’s Perceptions of Traditional and Contemporary Female Beauty Ideals in China.” Family and Consumer Sciences Research Journal 47 (1): 56-72.

Yan, Hanyi ; Wu, Yingru ; Oniffrey, Theresa ; Brinkley, Jason ; Zhang, Rui ; Zhang, Xinge ; Wang, Yueqiao ; Chen, Guoxun ; Li, Rui ; Moore, Justin. 2018. “Body Weight Misperception and Its Association with Unhealthy Eating Behaviors among Adolescents in China.” International Journal of Environmental Research and Public Health 15 (5): 936.

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2020 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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China Arts & Entertainment

China’s New Hit Drama ‘Nothing But Thirty’ Thrives in the “She Era”

Chinese latest hit drama ‘Nothing but Thirty’ has 20 billion views on its Weibo hashtag page.

Yin Lin Tan

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China’s latest TV drama hit Nothing But Thirty is flooding Weibo discussions. With over 20 billion views on its hashtag page, the show is one of the most popular shows of the season and demonstrates that China’s ‘she era’ (ta shidai 她时代) dramas are all the rage. What’s on Weibo’s Yin Lin Tan explains.

“Have you heard of ‘independent at the age of thirty’ (sān shí ér lì 三十而立)?” Wang Manni asks, her hair pulled back neatly and white shirt cleanly pressed. “I hope that, before I’m thirty, I’ll be promoted to supervisor.”

Riding on the wave of female protagonist (‘heroine’ 大女主) shows that have been taking over China’s entertainment scene, Nothing But Thirty (三十而已) is a 43-episode drama by Dragon Television that follows the challenges of three different women who have reached the ever-important age of thirty.

In a society where women are often expected to be married by their late twenties, a show like this, which tackles women’s present-day struggles, both in their personal and professional lives, has resonated with many.

In fact, the show is so popular that at the time of writing, the show’s hashtag (“Nothing But Thirty”, #三十而已#) has over 20 billion (!) views on Weibo.

 

Depicting the struggles of China’s thirty-something women

 

Nothing But Thirty revolves around the lives of three female leads from different walks of life. Gu Jia (Tong Yao) is a capable businesswoman turned full-time housewife; Wang Manni (Jiang Shuying) is an independent, career-oriented sales assistant; and Zhong Xiaoqin (Mao Xiaotong) is your run-of-the-mill office lady.

For Gu Jia, the birth of her son was what truly transformed her into a full-fledged housewife. In many ways, she seems like a perfect wife and mother: well-educated, capable, and thoughtful. But, eventually, she too has to face life’s challenges.

Driven and hardworking, Wang Manni is confident in both her looks and abilities. Her immediate goal, at least at the start of the show, is to achieve professional success. Throughout the show, her resilience is put to the test, personally and professionally.

Zhong Xiaoqin is described by many netizens as the most “average” or “normal” character. She is kind-hearted -sometimes to the point of being a pushover -, and has spent years at the same company without rising the ranks. Though her story might seem mundane at first, this peace is disrupted when her marriage takes a turn for the worse.

 

A story that resonates with the masses

 

“The show attracted wide attention, and it strongly resonated with female audiences. Many thirty-something working women saw their own lives reflected in the show,” Xinhua recently wrote about the show.

Nothing but Thirty currently carries a 7.6 out of 10 rating on Douban, an online reviewing platform.

Though some reviewers criticized how the later episodes of the show were unnecessarily draggy, most praised it for its portrayal of strong female characters, good acting, and largely realistic depiction of women above the age of thirty.

“I saw myself, and also saw the friends beside me,” a reviewer notes.

In China, women are, more often than not, burdened with expectations of getting married and settling down by the time they are in their late twenties. If you’re single and thirty, that’s made even worse.

Those who fall into this category carry the derogatory label of “leftover women” (剩女), a term that reflects how single women above the age of thirty are seen as consolation prizes or even unwanted goods.

Thirty is thus an incredibly important number, especially for women — something that’s clearly reflected in the show’s concept trailer.

Aside from societal expectations of starting a family, some women now also take it upon themselves to build their careers. In fact, you can chase after professional success without burdening yourself with the idea that you must be married – a notion exemplified by the character of Wang Manni.

Nothing But Thirty also showcases the sheer diversity of experiences for women above thirty: you don’t have to be married, you don’t have to be super capable, and you don’t have to be thinking about having children. Each woman goes through her own unique struggles and isn’t necessarily endowed with the so-called “protagonist’s halo.”

Ultimately, the popularity of the show is driven by the three female leads and the actresses who bring these strong characters to life.

By telling a story that is relatable and touches on relevant social issues, namely on expectations of women in society, Nothing But Thirty was able to achieve widespread popularity and is adding another notch on the trend of China’s ta shidai (她时代) dramas. 

 

The rise of ta shidai shows

 

Ta shidai literally translates to “her era” or “the ‘she’ era.”

Ta shidai shows explore what it’s like to be a woman in China today. The female characters are diverse when it comes to both their backgrounds and character arcs; they might have different jobs, different levels of education, or different personalities. These shows mostly center around a strong female lead and/or a main cast that is primarily female.

More importantly, they often feature capable women and how these women overcame the odds to achieve success.

Recent shows like The Romance of Tiger and Rose (传闻中的陈芊芊) and Sisters Who Make Waves (乘风破浪的姐姐) also fall under this category, as do somewhat older hit shows such as Ode to Joy (欢乐颂) and Women in Beijing (北京女子图鉴).

The Romance of Tiger and Rose is set in a society in which women are in charge and men are subordinate, in a daring reversal of gender roles. Though the show has been criticized for using social issues to attract attention, it gained a decent following for tackling topics like gender inequality and women’s rights.

The Romance of Tiger and Rose (传闻中的陈芊芊)

A reality TV competition that swept the Chinese entertainment scene, Sisters Who Make Waves attempted to rebuke stereotypes of women over 30 as “leftover women.”

The show brought together female celebrities above the age of 30 (the oldest competitor was 52), and had them go through a series of challenges, culminating in a girl group formed by the final competitors.

Nothing But Thirty is just another example of a show that’s attempted to depict the realistic struggles of women in modern-day China.

More Chinese dramas that feature women — specifically, their struggles and the expectations that society places on them — are slated to be released in 2020.

Over the past few years, more attention has been focused on women’s rights in China. As feminism becomes an increasingly important topic of discussion in China, strongly facilitated by social media and not without controversy, companies are likely to hop on the bandwagon and continue producing shows that fall squarely in the ta shidai category, given the genre’s rising popularity.

Though we can’t expect every single show to perfectly, accurately, and realistically portray women’s struggles, the fact that more stories like these are being produced already helps bring such conversations into the mainstream. 

Hopefully, the trend of ta shidai shows is a sign that these issues won’t just be tackled on camera, but in real life as well. 

 
Read more about Chinese TV dramas here.
 

By Yin Lin Tan

 Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2020 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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