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Wu Xiubo Scandal Blows up on Chinese Social Media

One of the biggest celebrity scandals in years, involving Chinese actor Wu Xiubo, has become all the talk on Weibo this week.

Boyu Xiao

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An enormous celebrity scandal is taking over Chinese social media this week, as famous actor Wu Xiubo has accused a former mistress of blackmailing him. The woman, a Chinese actress named Chen Yulin, could potentially face up to ten years in prison.

“Are there any good guys left in the Chinese entertainment industry?” This is a question that is currently trending on Chinese social media (#娱乐圈好男人#). By Sunday night, the hashtag had already received over 350 million views and thousands of comments on Weibo, within a time frame of just one day.

Other hashtags that are flooding Weibo are “Female in Wu Xiubo Love Affair Gate is Detained” (#吴秀波出轨门女主被拘捕#), which has already gathered some 850 million views (!) on Weibo at time of writing. “Chen Yulin’s Parents Send an Open Letter” (#陈昱霖父母发公开信#) received over 410 million clicks.

The current trend is all about the scandal involving Beijing-born actor and musician Wu Xiubo (吴秀波, 1968), who recently had his former mistress Chen Yulin arrested for blackmailing him. She could potentially face up to ten years in prison. Wu is famous for, among others, his performance in the popular TV series Angel Heart (心术, 2012) and his role in the hit movie Finding Mr. Right (北京遇上西雅图, 2013).

 

The Background Story

 

To understand the story, and why it is blowing up, we need to go back to September of 2018, when Wu Xiubo (吴秀波), who has been married since 2002 and is the father of two children, was rumored to have been involved in a total of five different extra-marital affairs.

Wu Xiubo, image via Phoenix News.

Although there were earlier rumors circulating online about Wu allegedly being involved in extra-marital sex with young women, the story triggered mass attention when an anonymous poster, who was later identified as Chinese actress and singer Chen Yulin, wrote down the history of her alleged love affair with Wu Xiubo in her WeChat Moments.

Chinese actress and singer Chen Yulin (陈昱霖), also known as Ruby Chen, entered the entertainment business in 2006, after participating in the CCTV programme Avenue of Stars (星光大道). Ever since, she has been making a career as a singer and an actress, but her real fame only started after exposing her affair with Wu Xiubo.

In her lengthy Wechat posts, Chen claimed to have been involved with the Chinese actor for approximately seven years. She described the relationship as being one where Wu exercised control over her by forbidding her from accepting certain jobs and persuading her to be a good house-wife. She also accused Wu of “brainwashing” her into practicing Buddhism, and to have behaved violently with her at certain occasions.

Her later posts alleged that in 2013 and 2017, she received messages from other women who were supposedly also sexually involved with Wu, one of them being the actress Zhang Zhixi (张芷溪) who co-starred with the actor during the production of the 2016 Chinese TV series The Advisors Alliance (军师联盟). She claimed the entire ordeal was to blame for her depression.

Wu, nor his management, responded to the allegations at the time, although his career and reputation as one of China’s best “middle-aged actors” (演技派大叔) were severely affected by the scandal.

 

The Scandal Blows Up

 

Although Chen Yulin never officially responded to the issue, a social media post by Chen’s parents of January 18 this year triggered discussions all over Weibo.

The post was published on Chen’s official Weibo account “on behalf of Chen’s mother and father.” In this statement, not only do Chen’s parents confirm that their daughter was the one who posted on WeChat in 2018, they also claim that Wu and his legal team had requested Chen to deny the allegations she had made against Wu, and had promised her to financially compensate her for doing so.

After the arrangement was agreed upon, the post writes, Chen decided to stay abroad for a while to stay out of the limelight. In November of 2018, Wu then called Chen to ask her to return to mainland China to settle their agreement.

The moment Chen landed at Beijing airport on November 5th of 2018, however, she was arrested by local Beijing police. Wu had reported her to the police for “blackmailing” and a “violation of privacy.” If Chen is found guilty, she could face up to ten years in jail.

Later, Chen’s parents also posted screenshots on Weibo to verify the authenticity of the love affair. The screenshots show messages between Wu and Chen, where Wu’s nickname is “AAA my dear husband” (AAA 我亲爱的老公).

Chen’s parents claim they have pleaded Wu multiple times to drop the charges, but never received a response.

 

An Online Storm

 

As the scandal is taking on biblical proportions, Wu’s wife, He Zhenya (何震亚), also came forward with a statement on January 19 through Wu Xiubo’s Weibo account (演员吴秀波工作室). The statement claims that Wu’s family has faced threats and blackmailing for the past year and a half, during which the demanded sum of money went from millions to billions of yuan.

Wu Xiubo’s management also posted a signed statement from Wu’s lawyer to Weibo, declaring that Chen did, in fact, blackmail the actor, and that her allegations are false.

Meanwhile, the scandal has flooded Weibo with comments from every corner, with public opinion about the case growing stronger and stronger. Businessman Wang Sicong, the son of one of the richest men in China, posted several times on his account, calling Wu Xiubo out for being “evil” and “trash.”

Although many people side with Chen in this case, claiming that she is the most vulnerable in this affair, there are also those who side with Wu and think that Chen is a gold digger who took advantage of the actor.

Digging up online evidence that supposedly shows that Chen has been leading a life of luxury of the past years, many netizens conclude that the actress has since long been profiting from Wu’s money. Chen’s mother denied these claims.

An instagram photo shows Chen posing with Hollywood actress Cate Blanchett.

But there are also many who are simply disappointed with the fact that Wu allegedly had (multiple) relationships outside of his marriage. “Are there still any good guys left in the entertainment industry?” is a question that is recurringly popping up in light of a string of celebrity scandals that have hit China’s entertainment scene over previous years.

Wu Xiubo memes are also trending on Chinese social media, with one of the most popular ones saying: “Want a love affair? You may end up in jail (谈恋爱吗 要坐牢那种)”.

For now, Chen is still being detained and awaiting her trial. Her parents express their hopes for a “fair” trial that will bring “justice” for their daughter.

By Boyu Xiao, with contributions by Manya Koetse

Spotted a mistake or want to add something? Please email us.

©2019 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Boyu Xiao is an MPhil graduate in Asian Studies (Leiden University/Peking University) focused on modern China. She has a strong interest in feminist issues and specializes in the construction of memory in contemporary China.

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China Arts & Entertainment

Wandering Earth 2 Production Costs: Why Director Frant Gwo is Nicknamed ‘Master in Begging for Alms’

Contributing to the Wandering Earth 2 production without getting paid? It’s “powering up Chinese sci-fi with love.”

Wendy Huang

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Wandering Earth director Frant Gwo (Guo Fan) is also nicknamed the ‘Master in Begging for Alms’ (化缘大师) on social media. His efforts to convince actors and companies to contribute to the movie has kept production costs relatively low.

With the sci-fi blockbuster The Wandering Earth II, directed by Guo Fan (郭帆 aka Frant Gwo) taking center stage during this Spring Festival movie season, there have been many social media discussions about the film and how it has been reviewed (read here), as well as about the production of the film, or more particularly, about the total production costs for this film.

Based on a story written by Liu Cixin, author of the award-winning sci-fi novel The Three-Body Problem, The Wandering Earth II is the prequel to the 2019 blockbuster hit The Wandering Earth, China’s all-time highest-grossing sci-fi film and the fifth highest-grossing non-English film of all time.

It is reported that the production investment costs for The Wandering Earth II reached approximately 600 million yuan ($88.5 million). Compared to the production budget of American sci-fi hit films such as Interstellar ($165 million) or Inception ($160 million), Chinese audiences had expected The Wandering Earth II to have much higher production costs than the reported budget, especially considering the spectacular scenes featured in the film.

The relatively lower production costs sparked discussions on Chinese social media, where the hashtag “Guo Fan – the Master in Begging for Alms” (#郭帆 化缘大师#) went trending, gaining in popularity as multiple insiders shared more stories about the production of the movie.

The hashtag, which suggests that Director Guo is a ‘Fundraising Master’ for keeping production costs low, has received over 70 million views at the time of writing. The Chinese 化缘 huàyuán means to raise funds for something or to ‘beg alms’ (like Buddhist monks or Taoist priests do).

Guo’s strict budget control already became a hot topic after the 2019 release of The Wandering Earth. One of the most famous stories is that of the movie’s main star Wu Jing (吴京), as he allegedly began as a guest celebrity and ended up as the leading actor without getting paid, while investing approximately 60 million yuan ($8.85 million) in the film’s production.

A female presenter recently also shared her story on Weibo about her free participation in the production of The Wandering Earth in 2019, which apparently showed the film’s tight production budget. In her post, she wrote: “They didn’t fool me, instead, they just told me directly that I wouldn’t get paid.” Considering the rare opportunity to act in a Chinese sci-fi production, she went to the set at her own expense and filmed scenes, including outdoor scenes in the snow and freezing cold, only to end up being featured less than a second in the finished film. Nonetheless, she said she was still proud to be a part of the landmark Chinese sci-fi film.

Perhaps the idea of taking part in a groundbreaking Chinese science fiction film has made many individuals, companies, and organizations willing to work with Guo’s team, even if no additional compensation or payment was provided.

XCMG Machinery (Xuzhou Construction Machinery Group Co, Ltd), China’s premier company in industrial design, is also one of these companies. The company set up a team of a total of 319 XCMG staff members to support the project and provided a wide range of operational and transformable machinery equipment for the UEG (United Earth Government) in the film. They called this “powering up Chinese Sci-fi with love.”

Chinese netizens already nicknamed Wandering Earth (流浪地球) “Little Broken Ball” (小破球) back in 2019. The “Ball” refers to the Earth – the second character (球) of Earth in Chinese (地球) literally means ball. It was the director himself who initially referred to his film this way, and this nickname was then popularized among netizens to describe how the Earth is in crisis in the film, but it also refers to how difficult it was for Guo to produce the film.

The fact that Guo managed to produce Wandering Earth II with a relatively limited budget compared to other big international sci-fi movies has instilled some pride among netizens. One popular blogger (@秦祎墨) suggested the actual production value of the movie went far beyond the quoted $88.5 million thanks to the collective spirit of Chinese companies who did all they could to turn this film into a mega hit.

Others praised Guo for being able to get so many people and companies involved, claiming that if it wasn’t for him, the movie would have ended up costing at least twice as much.

Some are already looking forward to a potential Wandering Earth III, saying that the ‘Little Broken Ball’ series has already managed to gather such a strong team of companies, technical support, post-production innovation and experts, that the ‘Wandering Earth universe’ should not stop after two films.

Reflecting on being nicknamed the ‘Master of Begging for Alms,’ director Guo himself reportedly expressed his gratitude toward everyone who worked on the film who was “tricked” by him, saying it is their generosity that eventually made the production of The Wandering Earth II possible.

By Wendy Huang, with contributions by Manya Koetse

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China Arts & Entertainment

Chinese Social Media Reactions to The New York Times Bad Review of ‘Wandering Earth 2’

A New York Times bad review of ‘Wandering Earth II’ has triggered online discussions: “China’s gonna save the world, the US can’t stand it.”

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This Chinese Spring Festival, it’s all about going to the movies. After sluggish years for China’s movie market during the pandemic, Chinese cinemas welcomed millions of visitors back to the theaters during the weeklong Spring Festival holiday.

Much-anticipated new movies attracted Chinese moviegoers this festive season, including Full River Red by Zhang Yimou, the suspenseful Hidden Blade, or the animated Deep Sea by Tian Xiaopeng.

But the undisputed Spring Festival box office champion of 2023 is Frant Gwo’s Wandering Earth II (流浪地球II), the sequel to China’s all-time highest-grossing sci-fi epic Wandering Earth (2019), which also became the fifth highest-grossing non-English film of all time.

The narrative of the follow-up movie Wandering Earth II actually takes place before the events of the first film and focuses on the efforts by the United Earth Government (UEG) to propel the Earth out of the solar system to avoid planetary disaster. This so-called Moving Mountain Project – which later becomes the Wandering Earth Project – is not just met with protest (the majority of Americans don’t believe in it), it also bans the Digital Life Project, which supports the idea that the future of humanity can be saved by preserving human consciousness on computers (backed by an American majority). The film is all about hope and resilience, human destiny, and geopolitics at a time of apocalyptic chaos.

Outside of China, the sequel was also released in, among others, North American, Australian, and UK cinemas.

Although the film, featuring movie stars Wu Jing and Andy Lau, received an 8.2 on the Chinese rating & review platform Douban, a 9.4 on movie ticketing app Maoyan, dozens of positive reviews on Bilibili, and was overall very well-received among Chinese viewers, a bad review by The New York Times triggered discussions on Chinese social media this weekend.

Chinese media outlet The Observer (观察者网) initiated a Weibo hashtag about “The New York Times‘s completely sour review of Wandering Earth II” (#纽约时报酸味拉满差评流浪地球2#, 6.2 million views at time of writing).

The New York Times review of Wandering Earth II, titled “The Wandering Earth II Review: It Wanders Too Far,” was written by Brandon Yu and published in print on January 27, 2023.

Yu does not have a lot of good things to say about China’s latest blockbuster. Although he calls the 2019 The Wandering Earth “entertaining enough,” he writes that the sequel is a movie that is “audaciously messy” and has lost “all of the glee” its predecessor had:

“(..) the movie instead offers nearly three hours of convoluted storylines, undercooked themes and a tangle of confused, glaringly state-approved political subtext.”

The topic was discussed on Chinese social media using various hashtags, including “The New York Times Gave Wandering Earth II a 3″ (#纽约时报给流浪地球打30分#, #纽约时报给流浪地球2打30分#).

Instead of triggering anger, the bad review actually instilled a sense of pride among many Chinese, who argued that the review showed the impact the movie has made. Some commenters pointed out that the movie is a new milestone in Chinese cinema, not just threatening America’s domination of the movie industry but also setting a narrative in which China leads the way.

“We’re gonna save the world, and America just can’t stand it,” one commenter replied.

That same view was also reiterated by other bloggers. The author and history blogger Zhang Yi’an (@张忆安-龙战于野) argued that The New York Times review was not necessarily bad; it actually shows that Americans feel threatened by the idea of China’s important role in a new international world order, and by the fact that China actually will have the capacity to lead the way when it comes to, for example, space technology innovation, robotics, and artificial intelligence.

Zhang argues that if a similar movie had been made by India as a Bollywood blockbuster – including exploding suns and wandering earths – The New York Times would have been more forgiving and might have even called it cute or silly.

But because this is China, the film’s success and its narrative plays into existing fears over China’s rise, and it clashes with American values about what the international community should look like.

Zhang writes: “The China in the movie doesn’t boast itself as the savior of the world, but in reality, China really is capable of saving the world. The United States is no longer able to do so (电影里的中国没有把自己吹嘘成救世主,现实中的中国真的有能力做救世主。而美国却已经不能了).”

One popular Film & TV account (@影视综艺君) also summarized the general online reaction to the bad review in the American newspaper: “Whenever the enemy gets scared, it must mean we’re doing it right. Our cultural export has succeeded.” That post received over 120,000 likes.

On Zhihu.com, some commenters also attached little value to the review and showed how the overseas reviews of Wandering Earth II widely varied in their verdict.

Meanwhile, a state media-initiated hashtag on Weibo claimed on January 28 that Wandering Earth II has actually “captured the hearts of many overseas audiences” (#流浪地球2海外上映获好评#), and that the film’s “imaginative” and “wonderful” visuals combined with its strong storyline were being praised by moviegoers outside of China.

On IMDB, the movie has received 5.9/10; it has gotten a 70% Rotten Tomatoes score. The Guardian gave it 2/5. Meanwhile, on Weibo, one reviewer after the other gives the film 5/5 stars.

Weibo blogger Lang Yanzhi (@郎言志) writes: “Recently, we’ve seen a lot of attacks and slander directed at the China-made science fiction movie Wandering Earth 2, especially coming from Western media and pro-Western forces, because the film’s “Chinese salvation” narrative made them uncomfortable. This was already the case when the first film in the series was released. It is very clear that Wandering Earth is not just a movie: it is a symbol of great influence.”

By Manya Koetse , with contributions by Zilan Qian

 

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