China Arts & Entertainment
9 Chinese Films of 2017 You Need to Know About
As the new year is around the corner, it is time to look back at 9 Chinese movies from 2017 that are unforgettable.
Published
7 years agoon
From patriotic to banned – these are the Chinese releases that moviegoers have been talking about this year.
With the year’s end in sight, it is time to look back at what 2017 has brought, and cinema is undoubtedly one of the good things worth remembering about 2017.
Whether you fancy action, comedy, or drama, there are certain Chinese films that were released in 2017 that are must-sees for both movie-lovers and China watchers. Some of them are important to know about because they broke box office records, some are masterpieces with profound cultural meaning, others are simply entertaining – and then there are those that just fall in between.
Before 2017 ends, we list 9 Chinese releases of the year that you should go and watch if you haven’t done so yet, just because they are worth it.
#1 Wolf Warriors II 战狼2
Even if you’re not a fan of Chinese films, chances are high that you’ve heard of Wolf Warrior II for its staggering box office numbers. Released in July 2017, the action thriller became the top-grossing film of all time in China in only ten days time. It has grossed nearly 825 million USD so far.
Chinese action star Wu Jing directed the film and also plays the main character: a military hero of the People’s Liberation Army who sets on avenging the capture of his lover in a disease-riddled and war-torn unnamed African nation where China has built hospitals and provided factory jobs for the locals. As if that weren’t enough, the bad guys that are fought by this unstoppable hero – to save and protect innocent civilians – are revolutionaries and Western mercenaries.
Whether you like the politics of Wolf Warrior II or not, this film is relevant for multiple reasons. Besides its record-breaking box office numbers, it was also chosen to represent China in the Oscar’s best foreign film 2018 competition, which is uncommon for action movies. The film was also widely discussed as a work of nationalist propaganda.
#2 Duckweed 乘风破浪
Duckweed tells the sweet story of a champion racer who time-travels back to the late 90s, meeting his estranged father and never-seen mother and sets out on a comical adventure with them.
Besides displaying a touching father-son ‘bromance’ and featuring witty plot twists, Duckweed vividly portrays some yesteryear scenes in a small town near Shanghai in 1990s China; a pre-mobile phone era where petty gang members carried beepers as talismans of power. Some features of this film might remind you of Back to the Future.
Directed by the talented blogger/author/entrepreneur/car-racer Han Han and starring some of the most well-known actors and actresses in China such as Deng Chao, Zhao Liying, and Eddie Peng, this easy-going and nostalgic comedy became a holiday hit in China during Chinese Spring Festival in early 2017. With the refined acting and well-written storyline, this time-traveling film presents a coming-of-age tale that is worth your laughter (and tears).
#3 Have A Nice Day 大世界
As the very first Chinese animation film that was nominated for a Golden Bear at the Berlin International Film Festival, Have A Nice Day is one of the very few Chinese films that stood out at the major international film award events this year.
The film is set in suburban China, where a chauffeur steals a large amount of money from a local gangster to help his girlfriend fix a failed plastic surgery operation. Later on, this turns into a bloody conflict involving several people from diverse backgrounds with different personal motives.
Despite the fact that Have A Nice Day premiered at the Berlin Film Festival earlier this year and has since been released in multiple countries, this animated dark comedy still has not been officially released in mainland China yet.
The film was also withdrawn from a film festival in France in June of this year because of “official pressures.” The 77-minutes animation was allegedly blocked after not passing China’s film censorship.
Although the director Liu Jian claimed his work has nothing to do with politics but is just focused on people’s desires and fates, the brilliantly ironic and cynical way Have A Nice Day portrays its characters, their lifestyles, and the landscape of contemporary China, with dark humor script and sharp dialogs which were bound to touch a nerve.
#4 The Founding of an Army 建军大业
With its all-star cast and glorious depiction of the early history of the Communist Party of China, The Founding of an Army is the third Chinese nationalist film produced by the state-owned China Film Group Corporation, following The Founding of a Republic (2009) and The Founding of a Party (2011).
To commemorate the ninetieth anniversary of the Chinese People’s Liberation Army’s establishment, The Founding of an Army recaps moments of Mao Zedong, Zhou Enlai, Zhu De, and other founding fathers of China who fought against the KMT-led government during the Chinese Civil War.
Despite all of these factors, this government-backed propaganda film struggled hard for both box office numbers and media attention. Unfortunately for this film, it coincided with the other patriotic work Wolf Warrior II during the same screening period in the summer. This history-based war film was also criticised for casting a lot Chinese teenage idols and popular young actors who arguably did not have the adequate acting skills to play those military leaders in the movie.
#5 Paths of the Soul 冈仁波齐
Paths of the Soul is directed by Yang Zhang, whose film Shower received high critic ratings in 1999. This film, Paths of the Soul, first premiered back in 2015 at the Toronto International Film Festival, and it took this film two years to make it onto cinemas in mainland China.
This documentary-drama film blurs the lines between cinematography and photography as it captures the devout and daunting undertaking journey of a group of Tibetan villagers who make a 1,200-kilometer pilgrimage to Lhasa, the holy city of Tibetan Buddhism.
During this over-10-months travel to Lhasa, the changes of seasons and landscapes not only show the distance and time span, but also every obstacle these pilgrims face; natural disasters, financial problems, and internal quarrels.
Paths of the Soul touches the potentially sensitive issue of minority ethnicities in China and their religion. This focus is also rather unpopular on the mainstream Chinese film market, and all actors starring in the film are generally unknown to the majority of Chinese audiences — they are all Tibetans while some of them weren’t even actors before starring in this movie.
Despite all odds, to the surprise of many, Paths of the Soul has successfully grossed over 14.9 million USD and became one of the very few independent productions that was able to make over 100 million RMB box office in China. Perhaps it is this movie’s ability to trigger viewers to think about the smaller and bigger questions of life that has turned it into an unexpected success.
#6 Never Say Die 羞羞的铁拳
Never Say Die revolves around the story of a male boxer swapping bodies with a female reporter who exposed his bribes, after which they have to help each other to win the UFC championship.
The plot of soul-exchanging may already be a cliche, but this fantasy comedy still managed to dominate the Golden Week holiday box offices and has grossed over 325 million USD so far, coming along as the second big Chinese film box office success of 2017 following Wolf Warrior II, while becoming the highest-grossing comedy in China ever.
Without any big-name cast or large production, Never Say Die uses an easy-going plot and commonly-understood jokes to catch the Chinese audience. And this may signal that the lower-cost Chinese folk comedies are heading in a new direction.
#7 Twenty Two 二十二
Twenty Two is the title of this documentary and refers to the number of Chinese WWII ‘comfort women’ who are still alive and willing to share their story with the public.
After nearly a century, this documentary focuses on the voices of these 22 women during the last stage of their lives, revisiting the traumas they experienced during the Second Sino-Japanese War (1937-1945).
The documentary shows how these brave and strong elder women talk about their history, perspectives on life, sufferings, and how they found personal happiness despite all hardships. Unlike most film and television works in China relating to Sino-Japanese War, the heart of Twenty Two doesn’t seem to lie in narrow nationalistic purposes; instead, it succeeds in letting the general public know and understand this specific group of war victims, permanently preserving a crucial part of war history.
#8 Brotherhood of Blades II: The Infernal Battlefield 绣春刀II修罗战场
It can’t be compared to the classic Crouching Tiger, Hidden Dragon, but Brotherhood of Blades II: The Infernal Battlefield is definitely the only Chinese wuxia film in 2017 that was able to do well in the box-offices while also earning great critic reviews.
The film is set in the late Ming Dynasty, when minors and weaklings occupied the throne; neglecting their duties, relying on power-hungry palace eunuchs, and isolating themselves from government ministers.
Shen Lian is an elite guard of the palace who gets framed for treason. In order to prove his innocence, he seeks the truth behind this conspiracy together with a mysterious artist.
Brotherhood of Blades II features a mix of amazing martial arts, beautiful scenery, exquisite costume design, and tasteful drama, all the while carrying a sociopolitical undertone. Through the furious and thrilling martial arts extravaganza, this wuxia sequel presents the audience with the styles and lives, the fate and determination, and the toughness and loyalty of the fighters within Chinese tradition.
#9 Love Education 相爱相亲
This sensitive generational drama starts with the 60-year-old Hui Ying deciding to move her father’s grave from his hometown to a place beside her mother’s grave in the city.
However, the first wife of Hui Ying’s father, who has looked after the grave for years, doesn’t approve of her decision. When Hui’s journalist daughter Wei Wei gets involved, the disagreement ends up becoming a problem for the whole town community.
Love Education is a work that touches upon issues of generational gaps, love, and womanhood in modern-day China. Throughout the grave-moving issue, the film highlights contemporary Chinese family values and shows how women at 30, 60, 90 years old see and learn to deal with the relationships and bonds between mother-daughter, husband-wife, and grandmother-daughter while facing different hardships in their professional and personal lives at their various life stages.
Filled with sophisticated irony and wisdom regarding the topic of love, Love Education is a pleasant and innocuous highbrow lifetime drama. When it opened in the first week of November in China, the film scored a rare 8.6 points on Douban, the biggest Chinese website for film, music, and book reviews, becoming the highest-rated Chinese film in 2017.
Angela is a Shanghai-based freelance writer focusing on a wide range of sociopolitical topics in China, including social media pop culture, and gender issues. Born and raised in Taiwan, Angela holds a BA in sociology from National Taiwan University and an MA from Goldsmiths, University of London in media & communication.
Chinese Movies
Why Chinese Hit Movie “Her Story” is ‘Good Stuff’: Stirring Controversy and Celebrating Female Perspectives
China’s end-of-year movie hit, Her Story, is sparking debates and highlighting the rising influence of Chinese female directors.
Published
1 month agoon
December 7, 2024The Chinese comedy-drama Her Story (好东西, literally “Good Stuff”), directed by Shao Yihui (邵艺辉), has been gaining attention and sparking discussions on Weibo since its late November release in mainland China.
The film features an all-star cast including Song Jia (宋佳), Zhong Chuxi (钟楚曦), Zeng Mumei (曾慕梅), Zhao Youting (赵又廷), and Zhang Yu (章宇). It tells a quirky yet heartfelt story about two women: Wang Tiemei (王铁梅), a self-reliant single mom juggling life and work, and Xiao Ye (小叶), a free-spirited young woman navigating her chaotic relationships.
Their friendship begins when Xiao Ye starts babysitting Tiemei’s nine-year-old daughter, Wang Moli (王茉莉). Xiao Ye introduces her drummer friend, Xiao Ma (小马), to teach Moli how to play the drums, but Xiao Ma’s presence stirs jealousy in Tiemei’s unemployed ex-husband, who schemes to regain his place in the family. Blending humor with poignant insights, the film explores themes of imperfect love, friendship, and the messy process of rebuilding lives.
The film also addresses a range of hot societal issues through dialogues woven into everyday interactions, touching on topics like menstruation stigma, sexual consent, feminism, and how family dynamics can impact personal development.
In just eight days, Her Story surpassed 300 million RMB ($41 million) at the Chinese box office (#好东西票房破3亿#). Two days later, on December 2, it exceeded 400 million RMB (#好东西票房破4亿#), and on December 7 news came out that it had surpassed the 500 million RMB ($68.7 million) mark at the box office.
The film also achieved an impressive 9.1/10 rating on Douban, a Chinese platform similar to IMDb, making it the highest-rated domestic film on Douban in 2024.
Notably, 65.4% of voters awarded it five stars, while only 0.5% gave it one star.
Conflicting Views: From Feminist Film to Chick Flick
Despite its huge success, it is almost unavoidable for a movie this big to come without controversy. The film sparked debate on Hupu (虎扑), a platform focused on sports and men’s lifestyle, where it received a lower score of 5/10. While 33.1% of users gave it five stars, 58.4% rated it one star, reflecting divided opinions.
Much of the criticism comes from male viewers who feel the film undermines men by portraying them in non-traditional ways and omitting proper names for male characters, such as referring to the ex-husband only as “the ex-husband” (前夫). On the other hand, many female viewers resonate with the film’s female-centered perspective, with one scene blending household sounds and Xiao Ye’s recordings praised as a standout cinematic moment of 2024.
Interestingly, not all women appreciated the film either. A Weibo user, identified as a female scriptwriter for two Chinese TV dramas, emphasized that most of the producers of the film are male. She accused the director of hypocrisy, claiming Shao accepts money and resources from privileged men to create films that encourage female audiences to look down on average men.
She wrote, “I hope that everyone who believes in the ‘ghg’ [girl help girl] myth and supports female idols will also congratulate the male producers who will earn a lot of money from the film.”
Zhou Liming (周黎明), one of China’s most influential film critics, noted two extreme perspectives in film reviews. Some critics label the film as a “boxer film” (拳师电影) or an “extreme feminist film.”
However, the film itself suggests otherwise, as reflected in Moli’s line, “I don’t want to box,” when her father tries to convince her to take up boxing. Some audiences interpreted the line as rejecting extreme feminist messages.
In China, the term “boxer” (拳师) is used to critique certain feminists. The second character in the word for feminists (“权” [quán] in 女权主义者) is pronounced the same as the first character in “boxer” (“拳” [quán] in 拳师). This term often mocks behaviors seen as overly aggressive or lacking nuance in feminist discourse, such as avoiding dialogue or oversimplifying social issues.
Some also dismissed the film as a “chick flick,” a casual term for romantic comedies, which Zhou argued unfairly minimizes its significance. He likened the film to Woody Allen’s Annie Hall, suggesting that, much like Allen’s work, Her Story transcends gender differences and reflects the cultural zeitgeist of its time.
Despite the controversy, the film has been praised by notable figures like actor Zhang Ruoyun (张若昀), who called it “super good, super awesome, and super cute” (“超级好、超级牛、超级可爱的东西”). Zhang described the movie as tackling absurd yet realistic issues from a female perspective with humor and depth.
The Increasing Influence of Female Directors in China
At the end of Her Story, Tiemei’s daughter, Moli, nervously prepares for her first drum performance. Despite her hesitation, she gathers her courage and steps on stage. This moment reminded some viewers of a similar scene in another female-directed film this year, YOLO (麻辣滚烫), where the protagonist gears up for a boxing match.
YOLO is a 2024 comedy-drama directed by Jia Ling (贾玲), starring Jia Ling and Lei Jiayin (雷佳音). A comedic adaptation of the Japanese film 100 Yen Love (2014), it tells the story of Du Leying (杜乐莹), a woman facing personal struggles who turns to boxing after meeting coach Hao Kun (昊坤). Through her journey, she finds a new direction in life after their breakup. Grossing USD 496 million worldwide, YOLO became the highest-grossing Chinese film of 2024.
These parallels between Her Story and YOLO highlight a broader trend: the growing prominence of female directors in Chinese cinema. Beyond the discussions of plot and central themes, Her Story reflects the increasing success and influence of women filmmakers in the industry.
In 2024, female directors have made a notable impact on Chinese cinema, with their films achieving both critical acclaim and box office success. Their works also spark conversations about the need for more diverse perspectives in the industry.
The Last Frenzy (末路狂花钱), directed by Wu Rina (乌日娜), premiered on May 1. This comedy follows Jia Youwei (贾有为), a man diagnosed with a terminal illness, who decides to sell his assets and live fully with his friends. Despite mixed reviews and a Douban score of 5.9, the film grossed over 700 million RMB ($96 million) by May 31, becoming a major box office hit.
Stand By Me (野孩子, literally “Wild Kids”), directed by Yin Ruoxin (殷若昕), premiered on September 13. Starring Wang Junkai (王俊凯), it tells the story of two neglected children, Ma Liang (马亮) and Xuan Xuan (轩轩), who form a makeshift family while facing life’s challenges. With a Douban rating of 6.7, the film grossed 241 million RMB by October 9.
Like A Rolling Stone (出走的决心, literally “The Determination to Leave”), directed by Yin Lichuan (尹丽川), premiered the same week as Stand By Me. Inspired by Su Min (苏敏), a 50-year-old woman who embarked on a solo road trip, the film explores themes of self-discovery and the struggles of neglected women. Featuring Yong Mei (咏梅), the film earned praise for its authenticity, achieving a Douban score of 8.8 and grossing over 123 million RMB.
To the Wonder (我的阿勒泰, literally “My Altay”), a film-like TV drama directed by Teng Congcong (滕丛丛), adapts Li Juan’s (李娟) memoir. Starring Ma Yili (马伊琍), it tells the story of Li Wenxiu (李文秀), a young woman finding her place in her hometown of Altay after setbacks in the big city. Known for its poetic storytelling and portrayal of ethnic harmony, the series has a Douban score of 8.9 from over 300,000 ratings, ranking among the top dramas of 2024.
“An Era Where Women Are Being Seen”
The growing influence of female directors has sparked discussions about how women’s perspectives are challenging traditional storytelling.
Some Weibo users compared a scene from Her Story, where Tiemei scolds a man for urinating roadside, to a similar moments in YOLO. In YOLO, Hao Kun’s attempt to urinate roadside is humorously interrupted by car headlights. Such scenes highlight how female directors reinterpret everyday behaviors, inviting audiences to question societal norms.
Her Story has already been released in several countries, including the United States, Australia, Germany, and the United Kingdom, with more international releases to follow.
The success of Her Story, the conversations it inspires, and its contribution to highlighting female perspectives in film reflect the evolving dynamics of contemporary cinema and the strengthening of female voices in traditionally male-dominated industries.
On Weibo, many view this as a positive development. One commenter wrote:
“Her Story [好东西/”Good Stuff”] is truly ‘good stuff.’ (..) At the start of this year, I watched YOLO, and at the end of this year, I watched Her Story. Suddenly, I feel very grateful to live in this era—the era where women are gradually being ‘seen.’ Both films hold very special meaning for me. It feels like everything has come together perfectly. I hope to see more outstanding works from female directors in the future, and I look forward to an era where there’s no gender opposition, only mutual equality.”
By Wendy Huang
Follow @whatsonweibo
Edited for clarity by Manya Koetse
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China Arts & Entertainment
Chiung Yao’s Suicide Farewell Letter: An English Translation
Published
1 month agoon
December 7, 2024Chinese netizens mourned the passing of Taiwanese writer Chiung Yao (琼瑶) this week. Chiung Yao, one of China’s most beloved romance novelists, passed away at the age of 86.
Among her many works, Chiung Yao is cherished by many netizens in mainland China as part of their collective memories from the 1980s and 1990s. Some of the most iconic Chinese dramas, such as My Fair Princess (also: Return of the Pearl Princess, 還珠格格), were written by Chiung Yao.
On December 4, she was found on her sofa at home, leaving behind a suicide note. The cause of death was determined to be asphyxiation due to carbon monoxide poisoning.
In her farewell letter to loved ones and fans, she wrote the following:
“To all my dear friends:
Do not cry, do not grieve, and do not feel sad for me. I have already fluttered away [翩然 piānrán] effortlessly.
I love the word “翩然” [piānrán]. It represents flying in the air independently, easily, and freely. Elegantly and gracefully, I have shed the body that gradually caused me pain and have ‘fluttered away,’ transforming into snowflakes flying into the sky.
This was my wish. “Death” is a journey everyone must take—it is the final significant event in life. I did not want to leave it to fate, nor did I want to wither away slowly. I wanted to have the final say in this final event.
God has not designed the process of life particularly well. When a person grows old, they have to go through a very painful period of ‘becoming weak, degeneration, illness, hospitalization, treatment, and fatal illness.’ This period, may it be long or short, is a tremendous torment for those who are destined to grow old and die! Worst of all, some may become bedridden, dependent on tubes for survival. I have witnessed such tragedies, and I do not want that kind of “death.”
I am a “spark,” and I have already burned as brightly as I could. Now, before the flame finally dims, I have chosen this way to make a light departure. I have recorded everything I wish to say in my video “When Snowflakes Fall Down” (当雪花飘落). I hope my friends can watch it a few times to grasp everything I wanted to express.
Friends, do not mourn my death but smile for me! The beauty of life lies in the ability to love, hate, laugh, cry, sing, speak, run, move, be together until death parts us, live freely, despise evil with a passion, and live life boldly. I have experienced all these things in my lifetime! I truly ‘lived’ and did not waste this life.
What I find hardest to let go of are my family and all of you. “Love” is what is tightly bound to my heart, and I am reluctant to part with you. To allow my soul (if humans even have souls) to also ‘flutter away,’ please laugh for me, sing loudly for me, and dance in the breeze for me! My spirit in the heavens will dance together with you!
Farewell, my dearest ones! I am grateful for this life, where I had the chance to meet and know you all.
Take note of the way I died: I was at the final station of my life! For those of you who are still young, never give up on life lightly. Momentary setbacks or blows may be the “training” for a beautiful life. I hope you will be able to endure those, as I did, and live to 86, 87.. years old. When your physical strength fades, then decide how to face death. By then, perhaps they will have found more humane ways to help the elderly “leave joyfully.”
Dear friends, be brave, be the greatest version of yourself. Do not waste your journey through this world! Though this world is not perfect, it is filled with unexpected joys, sorrows, and laughter. Don’t miss out on all the wonders out there for you.
There are a thousand more things to say, but in the end, I wish everyone health, happiness, and a life of freedom and joy.”
This translation was previsously published on my X channel here.
By Manya Koetse
(follow on X, LinkedIn, or Instagram)
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