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“Beijing Has 20 Million People Pretending to Live Here” (Full Translation)

Translation of “Beijing Has 20 Million People Who Pretend to Live There” (“北京,有2000万人假装在生活”) by Zhang Wumao.

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On July 23, Chinese blogger Zhang Wumao (real name Zhang Guochen) posted a humorous yet sharp essay criticizing the status quo of life in Beijing, and the city’s old locals and new immigrants. The article soon went viral and was denounced by official media. Translation provided by What’s on Weibo.

“Beijing Has 20 Million People Who Pretend to Live Here” or “Beijing Has 20 Million People Pretending to Have a Life Here” by Zhang Wumao. Chinese title “北京,有2000万人假装在生活”, original text in Chinese posted by author on WeChat on July 23, 2017.

1

Beijing has no human warmth

Friends from outside the city frequently criticize the people of Bejing. They’ll say that Beijingers have lots of money, but that they show it off in a classless fashion and that they are not hospitable. ‘I’ve come to visit the city, why can’t we catch up!?’, ‘We’ve known each other for years, you can’t even take me to the airport!?’ In fact, Beijingers are not as hospitable as non-Beijingers. Coming to pick you up and giving you a ride, or showing you around the city, are all seemingly simple things that are too hard for Beijingers to do.

Beijing people are busy. They are busy ’til 11 o’clock at night, when they are still jammed on the 3rd Ring Road. The cost of social time in Beijing is really too high – so high that it would be quicker to go for dinner in Tianjin than to go from Shijinghsan (TN: inner district of West Beijing) to Tongzhou (TN: district east of Beijing). Beijing is really too big; so big that it is simply not like a city at all.

So how big is Beijing really? It is equivalent to 2.5 times Shanghai, 8.4 times Shenzhen, 15 times Hong Kong, 21 times New York, or 27 times Seoul.

 

“Beijing is a tumor, and no one can control how fast it is growing; Beijing is a river, and no one can draw its borders.”

 

In 2006, when I came to Beijing, the subway only had line 1, 2, and 13. Now I don’t even know how many lines the Beijing subway has without checking it on Baidu. Ten years ago I took public transportation to search for a job, and refused to go to any interviews of companies outside the 4th Ring Road. Now companies like JD.com, Tencent, and Baidu, are all outside the 5th Ring.

When friends from outside the city come to Beijing, they think that we are near. But actually, we’re hardly in the same city; they might be in China’s Houhai, Guomao, Tongzhou, Shijingshan,.. If you’d look at the time spent in traveling, when people from Tongzhou and Shijingshan are dating, they are basically in a long-distance relationship. When you go from the 5th Ring Road to Yizhuang you could call it an offical trip.

For 10 years, Beijing has always been controlling housing, controlling traffic, and controlling the population. But this pancake is only getting wider and bigger. It has become so big that when a school friend from Xi’an called me to tell me he’s in Beijing, I asked him ‘where in Beijing?’, he told me ‘I’m at the 13th Ring Road.’

Beijing is a tumor, and no one can control how fast it is growing; Beijing is a river, and no one can draw its borders. Beijing is a believer, and only Xiong’an can bring salvation.

Beijingers are not just cool towards people from outside, they also treat each other coolly. Every time an old school friend from outside the city visits Beijing and we have a get-together, they’ll ask: ‘You guys here probably often meet up, right?’. I then say that those few times they come to Beijing, are the only few times we actually meet up.

In Beijing, there’s a mutual understanding when exchanging name cards; if we call each other a couple of times within a year, we’ll consider it a good friendship. If people are willing to come from east of the city to the west to have a meal together, then we’ll be friends for life. The only people we meet every day and have meals with are our co-workers.

2

Beijing actually belongs to outsiders

If you let Chinese people pick one city to visit in their lives, I am convinced the majority will choose Beijing. Because this is the capital, this is where you have Tian’anmen, the Forbidden City, the Great Wall, and hundreds of big and small theaters. From modern drama to Western or traditional opera, from xiangsheng to skits or Two-people Rotation – people from anywhere in the world can find their spiritual food here. But these things actually have nothing to do with the people of Beijing.

If you step into any major theater in Beijing, you’ll find that six out of ten people are outsiders with an accent and that three of them have just arrived in the city, that there are no fresh artistic young persons. What’s left is one person swiping their phone in the corner; the bored Beijing tour escort.

 

“Going into the Forbidden City, I only see one empty building after the other; it’s less interesting than the lively pigsties we have in my native village.”

 

In the 11 years since I’ve come to Beijing, I have been to the Great Wall 11 times, 12 times the Imperial Palace, 9 times to the Summer Palace, and 20 times to the Bird’s Nest. I feel emotionless about this city’s great architecture and long history. Going up the Great Wall, I can only think of Lady Meng Jiang (TN: 孟姜女, heroine of the Qin Dynasty), it is difficult to feel a sense of national pride again for this world miracle. Going into the Forbidden City, I only see one empty building after the other; it’s less interesting than the lively pigsties we have in my native village.

Upon hearing any mention of Beijing, many people immediately think of the Palace Museum, Houhai, 798; they think of history, culture, and high-rise buildings. Is that a good thing or a bad thing? It’s good! Does it make you proud? It does! But you can’t make food out of these things. What Beijingers increasingly feel is the suffocation of the smog and the high cost of housing. They cannot move, they cannot breathe.

3

Beijing Eventually is Beijinger’s Beijing

If you say that Beijing still has this somewhat smoky smell, then this is the smell that comes from the city’s native Beijingers who have been here for generations. It comes from their old bird cages, it comes from their palm leaf fans that cool the air after dinner, it comes from the haughty accents of the taxi drivers…

Old Beijingers are trying to make this city smell alive; they are trying to make the city appear like a place where people live.

 

“If you do not have a five-room house, how can you be calm? How can you breathe? How can you relax and play chess while drinking tea, like the Beijing uncles?”

 

This lively odor of the old Beijing people is passed down in genes, and it rises from the bottom of their five-room apartments. When the white-collar workers from the financial district in west Beijing are immersed in the excitement over their year-end bonuses, the nouveau riche in the south will calmly say they own five-room houses. When the computer programmers in Haidian crack a code and fantasize about being the next Richard Liu, the nouveau riche in the south will still calmly say they own five-room houses. When the media elite in Chaoyang have drawn up a new list and stand before their CBD office window contemplating their life, the nouveau riche in the south, as before, will still calmly say they own five-room houses.

If you do not have a five-room house, how can you be calm? How can you breathe? How can you relax and play chess while drinking tea, like the Beijing uncles?

In Beijing, the migrants who have no real estate from previous generations are destined to be trapped in their house for life. They strive for over a decade to buy an apartment the size of a bird cage; then they spend another decade struggling to get a house that has two rooms rather than one. If that goes well – congratulations! – you can now think about an apartment in the school district.

With a house in the school district, children can attend Tsinghua or Peking University. But Tsinghua graduates will still not be able to afford a room in that district. They will then either need to stay crammed together in the old shabby family apartment, or start from scratch, struggling for an apartment.

4

In 2015, the movie Mr. Six hit the cinemas. In my friend circle, many ridiculed the movie’s character ‘Mr. Six’ for his Beijing air. But I was deeply touched.

After being in Beijing for over a decade, I refuse to go to Wukesong to see the Shougang [basketball] team, I refuse to go to the Worker’s Stadium to see the Guoan [football] team, because I don’t have a real love for them and because I can’t cuss with a Beijing accent. But after being in Beijing for so long, you reach a kind of conciliation with old Beijing people. You’ll understand them in a more three-dimensional way, and can no longer simply label them.

 

“For Beijing’s new immigrants, the city is a distant place where they can’t stay; for Beijing’s old residents, the city is an old home they can’t return to.”

 

In fact, not all of the Peking people are unfriendly towards outsiders, a lot of my friends are Beijing rich kids. And it’s not like there are no young people in Beijing seeking progress – most of Beijing youth are just as diligent as we are.

You can dislike ‘Mr. Six’, and you can dislike the arrogant Beijing way of cussing and bragging, but you still have to respect them. Like you respect people from the northeast wearing gold necklaces or respect Shandong people for eating Chinese onions. It’s their culture, these are their customs. You don’t have to be like them, but the least you can do is to show respect from a distance.

I once took a taxi to Lin Cui Road. Because I was afraid the driver wouldn’t know the way, I opened the navigation on my phone to help him find the way. He said he did not need the navigation, because he knew that place. There was a flour mill there 30 years ago, [he said], it was demolished 10 years ago, and they built low-income housing there. I asked him how he knew this so well. “That used to be my home,” he said, the sorrow showing in his face.

I could hear nostalgia and resentment from the driver’s words. For Beijing’s new immigrants, the city is a distant place where they can’t stay; for Beijing’s old residents, the city is an old home they can’t return to.

We, as outsiders, ridicule Beijing on the one hand, while on the other hand, we cherish our hometowns. But in fact, we can still go back to our hometown. It is still there. It’s just that, with the defeats of each passing day, we can no longer adapt there. But for the old Beijingers, there really is no way to go back to their hometown. It has changed with unprecedented speed. We can still find our grandfather’s old house. The majority of Beijingers can only find their old homes through the coordinates on a map.

Some people say that we as outsiders have built Beijing, that if it weren’t for us, Beijingers wouldn’t even have breakfast to eat. The large numbers of people coming from outside the city have raised the housing prices in Beijing – they’ve created a flourishing city. But do you believe it? The native Beijingers might not need this kind of flourishing, and they also do not want higher housing prices. They are just like us, wanting a home that does not have too many people or too much traffic.

5

 

“There are over 20 million people left in this city, pretending to live.”

 

This year, they’ve begun to brick up the core city of Beijing. More and more small shops, small hotels and restaurants are forced to close, more and more people in the low-end market are forced to leave. This type of dressing-down and losing-weight city management frantically puts Beijing on the road to being a high-end and classy city. But it is becoming less and less of a convenient and livable city, and it is becoming further and further removed from being a city with a tolerant and open spirit.

Those who chase their dreams of success are now escaping. They’re off to Australia, New Zealand, Canada, or the West Coast of the United States. Those who’ve lost hope of chasing their dreams are also escaping. They returned to Hebei, the Northeast, and their hometowns.

There are over 20 million people left in this city, pretending to live. In reality, there simply is no life in this city. Here, all we have is the dreams of some people, and the jobs of most people.

–End—

Translated by Manya Koetse

©2017 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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Manya Koetse is the editor-in-chief of www.whatsonweibo.com. She is a writer and consultant (Sinologist, MPhil) on social trends in China, with a focus on social media and digital developments, popular culture, and gender issues. Contact at manya@whatsonweibo.com, or follow on Twitter.

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4 Comments

4 Comments

  1. Kevin Ma

    July 29, 2017 at 5:39 pm

    Thanks for your sharing!

  2. Hamza

    July 29, 2017 at 9:25 pm

    Hey, do you have a link for the Chinese version,

  3. Daniel

    August 1, 2017 at 3:43 pm

    When I lived in Beijing a while ago, it was my least favourite city in China. Chengdu was steamy & sexy with the best food anywhere, Shanghai was thrilling, buzzing and futuristic, Shenzhen was boring but pleasant. Beijing however – it is a harsh, cold and unforgiving city. There’s a sense of Big Brother watching over you. The only city where I was ripped off by thieving shysters and more than once at that.

  4. John Myers

    August 26, 2017 at 6:44 pm

    Zhang Guochen’s essay is badly needed in a country where these personal observations and feelings are censored. You might be able to validate many of his points throughout many large metropolises in China and throughout the world. This is the results of our modern world where progress and commerce over rule and push aside community and simple human interaction. People experiencing these situations should have the freedom to express their feelings in an honest way. This is a form of catharsis that can lead to dialog and healing. If censored, it will only manifest as unrest in the future.

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China Arts & Entertainment

Top 10 Overview of China’s Most Popular TV Dramas February 2019

The top scoring TV dramas in China of this moment, winter 2018/2019.

Gabi Verberg

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First published

From beautiful costume series to suspenseful war-themed productions – these are the most popular TV dramas in China this season, an overview by What’s on Weibo.

China has one of the most booming TV drama industries in the world, with dozens of new dramas being released every month, drawing in millions of viewers through the country’s most popular online video streaming platforms.

We’ve compiled a top ten of the most popular Chinese TV dramas of this moment, based on the current popular charts of the leading websites in Chinese online video, including Tencent Video, iQiyi, Sohu, Youku, LeTV, 360kan, Sogou Video, along with Baidu’s and Weibo’s popular TV drama charts.

Please note that this list has been compiled by combining the top-ranking lists of this moment. And we have chosen to exclude popular drama series that already made it in our previous top-ten lists (here, here, here), despite their ongoing popularity.

Most of these series are available for viewing online, some also with English subtitles. If you need a VPN to circumvent any geo restrictions, we recommend either NordVPN or ExpressVPN to do so. Note: also see our Top 30 of all-time classic Chinese TV Dramas here!

Here we go:

 

#10 Mystery of Antiques 古董局中局

China Mainland

Chinese title: Gǔdǒng jú zhōng jú 古董局中局
Genre: Suspense, Mystery
Directed by: Wu Bai (五百) aka Guo Shubo (郭书博), Yu Qing (余庆)
Episodes: 36, December 2018, Tencent Video

Mystery of Antiques is an adaption of the like-named novel by award-winning novelist Ma Boyan (马伯庸). The main character in the drama series is played by Xia Yu (夏雨), who previously won awards for acting at various film festivals from Venice to Beijing, and from Taiwan to Singapore.

The series currently ranks fourth on Baidu’s most popular drama list, and seventh on the 360kan most popular series rankings.

The drama tells the story of the ordinary small antique shop owner, Xu Yuan (Xia Yu), who comes from a family of antique traders. One day, a visitor coming to the shop brings Xu into a conspiracy that goes beyond his wildest dreams and links him to a legendary treasure. It is the start of a dangerous and tumultuous journey, in which Xu does all he can to clear his family’s name and change his fate.

On Weibo, the official account of the series has over 20.000 followers.

The show, in Chinese, is available on QQ.

 

#9 Forty Years We Walked 我们的四十年

China Mainland

Chinese title: Wǒmen de sìshí nián 我们的西十年
Genre: Coming of age
Directed by: Wang Zi (王梓)
Episodes: 60, November 2018, Jiangsu TV, iQiyi, Tencent Video, Sogou Video, Mango TV, LeTV, Fun TV, PP TV, Youku

This coming of age story, featuring beautiful images of Beijing, is directed by Hunan-born filmmaker Wang Zi. Wang was born in 1986 and started his career as an actor in 2008. Some say that this series is very much based on Wang’s own experiences in his journey to becoming a director.

The series is currently the second most popular series on Sogou Video.

Forty Years We Walked tells the life story of Feng Dou, who falls in love with television and film from the first time he ever sees a TV at his friend’s house. In middle school, he becomes well-known together with his friend for collecting old tv-parts and building “new” televisions from them. Feng continues to pursue his passion for tv, setting up several businesses. However, as he Feng gets older, he starts to question his purpose in life until he realizes what it is he was always intended to do.

On Weibo, the official account of the series is currently nearing 20.000 followers.

The show is available on AsiaTVSub here or on Youtube here with Chinese subtitles.

 

#8 Well Intended Love 奈何BOSS要娶我

China Mainland

Chinese title: Nàihé BOSS yào qǔ wǒ (奈何BOSS要娶我)
Genre: Drama, Romance
Directed by: Wu Qiang (吴强)
Episodes: 20, January 2019, Sohu Video TV, Mango TV

Well Intended Love, that features the youngest cast within this overview, including Xu Kaiwei (徐开骋, 1990) and Simona Wang (王双, 1991), tells the love story between a wealthy man and mostly unknown young actress. The series is currently the most popular drama series on Sohu Video.

The series revolves around undiscovered actress Xia Lin who is suffering from leukemia. To afford a surgery that can save her life, she gets involved with the wealthy CEO Ling Yizhou. At the same time, Xia continues to pursue her career as an actress. Ling and Xia eventually get married and live a happy life together in secrecy until Ling finds out that Xia has a hidden agenda.

On Weibo, the official account of the series has over 190.000 followers.

See the complete series including English and Chinese subtitles on YouTube here.

 

#7 The Legend of Hao Lan 皓镧传

China Mainland

Chinese title: Hào lán chuán  皓镧传
Genre: Costume Drama, War, Romance, Historical Fiction
Directed by: Li Dachao (李达超)
Episodes: 62, January 2019, iQiyi

The historical drama The Legend of Hao Lan, starring Wu Jinyan (吴谨言), Mao Zijin (茅子俊), and Nie Yuan (聂远), chronicles the rise of Li Hao Lan to become the Empress Dowager of the Qin dynasty, after a long drawn battle between Zhao and Qin, towards the end of the Warring States period (475–221 BC).

The series is currently ranked third most popular series on 360kan and fourth most popular on iQiyi. Viewers of the latter evaluate the series with an average of 7.0.

Its popularity shows that historical drama is still very much booming in China’s drama industry. Recently, state media critique on period costume dramas that focus on conflicts in the imperial court became a hot topic on Chinese social media. The criticism singled out Yanxi Palace in particular, a show that was then canceled on TV for its “negative impacts,” signaling heightened censorship on Chinese costume dramas.

For now, however, The Legend of Hao Lan is going strong – and it stars the same main characters (Wu Jinyan and Nie Yuan). It depicts the story of the brave woman Li Hao Lan, daughter of Imperial censor Li He of Zhao state, who gets framed by her stepmother and is sold as a slave to Lu Buwei. Lu later presents her as a gift to Sun Yiren, a Qin royal that resides in Zhao as a hostage. As Li and Lu arrive in the royal Zhao palace, they unite and start their battle for power.

On Weibo, the official account of the series has over 40.000 followers.

See the complete series including Chinese subtitles here. Also available on Viki (incl. English subtitles).

 

#6 Candle in the Tomb: The Wrath of Time 鬼吹灯之怒晴湘西

China Mainland

Chinese title: Guǐ chuīdēng zhī nù qíng xiāngxī (鬼吹灯之怒晴湘西)
Genre: Adventure, Suspense
Directed by: Fei Zhengxiang (费振翔), supervised by Guan Hu (管虎)
Episodes: 21, January 2019, Tencent Video

The Wrath of Time is the third season in the fictional Candle in the Tomb series, an adaption from the novels by Zhang Muye. The series chronicles the adventures of a gang of tomb raiders as they excavate the truth behind a mysterious curse. Previous seasons were Candle in the Tomb: Mu Ye Gui Shi (鬼吹灯之牧野诡事) and Candle in the Tomb: The Weasel Grave (鬼吹灯之黄皮子坟). Despite this series being the third season, it’s not really necessary to see the first series to understand the third season.

The series, starring Pan Yueming (潘粤明), Gao Weiguang (高伟光), and Xin Yulei, currently ranks third most popular drama series on Tencent Video scoring a 9.3, and fourth most popular serie on 360kan.

This third season of the Candle in the Tomb series is set in a time when the warlords are fighting for power and bring disaster upon the people. With the purpose of finding the ancient tombs from the Yuan dynasty, tomb raider Chen Yulou and warlord Luo Laowai embark on a journey to the Xiangxi Mountains. On their way, they meet Zhe Gushao, who is set on finding a pearl that will end the spell upon his clan. Despite the mutual suspicion of each other’s motives, Chen and Zhe rely on each other to get to their destination.

The third season does not have an official account on Weibo, however that the series is quite popular can be seen from the hashtag “Candle in the Tomb: The Wrath of Time” (#鬼吹灯之怒晴湘西#) which already got over 690 million views, and received more than 2.3 million comments on Weibo.

See the complete series including English and Chinese subtitles here.

 

#5 Behind the Scenes 幕后之王

China Mainland

Chinese title: Mùhòu zhī wáng (Mùhòu zhī wáng)
Genre: Drama, Romance
Directed by: Li Jun (李骏)
Episodes: 42, January 2019, Youku TV, Dragon TV, Beijing TV

Behind the Scenes, starring Zhou Dongyu (周冬雨) and Luo Jin (罗晋), is currently ranking second place on Weibo’s top ten most popular TV dramas, and third on Youku’s top 10 TV drama series.

The series revolves around ambitious student Bu Xiaogu and the famous producer Chun Yuqiao. Bu is thrilled when she is given the opportunity to work with the man she greatly admires. But she quickly discovers that he is nothing like she imagined. With her hopes and dreams shattered, Bu gets involved in an accident. Chun unexpectedly takes on the sole responsibility for the accident, setting off a special relationship between the two.

On Weibo, the official account of the series has over 80.000 followers

See the complete series including Chinese subtitles here.

 

#4 Spy Hunter 天衣无缝

China Mainland

Chinese title: Tiānyīwúfèng (天衣无缝)
Genre: Action, Detective
Directed by: Li Lu (李路)
Episodes: 48, January 2019, Zhejiang TV, Jiangsu TV, Tencent Video, Youku, iQiyi, Mango TV

Spy Hunter, starring Lu Yi (陆毅) as one of the main characters, currently ranks second most popular drama series on both 360kan and iQiyi.

This fictional story takes place in the spring of 1931 when the Central Committee of the Communist Party of China is establishing logistic bases in several big cities. Two Special service teams try to establish a new secret underground route and depot. But one day, their secret base in Tianjin is exposed, and the life of agent Wan is sacrificed. In the name of justice, Wan’s brother goes looking for the truth behind his brother’s death.

On Weibo, the official account of the series has approximately 50.000 followers.

See the complete series including English and Chinese subtitles here.

 

#3 I Will Never Let You Go 小女花不弃

China Mainland

Chinese title: Xiǎonǚ huā bu qì (小女花不弃)
Genre: Costume Drama, Fantasy, Adventure
Directed by: Cha Chuanyi (查传谊)
Episodes: 51, January 2019, iQiyi, Tencent Video, Youku, PPTV

I’ll Never Let You Go is an adaptation of the like-named novel by Zhuang Zhuang (桩桩). The series stars many famous actors including Ariel Lin (林依晨), Lin Bohong (林柏宏), and Zhang Binbin aka Vin (张彬彬).

On Tencent Video the series currently occupies second place in their most popular drama series hotlist, scoring an average of 8.2. And also on Weibo, Youku, and 360kan, the series holds a position in the top five.

I’ll Never Let You Go is a coming-of-age story revolving around a young with a unique gift, who wanders the world alone after her entire family was killed to protect the girl’s special gift. One day, the girl meets a courageous masked man who saves her life, after which they fall in love. But everything turned around when the girl discovers who the man she loves really is.

On Weibo, the verified Weibo page of the series has over 4.6 million followers, making it the most popular series on Weibo of this list.

See the complete series with Chinese subtitles here. Also available on Viki (including English subtitles).

 

#2 Anti-Japanese 荡寇


China Mainland

Chinese title: Dàng kòu 荡寇
Genre: Drama, War, History
Directed by: Jiao Xiaoyu (焦晓雨)
Episodes: 60, November 2016, Guizhou TV, iQiyi, Sohu TV, PP TV, Youku

This TV drama, that has the remarkable English title ‘Anti-Japanese‘ (the original Chinese title roughly translates as ‘sweeping away the enemy’) was first aired by Hunan TV in November of 2016. Since then, it was broadcasted by at least eight different television stations and platforms.

The most recent rebroadcast started on January 19, 2019, and the numbers show that people still can’t get enough of the drama. On iQiyi, the series currently ranks first place, and on Sohu and LeTV the series ranks second and fourth place respectively.

The TV drama is set at the start of the War of Resistance again Japan (1937-1945). When an intelligence team of the Communist Party finds out about a box with classified information regarding the development chemical and biological weapons that is sent out by the Japanese army, Yang Erhu is sent to stop their evil plans and to protect his country.

See the complete series including Chinese subtitles here.

 

#1 The Story Of Minglan 知否知否应是绿肥红瘦


China Mainland

Chinese title: Zhī fǒu zhī fǒu yīng shì lǜféi hóng shòu (知否知否应是绿肥红瘦)
Genre: Historical fiction, Family, Politics
Directed by: Zhang Kaizhou (张开宙)
Episodes: 73, December 2018, iQiyi, Tencent Video, Youku, Youtube, Hunan TV

The fictional Story of Minglan, starring Zhao Liying (赵丽颖) and William Feng (冯绍峰) as main characters, is an adapted screenplay a novel by Chinese author Zheng Yi (郑怡) aka Guanxin Zeluan (关心则乱).

The series currently dominates the drama top charts, occupying the first place on Tencent Video, Youku, Baidu, Weibo, Sogou Video and 360kan.

The story of Minglan tells the coming of age story of an intelligent concubine daughter that has to grow up dealing with her unkind stepmother, an indifferent father, and unreasonable sisters.

Minglan learns to hide her skills and true intentions in order to survive until she meets Gu Tingyu, and the two fall in love. After Gu becomes a powerful official, and the two get married, Minglan rises to prominence.

On Weibo, the official account of the series has nearly 1.7 million followers.

See the complete series including Engish and Chinese subtitles here.

By Gabi Verberg

Spotted a mistake or want to add something? Please let us know in comments below or email us.

©2019 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

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China Celebs

Zhai Tianlin’s Alleged Plagiarism Triggers Discussions on Academic Cheating in Chinese Universities

“Colleges and Universities face great corruption problems, that is what you should be looking into.”

Gabi Verberg

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Earlier this month, Chinese actor Zhai Tianlin (翟天临) drew the public’s attention for his appearance at the CCTV Spring Festival Gala, where he starred as a police officer preventing his parents from being scammed. Now, Zhai, again, is at the center of attention: not for his acting skills, but for allegedly committing academic fraud.

The famous actor is a Beijing Film Academy Ph.D. graduate and postdoctoral candidate at Peking University, one of China’s most renowned universities.

His alleged academic misconduct has been a topic of discussion for some days now. During a live broadcast with fans, Zhai apparently said he did not know what CNKI (知网) is, an academic database that all scholars in China will be familiar with.

It led to suspicions on Zhai’s academic standing, and people on the Quora-like Q&A platform Zhihu accused Zhai of not publishing any academic papers in recognized scholarly journals – something that is mandatory for Ph.D. students in China in order to fulfill their graduation requirements.

Zhai’s academic records increasingly became the focus of attention on February 9th, when one Weibo user (PITD亚洲虐待博士组织), a graduate student from Beijing, posted the results of a plagiarism detection test that was run on one of Zhai’s papers.

The test result revealed that of the 2783 words used in the paper, that was published last year, 1482 words were copied from other texts, indicating a 40.4% similarity score.

After the Beijing Film Academy released a statement that they would be investigating Zhai Tianlin, state media outlet China Daily posted a message on their Weibo account, stating that “academic standards must be the same for everyone” and that “postdoctoral researchers are a university’s greatest honor, ” and that “who wants to carry the crown should also carry the weight.”

On that same day, Peking University also published a statement saying that they are investigating the incident.

Zhai Tianlin (1987), who is also known as Ronald Zhai, is most known for starring in various popular Chinese TV shows and dramas, such as White Deer Plain and The Advisors Alliance.

The plagiarism allegation case has become a major topic of discussion on Chinese social media this week. The hashtag “Peking University Responds to Zhai Tianlin Case”  (#北大回应翟天临事件#) has been viewed a staggering 650 million times on Weibo at time of writing, while the hashtag “Beijing Film Academy Sets Up Zhai Tianlin Investigation Team” (#北电成立翟天临事件调查组#) received more than 490 million views.

The storm is not likely to blow over soon, as new reports now also allege that Zhai’s MA-thesis relies heavily on the scholarly work of Chen Kun, a famous Chinese actor who also attended the Beijing Film Academy.

Although the scandal has triggered countless reactions condemning Zhai, there are also many people on social media who are directing their anger towards the universities and state media, with one typical comment saying: “By solely focusing on Zhai, you are avoiding the real problem. Colleges and universities face great corruption problems, that is what you should be looking into.”

Another person wrote: “I feel like the public opinion is focused too much on this case of ‘academic misconduct.’ What the media should be investigating is: why was the paper not checked for plagiarism before its publication? What the Beijing Film Academy should be looking into is how somebody can graduate with a paper that is not up to standard? And how someone who clearly doesn’t hold the appropriate academic abilities has access to its programme.”

“Peking University and Beijing Film Academy are both responsible for this fraud. How could they ever enroll such a fraudulent person?!” others wrote. 

Some commenters seem to have no trust in China’s academic standard, saying: “Are you telling me you [the universities] didn’t know about this when you admitted him? Now you are setting up investigation teams, but it is all just for show.”

Academic corruption in the Chinese educational context has been a well-known problem for years. As early as 2002, the Ministry of Education implemented various policies to combat academic misconduct, defining it as an act of academic dishonesty that is punishable, but the problem is still widespread (Kai 2012).

Some studies suggest that one of the factors that play a role in plagiarism in China relate to the fact that ‘plagiarism’ is something that is often defined in very general terms, with university handbooks nor policies clearly codifying instances of “appropriate and inappropriate source use” (Hu & Lei 2015, 236).

There are also many other factors at play, however, such as the pressure for doctorate students to publish their papers, and the phenomenon of  “publishing cash incentives,” which would allegedly trigger more academic fraud.

On Chinese social media, many people express that they hope that the institutions involved will “set an example” for other universities and “be transparent” in the way they’ll handle Zhai in case he is found guilty of plagiarism.

Many also pointed out the irony in the fact that it was Zhai who played the police officer that prevented his parents from being scammed during the CCTV New Years’ Eve Gala.

“This is just all so embarrassing,” some write: “Now it looks like not just Zhai’s PhD status should be taken from him, but also his MA title.”

Others suggest that this whole scandal would make an excellent topic for another TV drama, starring Zhai Tianlin, doing what he does best: acting. Some voices suggest that people should wait for the investigations into Zhai’s work to be completed before condemning him. With the massive online attention for this case, it might not take too long for more facts to surface on the case. We’ll keep you updated.

By Gabi Verberg and Manya Koetse

References

Hu, Guangwei and Jun Lei. 2015. “Chinese University Students’ Perceptions of Plagiarism.” ETHICS & BEHAVIOR 25(3): 233–255.

Kai, Ren. 2012. “Fighting against Academic Corruption: A Critique of Recent Policy Developments in China.” Higher Education Policy (25): 19–38.

 

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What’s on Weibo provides social, cultural & historical insights into an ever-changing China. What’s on Weibo sheds light on China’s digital media landscape and brings the story behind the hashtag. This independent news site is managed by sinologist Manya Koetse. Contact info@whatsonweibo.com. ©2014-2018

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