China Youth & Education
Chinese Arts Students into Panic Mode after Failing to Register for Exams Amid Announced Reforms
“The collapse of one app is affecting our entire future.”
Published
6 years agoon
Thousands of Chinese arts students have been unable to register for their upcoming exams this week, leading to great anger on social media. Now that China’s examination system is undergoing changes that will affect students majoring in arts, many fear that this was their last chance of ensuring a place at the higher education system they were aiming for.
This week, thousands of Chinese art undergraduates have gone into full panic mode for not being able to register for their upcoming exams.
The college enrollment procedures for students planning to major in ‘arts’ (covering fields of music, painting, dancing, design, film & TV, etc.) is different from students within other fields; those majoring in arts have to complete a college-level exam along with a provincial-level exam before taking the National College Entrance Examination (NCEE), commonly known as Gaokao.
On January 6th, allegedly around 700,000 students who tried to register for their college-level exam through the Yishisheng (艺术升) registration app found the system unresponsive, making the issue a trending topic on Chinese social media.
The hashtag “700,000 Arts Exam Candidates Lose Registration Qualification” (#70万艺考生丧失报名资格#) received more than 150 million views on Weibo at time of writing, with many students being angered and stressed, saying that “the collapse of one app is affecting our entire future.” At time of writing, it is not sure how the reports have come up with the 700,000 number, although it is probable that this is based on numbers of previous years, or based on the number of people taking the provincial-level exams (this link for reference).
What’s the Deal with Chinese Art Students?
The Gaokao (高考) or China’s National Higher Education Entrance Examination is well-known for being notoriously tough and super competitive. Every summer, millions of Chinese undergraduates take the exams for two days in a row or longer, depending on the major they are applying for and the provinces they are registered in. The result of this annual exam is set as the common entry criterion reference for university admission.
For students specializing in arts, their journey to the Gaokao examinations already starts earlier in the year. Arts students take the college-level supplementary exam (known as xiaokao 校考 or jiashi 加试), for which they have to register separately. All art students are also required to participate in the provincial exams (liankao 联考 or tongkao 统考), where their understanding of basic art knowledge and relevant art skills will be tested.
Only students who have passed these provincial exams will receive the certification that is needed in order to take the exams in June.
The extra challenge also provides extra opportunities for art students. Different from other students, art students’ final score is based on multiple grades, namely that of the aforementioned (1) supplementary university exam (校考), (2) the combined arts exam (联考), and (3) the gaokao (高考). Every art student is required to pass the combined arts exam, but have the benefit that most universities set relatively lower requirements for their gaokao scores once they have passed.
Once these art students are admitted to universities, their department choices, however, are not limited to arts per se. Arts students are thus sometimes labeled as being ‘opportunists,’ who allegedly take an ‘easy route’ to enter top-level universities.
But the idea that the arts route is the easy route is often debunked in Chinese media and on social media, where it is argued that arts students have to work harder to invest in their field of specialty, and therefore are doing anything but taking the ‘easier’ road into their higher education career.
Announced Reforms in the Exam System
The controversial ‘shortcut,’ however, may disappear in the nearby future. On December 29, 2018, the Ministry of Education issued an article on art exams, suggesting that the general knowledge gaokao score will become more important and decisive in the future.
After the proposed reform, there will allegedly be a limit on the supplementary arts exams at educational institutions, meaning that art students with a lower gaokao score will no longer be admitted.
On the discussion boards of Chinese Q&A site Zhihu, various pages are discussing the upcoming reforms. Some commenters wrote that they support changes to the system, believing it will filter out ‘the opportunists’ from art education and keep the ‘real art lovers’ in.
Others voice different opinions, arguing that the reform is unfair to talented arts students and that it will lead to art schools being dominated by ‘bookworms.’ One current arts student (named @乔贰乔) questions the importance for art students to have a high general knowledge course score, and quotes a Chinese proverb, saying: “People master different fields” (术业有专攻).
If the reform is implemented, 2019 will be the last year for arts students to enjoy the lower gaokao score advantage. Previously, undergraduates who were not satisfied with their gaokao scores could go back to high school and try again the next year. The reform, however, would ban comprehensive universities from holding individual arts exams after 2019, making this year’s exams a pivotal one for many arts undergraduates who hope to get into their dream university.
Registration Chaos at ‘Yishusheng’ App
Besides the extra stress caused by the reform, this year’s arts students find themselves facing an unexpected difficulty: not being able to register for their college-level exams (xiaokao 校考).
The exam registration app Yishusheng (艺术升), the only authorized arts exam registration system for the top arts educational institutions, was not capable of handling the large data flow this week and broke down shortly after opening the registration.
The app is also being accused of promoting its 598 yuan (90 USD) VIP membership, with which the registration process would allegedly be accelerated.
By now, thousands of art students have shared their disappointment and anger over not being able to register at such a crucial moment. Some netizens commented that they have tried to register for the Art Academy of Xi’an’s entrance exam for over three hours, but never succeeded. Others say they have been up all night together with their parents, desperately trying to get a spot for their examinations.
Sina News also reported that some students succeeded in registering in Jiangsu province, but then later discovered their examination would allegedly take place in Lanzhou, Gansu province, according to the app.
On January 7, Beijing News reported that, according to the Yishusheng app, part of the problem is that there is a decrease in art institutions across the nation and that examination sites have been reduced, suggesting that simply “too many people” were registering for the exams.
On its official Weibo account, the Yishusheng app briefly apologized for the recent crisis, and thoroughly explained the efforts the app has put into making their system better. They also state that the system is “back to normal,” while in the various comments sections, people still complain that they cannot enter the registration page.
For now, it does not seem that the storm has blown over yet, especially because Weibo netizens are also angered about the fact that this topic, although receiving so many views, did not appear in the ‘hot search’ or ‘top trending’ lists, with many people suspecting the issue is purposely being kept under the radar.
“I am just so disappointed, so incredibly disappointed,” one disgruntled commenter writes.
By Boyu Xiao, with contributions by Manya Koetse
Spotted a mistake or want to add something? Please let us know in comments below or email us.
©2018 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.
Boyu Xiao is an MPhil graduate in Asian Studies (Leiden University/Peking University) focused on modern China. She has a strong interest in feminist issues and specializes in the construction of memory in contemporary China.
China Memes & Viral
The ‘Cycling to Kaifeng’ Trend: How It Started, How It’s Going
The Kaifeng cycling craze revealed more than just the adventurous spirit of Chinese students.
Published
1 month agoon
November 12, 2024PREMIUM CONTENT
From city marketing to the spirit of China’s new generation, there are many themes behind the recent Zhengzhou trend of thousands of students cycling to Kaifeng overnight.
The term ‘yè qí‘ (夜骑), meaning “night ride,” has recently become a buzzword on Chinese social media. Large groups of students from various schools and universities in Zhengzhou, the capital of Henan province with a population of over 12 million, have been cycling en masse on shared bikes to Kaifeng, a neighboring historic city of around 5 million residents. These journeys often begin in the evenings or around midnight.
Across multiple platforms, videos of swarms of cyclists heading to Kaifeng have gone viral. The footage is striking, capturing streams of students embarking on the 40-mile nighttime journey, some waving Chinese flags, filming on their phones, singing together, and clearly having a great time.
According to some reports, approximately 100,000 or even 200,000 students have participated in these rides, drawing significant media attention both in China and internationally—especially after authorities began imposing restrictions on the so-called ‘Night Riding Army.’
HOW IT STARTED
The true origins of this story seem a bit murky.
The first Chinese news reports and blogs about students cycling to Kaifeng began surfacing around November 2-3 this year, coinciding with the first large-scale group rides from Zhengzhou to Kaifeng. The trend seemed to emerge out of nowhere.
On November 3, numerous Chinese media outlets provided an explanation for the phenomenon. According to these reports, on June 18, 2024, four female friends allegedly decided, at 7 PM, to embark on a 40-mile journey from Zhengzhou to Kaifeng to try out the city’s renowned soup dumplings. It took them around five hours to ride there, and, when they shared their adventure online, they used the slogan: “Youth only comes once” (青春只有一次).
Their posts were said to have inspired hundreds of other students to follow suit, organizing night rides in groups with the trend peaking during the first two weekends of November. This narrative of an organic trend of night riding to Kaifeng for dumplings was picked up by Western media outlets, including reports from the BBC and The Guardian.
Earlier in summer, some Henan media indeed reported about four girls doing a night ride to Kaifeng. This was followed by another video by a Douyin user (@去你的岛), dated June 23, documenting a ride from Zhengzhou to Kaifeng for breakfast. That video was later turned into a small news item (dated June 29, but showing footage of the June 23 ride). Aside from an October 6 video by another Douyin user (@小木同学) imitating the June 23 group by cycling to Kaifeng with friends, however, there is a notable lack of videos indicating a widespread cycling-to-Kaifeng trend before the large-scale group rides of November 2-3. Moreover, the original posts by the four girls are nowhere to be found.
This raises questions: How did the story of the four girls gain traction without leaving a significant digital footprint? Was the Zhengzhou-to-Kaifeng cycling trend a truly organic movement, or could it have been more orchestrated? Curiously, the Weibo hashtag “How did the college students’ night ride to Kaifeng initially start?” (#大学生夜骑开封最早是怎么开始的#), which had been used by multiple bloggers, was also taken offline at the time of writing.
The origins of the trend are particularly relevant as Chinese cities fiercely compete to become the next social media sensation. Since Zibo’s viral success, third- and second-tier cities across China have been striving to replicate its fame. While it’s ideal to become the next travel hit organically, cities often benefit from promoting local specialities and hyping up meme-worthy moments. Cities like Tianshui in Gansu and Harbin have enjoyed their moments in 2024, propelled by memes and viral content.
Kaifeng had already launched initiatives to boost tourism before the cycling trend. In March, a special shuttle service from Zhengzhou to Kaifeng was introduced to encourage day trips. In April, the city debuted its “Wang Po Matchmaking” show at Wansui Mountain Martial Arts City to attract tourists.
Tourist offices nationwide have become increasingly savvy in using social media for city marketing. Given the absence of a substantial social media trend from June to November, it seems plausible that the cycling phenomenon was a coordinated marketing effort. It likely began with a large group ride in early November, which sparked student interest, and snowballed. Kaifeng capitalized on the social media buzz starting November 2, but the scale of the phenomenon probably far exceeded what anyone had expected.
A CRAZY RIDE
As the ‘Zhengzhou to Kaifeng Night Ride’ was reported by local media and hit social media charts during the first weekend of November, it didn’t take long for students to catch on and join the ride. By the second weekend of November, Zhengkai Avenue, the main road from Zhengzhou to Kaifeng, was buzzing with activity, packed with thousands of university students participating in the night ride. Waving national flags, singing songs – including the national anthem -, taking group pictures, the moment was all that mattered.
While some foreign media speculated that the movement carried political undertones, citing at least one flag on the road advocating for the reunification of Taiwan with the motherland, it was likely more about patriotic youth waving non-controversial flags while channeling some nationalistic energy.
It was about “passion”—an English word that became synonymous with the nightly bike ride. It wasn’t about the soup dumplings or the exercise; it was about joy, freedom, and the pure, youthful energy of passion—an important theme for China’s Generation Z, the post-95 and post-00 generations, who often feel pushed and sometimes even paralyzed by the intense social pressures they face.
The trend was supported (or facilitated?) by Kaifeng authorities. On November 3, they set up shared bike stations along Zhengkai Avenue to manage the influx of cyclists. Police provided guidance at the scene and ensured safety throughout the night. Kaifeng’s Tourism Bureau issued a “cycling safety advisory” via its official WeChat account, encouraging visitors to adhere to traffic rules, travel sustainably, avoid peak times, and “enjoy the seasonal beauty of Kaifeng with a positive attitude.”
Starting on November 3, Kaifeng’s main tourist attractions, such as Millennium City Park, Wansui Mountain, and Daxiangguo Temple were specially opened to the ‘night riders’ in the middle of the night, even offering them free annual tourism passes (#开封多个景点为夜骑大学生免费#). At this time, the slogan “Youth is priceless, seize the night ride to Kaifeng” (“青春没有售价,夜骑开封拿下”) was actively promoted at Kaifeng tourist spots and in the media.
The shuttle bus taking students back to Zhengzhou was provided for free.
On social apps like Xiaohongshu, students shared various ‘strategy guides’ for the best way to navigate the nightly ride to Kaifeng, including tips such as:
- Choose a comfortable shared bike and avoid unlocking it along the way. With a bike like HelloBike, the journey will only cost 19.5 RMB ($2.70). Starting from Zhengzhou Sports Center Station, head north on Jinshui Road and cycle east in a straight line to Kaifeng. The trip should take about 4 hours.
- From Zhengzhou University to Kaifeng Gulou, the total distance is 79.4 km, with an estimated travel time of 6 hours and 38 minutes. Including breaks and meal stops, the journey could take at least 8 hours.
- Bring a small flag for photo opportunities.
- Upon arrival, visit the Haidilao hotpot restaurant, where they provide blankets and snacks.
- Must-try local dishes: soup dumplings, egg casserole, and deep-fried dough with soy milk.
GOING DOWNHILL
During the weekend of November 8-9, numerous videos emerged showing thousands of students cycling from Zhengzhou to Kaifeng, revealing chaotic scenes (link, link). Some estimates suggested that over 30,000 students had arrived in Kaifeng in a single night.
The trend had a significant impact, raising several concerns. Safety issues loomed large as the sheer number of bicycles on the road created risks, especially given that many participants lacked experience with long-distance cycling. Traffic congestion reached such levels that some cars became trapped amid the cycling groups.
The shared bike system also faced severe challenges. While students eagerly undertook the 4-5 hour downhill journey to Kaifeng, they were unwilling to make the uphill return to Zhengzhou. This resulted in thousands of bikes being abandoned in Kaifeng or along the route, requiring retrieval by the bike companies.
Beyond logistical strain on the bike-sharing system, the abandoned bikes caused significant disruptions in Kaifeng, with entire roads blocked. In Zhengzhou, locals complained about a lack of available bikes for their commutes.
While some praised the students’ adventurous spirit, others grew increasingly frustrated with the mounting problems.
By the afternoon of November 9, the official narrative shifted.
Initially, Chinese media celebrated the trend, but reports soon focused on its downsides. One widely shared story featured a 34-year-old man who had joined the ride with his daughter. Unaccustomed to cycling, he became exhausted after only 12-13 kilometers (about 8 miles) (#郑州34岁男子跟风夜骑开封后住院#). He was later hospitalized and diagnosed with hypokalemia (low potassium levels). The message? “Don’t blindly follow the trend.”
Authorities quickly stepped in to stop the night rides. Traffic police in Zhengzhou and Kaifeng issued a joint announcement banning the use of bike lanes on Zhengkai Avenue from 16:00 on November 9 to 12:00 on November 10.
Three major shared bike companies—Meituan, HelloBike, and Qingju—released statements reminding users that their bikes were not intended for cross-city travel. Bikes taken beyond designated zones would automatically lock and incur ‘relocation fees.’
Several universities implemented strict measures, ordering students back to campus and enforcing lockdowns. By Sunday night, some students took to Weibo to report that they were still not allowed to leave their campuses.
THE ROAD AHEAD
Despite the official crackdown on night rides to Kaifeng, some Zhengzhou students have now shifted to walking the entire route, a journey that can take up to 11 hours—equating to 70,000-100,000 steps on a smartwatch pedometer.
The crackdown on the nightly cycling craze has also prompted some reflection.
While many netizens praise the students for “truly embodying youth and vitality,” others see a deeper significance in the trend.
On Weibo, author Xu Kaizhen (许开祯) offers his perspective on what the Kaifeng phenomenon reveals about Chinese youth today. He writes:
“On the surface, the Kaifeng craze appears to be the latest trend in cultural tourism. But at its core, it has nothing to do with tourism. What is it really about? It’s about young people, about youth. And it’s not about youthful rebellion or hormones—modern youth have moved beyond that. It’s about escape. A collective, grand escape. An escape from a mediocre era, a mediocre life, and even a mediocre background. Every young person who joined the night ride was driven by a need to escape. Dissatisfied with reality yet powerless to change it, they turned to this collective unconscious act of performance art.”
Despite the criticism, it seems many hold a soft spot for China’s youth, understanding the challenges they face. As one popular comment puts it: “I dearly love this generation of Chinese youth. Their daytime has been drained by the previous generation, leaving only the night for them to carve out some space to unwind. ‘Escape’ describes it perfectly.”
For now, it seems the Kaifeng trend isn’t over. What began as an innocent, fun-loving initiative has turned into a mass mobilization that raises questions about hyped-up tourism, city marketing, and, most importantly, the boundless energy of China’s new generation. While the phenomenon has left many puzzled, some argue it’s crucial to grasp the youth’s yearning for these kinds of adventures.
As Xu Kaizhen concluded: “Perhaps by understanding this night ride, we can truly understand this generation. No—perhaps we can begin to understand the coming era.”
See our X thread with videos on this trend.
By Manya Koetse, with contributions by Miranda Barnes
(follow on X, LinkedIn, or Instagram)
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©2024 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.
China Society
Death of Chinese Female Motorcycle Influencer ‘Shigao ProMax’ Sparks Debate on Risky Rides for Online Attention
After the tragic death of young motorcyclist ‘Shigao ProMax,’ netizens criticize influencers for reckless riding in pursuit of followers and likes.
Published
2 months agoon
October 2, 2024A Chinese female motorcyclist from Suzhou, known as “Shigao ProMax” (@石膏ProMax) on Douyin, tragically passed away this week following a motorcycle crash in Suzhou’s Wujiang District.
The incident occurred in the late afternoon of September 29, when the 19-year-old Shigao, whose real name was Yang Huizi (杨惠子), was a passenger on the motorcycle, with her (male) friend driving the vehicle.
As the motorcycle collided with a car emerging from a side intersection, Yang was thrown off the back, propelled several meters through the air before landing on the road. Although she was reportedly wearing a helmet, it cracked during the crash, and she sustained a severe head injury.
A video circulating on social media shows the aftermath of the accident, with the motorcycle driver lying on the road and Yang Huizi a few meters away, initially attempting to crawl before collapsing (warning for graphic content). Despite rescue efforts, she later died in the hospital. The current condition of Yang’s friend, the rider, remains unclear.
Yang had nearly 80,000 fans on Douyin, where she posted her first video in December 2019. By September 2024, she had shared a total of 1,298 videos.
On Weibo, many commenters voiced concern over how the news was headlined, criticizing the emphasis on her gender in the hashtag. The hashtag “Famous Female Rider Shi Gao Dies in Traffic Accident” (#网红女骑士石膏发生车祸身亡#) garnered over 170 million views on Weibo on Tuesday. Many commenters felt the headline made it seem as if the young woman had crashed the motor herself, while she was merely a passenger.
Others, however, see this trending news as an opportunity to highlight the risky behavior of motorcyclists, who not only endanger their own lives by speeding but also jeopardize the safety of others by showing off in traffic and driving recklessly.
Especially female influencers/motorcyclists are criticized for careless driving while flaunting their looks for social media posts.
Over the past years, the death of multiple motorcycle influencers have made Chinese headlines. In 2022, a popular Douyin influencer and motorcyclist known as “Xiaoyu Loves Eating Fish” (@小鱼爱吃鱼) died in a collision after riding in the wrong lane. She was instantly killed on the spot. Xiaoyu had gained attention for her risky driving behavior, often wearing short skirts, tight leggings, or other revealing outfits instead of proper motorcycle gear.
In 2023, two young girls—one 16 and the other 21—tragically lost their lives after their motorcycle crashed into a pillar. They were speeding and, apart from wearing helmets, were dressed in skirts and stockings with no additional protective gear. Both died instantly. The 16-year-old, known as An’an (安安), was a social media influencer. Her followers had previously warned her about her reckless behavior. She rode a motorcycle without a license.
Within one year alone, from October 2022 to September 2023, at least seven motorcycle influencers made headlines in China after losing their lives in traffic accidents. Some bloggers blame the intense competition for online attention for these accidents, as influencers pull dangerous stunts and push the boundaries to gain more likes and followers.
Posting a video of a woman posing for a video while riding a motorcycle, the popular Weibo content creator HuangXiPao (@黄西炮) wrote: “So many female motorcycle influencers have died, yet it doesn’t stop others from still posing on the road for photos! Is this trend really that profitable?”
One commenter expresses frustration over how news about motorcycle influencers consistently reaches the top trending lists, while other serious incidents, such as the big stabbing incident that happened in Shanghai this week, seem to be kept off the hot lists. “Every time a female motorcycle influencer dies, it makes the trending lists. Meanwhile, three people are dead and 18 injured in Shanghai! Yet you’ve completely suppressed the search term (…) What is this about?!”
News about the motorcycle incident is also a reason for official channels to remind netizens about road safety. The official China Police account shared photos of the incident, stating: “Raise safety awareness and take responsibility for your life.”
By Manya Koetse
(follow on X, LinkedIn, or Instagram)
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©2024 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.
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