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Chinese State Media Features German Twitterer “Defamed by Evil Western Forces”

European media call the 21-year-old Heyden a CCP propagandist, Chinese media call her a victim of the Western media agenda.

Manya Koetse

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The German influencer Navina Heyden has been labeled “a propagandist for the Chinese government” by European media outlets. She is now featured by Global Times for preparing a lawsuit against German newspaper Die Welt for “defaming” her.

A 21-year-old woman from Germany has been attracting attention on Chinese social media this week after state media outlet Global Times published an article about her battle against “biased journalism” in Europe.

She is known by her Chinese name of Hǎiwénnà 海雯娜 on Weibo, but also by her German name, Navina Heyden. On Twitter (@NavinaHeyden) she has around 34K followers, on Weibo (@海雯娜NavinaHeyden) she has over 15800 fans.

According to the Global Times story, which is titled “21-year-old German Girl Debunking China’s Defamation Is Tragically Strangled by Evil Western Forces” [“21岁德国女孩驳斥对中国抹黑,惨遭西方恶势力绞杀”], Heyden has been on a mission to “refute Western media’s smear campaign against China” for the past year.

The same article was also published by other Chinese state media outlets this week, including Xinhua, Xinmin, and Beijing Times.

Recently, various European news outlets reporting about Heyden’s online activities described her as a Twitter influencer acting as an advocate for “pro-CCP narratives.”

It started with the German newspaper Welt am Sonntag publishing an article on June 15 of 2021 titled “China’s Secret Propagandists” [“Chinas Heimliche Propagandisten”], in which Heyden was accused of being a propagandist. That same story was translated into French and published by Le Soir on June 23.

An article by London-based think tank ISD (Institute for Strategic Dialogue) dated June 10, titled “How a Pro-CCP Twitter Network is Boosting the Popularity of Western Influencers” (link), also featured Heyden and her alleged role in a coordinated Chinese online propaganda campaign.

The article focuses on Heyden’s Twitter activity and her supposedly inorganic follower growth, using data research to support the claim that she is more than just a young woman siding with Chinese official views.

Heyden claims that she agreed to do the initial interview with Die Welt about her views on China and the online harassment she experienced by anti-China activists, but that the reporters eventually published something that was very different from the actual interview content, describing Heyden as a Chinese government propagandist and disclosing names and locations without her consent.

Heyden says she is now preparing a lawsuit against the newspaper and its three journalists for violating her rights. In order to do so, she started a crowdfunding campaign to help her fight media defamation. That ‘Go Fund Me’ campaign was also promoted on Weibo on July 5th, and she soon reached over 13,000 euros in donations.

The main take-away of the Global Times story is that Heyden is an active social media user who has bravely refuted Western bias on China and exposed the supposed media hysteria regarding the rise of China, and that she has been purposely targeted by European media outlets for doing so.

Heyden joined Twitter in March of 2020 with her bio describing her as a “German amateur manga drawer, studying business economy, grown up within Chinese community since age 15.”

Since then, she has tweeted over 1000 times and has spoken out about many issues involving China, including the Covid-19 pandemic, the situation in Xinjiang, the national security law in Hong Kong, the India-China border conflict, and the status of Taiwan. She sometimes also tweets out more personal information, such as the time when she shared photos of herself and her Chinese partner.

Her very first tweet on the platform – one about China not falsifying Covid-19 numbers – was sent out on April 1st of 2020 and received 52 likes. Over the past year, her account has only gained more likes and followers.

A later tweet in which Heyden wrote “I can testify that Chinese Muslims are not persecuted like what western media claimed” (link) received over 870 likes.

In another tweet, Heyden wrote: “China is unfairly treated because she’s always put in a trial without chances to defend. Her words must be propaganda, her people must be brainwashed. After confirmation with Chinese sources and my experiences, I’m enraged about how wrong our media is. This is harmful to us all.” That tweet received over 1.4K likes.

Besides the fact that Heyden’s tweets are often retweeted by the Twitter accounts of Chinese diplomats and other prominent Chinese channels – sometimes within just a few seconds of one another, – the aforementioned ISD article claims that Heyden’s account has grown in a relatively short time due to sudden spikes in followership by accounts that were created in batches at specific times and in short sequence.

For a Twitter post of August 2020, Heyden recorded a video in which she explained why she wanted to open up her Twitter account in the first place and counter those accusing her of being a “CCP agent” or a “fake account”. She said:

I’m not getting paid by anyone so stop wasting your time on proving something which I am not. A lot of people may wonder why I say so many positive things about China in the first place. The reason is that when I was around 15 years old I was introduced into the Chinese community and I got to learn a lot of Chinese people, what they think about China, and also what they think about their government. And I found that the China I visited is so much different from the China that the media is describing. It’s almost as if the media is describing a whole different country. Now, it wouldn’t be so bad if only people would not buy those false narratives, and I’m having a problem with it, because a lot of my close friends and also my family are believing all those false narratives. And this is causing me to have some conflicts with them from time to time. So I’ve decided to open this Twitter account to debunk all those false narratives.”

At this time, Heyden describes her own Twitter account as “one of the most influential ones to show people what real China is like.”

The story about Heyden’s online activities seems to suit some ongoing narratives in both European and Chinese newspapers. For the first, it upholds the idea of China secretly attempting to infiltrate and influence democratic societies in new ways; for the latter, it confirms the belief that biased Western media will do anything to defile China while serving the interests of their political parties.

Meanwhile, on Weibo, hundreds of netizens have praised Heyden for defending China and standing up against Western media.

“China has 1.4 billion people, Germany just has [tens] millions, of course, you’re gonna get a lot of fans if you support China,” one popular comment on Weibo said.

One influential Weibo blogger (@文创客) wrote about Heyden, calling her a victim of a “deranged” situation where Western media outlets have used her for their anti-China narratives.

“When will you come and live in China,” some people on Weibo ask, with various other commenters saying: “Just come to China!”

Plans to move to China seem to be on the horizon for the German influencer. In an earlier tweet, she confirmed: “We are already on the path to live in China PERMANENTLY. Really feel much safer there.”

Despite sharing her strong support for China on Twitter, the 21-year-old recently also expressed some frustrations with the Chinese social media climate when she encountered censorship on Sina Weibo and experienced some difficulties posting on Bilibili and Toutiao.

On Twitter, she wrote: “To CPC, you can’t lock your citizens in an information greenhouse forever.”

Sharing some of her frustrations regarding the Chinese social media sphere on Weibo, where she even admitted to missing Twitter, some Weibo users offered their support: “We’re on your side.”

By Manya Koetse (@manyapan)

With contributions by Miranda Barnes

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2021 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is the founder and editor-in-chief of whatsonweibo.com. She is a writer, public speaker, and researcher (Sinologist, MPhil) on social trends, digital developments, and new media in an ever-changing China, with a focus on Chinese society, pop culture, and gender issues. She shares her love for hotpot on hotpotambassador.com. Contact at manya@whatsonweibo.com, or follow on Twitter.

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China Arts & Entertainment

Let’s Plant: China’s Variety Show “Become a Farmer” Is Harvesting Success Online

As iQIYI’s ‘Become a Farmer’ gains momentum, it highlights China’s growing trend of embracing rural themes in mainstream entertainment.

Wendy Huang

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With its focus on hard farm work and meeting actual targets, Become a Farmer is a fresh breeze of air for China’s variety show business, especially among young Chinese viewers who appreciate the show’s authenticity and the calmness of the rural scenes that pose a stark contrast with stressful urban life.

The Chinese variety show Become A Farmer has achieved tremendous popularity in China recently through the iQIYI platform, which is often hailed as the Chinese equivalent of Netflix. Become A Farmer recently gained over 4.6 billion (!) views on Weibo through the hashtag #种地吧# (Zhǒng dì ba), which translates to “Let’s Plant” or “Let’s Farm” in English and also happens to be the show’s name in Chinese.

Produced by iQIYI and Blue Sky Media Group (BSMG), Become A Farmer (Young Men edition) is a documentary-style interactive reality show that revolves around the theme of farming, with actual farm work as its central focus.

The show handpicked ten young men out of 300 candidates to assemble a “farming team.” With unwavering dedication, they toiled for over 190 days, diligently cultivating 142.8 mu (approximately 95,200 square meters) of land. They actively engaged in every aspect of farm work, starting from planting a single seed and guiding the audience through the complete journey of rice germination, growth, flowering, and ultimately reaping the harvest.

Chinese netizens have drawn comparisons between the show and the British television documentary series Clarkson’s Farm. Playfully, they remarked that if Clarkson’s Farm were to be introduced in the Chinese market, it could aptly be renamed “Become A Farmer (Old Men Edition).”

Become A Farmer released its first episode on February 4 of this year, initially receiving limited attention. However, as subsequent episodes were released, the show started garnering increased interest, with the audience discovering the genuine dedication of the ten young men towards their farming endeavors – and that it was not just for show.

The show’s nomination for the Shanghai TV Festival, and its current rating on Douban.

Its rating on Douban, China’s IMDB, has climbed up to 8.9 out of 10. Meanwhile, the series has been nominated for the prestigious Magnolia Award for Best Variety Program at the 28th Shanghai TV Festival.

A Fresh Take on Chinese Idol Survival Shows

Become A Farmer initially caught the attention of many Chinese netizens through the humorous jokes of veteran comedian Pang Bo during the fifth season of the stand-up comedy competition Rock & Roast.

At that time, the show had not yet been aired but its format had already been introduced during a media conference, and Pang Bo (庞博) had heard about it.

In Pang’s joke, he compared the show to a farmer version of idol survival shows, proposing that the four individuals who made the greatest contributions to the final harvest could come together as a group, forming a new generation of F4 (referring to the popular Asian boy band), playfully dubbed “Farmer 4.”

Pang Bo joking about the upcoming show.

While Chinese netizens were initially amused by this joke, little did they realize that iQIYI was actually turning it into a reality, albeit without the comedic intent.

“Food is not something we can take lightly with jokes and banter, especially considering the size of our farmland, which spans approximately 140 mu and has the potential to provide sustenance for many people. This is a matter of responsibility and morality,” stated Yang Changling (杨长岭), the show’s director.

Normally, Chinese entertainers are compensated for their involvement in reality or variety shows, as they play a crucial role in generating engaging content. Such shows often seek out celebrities with a large online fan base to ensure a favorable viewership.

But Become A Farmer is different. Among the ten young men, no one is a typical celebrity that has a huge fan base online. Moreover, they are not paid for filming the show but have to earn from the land rented from local farmers through their own hard work.

To legally sell the products grown on their farmland, the ten young men took the step of registering an official company. This registration allowed Chinese netizens to verify the company’s information on the government website, providing evidence of the project’s authenticity. As the information about the company circulated, the related hashtag (#种地吧 开公司#) gained traction on Weibo, eventually trending when the ten young men received their official company certificate.

(Snapshot from the show /The ten young men received the certificate of their company)

Become A Farmer leans more towards being a documentary rather than a traditional entertainment program. To underscore its authenticity, a novel approach has been adopted in China’s variety show landscape. It airs live for one hour every day, beginning at 9:30 am, synchronizing with the young men’s start of work. This timing allows netizens, who typically commence their own workday around that time, to actively participate as ‘online supervisors,’ overseeing the ten young men’s daily tasks while starting on their own tasks of the day.

Through livestreaming on both Weibo and Douyin (the Chinese version of TikTok), the show creates a natural teaser for the edited reality series while embodying its interactive nature.

As an additional element, the ten young men occasionally share vlogs on Weibo and Douyin during the filming process. This unique combination of long-form reality show footage + livestreaming + vlogs allows the audience to closely follow and stay updated on the progress of the ten young men’s work over the span of more than 190 days.

The show’s concept of gathering relatively unknown young men aspiring to make a breakthrough in the entertainment industry bears resemblance to popular shows like Youth With You, also produced by iQIYI. However, Youth With You‘s third season was suspended in 2021 for wasting large amounts of milk amid the China’s strengthened efforts in eradicating wasting food; viewers were ecouraged to buy bottled Mengniu milk and scan QR codes inside the caps to vote for their favorite trainees, which led to fans buying tons of bottles only to vote and getting rid of the milk.

Clearly, iQIYI has learned from the past and taken a different approach with Become A Farmer. In this show, there are no milk-wasting competitions or cutthroat rivalries. Instead, the ten young men are united in their goal to complete the farm work together and to run the company and get rid of its debt.

Focus on Vital China Topics: Empowering Youth, Food Security, and Rural Revitalization

Various topics that are relevant in today’s China come together in Become a Farmer. The show also explicitly addressed its objectives in producing this diverse variety show and released a pre-episode to emphasize the importance of food security and shed light on the challenges faced by Chinese youth upon entering the workforce.

In recent years, China has placed significant emphasis on food security, with leaders repeatedly stressing the need to ensure that “the Chinese rice bowl is firmly held in our own hands.”

The China Agricultural Outlook Report (2023-2032), released on April 20, outlined the ongoing consolidation of China’s food security foundation for the next decade. Notably, all 103 million hectares of permanent farmland will be transformed into high-standard farmland. The report also highlighted plans to diversify import channels for agricultural products, improve the trade structure, and reduce grain imports by 19.7 percent over the next decade.

During the pre-episode of the show, an expert who provided training courses to ten young men emphasized the need to address the aging agricultural workforce in China’s agricultural development.

Simultaneously, in 2023, China witnessed a record-breaking number of graduates, reaching 11.58 million.

Given the increasing digitalization in agriculture, encouraging young people to pursue farming careers emerges as a viable solution. By becoming New Era Farmers (新农人) and actively participating in the nine tasks outlined in China’s “No. 1 central document” for 2023, which promotes rural vitalization comprehensively, young talent can contribute to the development of rural areas instead of solely pursuing white-collar jobs in urban areas.

A Rural Trend in Chinese Entertainment

The increasing appeal of rural life among young people in China is reflected in a survey conducted by the Social Survey Center of China Youth Daily (中国青年报社社会调查中心) in September 2022. The survey revealed that 70.9% of the respondents believed that the countryside has become more attractive to young individuals. Factors such as a slower pace of life, lower pressure, and reduced costs were cited as the main reasons why young people find rural areas appealing.

As transportation and internet connectivity have gradually improved, rural life in China is no longer seen as isolated and cut off from the rest of the world. This transformation has sparked a growing interest in living in the countryside, particularly among young people. The countryside’s allure lies in its simplicity, natural beauty, and the chance to escape the fast-paced and hectic city life.

This growing interest in rural life may explain the popularity of shows like Become a Farmer. The commitment demonstrated by the ten young men to their farm work has garnered applause from Chinese netizens. Overcoming challenges such as working in adverse weather conditions, assisting with difficult births for animals, and engaging in physically demanding tasks have showcased their dedication and hard work. These aspects have resonated with the audience and contributed to the show’s success.

(The ten young men are diligently digging drainage ditches in the farmland during chilly weather, working hard to ensure they meet the planting season deadline.)

Snapshot from the show: Jiang Dunhao, the oldest among the ten young men and chairman of the company, joins forces with He Haonan to support in the challenging task of aiding the delivery of difficult births for ewes. Together, they strive to save the life of a premature lamb, seeking guidance from a professional veterinarian through online assistance.

Originally planned to conclude after 39 episodes, the show’s production team has decided to extend it to 50 episodes due to the abundance of material gathered from over 190 days of farm work and the increasing interest and positive feedback from viewers. This extended episode count goes beyond the typical duration for a variety show, highlighting its exceptional popularity.

It is evident that iQIYI, the broadcasting platform behind the show, is keen on fulfilling its alleged social responsibility to promote the importance of food security and sustainable food production, farming, and showing that young individuals that they can thrive in rural areas.

Capitalizing on the success of the reality show, iQIYI has also released a teaser for an upcoming drama called Romance on the Farm (田耕纪), which also revolves around farming. This drama portrays a contemporary woman unexpectedly finding herself in the countryside during the Song Dynasty and embarking on a journey of farming, prosperity, and love alongside the enigmatic Shen Nuo.

In the last couple of years, there were several countryside-themed dramas that showcased China’s rural revitalization efforts and highlighted the involvement of younger generations in supporting their rural hometowns, such as On The Way to Hope (在希望的田野上) or The Story of Xing Fu (幸福到万家) which starred the renowned Chinese actress Zhao Liying.

The success of Become a Farmer, the upcoming Romance on the Farm, and the overwhelming enthusiasm among Chinese viewers for these shows suggest that farming has become the latest ‘hip’ trend in China’s entertainment industry. It seems that plowing fields and tending to crops have now found their place in the limelight. With the growing interest and excitement surrounding these shows, it’s safe to say that we can expect a blooming harvest of more Chinese productions focused on farm work and rural life in the near future.

Watch “Become a Farmer” on Youtube here (including English subtitles).

By Wendy Huang

Spotted a mistake or want to add something? Please let us know in comments below or email us. Please note that your comment below will need to be manually approved if you’re a first-time poster here.

©2023 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

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China Media

Meanwhile in Panda News: After More Than Two Decades, Yaya Returns to Beijing

From Memphis to Shanghai to Beijing: every step in Yaya’s journey is closely followed by China’s panda fans.

Manya Koetse

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Yaya, the panda, made her way back to Beijing after a residence of more than two decades at the Memphis Zoo and completing her quarantine period in Shanghai. Now, netizens are advocating for the return of three other pandas currently residing in the United States.

It is time for the third ‘Meanwhile in Panda News‘ by What’s on Weibo to keep you updated on the trending panda topics, from the cute to the controversial.

This time, it is all about Yaya (丫丫), the panda that is trending on Weibo in various hashtags these days:

Panda Yaya became one of the most discussed pandas of this year. This female panda resided in the Memphis Zoo in the United States for most of her life and attracted significant attention on Chinese social media platforms after netizens expressed concern about her seemingly thin and unhealthy appearance.

Many netizens were concerned about Yaya due to the condition of her fur. Photo via Weibo user @如皋老猫.

Even though the Memphis care team stated that Yaya’s fur condition is related to her hormones and immune system, these online discussions further intensified in light of escalating tensions between the United States and China.

The concerns surrounding Yaya prompted an online campaign, with netizens advocating for Yaya’s return to China. After residing at the Memphis Zoo in the United States for two decades as part of a conservation and research project, Yaya’s second ten-year term had concluded, and the 23-year-old panda was set to return to Shanghai, China.

Yaya’s return in late April became a true social media spectacle, fuelled by state media outlets that created special posters and videos welcoming Yaya home.

Now, a month later, Yaya is trending again. This time, it is her move from Shanghai to Beijing that is hitting the trending lists. After finishing her quarantaine, Yaya’s new home will be in the Beijing Zoo. Yaya returned to China’s capital, where she was born, by airplane on May 28.

China’s flight home, via Chinese state media on Weibo.

While many people are cheering that Yaya has finally returned home, they are also sad that panda Lele is not with her. Lele (乐乐) was Yaya’s male partner, and the two arrived in Memphis together. Unfortunately, Lele passed away earlier this year due to heart disease.

Around 4 am in the morning on May 29, the official Weibo account of the Beijing Zoo posted a statement about Yaya’s return, confirming that the panda had arrived before 1 am on Monday morning.

A very early morning post by Beijing Zoo confirming the safe arrival of Yaya (screenshot of Weibo, via What’s on Weibo).

Beijing Zoo further wrote that Yaya has her own dedicated enclosure and will need some time to adjust to her new environment and will not be shown to the public for now. They did post a photo and a video of Yaya’s arrival, and promised to give more updates about Yaya via social media.

“Yaya has finally returned home,” some commenters said, “I hope she will have a happy and healthy life there.”

In the meantime, netizens have launched a new online campaign advocating for the repatriation of the pandas Xiao Qiji (小奇迹), Tiantian (添添), and Meixiang (美香), currently residing at the Washington National Zoo.

“They also wanna go home” poster advocating for the return of Chinese pandas Little Miracle, Tiantian, and Meixiang. Source: Weibo.com.

Those advocating for the return of the three pandas are also expressing concerns about their well-being and treatment at the Washington National Zoo. They worry that the pandas may not be receiving adequate food and are particularly concerned about Meixiang’s health.

In 2020, it was reported that the panda couple Meixiang and her partner Tiantian would minimally stay in Washington until December of 2023.

Another poster in the online campaign to advocate for the return home of the three pandas.

Concerned that Meixiang might face a similar fate to Yaya’s late partner Lele, panda enthusiasts on Weibo are urging for the prompt repatriation of the entire panda family. “I’m glad to hear good news about Yaya,” expressed one Weibo user, “Now, I hope we can get good news about Meixiang too.”

 

Read more panda news here.

By Manya Koetse 

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