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China Arts & Entertainment

“I Am Fan Yusu” – Beijing Migrant Worker’s Writing Takes Chinese Internet by Storm

Fan Yusu’s powerful essay is praised for telling a meaningful individual story that also shows society’s multi-layered problems.

Manya Koetse

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A moving essay by a Beijing migrant worker has gone viral over Chinese social media this week. Although the article named “I Am Fan Yusu” (我是范雨素) is currently the best-read article in China, the 44-year-old author, who has become China’s literary sensation overnight, just hopes she can live her life in peace.

Over the past two days, an essay written by a female migrant worker living…

Manya Koetse is a sinologist, writer, and public speaker specializing in China’s social trends, digital culture, and online media ecosystems. She founded What’s on Weibo in 2013 and now runs the Eye on Digital China newsletter. Learn more at manyakoetse.com or follow her on X, Instagram, or LinkedIn.

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2 Comments

2 Comments

  1. Daisy

    April 28, 2017 at 1:18 am

    Oh Manya, I love that you covered this story. Stories like this to arrive at the far reaches of the world can remind us how similar we all are. It reminds me of Ayi. While her husband is not an alcoholic, the heart aching story of how her children long for her still resonates with me (the one where she told her son she would be home as soon as the corn was ready to be picked, and from then on, he watered them 3x a day in hopes she could return sooner).

    Love,
    Daisy

  2. David Savage

    April 28, 2017 at 5:53 am

    Thanks for telling this beautiful story. I hope you can follow up Yan Fuzu while respecting her privacy. Maybe you can start a support group to assist her financially in some way, however small.

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Chapter Dive

The Power of Ugly: Why Niu Lai Became China’s Unlikeliest Box-Office Hit

How the two-person animated film Niu Lai turned its “ugly” visuals, dreamcore nostalgia, and remarkable cinema journey into a nationwide participatory meme.

Manya Koetse

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A mother-and-son duo’s animated 3D film earned just 342 yuan ($US50) on opening day. Then its crude visuals turned it into a viral success, propelling it into the top ten of the year’s domestic animated releases. A meaningless ‘miracle’ or sign of shifting cultural sentiments? An explainer.

Something extraordinary has happened in Chinese cinemas this month. A tiny animated film about a yellow cow on a dreamlike adventure opened in a few hundred Chinese theaters on August 5, 2026, with zero promotion and no trailer. On its first day, the movie’s box office revenue totaled just 342 yuan (US$50).

Nobody could have expected that this microbudget indie movie, initially playing to empty seats, would become a nationwide viral hit—not because people thought it was good, but because they found it so aesthetically ugly.

The 86-minute 3D animation is titled Niu Lai (牛来, literally “Here Comes the Cow/The Cow Comes”). It was produced by just two people from Dalian: 34-year-old Xin Yumeng (信雨萌) and his mother, Sun Lifang (孙丽芳). The pair spent five years making it.

The plot follows a young calf named Niu Lai, who is too afraid to stand. In his dreams, he befriends a skylark and a young leopard on a sometimes-scary adventure, during which he grows up, loses his mother in a wolf attack, and eventually wakes up with new life lessons.

Despite being complete newcomers to the film industry, Xin and his mother handled everything themselves, from directing and writing to animation, voice acting, and music—theirs were the only two names in the end credits.

They registered the script in 2021 and, after passing the content review, received a public-screening permit in 2024. The narrative contained no apparent sensitivities, and all the paperwork was in order. A film distributor they knew reportedly helped them secure screenings at a few hundred cinemas (even though, after seeing the film’s quality, he had advised them against a theatrical release).

Around August 13-14, the movie went viral when a few netizens who saw it shared their disbelief at the primitive visuals, which contrasted sharply with the…

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China AI

AI Actress Ad Pulled, Baihaitun Disrupts Shanghai and Cicada Meme Bugs Huawei

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Welcome to China Trend Watch (Week 32–33 | 2026), where I bring you the latest trends, memes, and debates driving conversation across Chinese social media. I’m Manya Koetse, a sinologist specializing in Chinese digital culture.

 


 

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