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“I Am Fan Yusu” – Beijing Migrant Worker’s Writing Takes Chinese Internet by Storm

A moving essay by a Beijing migrant worker has gone viral over Chinese social media this week. Although the article named “I am Fan Yusu” is currently the best-read article in China, the 44-year-old author, who has become famous overnight, just hopes she can live her life in peace.

Manya Koetse

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A moving essay by a Beijing migrant worker has gone viral over Chinese social media this week. Although the article named “I Am Fan Yusu” (我是范雨素) is currently the best-read article in China, the 44-year-old author, who has become China’s literary sensation overnight, just hopes she can live her life in peace.

Over the past two days, an essay written by a female migrant worker living in Beijing has gone viral on Chinese social media. The article, simply titled “I Am Fan Yusu” (我是范雨素, translation here) tells about the life and family of the 44-year-old Fan from a village in Xiangyang (Hubei) who has moved to Beijing where she does housework.

In her spare time, Fan, who quit school at the age of 12, loves to read and write. Last year, one of her essays titled “Peasant Brother” (农民大哥) was also published online by Beijing media outlet Noonstory.

The Beijing migrant worker has not had an easy life. Coming from a small impoverished village, she moved to Beijing at the age of 20 and married a man who turned out to be a violent alcoholic. After getting divorced, Fan Yusu is now a single mother of two daughters.

Although the writings of Fan Yusu are simple, her message is powerful. Within a timeframe of 48 hours the essay “I Am Fan Yusu” was shared in thousands of WeChat groups and went viral on Weibo.

Her essay starts like this:

My life is like a book that’s dreadful to read – fate has made its cover very messy. I am from Xiangyang in Hubei, and started to do private teaching at the local village school when I was 12. If I wouldn’t have left, I would have continued to teach and would have become a proper teacher. But I couldn’t bear to stay in the countryside and view the sky from the bottom of the well, so I came to Beijing. I wanted to see the world. I was 20 years old at the time.

Fan Yusu on April 25, 2017. Photo by Sina Finance.

Things were not easy after coming to Beijing. It was mainly because I was lazy and stupid, and because I was not skillful with my hands and feet. What other people could do in half an hour, I couldn’t even finish in three. My hands were too slow, slower than most people. I worked as a waitress at a restaurant and would drop the tray and break the plates. I just made enough money to keep myself from starving. I wasted two years in Beijing and couldn’t see the bigger picture. I then rushed myself into marrying a man from the Northeast of China.

Within a time frame of just five or six years, we had two daughters. But their father’s business was doing worse and worse, and he started to drink heavily every day and became aggressive. I simply couldn’t bear the domestic violence and decided to take my daughters and go back to my village in Xiangyang and ask for help. He never even came looking for us. I later heard he went from Mongolia to Russia. He’s probably lying drunk on some Moscow street now. In my hometown, I told my mother that I would go and raise my two daughters myself.”

Fan Yusu goes on to tell about her childhood and the story of her mother. Born in 1936, Fan’s mother was asked to become the director of the local Women’s Federation at the age of 14 because she was a good speaker and problem-solver. “She started doing that in 1950 and stayed in power for 40 years, even exceeding the reigning time of Saddam Hussein and Muammar Gaddafi,” Fan writes.

Photo of Fan Yusu’s mother, provided by Fan to Chinese media (Noonstory/Weibo).

In her essay, Fan tells about the pressures of village life and the patriarchal social system, and how her mother – raising five children in an unhappy marriage – suffered from it and eventually had to leave her job because of it.

Fan was born when her mother was forty, and was the only healthy daughter of their family. While growing up, Fan developed a passion for literature and started reading every book she could get her hands on.

But at the age of 12, Fan ran away from home during a school holiday to “see the world,” and stayed away for three months exploring the southern parts of China. When she returned home, she was rejected by her father and brothers and became the talk of the town. Fan did not return to school and took on a teaching job. Her mother was the only one who never turned away from her, from when she was a child until her adult years.

“When I had returned home to Xiangyang with my two daughters after leaving the violence in my home and my alcoholic husband, my mother was calm and collected and told me not to worry. But my brother avoided me like the plague and wanted me to leave and not cause him any problems.”

She continues:

“At this moment, I realized I no longer had a home. For us as poor rural people, it is very hard to get by in life, and the affection between family members naturally is not that deep. I did not resent my brother, but I understood that I was now merely a passer-by in the village where I was born and raised.”

In the final part of her essay, Fan tells about her life as a single mother and migrant worker in Beijing, and the mother’s love she received despite all hardships – which she hopes to return to society.

On Weibo and WeChat, the essay, which spread like wildfire, has gotten thousands of reactions over the past few days. “My friends sent this to me through our chat group,” one netizen says: “Many praise it, some denounce it, but I actually still don’t know the original source of the article.”

Despite the massive craze over Fan’s work, there are also those who say her writing is plain.

But the majority of people say the essay by Fan has moved them to tears, and that it has made them realize that literature is not an unattainable art. Her work is praised for telling a meaningful individual story that also shows the multi-layered problems of society.

The topic “Migrant Worker Fan Yusu Becomes Famous” (#农民工范雨素走红#) was viewed over 1.5 million times on Weibo today.

As her writings are taking social media by storm, Fan Yusu commented to the press that she had never imagined becoming famous and that it was not her intention: “It makes me scared,” she says. Over the past few days, she has given countless interviews and has been overwhelmed with attention.

“Although I barely get by, I do have enough to eat and live,” she told local media, saying that she does not write to change her life, but just writes to satisfy a “spiritual need.”

On April 26, several media reported that Fan is so overwhelmed with her sudden fame that she has gone into hiding in a mountain village and is no longer available for interviews.

“I hope we can respect her personal life and that we will leave her in peace,” one Weibo commenter said.

– By Manya Koetse
Thanks to Diandian Guo

©2017 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is the editor-in-chief of www.whatsonweibo.com. She is a writer and consultant (Sinologist, MPhil) on social trends in China, with a focus on social media and digital developments, popular culture, and gender issues. Contact at manya@whatsonweibo.com, or follow on Twitter.

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China Celebs

Meet Ding Zhen: Khampa Tibetan “Horse Prince” Becomes Social Media Sensation

Ding Zhen’s quiet life out in the grasslands is seemingly over.

Luke Jacobus

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A Khampa Tibetan farmer has become an online sensation in China due to his handsome features. His overnight fame, which comes with legions of adoring fans and TV show invitations, has sparked discussions about the often-overwhelming loss of privacy that can accompany online stardom.

The recent rise to internet fame of a young man named Ding Zhen (丁真) has sparked controversy over the benefits and downsides of e-celebdom.

The 20-year-old farmer, who lives in Litang in the Kham region of Tibet, found accidental online fame after being captured in a blogger’s photography session in Nyima County, according to a Haixia News article.

His handsome features attracted online attention, snowballing out of control after his appearance on a livestream. The young man shyly admitted to having little proficiency in reading or speaking Mandarin, but managed to express his love for raising horses.

The cameraman and other villagers apparently later publicized Ding Zhen’s name, address, and other personal info, soliciting gifts and leading some netizens to mock Ding Zhen’s village neighbors as “blood-sucking vampires.”

Ding, still unaware of his own fame, mentioned with some difficulty on the livestream that his dream was simply to become a “horse prince” (马王子) by winning his local horse races. His dream after that? To raise more horses, of course much to the delight of many Weibo users, some of whom have begun creating fan art in the young man’s honor.

Calls for Ding Zhen to open a Douyin account of his own, or even to appear on reality television shows such as The Coming One (明日之子) and Produce Camp (创造营), have inspired heated debate.

“This kind of person,” wrote one Weibo commenter, “should be riding horses and shooting arrows out on the grasslands; he shouldn’t be imprisoned in Vanity Fair by your fan club’s cultural values.”

Others worried that this young man, “uncorrupted by the world,” might be taken advantage of by others for financial gain.

This concern over the invasiveness of online fans likely stems from previous incidents where ordinary Chinese citizens became extraordinarily famous overnight, such as in the cases of ‘Brother Sharp,’ a homeless man similarly inundated with adoring praise online for his good looks and stylish appearance, and Shanghai’s ‘Vagrant Professor,’ both of whom found their privacy constantly invaded by fans seeking photos or just a chance to meet the new stars. Soon both men could hardly walk outside without being swarmed as their private life had been effectively ended- all because they happened to become popular online.

‘Brother Sharp’ (on the left) and the ‘Vagrant Professor’ (right) both also went viral overnight.

Two phenomena unique to the Chinese internet seem to place these e-celebrities at a higher risk of being tracked down offline by their fans. One of them is the “human flesh search engine” (人肉搜索,) a massive online effort tapping into the knowledge and offline connections of netizens to track down and identify a person, often for shaming or as justice for perceived wrongdoing. The other is the highly-organized “super fan club” phenomenon prevalent in Chinese e-celeb culture, some of which boast structures rivaling the biggest corporations, with PR and financial departments. It’s no wonder then that some netizens fear for Ding Zhen’s personal life.

Many of these concerned netizens seem to particularly admire the simple, pastoral lifestyle of the “grasslands” (草原) which Ding leads, one which has been popularized in novels like Jin Yong’s Legends of the Condor Heroes (射鵰英雄傳), which details the adventures of the young Guo Jing, a Chinese boy who joins the court of Genghis Khan. The novel has been read by millions across China and has become a prominent source of political metaphors on the Chinese web. One commenter exhorted others to “Let him become his own hero, a horse prince! Don’t let the worst impulses of the internet corrupt him.”

With the question “Should Ding Zhen leave the grasslands?” (#丁真该不该离开草原发展#) becoming a trending topic all of its own, it seems opinions about his popularity are fiercely divided. “I hope this handsome guy can make his own choices,” writes one Weibo user: “..and no matter whether he becomes a star or not, I hope he can keep such an innocent heart!”

According to the latest reports, Ding has received a job offer from a Chinese state-owned company since his unexpected rise to online fame. CGTN writes that the ‘horse prince’ has now signed the contract, but they do not mention if this new job will allow him to do what he loves most – raising horses and being out in the grasslands.

 
By Luke Jacobus

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©2020 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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China Arts & Entertainment

Oh, the Drama! Chinese Opera Performance Turns into Stage Fight as Drunken Man Attacks Actors

This local traditional opera performance unexpectedly turned into a stage fight.

Manya Koetse

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On October 9 in Zhejiang’s Lishui city (Laozhu Town), a theatrical performance unexpectedly turned very dramatic when a drunken man stormed on stage to fight with the performers.

A video showing the Chinese opera performance being disturbed by the drunkard, turning it into a chaotic stage scene, is gaining major attention on Chinese social media.

The incident occurred Friday night around 9 pm, when the Laozhu Theatrical Troupe was performing.

Videos of the incident that are circulating online show how one man comes on stage, attacking one of the actors. The scene escalates into a big fight when others try to intervene. The police were quick to arrive at the scene.

Various news reports suggest the man started to act out after getting into an argument with one of the ‘Huadan’ (花旦) performers of the troupe. In traditional Chinese opera, the Huadan characters are young female roles, often seductive in appearance and quick with their words.

Local police posted on Weibo that the chaos was caused by a 33-year-old local who started to become aggressive after he had too much to drink. The man is charged with disorderly conduct and is currently detained.

The case received even more attention on social media when it turned out that the 33-year old troublemaker is the son of the head of a neighboring village.

Many Chinese netizens feel that the man is spared by Chinese news media outlets, which only report about a “drunken man” who was “causing trouble.” They insist that the real story should be properly reported.

“The son of the village chief took liberties with a huadan actress who rejected him, and then he kicked her, causing her to lose consciousness. He then beat up other actors,” some commenters explain.

“He is not just a ‘drunkard’, he’s the son of the village secretary.”

“What an explosive performance it was!” one Weibo blogger writes.

By Manya Koetse

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2020 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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