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“Hi, Mom!” Box Office Hit Sparks ‘When My Mum Was Younger’ Trend on Weibo

The touching Chinese hit movie “Hi, Mom” has sparked an emotional trend on Weibo.

Manya Koetse

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The movie Hi, Mom is all the rage in China, where social media is flooding with hashtags, photos, and texts celebrating moms and the bond between mothers and daughters. One big discussion is focused on all the things daughters would tell their younger moms: “Please don’t marry dad.”

If you could travel back in time and meet your mum before she had you, what would you say to her? What would you do?

This question is the idea behind Hi, Mom (Chinese title Hi, Li Huanying 你好,李焕英), the box office favorite in China this Spring Festival. The movie is directed by Jia Ling (贾玲), who also plays the female protagonist. For comedian Jia Ling, who is mostly known for her sketches during the Spring Festival Gala, this movie is her directorial debut.

Hi, Mom tells the story of Jia Xiaoling (Jia Ling) who is devastated when her mother Li Huanying has a serious accident one day. Jia is especially grief-stricken because she feels she has not become the daughter she wanted to be for her mother. When she finds herself transported back in time to the year 1981, she meets her young mother before she was her mum, and becomes her friend in the hopes of making her happy and change her life for the better.

From the movie “Hi, Mom”

Li Huanying is also the name of Jia Ling’s own mother, who passed away when Jia was just 19 years old. Jia Ling reportedly did not make the movie because she wanted to be a director, but because she wanted to tell her mother’s story.

The film has become super popular since its debut on February 12 and raked in 2.6 billion yuan (over $400 million) within five days. On day five alone, the movie earned $90 million.

The movie has sparked various trends on Chinese social media. One of them is an online ‘challenge’ for daughters to post pictures of mothers when they were young. The hashtag “Photo of My Mother When She Was Young” (#妈妈年轻时的照片#) received 120 million views on Weibo by Wednesday. Another hashtag used for this ‘challenge’ is “This is My Li Huanying” (#这是我的李焕英#). The hashtags have motivated thousands of netizens to post photos of their mother before she became a mom.

The trend has not just sparked an online movement to celebrate and appreciate mothers – it also offers an intimate glance into the lives of Chinese older women and shows just how different the times were when they were young. This also gave many daughters a new appreciation of their mothers.

“I used to have many wishes,” one female Weibo user wrote: “But now I just hope to make my mum happy.” Others praised their mother’s beauty (“My mum is so pretty!”) and said that they are proud to look like their mom, although some also complained that they had not inherited their mother’s looks.

The trend has also provided an opportunity for a moment of self-reflection for some. Seeing the unedited photos of their younger mothers, some called on female web users to stop losing themselves in ‘beautifying’ photo apps that alter their facial features, saying they will not have normal photos of themselves in the future that show their true (and unedited) natural beauty.

 

“Don’t marry dad, don’t believe his sweet talk.”

 

There is also another hashtag trending in light of Hi, Mum. It is “If You Could Go Back to Before Your Mum Married” (#如果穿越回妈妈结婚前#) and started with one popular fashion influencer (@一扣酥) asking her followers what they would want to tell her.

“Don’t marry dad. Don’t believe his sweet talk,” one person replied, with many others also writing that they would want to tell their younger mom not to marry their fathers: “I would tell her to look for someone who loves her, and not for someone she loves,” one person responded.

“Please leave dad,” another Weibo user writes, adding that her father drank too much and would hit her mother.

“Don’t feel like you need to marry because you’re older,” another daughter writes: “Don’t get into a ‘lightning wedding’ and don’t care so much about what other people say.”

“Live for yourself for once,” a blogger named ‘Zhi Zhi El’ wrote, with another young woman named Yumiko writing: “Don’t close your bookshop, be independent and confident, don’t listen to everything dad says, and don’t become a housewife.”

But there are also those who are happy with the way things turned out: “Mum! Marry dad! He’s good!”

In the end, most commenters just want one thing. As this Weibo user (@·__弑天) writes: “Mum, I just hope you have a happy life.”

 
By Manya Koetse
with contributions by Miranda Barnes

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2021 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is the founder and editor-in-chief of whatsonweibo.com. She is a writer, public speaker, and researcher (Sinologist, MPhil) on social trends, digital developments, and new media in an ever-changing China, with a focus on Chinese society, pop culture, and gender issues. She shares her love for hotpot on hotpotambassador.com. Contact at manya@whatsonweibo.com, or follow on Twitter.

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China Arts & Entertainment

Wandering Earth 2 Production Costs: Why Director Frant Gwo is Nicknamed ‘Master in Begging for Alms’

Contributing to the Wandering Earth 2 production without getting paid? It’s “powering up Chinese sci-fi with love.”

Wendy Huang

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Wandering Earth director Frant Gwo (Guo Fan) is also nicknamed the ‘Master in Begging for Alms’ (化缘大师) on social media. His efforts to convince actors and companies to contribute to the movie has kept production costs relatively low.

With the sci-fi blockbuster The Wandering Earth II, directed by Guo Fan (郭帆 aka Frant Gwo) taking center stage during this Spring Festival movie season, there have been many social media discussions about the film and how it has been reviewed (read here), as well as about the production of the film, or more particularly, about the total production costs for this film.

Based on a story written by Liu Cixin, author of the award-winning sci-fi novel The Three-Body Problem, The Wandering Earth II is the prequel to the 2019 blockbuster hit The Wandering Earth, China’s all-time highest-grossing sci-fi film and the fifth highest-grossing non-English film of all time.

It is reported that the production investment costs for The Wandering Earth II reached approximately 600 million yuan ($88.5 million). Compared to the production budget of American sci-fi hit films such as Interstellar ($165 million) or Inception ($160 million), Chinese audiences had expected The Wandering Earth II to have much higher production costs than the reported budget, especially considering the spectacular scenes featured in the film.

The relatively lower production costs sparked discussions on Chinese social media, where the hashtag “Guo Fan – the Master in Begging for Alms” (#郭帆 化缘大师#) went trending, gaining in popularity as multiple insiders shared more stories about the production of the movie.

The hashtag, which suggests that Director Guo is a ‘Fundraising Master’ for keeping production costs low, has received over 70 million views at the time of writing. The Chinese 化缘 huàyuán means to raise funds for something or to ‘beg alms’ (like Buddhist monks or Taoist priests do).

Guo’s strict budget control already became a hot topic after the 2019 release of The Wandering Earth. One of the most famous stories is that of the movie’s main star Wu Jing (吴京), as he allegedly began as a guest celebrity and ended up as the leading actor without getting paid, while investing approximately 60 million yuan ($8.85 million) in the film’s production.

A female presenter recently also shared her story on Weibo about her free participation in the production of The Wandering Earth in 2019, which apparently showed the film’s tight production budget. In her post, she wrote: “They didn’t fool me, instead, they just told me directly that I wouldn’t get paid.” Considering the rare opportunity to act in a Chinese sci-fi production, she went to the set at her own expense and filmed scenes, including outdoor scenes in the snow and freezing cold, only to end up being featured less than a second in the finished film. Nonetheless, she said she was still proud to be a part of the landmark Chinese sci-fi film.

Perhaps the idea of taking part in a groundbreaking Chinese science fiction film has made many individuals, companies, and organizations willing to work with Guo’s team, even if no additional compensation or payment was provided.

XCMG Machinery (Xuzhou Construction Machinery Group Co, Ltd), China’s premier company in industrial design, is also one of these companies. The company set up a team of a total of 319 XCMG staff members to support the project and provided a wide range of operational and transformable machinery equipment for the UEG (United Earth Government) in the film. They called this “powering up Chinese Sci-fi with love.”

Chinese netizens already nicknamed Wandering Earth (流浪地球) “Little Broken Ball” (小破球) back in 2019. The “Ball” refers to the Earth – the second character (球) of Earth in Chinese (地球) literally means ball. It was the director himself who initially referred to his film this way, and this nickname was then popularized among netizens to describe how the Earth is in crisis in the film, but it also refers to how difficult it was for Guo to produce the film.

The fact that Guo managed to produce Wandering Earth II with a relatively limited budget compared to other big international sci-fi movies has instilled some pride among netizens. One popular blogger (@秦祎墨) suggested the actual production value of the movie went far beyond the quoted $88.5 million thanks to the collective spirit of Chinese companies who did all they could to turn this film into a mega hit.

Others praised Guo for being able to get so many people and companies involved, claiming that if it wasn’t for him, the movie would have ended up costing at least twice as much.

Some are already looking forward to a potential Wandering Earth III, saying that the ‘Little Broken Ball’ series has already managed to gather such a strong team of companies, technical support, post-production innovation and experts, that the ‘Wandering Earth universe’ should not stop after two films.

Reflecting on being nicknamed the ‘Master of Begging for Alms,’ director Guo himself reportedly expressed his gratitude toward everyone who worked on the film who was “tricked” by him, saying it is their generosity that eventually made the production of The Wandering Earth II possible.

By Wendy Huang, with contributions by Manya Koetse

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©2023 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

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China Digital

U.S. Embassy Launches WeChat Stickers Featuring Cartoon Eagle

A Weibo hashtag about the eagle stickers, that feature some phrases previously used by China’s Foreign Ministry, has now been taken offline.

Manya Koetse

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On January 30, the American Embassy in China announced the launch of its very own series of social media gifs, a special ’emoticon collection’ (表情包), featuring a little, somewhat silly cartoon eagle.

The U.S. Embassy launched the eagle series on WeChat and also announced the series on their Weibo account, writing that the eagle made its first public appearance in light of the festivities surrounding the Chinese New Year.

The eagle is called “Xiaomei” or “Little Mei” (鹰小美). The ‘mei’ is part of 美国 Měiguó, Chinese for the ‘United States,’ but měi also means beautiful and pretty.

The American embassy issued a total of 16 different animated stickers, and they’re intended to be used on Tencent’s WeChat, where users can download all kinds of different emoticons or stickers to use in conversations.

WeChat users often use many different animated stickers in conversations to express emotions, make jokes, or increase the festive mood (by sending out celebratory New Year’s or birthday etc gifs). Users can download new and preferred sticker packages through the app’s sticker section.

One sticker shows Xiaomei with a festive decoration with 福 () for blessing and prosperity, wishing everyone a happy start to the Chinese Lunar New Year. There are also stickers showing the texts “happy winter,” “hi,” and “thank you.”

Another sticker in the series that has triggered some online responses is one that shows the eagle with a surprised look, wiping its eyes, with the words “wait and see” written above. The Chinese expression used is 拭目以待 shìmù yǐdài, to eagerly wait for something to happen, literally meaning to wipe one’s eyes and wait.

This same expression was often used by the Chinese Foreign Ministry spokesperson Zhao Lijian (赵立坚) during press conferences, and he also used it in 2022 when responding to questions related to Nancy Pelosi’s controversial visit to Taiwan and how the Chinese military would respond (e.g. he first used “wait and see” in the context of waiting to see if Pelosi would actually dare to go to Taiwan or not). But Zhao also used “please wait and see” (请大家拭目以待) when foreign reporters asked him how China would respond to the announced U.S. boycott of the Winter Olympics in 2021.

The Little Mei emoji triggered the most responses as some netizens felt it was meant as a sneer to the Chinese Foreign Ministry.

One of Little Mei’s quotes is also “remain calm” (保持冷静 bǎochí lěngjìng), which was – perhaps coincidentally – also often used by Zhao in the context of the war in Ukraine and to refer to other international conflicts or tensions (“all parties should remain calm”). The animated sticker also has olive branches growing behind the eagle.

It recently became known that Zhao, who became known as the ‘Wolf Warrior’ diplomat, was removed as the Foreign Ministry spokesperson and was moved to the Department of Boundary and Ocean Affairs.

Especially in the context of Zhao leaving his post, some wondered why the U.S. Embassy would use phrases related to his press conferences for their new emoticons.

Although some people suggested the WeChat stickers were not launched in China with good intentions, others appreciated the humorous visuals and felt it was funny. Some also joked that America was infiltrating Chinese social media with its cultural export (“文化输出”), and others wondered if they could not also introduce some other stickers with more Chinese Foreign Ministry popular phrases on them.

A hashtag related to the topic made its rounds on Weibo on Tuesday (#美驻华大使馆上线鹰小美表情包#), but the topic suddenly was taken offline on Tuesday evening local time, along with some of the media reports about the remarkable WeChat series.

The WeChat stickers are still available for downloading by scanning the QR code below through WeChat.

By Manya Koetse , with contributions by Miranda Barnes

 

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