China Arts & Entertainment
The Resurgence of the Tiger Dad: Fathers Pushing Their Daughters – for Whose Good?
With the recent success of the 5-year-old Chinese piano prodigy Chen Anke (陈安可) and the popularity of Indian movie Dangal in the PRC, the phenomenon of dads raising their daughters with strict discipline has become a topic of conversation on Chinese social media. Is the tiger dad making a comeback?
On a recent episode of NBC’s Little Big Shots, the 5-year-old Chinese piano prodigy Chen Anke (陈安可) stunned American audiences with her piano skills. On May 30, Pear Video released a detailed interview with Chen’s father, who claimed that “playing the piano is the only way to realize her [Anke’s] life values.”
On the big screen, meanwhile, the Bollywood blockbuster Dangal is a record success at China’s box offices. The movie is based on the true family story of an authoritative father who trains his daughters to become world wrestling champions. The film recently turned into China’s the biggest winner of the box office (1 billion yuan, equals $150 million).
The phenomenon of the ‘tiger mother’, a strict mom who pushes her children to be successful, became popular through the 2011 book Battle Hymn of the Tiger Mother by Amy Chua. Recent trends seem to signal a reevaluation of the stern, disciplinary father. On social media, many wonder why these fathers are pushing their daughters, and for whose good they actually do it.
A TOUGH CHILDHOOD
“It’s very possible that she will hate me in the future.”
The hashtag “Chinese piano girl stuns American audiences” has occupied the top searching lists on Sina Weibo, with many users praising Anke’s talents and hard efforts.
“Having just learned to play the piano for two years and four months, Anke now is able to play the pieces of grade 10 [the highest level before the ARCT],” Chen’s father Dongzhi Chen proudly told a reporter. He determinedly expressed his goals to train Anke to be a piano master and “the second Lang Lang” to China.
Little Anke playing Bach and Mozart.
This is also what Anke told NBC’s host Steve Harvey when he asked the 5-year-old about her future dreams. But later, when he asked her the question “How did you start to play?”, she replied: “Dad wanted me to.”
Since her American television adventure, Anke has returned to her tightly scheduled life that revolves around the piano. She practices 4 hours a day, takes master’s classes at the Central Conservatory of Music, goes to concerts, and has dinner with fellow piano players. In the evenings when she has dinner with her dad, he makes her watch piano concerts on the computer.
In the Pear video (see video), Anke initially almost seems to be a carefree girl- running around her dad like a butterfly. But the video report also shows how her father continuously sternly warns and commends his daughter to “listen to your father”, stop “fiddling around,” “stop wasting time and play the piano,” or to “show a happy face.”
The video also includes a short scene where Anke goes downstairs hoping to play with some friends, only to find herself alone: “My friends have probably all forgotten about me,” she says as she silently watches other children play on the basketball field.
Subtitle: “Don’t give me a bitter face.” (Screenshot of Pearvideo.)
“It’s very possible that she will hate me in the future. But I think it is the only way to realize her life values,” Dongzhi Chen says in the video: “I know this is the hardest route for her and I’ve expected the worst. But I believe if she can play the piano well, she will be smart and successful in doing other things too.”
UNFULFILLED DREAMS
“I want my daughter to explore the ultimate beauty of music for me.”
Being a student of conservatory of music was a dream of Chen himself, but it did not happen because Chen’s family did not have the money for it. He explains: “Therefore, I want my daughter to continue to explore the ultimate beauty of music for me.”
Chen’s story resonates with that of China’s highest-grossing Indian film Dangal (摔跤吧爸爸). In this true story, a former wrestler has the unfulfilled dream to win a gold medal for India. He swears to train his future son to achieve this dream for him. But when he only has daughters, he decides to train them instead to become India’s first female champion wrestlers.
Chinese film poster of Dangal.
The film has received much praise from Chinese audiences. The movie received the high score of 9.2 out of 10 on Douban.com, a popular Chinese reviewing website for films or books.
The great popularity of Dangal in China is not coincidental. China and India share some common cultural characteristics. Both countries attach importance to filial piety, emphasize patriotism in sports, and promote “painful education” (苦难教育). The latter is especially visible in Dangal, where the father makes his daughters get up at 5 AM every day for training and makes them cut off their long hair.
State-owned news media Xinhua recently published an article about family values that can be learned from this film. The article says: “These Indian girls had no choice of life at all. It was their father who forced them and offered them new possibilities. In the perspective of gaining skills and obtaining knowledge, education is painful and is against one’s own instinct […] Parents need to lead their children and show them the way, as they don’t have the ability to judge for themselves.”
On Sohu, a recent article that received nearly 20 million views called on Chinese parents to “form a community” with their children. It said: “The medal is a joint achievement shared by father and daughter. Studying is a process of co-operation.”
STRICT FATHERS, KIND MOTHERS
“If she would end up with a nine-to-five job, I would consider it a failure.”
In the Pear Video interview, the reporter asks Anke’s father if he will provide his daughter with more choices in the future. He answers: “She can have many choices, but this road [that I chose for her] will be doomed to fail if that happens.”
Anke’s ‘tiger dad’: “I hope she will pursue music all her life.”
Chinese parents have a long-standing reputation for being strict, and for making huge sacrifices for their children’s education. Anke’s father is no exception; he is so determined to train a child music prodigy that he seems to be ready to deal with any hardships that might come. But why are these ‘tiger dads’ so desperate to push their daughters to become superstars?
Socio-economic reasons play a major role. According to a study by McKinsey & Company, 76% of China’s urban population will be considered middle class by 2022. With this explosive growth of the emerging middle class, many Chinese parents see education as a crucial factor to improve the social mobility of their children.
For girls, this is especially important. The traditional patriarchal culture in China has negatively affected the social status of women throughout history. In contemporary society, their roles as wives and mothers are still often prioritized once they have babies. But as an indirect consequence of China’s one child policy, daughters have come to play a more important role in the family, generally receiving more parental attention and a better education than in the decades preceding the policy.
The role of the father in being the one who makes the most important decisions on children’s education comes from a long-standing tradition. An old Chinese saying “strict father, kind mother” (严父慈母) describes parenting in traditional Chinese society, where fathers are the stern disciplinarians who have more to say about their children’s education and than the mother. The mother’s role, traditionally, was defined by the persisting idea of “men rule outside, women rule inside” (“男主外，女主内”); meaning that women should be confined to the ‘inside’ sphere of family and home, occupying themselves with the household, while men deal with the ‘outside’ world of work, finances, community, etc.
The Chinese cultural concept of ‘mianzi‘ or ‘face’ also plays an important role. Representing a person’s reputation and prestige, parents gain ‘face’ when their children succeed. An ‘unsuccessful’ child would be a father’s shame.
As Anke’s father tells Pear Video: “If she would end up with a nine-to-five job, such as working in a musical instruments store, I would consider it a failure.”
FOR WHOSE GOOD?
“He just sits there and acts like he’s the kid’s almighty God.”
Debates on whether or not children with so-called ‘tiger parents’ are more successful in life than children with a more relaxed upbringing have been around for a long time. On the Weibo page of Pear Video, commenters also express opposite viewpoints, triggering heated discussions.
One comment, receiving the most likes, said: “If this little girl is truly happy to play the piano, and she sure seems to be very gifted and willing to do so, I don’t think there’s any reason to criticize her father.”
Others also praised Dongzhi Chen, writing: “This dad is really awesome. Anyone who has kids will know that you can never force a child to do something. The media always wants to point out [these stories about] fathers who will force their own dreams upon their children, but the fact is that if the kid doesn’t want to do it, it won’t happen – no matter how she is pushed by her dad. The reason why this girl is so good now is because of her father’s guidance and education.”
But there are also those who oppose to the father’s parenting style: “I really hate this kind of parent. It’s fine to lead or guide your kid if she excels in some areas, but I feel disgusted that he just sits there and acts like he’s the kid’s almighty God.”
Some disapprovingly say: “He already has himself, why does he need a second person like him?”
There are also commenters who say that watching Dangal has changed their outlook: “After I watched this film, my attitude towards these kind of parents has changed completely.”
Others agreed, saying: “This movie truly is an inspiration – it is an encouragement for the tiger dad (虎父).”
– By Yue Xin
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Additional editing by Manya Koetse
©2017 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.
China Arts & Entertainment
Singing Competition or Patriotic Fight? Hunan TV’s ‘Singer 2024’ Stirs Nationalistic Sentiments
“I’m in Zibo eating barbecue, I really don’t feel like listening to Alicia Keys.” Hunan TV’s ‘Singer 2024’ has set off a new wave of national pride in China’s music and performers.
In May, while the whole of Europe was gripped by the Eurovision Song Contest frenzy, Chinese audiences were eagerly anticipating the return of their own beloved singing competition, Singer 2024 (@湖南卫视歌手), formerly known as I Am a Singer (我是歌手).
The show, introduced from South Korea’s MBC Television and popular in China since 2013, only features professional singers who have already made a name for themselves.
Rather than watching unknown aspiring singers who are hoping to be discovered in many singing competitions, such as Sing! China, Singer 2024 gives audiences a show filled with professional and often stunning show performances by established names in the entertainment industry.
Since 2013, renowned singers from China and abroad have appeared on the show, including Chinese vocalist Tan Jing (谭晶), British pop singer Jessie J, and the late Hong Kong pop diva Coco Lee. However, no season managed to create as many waves as the 2024 season did, dominating all social media trending topics overnight.
So, what exactly happened?
COMPETING WITH FOREIGNERS
“The difference between the Grammys and the Strawberry Musical Festival”
In early May, the pre-show promotion of Singer 2024 was already buzzing on Chinese social media after a list of featured singers appeared on Weibo, including big names such as American singer-songwriter Bruno Mars, Korean-New Zealand singer Rosé from Blackpink, and Japanese diva LiSA.
Although Singer previously had many foreign singers on the show, this international celebrity lineup still caused a stir.
On the day of the first episode, only two foreign singers were announced to appear on the show: young Moroccan-Canadian singer Faouzia and the Grammy-nominated American singer-songwriter Chanté Moore. The other contestants were all Chinese singers who are already well-known among Chinese audiences. Because many people were unfamiliar with the two foreign singers, they joked that the winner of this season was already set in stone; surely it would be the famous Chinese singer Na Ying (那英), known for her beautiful voice.
However, that first episode surprised everyone as the two foreign singers, Faouzia and Chanté Moore, showed outstanding vocal skills. This not only startled many viewers but also made the Chinese contestants uneasy. Several experienced Chinese singers apparently were so unnerved after watching Faouzia and Chanté Moore’s performance that their voices trembled when singing.
Since the show was broadcast live – without post-production editing or autotune – audiences got to hear the actual vocal capabilities and see performers’ genuine reactions. It seemed undeniable that the foreign contestants did much better in terms of vocals and stage presence than the Chinese ones. Some online commenters even said that the gap between Chinese and foreign singers’ levels was like “the difference between the Grammys and the Strawberry Musical Festival” [a local Chinese music festival].
Chinese online influencer Yongkai (@陈咏开165) shared screenshots of Chanté Moore’s backstage reactions during the show. The American celebrity seemed puzzled when hearing the somewhat underwhelming performance by Chinese singer Yang Chenglin (楊丞琳), and she appeared much more positive when Na Ying sang.
This noteworthy scene, coupled with Chanté’s comments during an interview saying that she thought the Chinese production team had invited her on the show to be a judge, turned the entire show into a display of foreign singers outshining the Chinese contestants.
By the end of the first episode, Chanté Moore and Faouzia unsurprisingly ranked first and second, with Na Ying in third place.
After the show, some online commenters jokingly pointed out that Na Ying, being of Manchu descent like the rulers of China during the Qing Dynasty, showed some similarities to Empress Dowager Cixi’s defiance against Western colonizers in the way she “single-handedly took up against on foreigners” on the show.
They humorously turned Na Ying’s expressions into memes resembling Empress Dowager Cixi from an old Chinese TV show, with captions like “I want the foreigners dead” (“我要洋人死”).
Others suggested finding better Chinese singers for the show who could compete with Faouzia and Moore.
“SINGING WELL” CULTURALLY COLONIZED?
“I’m in Zibo eating BBQ, I really don’t want to listen to Alicia Keys.”
Initially, discussions about the show were light-hearted and humorous, until some netizens who couldn’t appreciate the jokes began to dampen the mood and made online discussions more serious.
Zou Xiaoying (@邹小樱), a music critic with nearly two million followers, posted on social media after the show, stating that he would have never voted for Chanté Moore or Faouzia. Not only did Zou question their vocal talent, he also wondered if the aesthetic of Chinese listeners had been influenced by Western music taste to such an extent that it has been “culturally colonized” (“文化殖民”). Meanwhile, he praised the members of Beijing rock band Second Hand Rose as “national heroes” (“民族英雄”).
He wrote:
If I had three votes for the first episode of “Singer 2024,” I’d vote for Second Hand Rose, Na Ying, and Silence Wang [note: Chinese singer-songwriter and record producer Wang Sushuang 汪苏泷]. The reason I wouldn’t vote for Chanté Moore or Faouzia is because — do they actually sing so well?
Has our definition of “singing well” perhaps been colonized? Just as our modern-day use of Chinese has little to do with our classical Chinese poems, with the foundation of modern Chinese actually being translations from the 20th century, is this also a form of ‘cultural colonization’?
You must think I’m talking nonsense again. But when I listen to Chanté Moore singing “If I Ain’t Got You,” I find it too boring. I know her singing is “good,” but this “good” has nothing to do with me. If, for Chinese listeners, Chanté Moore’s “good” is the standard, then is that what we in the music industry should be working towards? Isn’t that funny? When you open QQ Music or NetEase Cloud Music, and it recommends these songs to you every day, won’t you be convinced to practice again?
Of course, I know Chanté Moore is in good shape, very relaxed. Actually all of the Chinese singers tonight were very nervous. Yang Chenglin (杨丞琳) was nervous, Na Ying was also nervous. Even a seemingly carefree band like Second Hand Rose, if you listened to the introduction of their song, [you’ll find] they were so nervous that Yao Lan, supposedly “China’s No.1 Guitarist”, was so nervous that he hit the wrong note. It was not even a fast-paced solo (…), how nervous could he be? When everyone’s so tense, the confidence of Chanté Moore and Faouzia is indeed something that East Asia can’t match. In East-Asian [entertainment] circles, represented by China/Japan/Korea, our different cultural habits, upbringing, and ethnic characteristics have made it so that we don’t possess these kinds of singing abilities, even including our ways of emotional expression. I don’t know from which season it started with ‘Singer’ – and if it’s some kind of Catfish Effect (鲶鱼效应 ) – that they brought international singers with different cultural backgrounds into the competition. But this isn’t the Olympics, it’s not like Liu Xiang [刘翔, Chinese gold medal hurdler] is going to defeat opponents from the United States or Cuba. “I’m in Zibo eating barbecue, I really don’t feel like Alicia Keys.” (This line is not mine, I stole it from my WeChat friend).
Because of this, I find Second Hand Rose even more rare and precious. It’s just like I used to love asking: If you could only recommend one Chinese band to your foreign friends, which one would you recommend? Some say it’s New Pants (新裤子), some say it’s Omnipotent Youth Society, but my answer will always be Second Hand Rose. ‘The drama of Monkey King is a national treasure,’ its light will always shine. Facing the gunfire of Western powers, Second Hand Rose is standing on the frontline, they are our national heroes. Indeed, the band itself was nervous, (..), but when Chanté Moore goes off like a singing dolphin, we are fortunate to have Second Hand Rose at the frontline; the Chinese sons and daughters are building the Great Wall of Music of flesh and blood.
Because of this, I find Second Hand Rose even more rare and precious. It’s just like I used to love asking: If you could only recommend one Chinese band to your foreign friends, which one would you recommend? Some say it’s New Pants (新裤子), some say it’s Omnipotent Youth Society, but my answer will always be Second Hand Rose. ‘The drama of Monkey King is a national treasure,’ its light will always shine. Facing the gunfire of Western powers, Second Hand Rose is standing on the frontline, they are our national heroes. Indeed, the band itself was nervous, (..), but when Chanté Moore goes off like a singing dolphin, we are fortunate to have Second Hand Rose at the frontline; the Chinese sons and daughters are building the Great Wall of Music of flesh and blood.
Anyway, no matter if they’re strong or not, I would never vote for the foreigner.
The comment about ‘I’m in Zibo eating barbecue, I really don’t feel like [listening to] Alicia Keys’ refers to the craze surrounding China’s ‘BBQ town’ Zibo. In Zibo, Chinese visitors like to sing, drink beer, and enjoy food together; it’s a simple and modest way of appreciating life and music, which contrasts with slick and smooth American or foreign styles of performing and singing.
Whether Zou’s criticism was for attention or genuine sentiment, it shifted the focus of the discussion from music to patriotism.
CHINESE SINGERS WITH MILITARISTIC UNDERTONES
“I volunteer to join the battle”
Amidst all this, some netizens, easily swayed by nationalist sentiments, began to seek help from the “national team” (国家队) of singers — musicians employed by national-level arts troupes — to “bring glory to the nation” and teach the foreigners a lesson. Some even questioned the intentions of the Singer 2024 TV show in inviting foreign singers to participate.
On May 12th, renowned Chinese singer and philanthropist Han Hong (韩红) posted on Weibo, fueling a wave of sentiment and support. In her post, Han Hong declared, “I am Chinese singer Han Hong, and I volunteer to join the battle,” tagging the production team of the TV show. Her invitation to join the battle quickly went viral.
Han Hong meme: “Who called for me?”
Han Hong has significant influence in the Chinese music industry and society as a whole. Her usual serious demeanor and avoidance of internet pop culture made netizens unsure whether she was joking or serious. Nevertheless, regardless of her intentions, a group of well-known singers began to volunteer via Weibo, emphasizing their identity as “Chinese singers” and using phrases with strong militaristic undertones like “fighting for the country” and “answering the call.”
Although many enjoyed this new wave of national pride in Chinese music and performers, some netizens criticized the trend of transforming an entertainment show into a nationalistic competition.
Film critic He Xiaoqin (何小沁) stated, “It’s okay to take the Qing-Dynasty-fighting-foreigners comparison as a joke, but taking it too seriously in today’s context is absurd.”
Others expressed fatigue with how quickly topics on Chinese internet platforms escalate to patriotic sentiments. To bring the focus back to entertainment, they turned “I volunteer to join the battle” (#我请战#) into a new internet catchphrase.
In response, the production team of Singer 2024 released a statement on Weibo, thanking all the singers for their self-recommendations. They emphasized the show’s competitive structure but clarified that “winning” is just one part of a singer’s journey..but that the love of music goes beyond all in connecting people, no matter where they’re from.
By Ruixin Zhang, edited with further input by Manya Koetse
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China Arts & Entertainment
“Old Bull Eating Young Grass”: 86-Year-Old Chinese Painter Fan Zeng Marries 36-Year-Old Xu Meng
Online reactions to the news of Fan’s marriage to Xu Meng, his fourth wife, reveal that the renowned artist is not particularly well-liked among Chinese netizens.
Recently, the marriage of a 86-year-old Chinese painter to his bride, who is half a century younger, has stirred conversations on Chinese social media.
The story revolves around renowned Chinese artist, calligrapher, and scholar Fan Zeng (范曾, 1938) and his new spouse, Xu Meng (徐萌, 1988). On April 10, Fan announced their marriage through an online post accompanied by a picture.
In the picture, Fan is seen working on his announcement in calligraphic form.
Fan Zeng announces his marriage on Chinese social media.
In his writing, Zeng shares that the passing of his late wife, three years ago, left him heartbroken, and a minor stroke also hindered his work. He expresses gratitude for Xu Meng’s care, which he says led to his physical and mental recovery. Zeng concludes by expressing hope for “everlasting harmony” in their marriage.
Fan Zeng is a calligrapher and poet, but he is primarily recognized as a contemporary master of traditional Chinese painting. Growing up in a well-known literary family, his journey in art began at a young age. Fan studied under renowned mentors at the Academy of Fine Arts in Beijing, including Wu Zuoren, Li Keran, Jiang Zhaohe, and Li Kuchan.
Fan gained global acclaim for his simple yet vibrant painting style. He resided in France, showcased his work in numerous exhibitions worldwide, and his pieces were auctioned at Sotheby’s and Christie’s in the 1980s.[1] One of Fan’s works, depicting spirit guardian Zhong Kui (钟馗), was sold for over 6 million yuan (828,000 USD).
Zhong Kui in works by Fan Zeng.
In his later years, Fan Zeng transitioned to academia, serving as a lecturer at Nankai University in Tianjin. At the age of 63, he assumed the role of head of the Nankai University Museum of Antiquities, as well as holding various other positions from doctoral supervisor to honorary dean.
By now, Fan’s work has already become part of China’s twentieth-century art history. Renowned contemporary scholar Qian Zhongshu once remarked that Fan “excelled all in artistic quality, painting people beyond mere physicality.”
A questionable “role model”
Fan’s third wife passed away in 2021. Later, he got to know Xu Meng, a presenter at China Traffic Broadcasting. Allegedly, shortly after they met, he gifted her a Ferrari, sparking the beginning of their relationship.
A photo of Xu and her Hermes Birkin 25 bag has also been making the rounds on social media, fueling rumors that she is only in it for the money (the bag costs more than 180,000 yuan / nearly 25,000 USD).
On Weibo, reactions to the news of Fan’s marriage to Xu Meng, his fourth wife, reveal that the renowned artist is not particularly well-liked among netizens. Despite Fan’s reputation as a prominent philanthropist, many perceive his recent marriage as yet another instance of his lack of integrity and shamelessness.
Fan Zeng and Xu Meng. Image via Weibo.
One popular blogger (@好时代见证记录者) sarcastically wrote:
“Warm congratulations to the 86-year-old renowned contemporary erudite scholar and famous calligrapher Fan Zeng, born in 1938, on his marriage to Ms Xu Meng, a 50 years younger 175cm tall woman who is claimed to be China’s number one golden ratio beauty. Mr Fan Zeng really is a role model for us middle-aged greasy men, as it makes us feel much less uncomfortable when we’re pursuing post-90s youngsters as girlfriends and gives us an extra shield! Because if contemporary Confucian scholars [like yourself] are doing this, then we, as the inheritors of Confucian culture, can surely do the same!“
Various people criticize the fact that Xu Meng is essentially just an aide to Fan, as she can often be seen helping him during his work. One commenter wrote: “Couldn’t he have just hired an assistant? There’s no need to turn them into a bed partner.”
Others think it’s strange for a supposedly scholarly man to be so superficial: “He just wants her for her body. And she just wants him for his inheritance.”
“It’s so inappropriate,” others wrote, labeling Fan as “an old bull grazing on young grass” (lǎoniú chī nèncǎo 老牛吃嫩草).
Fan is not the only well-known Chinese scholar to ‘graze on young grass.’ The famous Chinese theoretical physicist Yang Zhenning (杨振宁, 1922), now 101 years old, also shares a 48-year age gap with his wife Weng Fen (翁帆). Fan, who is a friend of Yang’s, previously praised the love between Yang and Weng, suggesting that she kept him youthful.
Older photo posted on social media, showing Fan attending the wedding ceremony of Yang Zhenning and his 48-year-younger partner Weng Fen.
Some speculate that Fan took inspiration from Yang in marrying a significantly younger woman. Others view him as hypocritical, given his expressions of heartbreak over his previous wife’s passing, and how there’s only one true love in his lifetime, only to remarry a few years later.
Many commenters argue that Fan Zeng’s conduct doesn’t align with that of a “true Confucian scholar,” suggesting that he’s undeserving of the praise he receives.
“Mr. Wang from next door”
In online discussions surrounding Fan Zeng’s recent marriage, more reasons emerge as to why people dislike him.
Many netizens perceive him as more of a money-driven businessman rather than an idealistic artist. They label him as arrogant, critique his work, and question why his pieces sell for so much money. Some even allege that the only reason he created a calligraphy painting of his marriage announcement is to profit from it.
Others cast doubt on his status as a Chinese calligraphy ‘grandmaster,’ noting that his calligraphy style is not particularly impressive and may contain typos or errors. His wedding announcement calligraphy appears to blend traditional and simplified characters.
Netizens have pointed out what looks like errors or typos in Fan’s calligraphy.
Another source of dislike stems from his history of disloyalty and his feud with another prominent Chinese painter, Huang Yongyu (黄永玉). Huang, who passed away in 2023, targeted Fan Zeng in some of his satirical paintings, including one titled “When Others Curse Me, I Also Curse Others” (“人骂我，我亦骂人”). He also painted a parrot, meant to mock Fan Zeng’s unoriginality.
Huang Yongyu made various works targeting Fan Zeng.
In retaliation, Fan produced his own works mocking Huang, sparking an infamous rivalry in the Chinese art world. The two allegedly almost had a physical fight when they ran into each other at the Beijing Hotel.
Fan Zeng mocked Huang Yongyu in some of his works.
Fan and Huang were once on good terms though, with Fan studying under Huang at the Central Academy of Fine Arts in Beijing. Through Huang, Fan was introduced to the renowned Chinese novelist Shen Congwen (沈从文, 1902-1988), Huang’s first cousin and lifelong friend. As Shen guided Fan in his studies and connected him with influential figures in China’s cultural circles, their relationship flourished.
However, during the Cultural Revolution, when Shen was accused of being a ‘reactionary,’ Fan Zeng turned against him, even going as far as creating big-character posters to criticize his former mentor.[2] This betrayal not only severed the bond between Shen and Fan but also ended Fan’s friendship with Huang, and it is still remembered by people today.
Fan Zeng’s behavior towards another former mentor, the renowned painter Li Kuchan (李苦禪, 1899-1983), was also controversial. Once Fan gained fame, he made it clear that he no longer respected Li as his teacher. Li later referred to Fan as “a wolf in sheep’s clothes,” and apparently never forgave him. Although the exact details of their falling out remain unclear, some blame Fan for exploiting Li to further his own career.
There are also some online commenters who call Fan Zeng a “Mr Wang from next door” (隔壁老王), a term jokingly used to refer to the untrustworthy neighbor who sleeps with one’s wife. This is mostly because of the history of how Fan Zeng met his third wife.
Fan’s first wife was the Chinese female calligrapher Lin Xiu (林岫), who came from a wealthy family. During this marriage, Fan did not have to worry about money and focused on his artistic endeavours. The two had a son, but the marriage ended in divorce after a decade. Fan’s second wife was fellow painter Bian Biaohua (边宝华), with whom he had a daughter. It seems that Bian loved Fan much more than he loved her.
It is how he met his third wife that remains controversial to this day. Nan Li (楠莉), formerly named Zhang Guiyun (张桂云), was married to performer Xu Zunde (须遵德). Xu was a close friend of Fan, and helped him out when Fan was still poor and trying to get by while living in Beijing’s old city center.
Wanting to support Fan’s artistic talent, Xu let Fan Zeng stay over, supported him financially, and would invite him for meals. Little did he know that while Xu was away to work, Fan enjoyed much more than meals alone; Fan and Xu’s wife engaged in a secret decade-long affair.
When the affair was finally exposed, Xu Zunde divorced his wife. Still, they would use his house to meet and often locked him out. Three years later, Nan Li officially married Fan Zeng. Xu not only lost his wife and friend but also ended up finding his house emptied, his two sons now bearing Fan’s surname.
When Nan Li passed away in 2021, Fan Zeng published an obituary that garnered criticism. Some felt that the entire text was actually more about praising himself than focusing on the life and character of his late wife, with whom he had been married for forty years.
Fan Zeng and his four wives
An ‘old pervert’, a ‘traitor’, a ‘disgrace’—there are a lot of opinions circulating about Fan that have come up this week.
Despite the negativity, a handful of individuals maintain a positive outlook. A former colleague of Xu Meng writes: “If they genuinely like each other, age shouldn’t matter. Here’s to wishing them a joyful marriage.”
By Manya Koetse
[1]Song, Yuwu. 2014. Biographical Dictionary of the People’s Republic of China. United Kingdom: McFarland & Company, 76.
[2]Xu, Jilin. 2024. “Xu Jilin: Are Shen Congwen’s Tears Related to Fan Zeng?” 许纪霖：沈从文的泪与范曾有关系吗？ The Paper, April 15. https://www.thepaper.cn/newsDetail_forward_27011031. Accessed April 17, 2024.
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Weibo Watch: The Future is Here
“Bye Bye Biden”: Biden’s Many Nicknames in Chinese
Enjoying the ‘Sea’ in Beijing’s Ditan Park
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Weibo Watch: Get Up, Stand Up
The Tragic Story of “Fat Cat”: How a Chinese Gamer’s Suicide Went Viral
“Old Bull Eating Young Grass”: 86-Year-Old Chinese Painter Fan Zeng Marries 36-Year-Old Xu Meng
A Brew of Controversy: Lu Xun and LELECHA’s ‘Smoky’ Oolong Tea
Singing Competition or Patriotic Fight? Hunan TV’s ‘Singer 2024’ Stirs Nationalistic Sentiments
Zara Dress Goes Viral in China for Resemblance to Haidilao Apron
Weibo Watch: The Battle for the Bottom Bed
About the “AI Chatbot Based on Xi Jinping” Story
China’s Intensified Social Media Propaganda: “Taiwan Must Return to Motherland”
Weibo Watch: Telling China’s Stories Wrong
Saying Goodbye to “Uncle Wang”: Wang Wenbin Becomes Chinese Ambassador to Cambodia
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China Insight3 months agoThe Tragic Story of “Fat Cat”: How a Chinese Gamer’s Suicide Went Viral
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China Digital10 months agoToo Sexy for Weibo? Online Discussions on the Concept of ‘Cābiān’
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China Arts & Entertainment12 months agoBehind 8 Billion Streams: Who is Dao Lang Cursing in the Chinese Hit Song ‘Luocha Kingdom’?