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Behind the Rise and Fade of China’s Literary Sensation Fan Yusu

Beijing migrant worker Fan Yusu became an overnight sensation when her autobiographical essay “I Am Fan Yusu” went viral on Chinese social media in late April 2017. The author has since gone into hiding and her essay has been removed. What’s behind the sudden rise and silent disappearance of China’s biggest literary sensation of 2017?

Manya Koetse

Published

on

Beijing migrant worker Fan Yusu became an overnight sensation when her autobiographical essay “I Am Fan Yusu” went viral on Chinese social media in late April 2017. The author has since gone into hiding and her essay has been removed. What’s behind the sudden rise and silent disappearance of China’s biggest literary sensation of 2017?

Fan Yusu was the name on everybody’s WeChat in late April and early May of this year. An essay titled “I Am Fan Yusu” (“我是范雨素,” full translation here) spread like wildfire over Chinese social media, seemingly coming out of nowhere.

In some ways, the popularity of the essay in China is comparable to the recent hype over Alex Tizon’s essay “My Family’s Slave” on Western social media; this non-fiction story about ‘Lola’ Eudocia Tomas Pulido from the Philippines, who lived as a modern slave with an American family for 56 years, went viral on Twitter and Facebook in May. It gripped its many readers for exposing poignant problems in modern-day society that usually stay behind closed doors.

Fan Yusu’s account, in its own way, also revealed the harsh realities of an ever-changing society. China has an estimated 282 million rural migrant workers. The autobiographical tale focuses on the difficult childhood and adult life of one person amidst these 282 million – Fan Yusu herself.

Fan Yusu on April 25, 2017. Photo by Sina Finance.

“I Am Fan Yusu” was first published on Noonstory.com, an online literary platform by Shanghai news outlet Jiemian. A year prior to its publication, one of their journalists (Dan Bao 淡豹) headed out to Picun for an interview. Picun is a migrant village on the outskirts of Beijing, not far from the capital’s airport. It was here that Jiemian learned about the local literary club and its many poems and essays. One of these works titled “My Brother’s Dream” particularly stood out to them. It was written by the 44-year-old Fan Yusu, and the editor soon decided to publish her first story (“农民大哥”) in May of 2016.

A year later, Jiemian published a second essay by Fan, not expecting that it was this piece that would soon hit three million views and go viral across the country.

 

HER STORY

“Am I living in the Qing dynasty or is this new socialist China?”

 

In “I Am Fan Yusu“, Fan recounts her impoverished childhood in a rural village in Xiangyang, Hebei. Fan came to Beijing at the age of 20. Being a clumsy waitress with low expectations for her future, she rushed into an unhappy marriage with an alcoholic husband and had two daughters. When her marriage turned violent, she returned to her hometown for help. It was here that she discovered she was “merely a passer-by” in the village where she was born and raised. Her brothers could, but were not willing to help; her mother wanted to, but could not help.

Being the youngest of five siblings, Fan already learned at a young age that men have the final say in China’s countryside. Although her mother was a powerful local politician for more than forty years, she resigned from her official post the moment Fan’s oldest brother objected to his mother’s work.

The twenty-something Fan then returned to Beijing and took on a job as a nanny in a rich family, leaving her own two daughters behind in the village of Picun, where many other children grow up without a mother. She writes about life as a babysitter for the child of her boss’s mistress, while his dressed-up young wife waits on the sofa every night for her husband’s return: “I wondered if I was living in the Qing dynasty or if this was new socialist China.”

Gate at village of Picun, Beijing.

Despite her low educational background, Fan always had a thirst for knowledge and became a well-read person with a love for writing and literature. “If a person cannot feel happiness or satisfaction in life,” she writes: “they simply aren’t reading enough novels.”

 

ONE VOICE OUT OF MILLIONS

“We are all Fan Yusu.”

 

Thousands of netizens shared Fan’s essay shortly after it was published online. They responded to it with praise, saying it was a “unique piece of work” and even “Nobel-Prize worthy.” Why did specifically this essay become so hyped on Chinese social media?

The answer can be found in both the person of Fan Yusu herself as in her essay. The piece appealed to people because it uses simple yet powerful language. Some called it “unpolished”; a reflection of Fan’s own life and society at large.

The fact that Fan Yusu is in her forties, a single mother of two, and a migrant worker who has had a difficult life, makes her story carry more weight. She represents a voice that is generally lost in a media environment that is dominated by the middle class.

The popularity of this account also shows that a migrant worker with a low educational status can still be a successful writer. At a 2015 social gathering, Fan already mentioned that “‘migrant worker’ is not a derogatory term, just as ‘artist’ is not an elite one.”

“I Am Fan Yusu” also touches upon numerous issues such as domestic violence, divorce, gender inequality, the poor and rich divide, and a lacking healthcare system. These being issues that a lot of people have to deal with, the catchphrase “We are all Fan Yusu” (“我们都是范雨素”) soon made its rounds on WeChat and Weibo.

 

A NEW LITERARY MOVEMENT?

“Many in China’s elite literary circles do not touch upon society’s pain points the way Fan does.”

 

Fan Yusu’s account comes at a time when there is a surge of stories that tell the individual stories of ordinary people. An essay on Beijing’s crazy housing market titled “Housing Madness” (“房疯”) by an author named Chongzi (虫子) also saw its fair share of success in April of this year.

There is a growing appetite for these types of stories, and non-fiction websites such as Noonstory or Guyu Story provide a platform for them.

The popularity of such stories seems to relate to a growing weariness with established literature. On Weibo, many people shared their overall discontent with China’s literary circles in response to Fan’s essay. Many said they think of Chinese literature as being elitist and out of touch with ‘real life.’

Renowned author Zheng Shiping (Yefu) praised Fan’s writings in a recent interview.

This idea was backed by renowned novelist Zheng Shiping (a.k.a. Yefu 野夫), who applauded Fan’s writing in an interview in May. He criticized Chinese modern literature, saying that many in those “elite circles” never touch upon society’s pain points in the way Fan does.

Some Weibo netizens responded with sarcasm, saying: “Literature is literature. No matter if it touches upon society’s pain points or not, it always needs to follow the ideology of the Propaganda Department.”

 

ROOTLESS WOMEN OF CHINA

“A married daughter is like water that has been poured.”

 

Another major factor that has contributed to Fan’s sudden success, is that her account shows the disadvantaged position of women in China’s countryside. Rural women are often caught in a vulnerable position, facing various economic and social obstacles that hinder their emancipation.

“A married daughter is like water that has been poured,” is a saying about countryside women who go out to marry. They often leave the house empty-handed. Fan addresses this ‘floating life’ of rural women in her essay. Women from the countryside are ‘rootless’ because their status, location, and economic rights change depending on the role they have as daughter, bride, wife, daughter-in-law, or mother. All land ownership is generally in name of the fathers, husbands, and sons (Also see this article on China’s ‘rootless women’).

When a woman marries outside her hukou (household registration permit), she usually has to give up any benefits or rightful land ownership she had in her previous household. No matter if a woman gets married into a different household or joins China’s mass urbanization, she often is bound to end up in the lowest layers of society.

 

WHAT HAPPENED TO FAN YUSU?

“Why is Fan Yusu censored?”

 

Only three days after Fan Yusu’s essay went online and viral, the text disappeared from its original source [editor’s note: the essay is still available on some websites]. Different Chinese media reported that Fan Yusu, overwhelmed by the media’s attention, had gone into hiding in a mountainous village.

It was not just Fan’s essay, but also its reviews that were soon “harmonized” (被和谐, meaning ‘censored’). One popular Weibo blog titled “Why I Like Fan Yusu” was no longer accessible as of May 6 for “violating the rules” on Weibo. The sudden disappearance of the essay and its direct reviews also made many netizens wonder: “Why is Fan Yusu censored? (范雨素怎么被和谐了?)”

Although the real reasons are not exposed, there is ample speculation. In her account, Fan writes about her problems with social anxiety. The sudden attention for her personal life may have been so overwhelming that some suggested it is Fan herself who wanted her essay removed. Especially since there were also journalists who went to her Hebei hometown to interview her mother – something that she dreaded. “I’ve run into a sandstorm,” Fan Yusu reportedly told her friend about the flock of journalists swarming into her village.

But there were also those who said that reasons for censorship perhaps related to the fact that the account revealed details about the personal life of her former boss, a rich and powerful man who may have put a halt to online publications.

Another plausible option is that the publication was removed due to its criticism on Chinese society and politics. “Sharp criticism is just not allowed,” some people commented: “She is very realistic, and exposes some gloomy aspects [of society].” Although Chinese state media initially lauded Fan’s essay, it is possible that the hype surrounding it just grew too big too fast.

The sudden rise and disappearance of Fan Yusu has some resemblance to the hype surrounding Chai Jing and her documentary “Under the Dome” in 2015. This self-funded documentary on China’s pollution problem originally was supported by Chinese state media. It received over 200 million views before it was abruptly removed from Chinese websites a week after its release.

At the time, Greenpeace East Asia’s Calvin Quek told Bloomberg that it might had to do with the timing, just before the start of China’s plenary sessions: “It’s a reflection of some kind of political infighting that they chose to shut it down. The government censored the film because it got 200 million views, and they did not want it to dominate the twin conferences,” he said.

In Fan’s case, the hype came just before the Beijing One Belt, One Road Summit, a very significant event during and around which Chinese media emphasized the idea of China as a responsible and harmonious global leader.

Although Fan Yusu’s ‘sandstorm’ has gradually blown over by now, she still has not returned to her Picun home according to the latest media reports. Fan might have disappeared from the limelight for now, she is not forgotten.

Worker’s culture home in Picun (by Southern Weekend / 南方周末).

Fan Yusu is the voice of a social class often ignored; she is a shining example that migrant workers can influence and shape the world of Chinese literature today. The heightened media attention for “the writers of Picun” (article in Chinese) is just one manifestation of how Fan Yusu has already made her mark – an unerasable one.

– By Manya Koetse

©2017 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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Manya Koetse is the editor-in-chief of www.whatsonweibo.com. She is a writer and consultant (Sinologist, MPhil) on social trends in China, with a focus on social media and digital developments, popular culture, and gender issues. Contact at manya@whatsonweibo.com, or follow on Twitter.

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Backgrounder

These Are the Foreign Brands Apologizing to China amid Hong Kong Tensions

Who’s apologizing and why? An A-Z list of the foreign companies caught up in China’s online brand hunt.

Manya Koetse

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First published

Foreign luxury brands hoping to appease the Chinese market are walking on eggshells as the political crisis in Hong Kong is deepening. Chinese netizens and state media recently condemned foreign brands for showing any signs of disregarding the One-China Policy. An online witch hunt has begun: this is the list of brands.

While the political crisis in Hong Kong is deepening, the propaganda machine in mainland China is running at full speed to condemn anti-Beijing ‘rioters’ and promote the one-China principle.

As state media has been intensifying its news coverage on the situation in Hong Kong, with virtually all outlets using similar narratives, Chinese web users started to focus on foreign (luxury) brands and whether or not they list Hong Kong, Macau, or Taiwan as being part of China.

Starting on August 8, Chinese social media platform Weibo has seen dozens of hashtags taking over Chinese social media in relation to the big brand scandal; one foreign brand after the other was exposed as ‘ignoring’ China’s one-China principle on their website or products.

By the beginning of this week, the online brand hunt had almost become like an online contest, with thousands of netizens suggesting new brands that are allegedly not respecting China’s sovereignty.

Although the trend initially began with Chinese web users condemning brands -starting with Versace-, Chinese state media soon also reported about the online controversies and intensified the movement.

Communist Party newspaper People’s Daily wrote that Western brands are quick to apologize, but should also “learn from their mistakes” in the long run, and cannot disregard the One-China Policy if they want to do business in China.

“This is common knowledge, it’s the bottom line,” – online propaganda poster by People’s Daily shows foreign brands and a crack in the “One China” symbol.

State media outlet Global Times also published an illustration online, writing the slogan “China can’t be one bit less” (“中国一点都不能少”) that has been used by state media to emphasize China’s one-China principle since the 2016 South China Sea dispute.

Illustration by Global Times.

In response to the controversies, it has been raining apologies from foreign brands on Chinese social media the past days.

Who is mainly responsible for this online witch hunt? Although it first started with Chinese web users sharing images and screenshots of foreign brands and their ‘erroneous representation’ of China, state media and celebrities soon also started to play a major role in this issue and have contributed to the enormous snowball effect of the trend.

What’s the ‘correct’ way to list Hong Kong or Taiwan according to the one-China principle? Below is an image of the (adjusted) website of Valentino where it lists countries and lists Hong Kong and Taiwan as being part of China.

Here’s a list of the global brands have become tied up in controversy on the mainland this week (this list might still be updated):

 

● ASICS 亚瑟士

Japanese footwear brand

Brand Weibo account:
https://www.weibo.com/asicsofficial (240,000+ fans)

Hashtag:
“ASICS lists HK & Taiwan as Separate Countries” (#亚瑟士将香港与台湾列为国家#): 110 million views.

What’s the problem?
The ASICS website listed Hong Kong and Taiwan as countries.

Apology?
Yes, statement on August 12, followed by “ASICS apologizes” hashtag (#亚瑟士致歉#), 6,5 million views on Weibo. The footwear brand emphasized that it abides by the one-China policy and that it will correct its “mistakes.”

Consequences:
Besides some netizens who vow not to buy any of the brands in this list disregarding the PRC’s one-China policy, there are no indications as of now that the brand is affected by the issue.

 

● CALVIN KLEIN

American fashion brand

Brand Weibo account:
https://weibo.com/calvinklein (303,000 fans)

Hashtag:
“CK Exposed for Insulting China” (##CK被曝辱华##): 1,5 million views.

What’s the problem?:
Calvin Klein faced criticism for listing Taiwan and Hong Kong as separate countries or regions on its website.

Apology?
Yes, statement on August 13, followed by “CK apologizes” hashtag (#ck道歉#), 15 million views on Weibo.

Consequence:
Chinese actress Jelly Lin, Calvin Klein’s brand ambassador for the Asia-Pacific region, announced an immediate termination of collaboration with the American fashion house. The hashtag for this event (#林允终止与CK合作#) received no less than 510 million views. Zhang Yixing (Lay Zhang), a Chinese member of K-pop group Exo and a Calvin Klein model, warned the US clothing company to respect Beijing’s “one China” policy but did not stop working the brand (he did terminate collaborations with Samsung, also in this list).

 

● COACH 蔻驰

American luxury accessories company 

Brand Weibo account:
https://www.weibo.com/coachchina (4+ million fans)

Hashtag:
“Coach Lists HK, Macau, Taiwan as Countries” (#蔻驰将港澳台列为国家#): 6 million views.

What’s the problem?:
Less than 24 hours after Versace’s apology, Coach was among the second batch of brands, along with Givenchy, ASICS, and Fresh, to be exposed online for erroneous geographic listings. Coach got in trouble for a t-shirt displaying ‘Hong Kong’ as an independent region and listing ‘Taipei’ as belonging to ‘Taiwan,’ while Shanghai and Beijing are listed under China.

The tshirt that got Coach into trouble.

The brand was also found to have listed Hong Kong and Taiwan as independent countries under its website’s  “search country” option.

Apology?:
Yes, statement on August 12, followed by “Coach apologizes” hashtag (#蔻驰道歉#), 300 million views on Weibo.

Consequences:
Coach’s China ambassador, supermodel Liu Wen, said on Weibo on Monday that she had cut off her endorsement deal with the fashion label (#刘雯终止与蔻驰合作#, 6 million views) as the brand “seriously impacted the national sentiment of the Chinese people.” State media outlet Global Times suggested the brand faced “potential boycott in China.”

 

● FRESH 馥蕾诗

American beauty brand 

Brand Weibo account:
https://www.weibo.com/freshbeauty (339,500 milion fans)

Hashtag:
No separate hashtag for this incident.

What’s the problem?:
Fresh faced backlash for listing ‘Hong Kong’ as a separate region on its official (English) website.

Apology?:
Yes, statement on August 12, followed by “Fresh apologizes” hashtag (#fresh道歉#,) 8 million views on Weibo.

Consequence:
No known direct consequences.

 

● GIVENCHY 纪梵希

French luxury fashion and perfume house

Brand Weibo account:
https://weibo.com/officialgivenchy (1.5 milion fans)

Hashtag:
The topic ‘Givenchy T-Shirt’ (#纪梵希t恤#) became big on Weibo. The hashtag page has over 500 million views.

What’s the problem?:
Like Coach, Givenchy also got in trouble for a t-shirt displaying ‘Hong Kong’ as an independent region and listing ‘Taipei’ as belonging to ‘Taiwan.’

Apology?:
Yes, statement on August 12, followed by “Givenchy apologizes” hashtag (#纪梵希道歉#,) 290 million views on Weibo.

Consequence:
Chinese singer Jackson Yee terminated his brand partnerships with Givenchy (#易烊千玺与纪梵希解约# 680 million views).

 

● POCARI SWEAT 宝矿力水特

Japanese sport’s drink

Brand Weibo account:
https://www.weibo.com/pocarisweat (15400 fans)

Hashtag:
“Pocari Sweat Get Out of China”(#宝矿力水特滚出中国#) is one of the early hashtags associated with the Pocari controversy. With just over 300,000 views, it did not gain huge traction on Weibo.

What’s the problem?
Pocari Sweat is among the earliest brands – if not the earliest- to be caught up in the brand controversy relating to the protests in Hong Kong. As described by Japan Times, pro-democracy demonstrators praised Pocari after it pulled advertising from Hong Kong television station TVB, which protesters accuse of pro-Beijing coverage. Pocari became a popular drink among Hong Kong protesters.

Apology?:
The mainland China office of the brand issued two apology statements on July 11 and 21 in which it emphasized that it operates separately from the Hong Kong division and that it respects China’s “one country, two systems” policy.

Consequence:
Pocari Sweat was condemned by Chinese state media, but it is not clear if people in mainland China are drinking less Pocari because of the issue.

 

● VALENTINO 

Italian fashion house

Brand Weibo account:
www.weibo.com/valentinoofficial (413,000+ fans)

Hashtag:
No particular hashtag.

What’s the problem?:
Valentino listed Hong Kong and Taiwan as separate countries in the region/language menu on its foreign website.

Apology?:
Yes, statement on August 13, in which Valentino apologizes for making “a mistake” on its website. The website has since been changed.

Consequence:
No known consequences, the website seemed to be quickly adjusted, and many netizens expressed their praise for that and for the fact that the recent trend seems to make foreign brands more aware of the importance of respecting the One-China Policy.

 

● VERSACE 范思哲 

Italian fashion house

Brand Weibo account:
https://www.weibo.com/versacechina (850,000+ fans)

Hashtag:
“Versace Suspected of [Supporting] Hong Kong and Macau Independence” (#范思哲涉嫌港独澳独#): 3.2 million views.

What’s the problem?:
Versace is the first brand to be targeted in this week’s brand-hunting trend. An image of a T-shirt that listed Hong Kong and Macau as independent countries was first posted on Weibo by a female netizen on August 8, who wrote: “I discovered this recently, and wondered if the design of this t-shirt means that Versace is supporting Hong Kong independence?” Three days later, the image had circulated so much that it became a trending topic. Commenters called out the brand for being “two-faced” and for profiting from Chinese money while disregarding Chinese sovereignty.

Apology?:
Yes, statement on August 11, followed by “Versace apologizes” hashtag (#范思哲道歉#,) 860 million views on Weibo. In its statement, Versace stated that the t-shirts had already been recalled and destroyed in late July, and that the fashion house “deeply apologized for the controversy” that was caused by an “error in its t-shirt design.” Versace further stated that the brand “loves China” and “resolutely respects China’s territorial sovereignty.”

Donatella Versace, the designer and chief creative officer of Versace, also issued a personal apology through Instagram, writing: “Never have I wanted to disrespect China’s National Sovereignty and this is why I wanted to personally apologize for such inaccuracy and for any distress that it may have caused.”

Consequence:
Chinese celebrity Yang Mi ended her relationship with Versace. The announcement received a lot of attention on Chinese social media (#杨幂终止与Versace合作# 1.1 billion views).

 

● SWAROVSKI 施华洛世奇

Austrian jewelry company

Brand Weibo account:
https://www.weibo.com/swarovskicom (500,00+ fans)

Hashtag:
Swarovski, together with Calvin Klein, was one of the brands that popped up in the general ‘luxury brand scandal’ after the Versace controversy had snowballed and had moved to Coach, Givenchy, ASICS, and Fresh. The Swarovski issue was exposed just a bit later and had no separate hashtag on Weibo.

What’s the problem?
Swarovski went trending on Chinese social media for classifying Hong Kong as a country on its website.

Apology?
Swarovski issued an apology statement on August 13. The hashtag “Swarovski Apologizes” received over 750 million views on Weibo (#施华洛世奇道歉#).

Consequence:
Chinese actress Jiang Shuying, also known as Maggie Jiang, announced on Tuesday (August 13) that she would be ending her cooperation with Swarovski (#江疏影与施华洛世奇解约#, 410 million views).

 

CURRENTLY UNDER SCRUTINY BUT NO APOLOGIES:

 

● AMAZON 亚马逊

American e-commerce company

Brand Weibo account:
https://www.weibo.com/amazonchina (4.4 million fans)

Hashtag:
“Amazon T-shirts” (#亚马逊t恤#), 140 million views; “Amazon Sells Hong Kong Independence Shirts” (#亚马逊售卖港独T恤#), 18 million views.

What’s the problem?
Amazon is one of the latest brands to be added to the virtual PRC wall of shame of international brands going against Beijing’s “One China” principle. On August 14, screenshots of the Amazon e-commerce platform selling t-shirts promoting an independent Hong Kong and displaying anti-China slogans went viral on Weibo.

Reaction
Amazon did not apologize for the merchandise sold on its platforms, but the company did respond to ChinaNews (#亚马逊回应T恤事件#), emphasizing that Amazon always has and will respect China’s one-China principle, and abide by local laws of the countries Amazon is active in. There were also netizens on Weibo saying they understood that Amazon cannot be responsible for all the merchandise sold by its online shops around the world.

 

● SAMSUNG 三星 

South Korean Tech Company

Brand Weibo account:
https://www.weibo.com/samsung (2.8+ million fans)

Hashtag:
No separate hashtag for this issue, although the announcement that Zhang Yixing would terminate his contract with Samsung did receive over 980 million views, making it one of the bigger hashtags in this brand scandal.

What’s the problem?:
Samsung faced criticism on August 14 for damaging China’s “territorial integrity” by displaying choices Hong Kong, China, and Taiwan as “countries” on its website.

Consequence:
Chinese celebrity and K-Pop star Zhang Yixing (Lay Zhang) announced on August 13 that he would no longer work together with Samsung as a brand ambassador for “hurting the national feelings of Chinese compatriots” (#张艺兴与三星解约#, 980 million views!).

 

By Manya Koetse

Spotted a mistake or want to add something? Please let us know in comments below or email us. Please note that your comment below will need to be manually approved if you’re a first-time poster here.

©2019 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

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Backgrounder

How the Hong Kong Protests Are Discussed on Chinese Social Media

“Hong Kong, the Pearl of the Orient, is no longer blooming, but covered in cuts and bruises.”

Manya Koetse

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Although discussions on the Hong Kong protests were initially silenced on Chinese social media, the demonstrations are now trending all over Weibo, with state media propagating hashtags and illustrations in favor of Hong Kong government and in support of the Hong Kong Police Force.

The political crisis in Hong Kong shows no signs of de-escalating after another series of mass demonstrations and violent clashes between police and protesters.

This week marks the ninth consecutive week of protests in Hong Kong. The first demonstrations started in March and April of this year against an extradition bill that would allow local authorities to detain and extradite people wanted in mainland China.

After demonstrations escalated in June, the bill was declared “dead” and suspended by Hong Kong leader Carrie Lam, but it was not formally withdrawn.

Protests have since continued throughout June, July, and into August, and are now about much more than the extradition bill alone – they are, amongst others, about greater freedom and democracy in Hong Kong, and about less political influence from the Beijing government.

Protesters are calling for Lam’s resignation and for democratic elections, and have denounced violent tactics and “abuse of power” used by the Hong Kong Police Force.

The absence of the police during an attack on residents by suspected gang members dressed in white shirts at the Yuen Long station on July 21 is one of the incidents protesters mention as police misconduct.

But there is also a division between demonstrators, and not necessarily one unified voice. There are also those, for example, who support Hong Kong police. And those who denounce the actions of angry protesters.

 

China’s Central Government Condemns Protests

 

Although authorities in mainland China initially remained quiet on the topic of the Hong Kong protests, the Hong Kong and Macau Affairs Office of the State Council, China’s top agency for handling Hong Kong affairs, held its first press conference on its stance regarding Hong Kong demonstrations on July 29.

Yang Guang, the office’s spokesperson, condemned the actions of protesters over recent weeks, saying that they “exceeded the boundaries of acceptable protest.”

On August 6, there was another press briefing where Yang Guang used stronger language to denounce the protests, saying that the “radical protests (..) severely impacted Hong Kong’s prosperity and stability, pushing it into a dangerous abyss” and that those behind the demonstrations should not “misjudge” the situation and “mistake our restraint for weakness.”

 

Main Stances on Chinese Social Media

 

On Chinese social media sites, news and discussions on the Hong Kong protest were initially silenced (also see this article), but that has changed now.

Although discussions are still heavily controlled, the topic of the Hong Kong demonstrations has been dominating the trending streams over the past days on China’s popular social media platforms.

On Douyin, one of the most popular short video / social media apps in mainland China, there are dozens of different videos of violent incidents in Hong Kong that are being reposted and liked thousands of times.

On news app Toutiao, articles relating to the Hong Kong protests are in the recommended and ‘hot’ sections, while bloggers and news accounts on WeChat are also posting and reposting Hong Kong related content.

For the scope of this article, we will solely focus on Weibo – the narratives that are spread in daily discussions on the platform are comparable to those on other platforms.

Although the ensuing examples are the main types of posts on Hong Kong that are most popular on Chinese social media now, and definitely receive a lot of support, there are also posts with other views and ideas that might be blocked before ever making it to Weibo or other apps/platforms.

But the restrictions on free discussions on social media do not only relate to platform censorship.

Recently, there are also instances in which Chinese netizens speak out in support of the protesters in Hong Kong who then become a victim of the so-called “human flesh search engine.”

One female Weibo user, responding to the demonstrations in Hong Kong, wrote on August 5th: “Respect to every person out there striking and protesting!” Other Weibo users then made screenshots of her comment and revealed personal details about the woman (a 26-year-old Chinese citizen), labeling her a traitor.

One blogger reposting the woman’s photo and Weibo profile has 1,3 million followers, making this incident quite big and serving as a warning to other Weibo users not to spread their ‘politically incorrect’ views on the Hong Kong protests.

 

“Protect Hong Kong, Support the Police Force”

 

With over 5 billion views, the hashtag “Protect Hong Kong” (#守护香港#) is very popular on Weibo these days.

The hashtag is promoted by Party newspaper People’s Daily, that also launched another viral hashtag, namely “Officers, We Support You” (#阿sir我们挺你#, 300 million views).  The word for ‘officer’ used in this hashtag is “Ah Sir” or “阿Sir”, a uniquely Hong Kong form of address used for policemen and teachers.

Using the “Protect Hong Kong” and “Officers, We Support You” slogans, People’s Daily has also issued an illustration that shows three police officers carrying weapons and protective screens. Behind them are protesters, and above them is China’s Five-starred Red Flag.

Illustration by People’s Daily, issued on Weibo and other social media.

Online propaganda poster issued by China Daily on Weibo.

The main idea behind these hashtags/illustrations is that the People’s Republic of China (PRC) firmly supports the Hong Kong government and the Hong Kong Police Force in dealing with so-called “thugs” or “bandits”  (“暴徒”).

A common stance expressed by Chinese netizens is that pro-democracy protesters are “damaging public security” in Hong Kong and are “dividing the nation.”

“Talk about democracy and freedom in a fair and reasonable way,” one commenter writes: “Don’t talk about freedom and democracy while breaking the law and acting outrageous.”

“It’s horrible to see,” another person says: “The Pearl of the Orient is no longer blooming, but is now covered with cuts and bruises.”

Many stories of violence used against the police force are circulating on Chinese social media. Some videos show protesters using potentially dangerous laser pointers to shine directly in faces of police officers. Last Tuesday, student leader Keith Fong was arrested for possession of such lasers.

One particular trending story concerns a bald police officer named ‘Liu Sir’ (刘sir) who was violently attacked by a group of protesters on July 31st. The mob allegedly punched and kicked him, and assaulted him with sticks and objects before he pulled out his gun.

Photo by People’s Daily, shared on Weibo.

Officer Liu, who has sustained some minor injuries from the incident, responded to the incident writing in a text: “[I] just hate the fact that they are also Chinese – it feels wrong to hit them and also wrong not to. It really pains me!”

Officer Liu has become somewhat of a hero on Chinese social media, as his image is propagated by Chinese state media through photos and illustrations.

Image of Officer Liu shared on Weibo by netizen @李里言子.

The idea of ‘protecting’ Hong Kong and supporting its police force goes hand in hand with the idea that Hong Kong is, and “always will be,” a “part of China.”

Many commenters in the comment sections express their anger about Hong Kong protesters attacking police and throwing the Chinese flag into the water. “If you do not want to be Chinese, then don’t live on Chinese territory,” some write.

 

“Hong Kong’s Colonial Mentality” 

 

A post by an economics blogger (@同行中的我, 14674 fans) that received more than 6500 ‘likes’ on Weibo argues that one problem behind the protests is that Hong Kong youth are stuck in a “colonial mentality.”

The blogger says that Hong Kong people have a lack of patriotic education and have no “sense of belonging.” It is this Hong Kong mentality, the writer argues, that prevents the region from blooming. Without mainland China, Hong Kong is nothing, the post says.

This sentiment is reiterated by many commenters on Weibo, who write things such as “Without a country, you have no home.”

Hong Kong Island was ceded to Britain in 1842 as part of the Treaty of Nanjing. July 1st of 1997 marked Hong Kong’s return to China, and the moment it became a Special Administrative Region (SAR) of the PRC, based on the principle of “one country, two systems.”

Those who are protesting for Hong Kong independence are also called “Pro HK Independence ‘Poison’” on Weibo (港毒分子, a wordplay with characters meaning ‘Hong Kong-independence/poison-members’: a derogatory term for those supporting Hong Kong independence).

“The Pro HK Independence Poison comes from Hong Kong education. Its education comes from its system. So to get rid of this poison, you first need to replace the system, and then change education in Hong Kong,” one person suggests.

 

“Biased Media Representations”

 

“Western media only use pictures that are taken out of context -they have an ulterior motive,” Weibo news blogger Jianhua (@建华Wei业) writes: “They fabricate news about Hong Kong police power abuse and violence.”

The accusation of Western media representing the Hong Kong protesters as the ‘good guys’ and the Hong Kong police as the ‘bad guys’ is repeated on Chinese social media quite a lot these days.

One major example is the aforementioned case of Sir Liu, as many media allegedly only forwarded those images or footage of the police pulling his gun, leaving out the part where he was attacked by protesters first.

Since there is a clear pro-Hong Kong Police Force dominant narrative on Weibo, many netizens defend the police and describe the protesters as violent and unreasonable rioters.

 

“US Meddling in Hong Kong Affairs”

 

Besides criticism on supposed biased media representations of the situation in Hong Kong, there is also criticism on the role of the United States in the Hong Kong protests.

One photo of American diplomat Julie Eadeh meeting up with student leaders involved in Hong Kong’s pro-democracy movement circulated on Chinese social media this week, with state media accusing the US of playing a role in “creating disorder” in Hong Kong.

Image posted on Weibo by CCTV.

“What Is America Up To?”(#美国居心何在#) is one of the hashtags related to the incident that is shared on Chinese social media, promoted by CCTV.

“What is America up to?” online poster designed and shared by CCTV.

“America has no right to meddle in Hong Kong affairs,” commenters on Weibo respond: “Hong Kong is China’s Hong Kong.”

Adding fuel to this discussion is the fact that some Hong Kong protesters have recently started waving American flags at demonstrations (read more about that here).

Trending on August 9 is an incident in which a woman angrily pulled the American flags from protesters’ hands at Hong Kong airport. Many people on Weibo praise the woman for being so “courageous” to stand up to the demonstrators. “We just want Hong Kong to be stable and peaceful,” the woman stated to the media.

Others on Weibo call on protesters in Hong Kong to be reasonable. “I feel that the situation in Hong Kong is getting more and more complicated,” one commenter writes: “I hope the protesters can rationally overthink why they are participating in these demonstrations; they shouldn’t let themselves be used by others.”

“I just cannot make sense of what these angry youth are doing,” another commenter writes: “They are waving the American flag. But when they leave [Hong Kong], people won’t see them as Hong Kongnese – foreigners will all think they are Chinese. I just don’t get where they’re going.”

 
Keep an eye on What’s on Weibo for more related stories in the time to come. Follow us on Facebook, Twitter, and subscribe to notifications via the bell in this screen (Chrome/Firefox/Android).
 

By Manya Koetse

Spotted a mistake or want to add something? Please let us know in comments below or email us. Please note that your comment below will need to be manually approved if you’re a first-time poster here.

©2019 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

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