China Arts & Entertainment
Top 30 Classic TV Dramas in China: The Best Chinese Series of All Time
This year marks 60 years of Chinese TV drama. These are the best Chinese TV dramas of all time.
PREMIUM CONTENT ARTICLE
First published
This year marks the 60th anniversary of Chinese TV drama since the airing of the very first (one-episode) drama A Mouthful of Vegetable Pancakes (一口菜饼子) in 1958 – the same year in which the very first Chinese television station started broadcasting (Bai 2007, 77).
The drama, live broadcasted by Beijing Television, sent out a message of frugality, as one young girl warns her sister not to waste food by remembering her of their difficult past and brave mother, who died of hunger while even refusing to eat the last bit of food, a vegetable pancake.
A Mouthful of Pancakes aired in 1958.
Much has changed within those sixty years. After a time when the production of TV dramas practically came to a standstill during the Cultural Revolution, the late 1970s and early 1980s saw a boom in the popularity of television dramas, along with a spike in households that owned their own TV. From 1980 to 1990, the number of household television sets in China increased from 5 to 160 million (Wang & Singhal 1992, 177).
Since the 1980s, mainland China has gone from a country where most television dramas were imported from outside the country, to one that has the most thriving domestic TV drama industry in the world.
Some TV dramas in this list have become classics through time, some are fairly new but have already become classics within their genre.
This list has been fully compiled by What’s on Weibo, based on popularity charts on Chinese search engine Sogou’s top tv drama listings of all time, together with ranking on Douban, a big Chinese social networking service and influential media review website, and also based on academic sources that note the importance of some of these TV classics.*1 We will list a recommendation list of relevant books at the end of this article.
Most of these series will have links redirecting to available versions on Youtube or elsewhere – unless written otherwise, they do not have English subtitles. Please share English subtitled versions in the comment section if you found them, we’ll add them to the list.
This article is focused on those classics that have been important for the TV drama industry and audiences of mainland China. Although several of them were produced in Hong Kong or Taiwan, the majority is from the PRC. These dramas are listed in chronological order of appearance, not listed based on rankings.
Here we go!
#1 The Bund / The Shanghai Bund (上海滩)
Year: 1980
Episodes: 25
Genre: Action
Produced in Hong Kong
Noteworthy: “The Godfather of the East”
This TV drama became such a sensation across China in 1980, that it also became known as the Chinese equivalent to the classic Godfather series.
Actors Angie Chiu and Chow Yun-Fat star in this Hong Kong drama, that is set in the underworld society of 1920s Shanghai, and revolves around the tumultuous love story between Feng Chengcheng and Xu Wenqiang.
The series has become such a classic that it still plays an important role in popular culture of China today, with newer films and TV dramas also being based on the original series (the 2007 mainland China TV series Shanghai Bund, for example, is a remake of the 1980 original). If you ever go to karaoke, you’re probably already familiar with the shows’ famous theme song ‘Seung Hoi Tan’ (上海滩) by Frances Yip (see here).
#2 Eighteen Years in the Enemy’s Camp (敌营十八年)
Year: 1981
Episodes: 9
Genre: War Drama
Watch the first episode here on Youtube.
Noteworthy: “The first TV drama produced by CCTV”
Eighteen Years in the Enemy’s Camp is somewhat of a cult classic in China. Despite the fact that the TV drama itself was somewhat poorly produced, it still gets high ratings on sites such as QQ Video or Douban today.
At a time when the Chinese TV drama market was still dominated by imported television series (from Hong Kong, US, and other places), Eighteen Years in the Enemy’s Camp was the first drama series made by CCTV (Bai 2007, 80), directed by Wang Fulin (王扶林) and Du Yu (都郁).
The story revolves around the Communist Party member Jiang Bo (江波), who spends 18 years undercover in the “tiger’s den” (虎穴), the enemy’s camp, as a National Army officer, thwarting the Nationalists’ plans until the 1949 victory of the Communists.
Fun fact by Ruoyun Bai (see references): despite the fact that the entire show is about the Nationalists Army, not a single Nationalist Army uniform could be found for the cast. The uniforms that were used, were not up to par: the main character had to leave his coat’s collar unbuttoned because it was too tight, and always has his hat in his hands because it was actually too small to fit his head (2007, 80-81).
#3 Ji Gong (济公)
Year: 1985
Episodes: 12
Genre: Fantasy
Directed by Zhang Ge (张戈)
All episodes can be watched here on YouTube.
Noteworthy: “Influenced by Charlie Chaplin”
This popular TV series is centered around Ji Gong, the folk hero and Chan Buddhist monk who lived in the Southern Song and, according to legend, had supernatural powers and spent his whole life helping the poor.
The main role is played by renowned Chinese artist and mime master You Benchang (游本昌). In an interview with CRI, the actor once said that he was heavily influenced by his idol Charlie Chaplin for this role, sometimes even imitating some of Chaplin’s gestures.
#4 Chronicles of The Shadow Swordsman (萍踪侠影)
Year: 1985
Episodes: 25
Genre: Wuxia/Martial
Directed by: Wang Xinwei (王心慰)
Produced in Hong Kong
Episodes available on Youtube here.
Noteworthy: “Perfect Chemistry between Leading Actors”
This classic TV drama features actors Damian Lau as Zhang Danfeng and Michelle Yim as Yun Lei, whom are often praised by drama lovers for their perfect chemistry in these series. Of the many adaptations there are of Liang Yusheng’s wuxia novel Chronicles of The Shadow Swordsman, many say this is their favorite.
#5 New Star (新星)
Year: 1986
Episodes: 12
Directed by: Li Xin (李新)
Noteworthy: “A drama anyone over 50 will remember”
This CCTV mini-drama, based on the novel by Ke Yunlu (柯云路), tells the story of a young Party secretary fighting against corruption. Before Heaven Above (later in this list), it is thus one of the very first dramas to focus on corruption as a theme, and it also caused a buzz at the time for doing so – most people over 50 in China today will probably remember this TV series today.
#6 Journey to the West (西游记)
Year: 1986
Episodes: 25 for season one, 16 episodes for season 2
Directed by Yang Jie (杨洁)
Watch on Youtube (with English subtitles!) here.
Noteworthy: “Shot with one camera”
This is an all-time favorite TV series in China that is still rated with a 9.5 on the TV drama database of search engine Sogou. It has been an instant classic from the moment it was first broadcasted by CCTV in October of 1986.
Journey to the West (Xīyóu jì 西游记), published in the 16th century (Ming dynasty), is one of the most important classical works in the history of Chinese literature, and tells the story of the long journey to India of the Tang Monk Xuánzàng, who is on a mission to obtain Buddhist sutras. He is joined by three disciples, the pig demon Zhū Bājiè, the river demon Shā Wùjìng, and Sūn Wùkōng, who is better known as the Monkey King in the West.
The Monkey in the series is played by Zhang Jinlai (章金莱), also known as Liu Xiao Ling Tong, who recently recalled in an CGTN article that: “it was 30 years ago and we’d got only one camera. We walked around China’s picturesque areas and took 17 years to make 41 episodes. 17 years equals Monk Xuanzang’s pilgrimage for the Buddhist scriptures.”
#7 “The Dream of Red Chambers” (红楼梦)
Year: 1987
Episodes: 36
Directed by: Wang Fulin (王扶林)
Watch with English subtitles on YouTube here.
Noteworthy: “The first entry of Chinese tv drama into the global market”
Even today, this CCTV TV series from 1987 is still rated as one of the best Chinese television series of all time on Sogou, where viewers rate it with a 9.6.
Like other series in this list, this is an adaptation from a classic literary work; Dream of the Red Chamber (Hónglóumèng), one of China’s Four Great Classical Novels, which was written by Cao Xueqin in the mid-18th century during the Qing.
In June of 1987, this TV drama became the first Chinese television series to be exported to Malaysia and West-Germany, making it “the first entry of Chinese tv drama into the global market” (Hong, 32).
#8 The Investiture of the Gods (封神榜)
Year: 1990
Episodes: 36
Genre: Fantasy/Costume Drama
Directed by: Guo Xinling (郭信玲)
The first episode is available on YouTube here.
Noteworthy: “Based on the classical novel Fengshen Yanyi“
This TV series is based on the classical novel Fēngshén Yǎnyì (封神演義), also known as Investiture of the Gods or Creation of the Gods), written by Xu Zhonglin and Lu Xixing. Famous Chinese actor and painter Lan Tianye (蓝天野) was praised for his role as Jiang Ziya in this drama.
The (female) director Guo Xinling (1936-2012) was a Party member who worked on many televised works during her career.
Just as many others of the series in this list based on classic novels, there are remakes of these series in recent times.
#9 Yearnings / Kewang (渴望)
Year: 1990
Episodes: 50
Genre: Family drama
Directed by Lu Xiaowei (鲁晓威) and Zhao Baoguang (赵宝刚).
Noteworthy: “China’s first soap opera – a national craze”
Yearnings is also known as China’s real first soap opera, which caused a sensation across the nation – sales of TV sets surged, and streets were empty when it aired.
The story’s time spans from the Cultural Revolution until the 1980s reform period. The series, set in Beijing, tells the story of working-class woman Liu Huifang and her unlikely marriage to the middle-class Wang Husheng, a university graduate who comes from a family of intellectuals. When Huifang finds an abandoned baby, she adopts it against the will of her husband.
As the first TV series that focused on the hopes and dreams of ordinary Chinese people, the success of Yearnings was unprecedented, and it formed the beginning of Chinese television drama as we know it today.
#10 River of Gratitude (江湖恩仇录)
Year: 1989
Episodes: 20
Genre: Wuxia/Martial
Directed by: Mao Yuqin (毛玉勤)
Watch first episode on Youtube here
Noteworthy: “A true classic – it’s nostalgia!”
One of the main stars in this series is actress and producer Wenying Dongfang (东方闻樱), who also starred in A Dream in Red Mansion (1987).
By commenters on Douban, this series is described as a “cult classic.” Although some say the quality of the series, now, looking back, is somewhat substandard or silly, according to many, the nostalgia of seeing it in the early 1990s and being excited about it seems to play a major factor in why people still grade this one as a true classic – it’s nostalgia!
#11 Wan Chun (婉君)
Year: 1990
Episodes: 18
Produced in Taiwan
Noteworthy: “The first Taiwanese TV series filmed in mainland China”
Wan Chun is a 1990 Taiwanese television series about a girl named Wan Chun and her three adoptive brothers, that is based on the 1964 novel “Wan-chun’s Three Loves” (追尋) by Taiwanese writer and producer Chiung Yao, and which is set in Republican era Beijing.
This is the first cross-strait co-production, as a Taiwanese TV series filmed in mainland China. Wan Chun was followed up by the 1990 Taiwanese television drama series Mute Wife based on Chiung Yao’s 1965 novelette of the same name.
#12 The Legend of Qianlong (戏说乾隆)
Year: 1991
Episodes: 41
Genre: Imperial drama
Produced in Taiwan (Taiwan-mainland co-production)
Watch on Youtube here
Noteworthy: “The beginning of a genre”
In today’s TV drama environment of China, dramas that focus on life during the imperial era are ubiquitous, with titles from the Imperial Doctress to Story of Yanxi Palace being everywhere.
But when this drama aired in the early 1990s, it was something quite new. The Legend of Qianlong, also known with the English translation A Fanciful Account of Qianlong, tells the (fictional) stories of the Emperor Qianlong’s Tours of Southern China.
It was the beginning of a drama genre that turned out to be hugely popular, with many new television series focusing on emperors and empresses in their youth or their tumultuous lives during the height of their power (Barme 2012, 33). Perhaps, this 1991 series will always be a classic just because it was one of the first within its genre.
#13 The Legend of the White Snake (新白娘子传奇)
Year: 1992
Episodes: 50
Genre: Fantasy
Produced in Taiwan
Noteworthy: “One of the most replayed TV series”
As many of the classics in this list, this hit TV series is also based on a folk legend, namely that of Madame White Snakee, a mythical snake-like spirit who strives to be human, which is a source for many major Chinese operas, films.
The 1992 TV series stars Angie Chiu and Cecilia Yip. In 2016, it was still one of the most replayed TV series. Even on IMDB, it is rated with an 8.2.
#14 Beijinger in New York (北京人在纽约)
Year: 1993
Episodes: 21
Watch: YouTube
Buy novel (in English): Beijinger in New York
Noteworthy: “The first Chinese-language TV show to be shot in the United States”
The TV series Beijinger in New York, also known as A Native of Beijing in New York, based on the novel by Glen Cao (Cao Guilin), was a hit when it was first broadcasted broadcast nightly on CCTV and watched by millions of Chinese.
The story follows the immigrant life of cello player and Beijinger Wang Qiming (王起明), who arrives in New York in 1980 together with his wife, and begins working as a dishwasher the next day.
The TV series marks a first in several aspects. It was the first Chinese-language TV show to be shot in the United States, but it was also the first time ever for the production of a Chinese TV drama that a bank loan was used in order to make it possible (Bai 2007, 83); in other words, it also marks the start of a more commercialized TV drama environment. FYI: the bank loan that was used was a total of US$1.3 million.
#15 I Love My Family (我爱我家)
Year: 1993
Genre: Comedy
Episodes: 120
Directed by Ying Da (英达) et al
First episodes on Youtube here.
Noteworthy: “First Mandarin-language sitcom”
I Love My Family (Wǒ ài wǒjiā) is one of China’s first popular sitcoms, and the first Mandarin-language and multi-camera sitcom, that aired from 1993 to 1994. It has since been rerun on local channels countless of times.
One of the show’s central stars is Wen Xingyu (文兴宇), who was a popular comedian and director in mainland China.
At the time of I Love My Family, sitcoms were mostly characterized by their low production cost; three episodes were made within five working days (Di 2008, 122).
#16 Justice Pao (包青天)
Year: 1993
Episodes: 236
Genre: Historical drama
Produced in Taiwan
Some episodes on Youtube here.
Noteworthy: “From 15 to 236 episodes”
This series is themed around Bao Zheng (包拯), a government official who lived during China’s Song Dynasty, from 999 to 1062, and who was known for his extreme honesty and uprightness. Award-winning Taiwanese actor Jin Chao-chun (金超群) plays this role.
The series was originally scheduled for just 15 episodes, but was received so well when it aired on Chinese Television System, that it was eventually expanded to 236 episodes.
The story of Justice Bao is still a recurring topic in the popular culture of mainland China, Hong Kong, and Taiwan. There was the 2008 Chinese series Justice Bao, and the 2010 New Justice Bao, that also starred Jin Chao-chun.
#17 Romance of the Three Kingdoms (三国演义)
Year: 1994
Episodes: 84
Genre: Historical drama
Directed by: Wang Fulin (王扶林)
Buy original novel here: The Romance of the Three Kingdoms
Some episodes available with English subtitles here.
Noteworthy: “400,000 people involved in the production”
This is another classic TV series produced by the CCTV, and that is also adapted from a classical novel (same title, written by Luo Guanzhong). Its director, Wang Fulin (王扶林), also directed the CCTV’s first TV drama Eighteen Years in the Enemy’s Camp, and A Dream of Red Mansions.
The production of Romance of the Three Kingdoms is especially noteworthy because the productions costs broke all kinds of records at the time; the production of the 84 one-hour episodes took four years, total costs were over 170 million RMB (±US$25 million), and around 400,000 people were involved – the larghest number of people involved in a production in the history of Chinese television. THe show has been watched by some 1,2 billion people around the world (Hongb 2007, 127).
#18 Heaven’s Above (苍天在上)
Year: 1995
Episodes: 17
Genre: Corruption drama (or ‘anti-corruption drama’ 反腐剧)
Directed by: Zhou Huan (周寰)
Noteworthy: “First drama about high-level official corruption”
In late 1995, the CCTV drama Heaven Above (Cāngtiān zài shàng) debuted on Chinese TV as the first TV series about high-level official corruption in the PRC.
It would certainly not be the last, as ‘corruption dramas’ became wildly popular – it is the entire focus of the 2014 book Staging Corruption by scholar Ruoyun Bai.
#19 Foreign Babes in Beijing (洋妞在北京)
Year: 1995
Genre: Urban drama
Episodes: 20
Noteworthy: “Foreign women in Chinese dramas”
Foreign Babes in Beijing (Yáng niū zài Běijīng) was one of the new kinds of dramas that featured foreigners in China. This series focues on two Chinese men and two American women, of which one seduces one of the Chinese (married) men. The show was a big hit in the mid-1990s.
One of the show’s actresses, Rachel Dewoskin, later wrote the recommended book Foreign Babes in Beijing: Behind the Scenes of a New China
#20 My Dear Motherland (我亲爱的祖国)
Year: 1999
Episodes: 21
Genre: History/War
Directed by: Liu Yiran (刘毅然)
Watch on Billibilli here, QQ, or on Youtube.
Noteworthy: “Rated with a 9.1”
This 1999 series is still rated with a 9.1 on Douban today. The series tells the experiences and hardships of three generations of Chinese intellectuals during the tumultuous (war)history of China’s 20th century, starting during the May Fourth Movement in 1919.
Chen Jianbin (陈建斌) is one of the famous actors starring in this TV drama as Fang Xuetong.
#21 Yongzheng’s Dynasty (雍正王朝)
Year: 1999
Episodes: 44
Genre: History/Costume
Noteworthy: “Qing drama as export product”
Yongzheng Dynasty is one of many so-called “Qing dramas” – TV dramas that focus on palace life during the 1644-1911 Qing Dynasty. According to scholar Zhu (2008), one of the reasons that dynasty dramas such as these became so enormously popular in mainland China is that (1) certain social and political issues can be discussed in the shape of stories and settings that are very much removed from modern-day China, allowing for more relaxed censorship policies on storylines and dialogues, and (2) that the reconstruction of “history” allows room for artistic interventions (22).
This epic TV drama was loosely based on historical events in the reigns of the Kangxi and Yongzheng Emperors, and became one of the most watched television series in mainland China of the 1990s. Also outside of China the show became very popular, making the so-called ‘Qing dramas’ an export product.
#22 Towards the Republic (走向共和)
Year: 2003
Episodes: 59 (one hour per episode)
Genre: Historical drama
Directed by: Zhang Li (张黎)
Watch on Youtube , buy on Amazon with English subtitles.
Noteworthy: “59 hours of historical drama”
This is one of the most important TV series in this list. On Sogou ratings, Towards the Republic, which is also known as For the Sake of the Republic (Zǒuxiàng gònghé), is one of netizens’ top all-time favorite series, rated with a 9.7.
The CCTV TV drama tells the story of the historical events in China from 1890 to 1917 – the time during which the Qing Dynasty collapsed, and the Republic of China (1912-1949) was founded. Important historical events such as the First Sino-Japanese War (1894–1895), the Hundred Days’ Reform (1898), the Boxer Rebellion (1900) and the Xinhai Revolution (1911) are all featured in this epic drama, that mainly focuses on the lives of Li Hongzhang (Chinese general in late Qing), Empress Dowager Cixi, Sun Yat-Sen, and Yuan Shikai.
The historical drama was not without controversy, and some parts of it have been censored in mainland China. The original series had 60 episodes, which was later brought down to 59. The TV drama has also been a fruitful topic for scholars for its representation of history. In the 2007 book Representing History in Chinese Media: The TV Drama Zou Xiang Gonghe (Towards the Republic) by Gotelind Mueller, the entire series is analyzed in how history is portrayed and narrated.
#23 Crimson Romance (血色浪漫)
Year: 2004
Episodes: 32
Genre Youth drama
Directed by: Teng Wenji (滕文骥)
Watch on Youtube here.
Noteworthy: “Romantizing the Cultural Revolution”
There are almost 40,000 netizens ranking this 2004 TV drama on Douban, where it scores a 8.7.
The TV drama, which is also known as Romantic Life in English, dramatizes memories of the Cultural Revolution, focusing on a group of friends, their hopes and dreams, and their romantic life. It is set in Beijing in the late period of the Cultural Revolution (1966-1976).
#24 Fu Gui (福贵)
Year: 2005
Episodes: 33
Genre: Family drama
Directed by Zhu Zheng (朱正)
Original novel: To Live: A Novel
Watch on Youtube.
Noteworthy: “Based on the novel To Live“
Chuang Chen (陈创), Liu Mintao (刘敏涛), and Li Ding (李丁) star in this family drama, which is ranked with a 9.4 on Sogou, and 4,5 stars or a 9,4 on Douban (more than 5500 voters).
The drama is based on the 1993 novel by Yu Hua (余华) To Live (活着), which focuses on the struggles of the son of a wealthy land-owner, Xu Fugui, amidst the tumultuous times of the Chinese Revolution. The story became well-known by the movie of the same title by Zhang Yimou, which became an international success.
#25 Ming Dynasty in 1566 (大明王朝1566)
Year: 2007
Episodes: 46
Genre: Historical drama
Directed by: Zhang Li (张黎)
Available with English subtitles on Youtube
Noteworthy: “Scoring a 9.7 on Douban, rated by 55,000 users”
Ming Dynasty in 1566 (Dàmíng wángcháo), starring Chinese actor Chen Baoguo (陈宝国), is a Chinese television series based on historical events during the reign of the Jiajing Emperor (1507-1567) of the Ming dynasty. It was first broadcast on Hunan TV in China in 2007.
On Douban, more than 55000 people have reviewed this movie at time of writing, coming up with a score of 9.7, one of the highest in this list. The drama was also broadcasted in other countries, such as South Korea.
#26 Dwelling Narrowness (蜗居)
Year: 2009
Episodes: 35
Genre: Urban Drama
Directed by: Teng Huatao (滕华涛)
Watch on Youtube here.
Noteworthy: “Focusing on China’s urban real estate bubble”
Also known as Snail House, this TV drama was all the rage back in 2009 for its focus on the crazy housing market in urban China and the lives of ordinary Chinese who are struggling to survive in the city while living in small spaces. Dwelling Narrowness, based on a novel by the same name, tells the story of two sisters with very different lifestyles who are looking to find a home in Shanghai (or actually, the fictional city of Jiangzhou, that basically represents Shanghai), and improve their quality of life, each in their own way.
The real estate bubble is a major theme throughout these series, and the TV drama was much-discussed within the frame of Chinese urban dwellers becoming “house slaves” (房奴). In the year of its broadcast, Wall Street Journal featured an article dedicated to the series and the discussions it triggered online.
#27 The Red (红色)
Year: 2014
Episodes: 48
Genre: War drama
Directed by Yang Lei (杨磊)
Noteworthy: “Patriotism as its key theme”
War drama The Red (Hóngsè) receives a 9.2 on Sogou, showing its success over the last four years.
Edward Zhang (Zhang Luyi 张鲁一) stars in this drama as an ordinary worker in Shanghai who gets caught up in underground circles at the start of the Second Sino-Japanese War, and unexpectedly becomes part of a decisive moment in Chinese modern history. Perhaps unsurprinsginly, ‘Patriotism’ is a key theme throughout The Red.
#28 Moral Peanuts – Final Season (毛骗 终结篇)
Year: 2015
Episodes: 10 (in this season)
Genre: Crime/Suspense
Directed by: Li Hongchou (李洪绸)
Watch on Youtube here.
Noteworthy: “A gang of friends who con people out of their money”
Rated with a 9.6 on Sogou and a 9.6 by more than 26,000 people on Douban, this TV drama has already become somewhat of a classic in the few years since its airing.
Moral Peanuts is a multiple season series (started in 2010), that follows a gang of five young friends who live together and earn their living in a fraudulent way. The series is characterized by its cliffhanger endings and its ‘grey’ portrayals of its characters.
#29 In the Name of the People (人民的名义)
Year: 2017
Episodes: 55
Genre: Corruption drama
Directed by: Li Lu
Available with English subtitles here.
Noteworthy: “The Chinese ‘House of Cards'”
In the Name of the People is a 2017 highly popular Chinese TV drama series based on the web novel of the same name by Zhou Meisen (周梅森). Its plot revolves around a prosecutor’s efforts to unearth corruption in a present-day fictional Chinese city by the name of Jingzhou.
In 2017, this TV drama became a true craze on Chinese social media and received a lot of coverage in (international) media for being comparable to the American political drama House of Cards. The BBC described it as “the latest piece of propaganda aimed at portraying the government’s victory in its anti-corruption campaign.”
#30 White Deer Plain (白鹿原)
Year: 2017
Genre: Contemporary historical drama
Episodes: 85
Directed by: Liu Jin (刘进)
WAtch with English subs at New Asian TV here.
Noteworthy: “The epic TV drama took nearly 17 years to prepare and produce “
This TV drama has consistently been ranking number one in Baidu’s and Weibo’s popular drama charts last year, and is now ranked with an 8.8 score on sites such as Douban. Although it is somewhat tricky to call such a present-day drama a ‘classic’, we’ll take the chance.
White Deer Plain is based on the award-winning Chinese literary classic by Chen Zhongshi (陈忠实) from 1993. The preparation and production of this series reportedly took a staggering 17 years and a budget of 230 million yuan (US$33.39 million).
The success of the novel this TV drama is based on, has previously been compared to that of One Hundred Years of Solitude by Gabriel García Márquez. White Deer Plain follows the stories of people from several generations living on the ‘White Deer Plain,’ or North China Plain in Shaanxi province, during the first half of the 20th century. This tumultuous period sees the Republican Period, the Japanese invasion, and the early days of the People’s Republic of China. The series is great in providing insights into how people used to live, from dress to daily life matter. The scenery and sets are beautiful.
Some Book Recommendations Based on This List:
* Staging Corruption: Chinese Television and Politics (Contemporary Chinese Studies)
* TV Drama in China (TransAsia: Screen Cultures)
* Media in China: Consumption, Content and Crisis
Want to know more? Check out our various Top 10s of popular Chinese TV Dramas from 2013 to present here.
By Manya Koetse
Follow @whatsonweibo
*1(We kindly ask not to reproduce this list without permission – please link back if referring to it).
References
Bai, Ruoyun. 2007. “TV Dramas in China – Implications of the Globalization.” In Manfred Kops and Stefan Ollig (eds), Internationalization of the Chinese TV sector, 75-99. Berlin: LIT Verlag.
Bai, Ruoyun. 2014. Staging Corruption: Chinese Television and Politics. Vancouver: University of British Columbia Press.
Barmé, Geremie. 2012. “Red Allure and the Crimson Blindfold.” China Perspectives, 2012/2, 29-40.
Di, Miao. 2008. “A Brief History of Chinese Situation Comedies.” In Ruoyun Bai, Ying Zhu, Michael Keane (eds), TV Drama in China, 117-129. Hong Kong: Hong Kong University Press.
Hong, Junhao. 2007. “The Historical Development of Program Exchange in the TV Sector.” In Manfred Kops and Stefan Ollig (eds), Internationalization of the Chinese TV sector, 25-40. Berlin: LIT Verlag.
–. 2007b. “From Three Kingdoms the Novel to Three Kingdoms the Television Series: Gains, Losses, and Implications.” In Kimberly Besio and Constantine Tung (eds), Three Kingdoms and Chinese Culture, 125-143. Albany: State University of New York Press.
Zhu, Ying. 2008. “Yongzheng Dynasty and Totalitarian Nostalgia.” In Bai R, Keane M, Zhu Y. (eds), TV Drama in China, 21-33. Hong Kong: Hong Kong University Press; 2008
Wang, Min and Arvind Singhal. 1992. “Kewang, A Chinese Television Soap Opera With A Message.” Gazette 49: 177-192.
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China Arts & Entertainment
Su Chao Fever, Mo Yan’s “Scrollable” Book, and Why Li Xiaoran is China’s New Office Icon
This week in China: Grassroots football fever, a Nobel laureate writes for the TikTok era, France’s cultural relic bill, and a 19-year-old’s blind box obsession bankrupts her father’s company.
🔥 China Trend Watch (week 16/17 | 2026) Part of Eye on Digital China by Manya Koetse, China Trend Watch is an overview of what’s trending and being discussed on Chinese social media.
Dear reader,
Hope you’re having a good week. Time for an update on what’s been trending.
In this newsletter:
👉Victor Hugo’s day has come
👉China’s grassroots football couldn’t get more viral
👉A scrollable new book by Mo Yan
👉The Chinese office meme of the moment
..and more.
Let’s dive in.
Quick Scroll
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- 📱 China’s National Security Ministry has joined Chinese Tiktok app Douyin. The high-profile Douyin debut is part of a broader trend of Chinese government agencies and security bodies joining the app.
- 🐺 A feel-good wildlife story from Inner Mongolia: a pregnant wild wolf descended from the mountains to give birth at a wildlife conservation station where she had been previously fed. The noteworthy move shows she had apparently developed trust in the station workers, and felt safe there.
- 🐖 Pork prices hit historic lows but spare ribs still cost 20 yuan (US$3) – this became a topic of discussion this week. Despite the drop in pig prices, retail pork still feels expensive because added costs across the supply chain haven’t changed.
- 🍿 Movie alert. The May Day (五一) cinema content explosion is incoming. Seventeen films have already been slotted for the Golden Week holiday window.
- 🚔 A 31-year-old man from Guangzhou has been detained under anti-cyberbullying regulations after repeatedly posting insulting comments targeting Olympic champion diver Quan Hongchan (全红婵) on WeChat.
- 🤖 Unitree’s humanoid robot is almost as fast as Usain Bolt. The company announced that the H1 humanoid robot achieved a peak sprint speed of 10 meters per second during a 100-meter test.
- ⚡️ Another robot, “Lightning” (闪电) by Honor, also went viral because he won the Beijing Yizhuang Half Marathon on Sunday, April 19, running a half-marathon distance faster than any human ever has, completing it in 50 minutes and 26 seconds (the human record: 56:42). (See video here).
- 🎁 A 19-year-old woman from Zhengzhou has made headlines for allegedly embezzling around 17 million yuan (nearly $2.5 million) from her father’s company, spending it on blind boxes and livestream tipping (dashang 打赏). Her father, now bankrupt, ended up taking his daughter to the police himself.
What Really Stood Out
The Jiangsu Super League (Su Chao) Fever
The Jiangsu Football City League, better known as the Su Chao (苏超: “the Su Super”), has become a major source of trending topics, memes, and news analyses over the past week.
The “Su Super” is a provincial amateur football tournament launched in 2025 that features 13 teams, one representing each of Jiangsu’s 13 prefecture-level cities. Teams consist predominantly of amateur players, from primary school teachers to office employees, but it’s been seriously successful: last year, some games regularly drew crowds of over 30,000, with a record 60,396 fans for a Nanjing–Suzhou match.
This year, the season’s opening on April 11 was sensational, almost like a mini Spring Festival Gala of its own, with 300 robots from tech company Magic Atom (魔法原子) performing a perfectly synchronized routine—unbothered by the heavy rain—and popular pop singer Zhou Shen (周深) delivering a much-discussed live performance where he hit some incredibly high notes.
It’s the entertainment and creative memes that seem to matter more than the sport itself.
⚽ When Changzhou won 3–0 in its opening match against Nantong, in a stadium filled with more than 40,800 people, the running joke was that the city of “Changzhou” (常州) could add more “strokes” to its name. This is all part of a bigger meme that started last year, when netizens would ‘deduct’ a character stroke from Changzhou’s name after every time it lost, with its Chinese name going from 常州 to 巾州 to 丨州, until netizens joked there were no strokes left to remove (0州)—Changzhou performed quite terribly.
The “chang” character kept losing strokes as Changzhou lost in the 2025 Su Chao (edited image by netizens).
But with this year’s unexpected win, Changzhou struck back, and the official city account flipped the joke by temporarily renaming itself 常洲, with the three-water-drop radical added to the zhou 州, symbolizing its three goals scored (#常州暂时改名常洲#).
⚽ More than that, Changzhou city officials announced a one-day citywide holiday on April 12, with free public buses and metro for all residents. It was almost like a New Year’s night: major landmarks also stayed lit throughout the night.
⚽ Another meme sprang from a giant inflatable dinosaur that was set up before the match, part of Changzhou’s dino-city branding (it is home to China Dinosaur Park). It was meant to look cool and majestic, but netizens thought it resembled a shiny, greasy, reddish-brown soy-braised duck (酱板鸭) instead, leading to the “Soy-braised dragon” meme (酱板龙).
The dino that looked more like a soy-braised duck and “soy-braised dragon” merchandise sold on Taobao.
⚽ During the Suqian vs. Nanjing match on April 18, another highlight featured actor He Rundong (何润东), who appeared dressed in full armor and surrounded by guards and horses, revisiting his famous role as the ancient warlord Xiang Yu (项羽)—the historical figure associated with Suqian as his birthplace. He shouted “Xiang Yu has returned!” (“我项羽回来啦”), a moment that became even more significant after Suqian won 2–0.
⚽ What also stands out in the marketing surrounding the Su Chao is how, alongside the official mascots, Jiangsu media, companies, and fans have been producing AI-generated “city personification” figures featured in images and short videos, with storylines about winning, losing, friendship, and rivalry between the 13 cities in a virtual world. Changzhou is a little dino, Nanjing is a little duck, Nantong is a wolf, etc.
The success of the Jiangsu Super League does not appear out of nowhere: for the past few years, China’s grassroots football has seen a wave of success, with local governments and companies using these leagues and matches to boost local cultural identity and community cohesion, while city-vs-city rivalry and banter consistently trends on social media.
Within this bigger picture, the Village Super League (村超, Cun Chao)—a community football tournament held in Rongjiang County in Guizhou—is a frontrunner. What started as a self-organized village event in 2023 became one of the most-watched grassroots sports stories in recent years.
With China’s national football plagued by underperformance, corruption, and other scandals, more voices are suggesting that the future of Chinese soccer might lie in regional and local super leagues.
Regardless of whether that is true, it is undeniable that phenomena like the Su Chao are bringing a lot of online fun, memes, banter, commercial success, and positive community energy. In doing so, they generate more authentic online engagement than any professional league matches currently do.
France Returning Cultural Relics: “Hugo’s Day Has Come”
It is not often that the French National Assembly goes trending in China, but it did after unanimously passing a cultural restitution bill that makes it easier to return looted colonial-era objects.
The new bill allows countries to request the return of objects taken between 1815 and 1972, provided they can show the items were acquired by force or other illegitimate means. It marks a shift from the previous, slower, case-by-case restitution system, where every single return required a separate parliamentary vote.
In Chinese media, the news was highlighted through a quote by French politician Jérémie Patrier-Leitus, who in his speech cited Victor Hugo’s famous 1861 letter about the sacking of the Old Summer Palace (Yuanmingyuan), in which he expressed hope that a renewed France would one day return the goods it had plundered from China. Patrier-Leitus said: “The day Hugo longed for has finally arrived.”
Screenshot of the tweet by Jérémie Patrier-Leitus, in translation.
For Chinese audiences, the story carries strong emotional resonance. The looting of the Old Summer Palace in 1860 by French and British forces is widely taught at school as part of the so-called “Century of Humiliation,” the period from the mid-1800s to the mid-1900s during which China was attacked, weakened, and torn by foreign powers. The four-character slogan “wù wàng guóchǐ” (勿忘国耻), “Never forget national humiliation”, is frequently repeated in Chinese media, museums, schools, documentaries, and popular culture.
Besides state media and nationalist commentary, other discussions also emerged online. Some threads focused on which artifacts could potentially be returned to China, mainly linked to the burning of the Old Summer Palace in 1860 and the 1908 Dunhuang removals (although this remains contested as “looting”: it concerns French scholar Paul Pelliot, who acquired thousands of invaluable ancient manuscripts and artworks from a monk guarding a cave at Dunhuang for very little money, and took them to Paris, where they have remained ever since).
Other comments expressed hope that France would set an example for other countries.
Although the news went big in China, French media coverage itself did not mention China at all and instead focused on Benin, Senegal, Côte d’Ivoire, Mexico, and Algeria.
On the Feed
A Scrollable New Book by Mo Yan
Mo Yan (莫言), China’s first Nobel laureate in literature, has been praised as a “meme king” for quickly adapting to China’s online Xiaohongshu community since joining the app in November 2025.
Now, the famous author—known for epic works like Red Sorghum (红高粱)—has again become a hot topic for publishing a new book inspired by his own social media and short-video scrolling “addiction.”
The novel, titled Oh, People (Rén Na 人呐), is his first new fiction in six years and immediately hit the top of major bestseller lists upon release. It’s a collection of 81 ultra-short pieces, the briefest of which runs just 200 characters, and is designed, in Mo Yan’s own description, so that readers can “scroll through it” the way they scroll TikTok.
This format is sparking discussion across Chinese social media, especially because it comes from a writer of Mo Yan’s stature.
One core question is whether a Nobel laureate should be writing “fast literature” that mimics short-video logic, and whether this suggests that even China’s most lauded authors are giving in to platform-driven attention economics.
Others argue that the book’s format is not entirely new, and could just as easily be traced back to classical Chinese literary traditions rather than the TikTok era.
These debates may be precisely the point of Mo Yan’s new book. Is it merely scrollable, or is it serious? Through these discussions, his work already engages with two important aspects of contemporary Chinese society: the country’s changing reading culture and the dominance of short-video platforms.
Word of the Week
The Office Li Xiaoran
The phrase of the week is “the Office Li Xiaoran” (Bàngōngshì Lǐ Xiǎorǎn 办公室李小冉).
The phrase comes from the 7th season of the super popular reality/talent show Sisters Who Make Waves (乘风2026), where the 50-year-old Chinese actress Li Xiaoran (李小冉) performed with her group, which also included Olympic skater Wang Meng (王濛).
Li Xiaoran was completely and painfully off-key, off-tempo, forgetting lyrics, and stiff in her choreography — but she stayed calm and cheerfully smiled through it all.
The dreadful performance of the song—officially titled “Wish Sticky Note” (心愿便利贴)—was soon dubbed Wantong Jingutai (万通筋骨贴) by netizens, referring to a Chinese medicinal patch for joint pain. (It’s a wordplay on the title, sharing the same final character: “这不是心愿便利贴，这是万通筋骨贴”).
Ironically, Li was professionally trained at the prestigious Beijing Dance Academy, but dropped out to become an actress—prompting some netizens to joke that instead of saying “the dance world lost a great talent,” it “lost someone completely irrelevant” (#舞蹈界失去了一个无关紧要的人#).
But it wasn’t all meant in a mean way. Because people actually very much appreciated Li Xiaoran’s performance. Although it didn’t go very well, she seemed unbothered and positive, which is why viewers eventually voted her to the number one spot on the show that night.
In the aftermath, office workers started collectively joking that they’ve been “diagnosed as the Office Li Xiaoran.”
The phrase “Office Li Xiaoran” (bàngōngshì Lǐ Xiǎorǎn, 办公室李小冉) has become a viral self-label for workers who feel they are underperforming and barely surviving, but maintain a smile and stoically carry on regardless.
There’s now also a trend where people in the office signal to colleagues that they’re “Office Li Xiaoran” by putting a sign on their chairs.
In the example below it says:
“Officially diagnosed as ‘Office Li Xiaoran’
First to arrive every day, last to leave. Submit my work, and the boss asks: ‘What is this even supposed to be?’
Me: ‘No lip-syncing, not afraid of the stage, not pretending, doesn’t sound good—but I really did try!’
In a way, Li Xiaoran has become the perfect vehicle for office emotional catharsis—an unexpected idol for how to carry on in stressful situations. The ultimate lesson she taught us: even if everything’s going wrong, a good attitude, a splash of confidence, and a bright smile can take you surprisingly far.
See the videos here.
—That’s a wrap.
See you next edition.
Best,
Manya
Eye on Digital China, by Manya Koetse, is co-published on Substack and What’s on Weibo. Both feature the same new content — so you can read and subscribe wherever you prefer. Substack offers community features, while What’s on Weibo provides full archive access. If you’re already subscribed and want to switch platforms, just get in touch for help. If you no longer wish to receive these newsletters, or are receiving duplicate editions, you can unsubscribe at any time.
China Arts & Entertainment
“Auntie Mei” Captured After 20 Years, China’s Train-Stain Scandal, and Zhang Xuefeng’s Final Lesson
The major talking points on Chinese social media this week: from the capture of a notorious child trafficker and unexpected death of Zhang Xuefeng, to one of the most expensive Chinese music video ever made.
🔥 China Trend Watch (week 12½ | 2026) Part of Eye on Digital China by Manya Koetse, China Trend Watch is an overview of what’s trending and being discussed on Chinese social media. This edition was sent to paid subscribers — subscribe to receive the next issue in your inbox.
This is about “Teacher Zhang Xuefeng” (张雪峰老师, 1984), the man who carved out a big place for himself in China’s online landscape over the past decade by focusing on a sweet spot that virtually all Chinese parents and their children care about: how to choose majors strategically to ensure future employment prospects.
Among Zhang’s common questions: “What kind of salary do you want your child to have in the future?”
Besides the relevance of his focus, Zhang’s northeastern accent, comic remarks, blunt criticism, and talent for triggering controversy also amplified his online appeal, ensuring that his name frequently became part of China’s public discourse.
Like that time when he advised China’s young people against studying journalism, even stating that if he were a parent, he would “definitely knock the child unconscious if they insisted on studying journalism,” deeming it a major that lacks depth and prospects. Although it became a major controversy at the time, a poll of 42,000 voters showed that 39,000 agreed with Zhang.
Zhang capitalized on the collective anxiety in China surrounding the gaokao (高考), the national university entrance exam that determines future paths, as well as concerns that even graduates from top universities may face unemployment if they choose majors with limited practical value. Zhang’s view: choice is more important than effort.
This Tuesday evening, news emerged that Zhang Xuefeng had died on the afternoon of March 24 at the age of 41, after suffering sudden cardiac arrest.
His death has had a huge impact on Chinese social media, where many people are responding with disbelief and shock.
It’s not just that Zhang was widely known (and while not everyone liked him, many respected him)—it’s perhaps also the fact that he spent so much of his life advising others on how to control their careers and income, building great personal wealth in the process, only to die so young, at the peak of his career, with no strategy to protect him.
Besides being “chronically overworked,” Zhang also pushed himself to exercise and run frequently. Adding to this, he had been under pressure since last fall, when he became a target of official criticism and platform regulators.
Isn’t it ironic that, in the end, the most important takeaway Zhang might leave behind is not his advice on choosing majors or making smart career moves, but rather the reminder to sometimes step away from the rat race and appreciate everyday life and health, because you never know when it might all end.
Zhang leaves behind his wife and 11-year-old daughter.
Let’s dive into some of the other trends that have been major talking points this week.
Quick Scroll
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- 🧠 China has approved a coin-sized brain–computer implant for commercial use in people with spinal cord injuries. Developed by Shanghai-based company Neuracle Medical Technology (博睿康) in collaboration with Tsinghua University, the so-called “NEO” is the world’s first market-approved brain implant designed to help people with severe paralysis regain hand motor function.
- 🚨 Lei Siwei (雷思维), Vice-Governor of Gansu and member of the provincial Party Standing Committee, is under investigation as of March 17, with the notice issued by China’s top anti-corruption body citing “serious violations of discipline and law.” The case is the latest in an ongoing series of provincial-level anti-corruption actions that’ve been continuing into 2026.
- 📚 Several Chinese provinces and cities are removing biology and geography from high school entrance exams starting from next year, as part of a broader government-initiated campaign to reduce pressure on students and put a stop to “educational involution” (教育内卷).
- 👀 Taiwanese actor-singer Jerry Yan (言承旭), best known as Dao Mingsi from Meteor Garden and a member of F4, is at the center of somewhat of an authenticity crisis after fans photographed his concert teleprompter showing not just lyrics, but scripted emotional cues for his performance like “your eyes slightly reddening” and “now you take a deep breath.”
- 🎮 More than 100 Chinese universities are offering esports majors nowadays, sparking online discussions this week. These programmes go far beyond just playing video games, covering esports operations, management, data analytics, game design, etc, reflecting the growing professionalisation of China’s esports industry.
- 🎓 A feature by Chinese magazine Sanlian Life Weekly (三联生活周刊) went trending for highlighting a sharp gender shift in China’s higher education demographics, with female students now outnumbering men at universities. Female undergraduate enrollment grew by 348% between 2002 and 2022.
- 🧪 A laboratory explosion at Chongqing University on March 20 killed one student and injured three. Initial findings point to improper handling of chemicals.
- 💔 China’s superfamous actress Yao Chen (姚晨) and filmmaker Cao Yu (曹郁) jointly announced their separation on Weibo in a poetic way, using classical Chinese language: “A journey through mountains and rivers, a blessing for three lifetimes. Fate comes and goes, all is joy” (山水一程，三生有幸。缘来缘去，皆是欢喜). A related hashtag received 300 million views.
What Really Stood Out This Week
Chinese Woman Who Sold Abducted Toddlers Captured After Two Decades
A woman who played a key role in a series of China’s notorious child trafficking cases, causing relentless suffering for many families, has finally been caught after being on the run for two decades. The arrest of the woman, referred to as “Mei Yi” or “Auntie Mei” (梅姨), has dominated Chinese social media over the past week, ever since Guangzhou police announced on March 21 that they had finally captured her.
This story touches upon multiple issues that have turned it into such a major topic.
Mei Yi was involved in a series of child trafficking crimes carried out by a gang led by Zhang Weiping (张维平) and Zhou Rongping (周容平) across multiple areas in Guangdong province between 2003 and 2005. She acted as a middleman responsible for transferring and selling abducted children, mostly toddler boys. In just over two years, the group abducted and trafficked nine young children.
The parents of these boys never stopped searching for them, while Chinese authorities worked for years to crack the case. In 2016, eleven years after the last abduction, police arrested five core gang members, including Zhang, who later confessed and revealed that the person reselling the children was a local elderly woman nicknamed “Mei Yi.” However, her real identity and whereabouts remained unknown for years. Zhang Weiping and Zhou Rongping were both sentenced to death and executed in 2023.
Thanks to new technologies—from digital tracking systems to DNA matching—the abducted children were located one by one and reunited with their biological families over the years: the first in 2019 and the last in 2024. By then, the boys were roughly between 14 and 21 years old, meaning they had spent nearly their entire childhoods with the families who had bought them.
Evading Capture by Being Ordinary
One aspect of this case drawing attention is not just how Mei Yi was caught, but how she managed to evade arrest for so long. The crimes took place more than twenty years ago, in factories, rental housing, and other areas with dense migrant populations, leaving very little traceable evidence. It is also unclear how accurate the composite sketch of Mei Yi—circulating since 2017 and updated in 2019—actually was. Authorities have not released a confirmed photo following her arrest, and it is possible her real appearance differed significantly from the sketch.
A lawyer close to the case told Chinese media outlet The Paper that what made her so hard to catch was probably not how clever her tactics were, but that she appeared so normal to those around her, who might have never guessed she was a criminal. Besides arranging illegal “adoptions,” Mei Yi also acted as a local matchmaker and fortune teller, and she even lied about her identity and used aliases with someone who was her partner for two years.
Official media do not disclose exactly how Mei Yi was eventually tracked down, but it’s clear that the authorities got much closer after all the abducted children were found in October 2024, undoubtedly leading to important clues that connected all the cases.
Not Such a Happy Ending
Chinese state media have largely framed the case as a story of justice served: Mei Yi as a long-sought villain, the police as persistent heroes, and China’s advancing technology as the key to solving the case. A kind of “happy ending.”
But the truth seems more complicated, with a loud silence surrounding nine families where the abducted boys spent their entire childhoods. Their willingness to pay for a male child is part of a broader issue linked to China’s one-child policy, relatively light penalties for buyers of trafficked children (or even legal limitations due to statutes of limitation), and a deeply rooted son-preference culture that was especially strong in those years 2003- 2005.
Some online commentators did argue to “not let those hypocritical ‘adoptive parents’ off the hook.” Yet the situation is complicated by the fact that some of the boys still consider these families their parents, and in some cases choose to stay with them rather than return to biological families they barely remember.
The fact is that Mei Yu is just one chapter in a much larger story that is far from finished.
Just earlier this week, the story of another abduction case also went trending. It concerns a man named Du Jun (杜军), who was abducted in 1991 at the age of 3 while playing outside a shop with his sister. Du Jun, who spent 35 years separated from his biological family, finally reunited with his biological mother following a successful identification process that is part of a continuing series of long-separated family reunions facilitated by China’s expanding DNA-matching and digital tracking systems.
Du, now 38, had not known he was trafficked as a child, nor that his biological family had searched for him for years. He became an orphan at a young age and built a life for himself. He was found through online search efforts, the dedication of volunteers, DNA research, and a specific detail only his biological family knew: that he had a bend at the joint of his left middle finger because of an accident as a toddler.
Du Jun as a young child before his abduction, and Du Jun reunited with his biological mother in 2026. Images via Hongxing Xinwen.
As with the nine abducted boys, Du Jun’s reunion with his family does bring light to a long, dark tunnel – but it doesn’t bring back the missed childhood, the shattered families, and the endless, tear-filled years.
Let’s hope many more “Mei Yis” will be brought to justice in the years ahead.
A Censored Menstruation Train-Incident
Another story that became a major talking point on Chinese social media this week involves a woman named Ms. Zhang, who was charged 180 yuan (US$26) after accidentally staining a bedsheet on a sleeper train. The woman unexpectedly got her period while traveling overnight to Lanzhou and was unable to obtain any sanitary products on board. A train attendant asked her to either wash the bedsheet herself or pay compensation.
The woman, who ended up washing the sheets herself by hand in cold water, later shared her experience on social media and suggested that all trains should sell sanitary pads. Her post resonated with many, and even though she took it offline, it was quickly picked up by Chinese media.
After the post went viral, Lanzhou Railway issued an official statement on March 20, presenting its version of events and challenging some of the woman’s claims.
The statement included details that depicted staff as helpful, such as an attendant allegedly offering to wash the sheets and a conductor searching for sanitary pads (but finding none). At the same time, it used seemingly accusatory language, repeatedly describing the woman’s menstruation as having “contaminated” (污染) the bedding as well as two other spots where she had sat.
Zhang did not accept this explanation and again turned to social media (under the username @勇敢小狐不怕困难) to reveal what she said had been happening behind the scenes. She shared that someone from Lanzhou Railway had repeatedly messaged her privately, asking her to delete her posts, claiming that employees’ jobs were at risk because of the incident, and even offering her money—which she refused, despite ultimately taking the post down.
Zhang further suggested that her posts were “disappearing as soon as they were published,” that the media narrative was being controlled, and that she had been pressured into silence.
On Xiaohongshu and Weibo, many users sided with Zhang. The wording used by Lanzhou Railway struck a chord, particularly the framing of menstruation as “contamination” while simultaneously blaming Zhang for staining multiple areas, despite not providing any sanitary products.
“Where exactly was she supposed to sit?” one Xiaohongshu user asked. “In the aisle? On a suitcase? Squatting by the toilet door? Lying on the floor?”
One major reason why this debate exploded online is not just the media discourse itself, but the way it taps into broader frustrations among Chinese women over social taboos and structural shortcomings surrounding menstruation in public spaces.
Over the years, various incidents involving menstrual products have gone viral and sparked grassroots efforts to change the current situation.
In 2022, a female passenger also expressed her frustration online about sanitary pads on high-speed trains, drawing online attention. Many commenters, mostly men, argued that pads weren’t “essential items” and shouldn’t take up retail space onboard. The railway authority’s official response—describing sanitary pads as “personal items” that don’t need to be sold—only worsened online outrage.
For many women, these kinds of incidents, from trains and schools to planes, highlight how little society apparently understands or respects their basic needs.
In this case, the way Zhang was seemingly framed as if she had deliberately stained the sheets (and was somehow expected to stop menstruating) triggered widespread anger. Although some of the more outspoken posts were censored on Weibo, more nuanced criticism remained: “Menstrual blood is treated as dirty, described as ‘contamination.’ But this is just menstruation—something that half of all people experience.”
On the Feed
“The Most Expensive Music Video in the History of Mandopop”
Whenever there’s new music by the Taiwanese producer, actor, composer, singer-songwriter, and ‘King of Mandopop’ Jay Chou (周杰伦), it goes trending.
Not only does his music bring back memories of the early 2000s – when he first rose to prominence and became super popular – but his catchy tunes and lyrics also resonate with younger audiences.
But it’s not just the music that makes waves – it’s also the music videos that have become artistic and sometimes spectacular productions by themselves. “Other artists just make a music video, he turns it into a movie,” some commenters wrote after the release of his 2022 Greatest Work of Art video.
On March 24, the music video (MV) for the lead single Children of the Sun (太阳之子) dropped, a production made in collaboration with Wētā Workshop, the New Zealand-based visual effects studio known for its work on Avatar and The Lord of the Rings.
The music video shows Jay Chou in a fictional European world spanning from the 16th to the 20th century, filled with references to famous art, from Vincent van Gogh and Dali to Mona Lisa, Ophelia, and The Anatomy Lesson of Dr. Nicolaes Tulp by Rembrandt (Jay Chou appears in the painting himself).
The cost of the music video production reportedly exceeded 20 million yuan (US$2.9 million), and some commentaries described it as the most expensive MV in the history of Mandarin-language pop music.
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Ben
November 16, 2018 at 10:33 am
In the picture for “#18 Heaven’s Above (苍天在上)”, the character seems to be holding a smartphone – possibly an iPhone given what looks to be an apple on the back side. That would be anachronistic for a 1995 series I think?
Admin
November 16, 2018 at 10:41 am
Well spotted, Ben! You’re right! That was an image from a modern remake mini-series of Heaven’s Above (苍天在上), not the 1995 version. We’ve now replaced with an image from the original show. Thanks for the heads up 🙂
autraka
November 22, 2018 at 6:59 am
Wish you included 武林外传、还珠格格 and more TV dramas based on 金庸‘s novels.
Brown
January 2, 2019 at 10:58 am
Chinese TVs set in Qing Dynasty are an amazing series for me. I love the Story of Yanxi Palace especially. I have found the top 10 related Qing Dynasty TVs from here
https://chinausual.com/top-10-chinese-tv-series-set-in-qing-dynasty/
Jason
February 23, 2019 at 9:57 am
Actually “White Deer Plain” 白鹿原 is in Shaanxi(陕西）. Not Shanxi(山西）。