China Arts & Entertainment
Top 5 of Popular Children’s Books in China after Crackdown on Foreign Storybooks
The topic of children’s books in China recently made international headlines following a crackdown on foreign storybooks in the PRC. What’s on Weibo explores the status quo after the ban: has Peppa Pig really left the building? What is the current top 5 of popular children’s books in China?
Published
10 years agoon
The topic of children’s books in China recently made international headlines following a reported crackdown on foreign storybooks in the PRC. What’s on Weibo explores the status quo after the ‘Taobao ban’: has Peppa Pig really left the building? What is the current top 5 of popular children’s books in China?
Recently the children’s books market in China made international headlines when the South China Morning Post reported that an order from Beijing will drastically limit the number of foreign children’s picture books published in mainland China this year.
According to The Guardian and other sources, Chinese publishers received orders that foreign children book titles must be lowered or even halted to prevent an “ideology inflow” and to protect and promote children’s books written by Chinese authors. In the New York Times, Hannah Beech also called the crackdown an “ideological crusade.”
On March 3rd, days before the South China Morning Post reported the news, China’s largest e-commerce platform Taobao issued an official statement that, as of March 10th, it was halting resales of all books published overseas to “create a safe and secure online shopping environment.”
STATE MEDIA: ALL ABOUT CULTURE
“The Ministry of Culture hopes that Chinese children will be more in touch with cultural products that reflect Chinese values.”
Chinese media responded to the international news reports in mid-March, saying that they were “fabrications” by foreign media to make China look bad. On Wednesday, state tabloid Global Times published an article written by a Global Times commentator Shan Renping, writing:
“Recently a number of Western mainstream media have started a hype about China controlling the import of foreign children’s books, suggesting this is China’s way of reducing the influence of the outside world on China, and ridiculing that our “boycott of foreign forces starts with small children.”
According to the column, the imposed limit on foreign children’s books is not necessarily related to “ideology” or other political matters – as children’s books are allegedly “not much of an ideological field” – but that the reason is cultural.
In the past, the author writes, the ratio of imported children’s books versus Chinese ones was 9:1 in 2000. While this gap between foreign and Chinese children’s books has already decreased from 6:4 (2011), officials hope to further develop the local children’s books market.

Children’s book section at Beijing bookstore in 2015. Many of the books featured are translations of foreign publications.
As the article says: “The Ministry of Culture (..) [also] hopes that Chinese children, throughout the course of growing up, will be more in touch with cultural products that reflect Chinese values.”

Children’s books on sale in Beijing (2015) by a Dutch author.
But besides the cultural motives for limiting foreign publications in China, the Global Times column also hints that there might be economic motives involved, as it mentions the growing market of children’s books in China, and that storybooks play a leading role in the publishing industry.

Chinese edition of The Hungry Caterpillar.
In the Chinese Book Market 2016 report by the German Book Office Beijing, 21.9% of China’s online book trade is listed in the category of children’s books: a booming and growing market.
WEIBO RESPONSES
“When I think about the garbage we had to read when we were little, I really cannot even imagine that books like these will be banned.”
On Weibo, some netizens responded to the crackdown on foreign children’s books with great disappointment. Before March 10, some people also said they would quickly buy foreign books for their kids before the Taobao ban would be implemented.
It is probable that some comments about the ban have been censored; one Weibo user also indicates that a previous post about the limitations “has been deleted.”
Microblogger (@大耳朵猫妹) writes:
“When you look at how kids read children’s books, what I find most surprising is how these foreign children’s books do not seem to have any meaning but just really fit in with children’s minds. I used to read a book to my children about a crocodile family; a daddy, mommy and little crocodile that eat bananas every day. One day, the little crocodile stopped and said he did not want to eat any more bananas, so his parents asked him what he wanted to eat. When he said he wanted to eat humans, his parents laughed. He then angrily left the house and on the street, he met a small child, and said: “I want to eat you.”

Chinese edition of “I’d Really Like to Eat a Child” by Sylviane Donnio (originally a French children’s book).
“The child just laughed out loud and together with his little friends took out some bananas and threw them at the small crocodile, and then laughingly ran away. Later, the little crocodile took the pile of bananas home, and ate them with his parents while wiping away his tears. What does this story explain and teach us? Nothing. But it corresponds with children’s desire to explore the outside world and try new things. My kids really liked it. (..) I really love these cute and fresh children’s books, and when I think about the garbage we had to read when we were little, I really cannot even imagine that books like these will be banned.”
The question is: will these books really be banned? Let’s first take a look at the current top-ranked lists of children’s picture books.
MOST POPULAR CHARTS
“The reported restrictions seem to be more symbolical than substantive.”
What children’s books rank highest in the popular book charts on Weibo after news of the PRC crackdown has come out?
#1. ‘Chinese Year’ Original Picture Book Series (中国年原创图画书系列)
The top ranking children’s book at the time of writing is a book series called Chinese Year, which is written by author Cao Cong (alias Wuke Lili), a Renmin University graduate specialized in children’s psychology.

The books contents and illustrations are focused on Chinese family life and traditions. This particular story is about Chinese New Year and how it is celebrated.
2. Guess Who I Am? (猜猜我是谁)

This book is aimed at the youngest children (2-4 years old) as a little ‘hide and seek’ game with holes in it, allowing children to look through them and see different things. The book is published by the Chinese People’s Publishing House.
3. Fantastic Book (奇妙的书)
This is another made-in-China children’s book, published by Guangxi Normal University.

It is themed around many different animals. From alligators to penguins, they all look at life in a different way.
4. Paw Patrol (汪汪队立大功)

Who has not heard of Paw Patrol? This children’s book about a boy named Ryder who leads a pack of rescue dogs known as the PAW Patrol is derived from a Canadian animated television series, and is thus a foreign children’s book with no Chinese themes. The book is popular on Weibo, where it is rated 9.1 out of 10 stars.
5. The Princess Kite (公主的风筝)

Although the authors of this book are not all Chinese, the story does focus on ancient China and has a Chinese kite as its central subject – making it a truly Chinese story, published by the Chinese Yellow River Publishing & Media Group.
The top 5 of Weibo’s most popular children’s book of this moment seems representative of the ‘popular’ or ‘recommended’ lists of China’s biggest online bookstores such as Taobao or Dangdang, where there are still many foreign children’s books for sale, but where the originally Chinese children’s books seem to dominate the main lists of book suggestions.
Searching for ‘foreign children’s books’ was possible on all sites – including on Dangdang, Kongfz, JD.com, and also on Taobao – after March 10. There is a wide selection of foreign books available from these sites, from Little Rabbit Couldn’t Sleep to Peppa Pig.


Foreign children’s books still sold on Taobao.
Also in the category for older children (8-12), translations of books like Pippi Longstocking (长袜子皮皮) or Harry Potter (哈利·波特) are still freely available on Taobao.
Seeing that the announced Taobao ban has not really gone into effect, there is a probability that the ‘ban’ on foreign children’s books and the reported restrictions for publishing firms to publish any foreign picture books for children this year are more symbolical than substantive.
TONING DOWN THE HYPE
“Chinese children can enjoy Paw Patrol or Pippi Longstocking, along with those books themed around Chinese New Year or Chinese folklore.”
On Thursday, Global Times published another article that seemed to want to tone down the hype, quoting the deputy dean of Cultural Studies at Peking University Chen Shaofeng: “Unless the foreign media can name particular children’s books that are banned from being imported, their accusations should be seen as groundless.”

The Beijing Bookstore online: the shop features a Frozen Disney book in its header on the children’s book page.
The article also mentioned a Beijing-based publisher nicknamed ‘Coco’, who reassured worried parents that books that have already received approval to be published would continue to be available, regardless of whether or not import limits (not bans) are introduced in future.
The way things stand now, it seems that it is business as usual for children’s books in China. It is likely that foreign children’s books will not be completely banned from China in the near future. Instead, we can expect a heightened focus on Chinese books for children (especially those themed around Chinese stories and traditions), making it easier for publishers to get approval for those titles.
To make final conclusions about the eventual effects of the announced regulations, however, we will have to wait another year. In the meantime, Chinese children can enjoy Paw Patrol or Pippi Longstocking, along with those books themed around Chinese New Year or Chinese folklore. Perhaps to the disappointment of some parents, Peppa Pig has not left the building (yet).
– By Manya Koetse
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©2017 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.
Manya Koetse is a sinologist, writer, and public speaker specializing in China’s social trends, digital culture, and online media ecosystems. She founded What’s on Weibo in 2013 and now runs the Eye on Digital China newsletter. Learn more at manyakoetse.com or follow her on X, Instagram, or LinkedIn.
Chapter Dive
The Power of Ugly: Why Niu Lai Became China’s Unlikeliest Box-Office Hit
How the two-person animated film Niu Lai turned its “ugly” visuals, dreamcore nostalgia, and remarkable cinema journey into a nationwide participatory meme.
Published
4 weeks agoon
August 22, 2026
A mother-and-son duo’s animated 3D film earned just 342 yuan ($US50) on opening day. Then its crude visuals turned it into a viral success, propelling it into the top ten of the year’s domestic animated releases. A meaningless ‘miracle’ or sign of shifting cultural sentiments? An explainer.
Something extraordinary has happened in Chinese cinemas this month. A tiny animated film about a yellow cow on a dreamlike adventure opened in a few hundred Chinese theaters on August 5, 2026, with zero promotion and no trailer. On its first day, the movie’s box office revenue totaled just 342 yuan (US$50).
Nobody could have expected that this microbudget indie movie, initially playing to empty seats, would become a nationwide viral hit—not because people thought it was good, but because they found it so aesthetically ugly.
The 86-minute 3D animation is titled Niu Lai (牛来, literally “Here Comes the Cow/The Cow Comes”). It was produced by just two people from Dalian: 34-year-old Xin Yumeng (信雨萌) and his mother, Sun Lifang (孙丽芳). The pair spent five years making it.
The plot follows a young calf named Niu Lai, who is too afraid to stand. In his dreams, he befriends a skylark and a young leopard on a sometimes-scary adventure, during which he grows up, loses his mother in a wolf attack, and eventually wakes up with new life lessons.
Despite being complete newcomers to the film industry, Xin and his mother handled everything themselves, from directing and writing to animation, voice acting, and music—theirs were the only two names in the end credits.
They registered the script in 2021 and, after passing the content review, received a public-screening permit in 2024. The narrative contained no apparent sensitivities, and all the paperwork was in order. A film distributor they knew reportedly helped them secure screenings at a few hundred cinemas (even though, after seeing the film’s quality, he had advised them against a theatrical release).
Around August 13-14, the movie went viral when a few netizens who saw it shared their disbelief at the primitive visuals, which contrasted sharply with the…
China AI
AI Actress Ad Pulled, Baihaitun Disrupts Shanghai and Cicada Meme Bugs Huawei
Published
1 month agoon
August 12, 2026By
Manya
🗞️ QUICK SCROLLS
📈 Is China’s AI price war over? After a period of offering as much as possible to users at relatively low prices, Chinese AI (LLM) companies are now raising their prices. Last week, DeepSeek – known as the cheapest LLM model around – announced a raise in its API prices, showing that LLM models in China, like food delivery platforms, follow a clear strategy of first attracting users and subsidizing growth, then monetizing once users are locked in.
🐸 “Antibiotic bullfrogs” are a new cause for concern. Bullfrogs sold through e-commerce channels, popularly used in various dishes (like bullfrog hotpot), have been found to contain excessive antibiotic residues after being tested by an independent Shanghai investigation team. Antibiotics are widely used in bullfrog farming.
🌾 A 67-year-old farmer from Anhui ruined 25 acres of crops after following a chatbot’s advice on which pesticides to use. The AI tool recommended a strategy including fomesafen, which killed the farmer’s entire sesame plant crop. Chinese state media highlighted the story as a warning to the growing number of senior citizens who are relying on AI a bit too much.
👁️ A Chinese ad campaign for contact lenses has been taken offline because it starred an AI actress who doesn’t actually have eyes. Last week, I reported on the success of this AI actress, Fang Taozi (方桃子), in the AI micro drama “Laid-Off Girl” (被裁掉的女孩). After a Chinese cosmetic contact-lens brand paid a large sum to feature the actress in its commercial, regulators flagged it because the virtual actress claimed the contact lenses were “comfortable.” Because she doesn’t physically have eyes, this suggests false advertising, and the company could face an additional fine.
🎭 The famous Chinese actor Qin Yan (秦焰) has passed away at the age of 72. The veteran actor was a familiar face on Chinese TV since 1991 and was known for his many roles in TV series like Ruyi’s Royal Love in the Palace, The Knockout, and Joy of Life 2. While fans and colleagues are posting tributes online, the actor’s Baidu (Baike) page has turned black-and-white to mourn his death. The actor suffered from an illness that hasn’t been specified.

Images via Weibo, showing Qin Yan’s press photo on the left and on the right him portraying the role of Eunuch Dai, the corrupt director of the vegetable and food supply department in the popular historical drama series Joy of Life Season 2 (2024).
🏆 China’s animated film Ne Zha 2 was the biggest winner at the 38th Hundred Flower Awards, China’s most prestigious film awards. The movie grossed 15.9 billion yuan ($2.35 billion) and currently ranks as the world’s fifth highest-grossing film, right in between Titanic and Star Wars. Notably, director Jiaozi (real name Yang Yu 杨宇, b. 1980) was absent from the ceremony, as he always is. The director has a strong dislike for pointless socializing. 😂
🕯️ Remembered as a “Communist Warrior” (共产主义战士), the passing of former Chinese Premier and electrical engineer Zhu Rongji (朱镕基) became a top trending topic on Wednesday after an official obituary announced his death. Zhu is mostly remembered for his efforts to help transition from a planned economy to a socialist market economy, including his tax reform implementations, restructuring of state-owned enterprises, and creation of the mass home-ownership market. Zhu died of an illness in Beijing. He was 98 years old.
👁️ ZOOMING IN
1. Typhoon Baihaitun Brings Record Rainfall to Shanghai

Image via Weibo user @粗茶大白饭
Typhoon Baihaitun (白海豚 “White Dolphin”) has been one of the biggest keywords dominating Chinese social media this week as severe weather affected eastern China.
In Shanghai and surrounding areas, the typhoon caused major disruptions on August 9–10 due to strong winds and extreme rainfall. In Xujiahui, nearly 316 mm of rain fell within 24 hours, the highest amount recorded in Shanghai since observations began over 150 years ago. (The highest total was recorded at Lantian Station in Linhai, Taizhou, where rainfall surpassed a staggering 630 mm; that’s like buckets of water simply being poured down from the sky.)
Many roads, homes, and entire parking lots were completely flooded (video on X / Bluesky). Thousands of people were evacuated, flights were canceled, and metro lines were suspended. In some neighborhoods, residents reported that the water had reached all the way up the stairs.
The typhoon coincided with the Monday morning rush. Despite official guidance encouraging working from home, online complaints made it clear that many companies still expected their employees to show up at the office.
Shanghai Disneyland also remained open despite the severe weather. Videos show park visitors riding attractions in the pouring rain, and cast members in costumes needing help to navigate the rain and wind. The happiest place on earth has never looked so sad (see various videos in my thread here on X / Bluesky).
The impact of the typhoon is expected to last until at least Sunday.
2. Streisand Effect: Huawei Gets Bugged by Bamboo Cicada Toy
If the past week had one soundbite, it would be the rasping, buzzing cicada-like sound you get by spinning the traditional handmade “bamboo cicada” (竹知了 zhúzhīliǎo) wooden toy.
It became a viral sensation after netizens used its sounds to accompany videos of a Huawei event where Chairman Richard Yu (余承东) announced a new car. He described the AITO M9 as “the best SUV under 10 million yuan” (一千万以内最好,没有之一), prompting “wawaa” sounds and cheers from the audience. Soon, a meme was born in which social media users mixed the footage with the toy’s sound – not just because of the audience, but also because of Yu’s distinctive way of speaking.
That cicada toy meme would never have become as big if Huawei’s legal department hadn’t intervened. The company submitted complaints to social media platforms, and videos were removed. But this triggered a chain reaction – when people found the sound was being censored, it blew up in popularity. By now, not only is the sound used everywhere, but the toy itself has become a summer must-have (even though its origins are contested – some say it’s traditionally Japanese and not Chinese at all).

The American term “Streisand Effect” (in Chinese: 史翠珊效应 Shǐcuìshān xiàoyìng) has been used online to describe how Huawei’s reaction backfired.
The response by Huawei – or, more precisely, HIMA, the company’s smart-vehicle alliance brand – was criticized not only by netizens but also by official voices. The official account of Zhejiang Province was among many posting critiques, saying that “the stronger a company is, the greater its capacity to accept discussion” – in other words, calling Huawei weak for its reaction.
This makes it one of those rare moments when, especially when it’s about censorship, official and grassroots voices seem to agree, for once, on the limits of the kind of content that should and should not be controlled. In this way, the cicada sound has come to represent something much more than mocking Huawei, with netizens protecting their rights to criticize & ridicule China’s most powerful business players.
3. Japanese K-Pop Fan’s Death Shows Dark Side of Fan Culture

Miki Chan on the right, posing together with ENHYPEN group member NI-KI. Image via Weibo.
A tragic suicide livestreamed on TikTok became a trending topic across Chinese platforms over the past week, sparking discussions about toxic fan cultures and online bullying.
The 26-year-old Japanese K-pop influencer Mina Chan experienced an acute mental health crisis while livestreaming from her home in Seoul on August 5. This happened after she suffered weeks of severe online bullying stemming from an incident at the US concert of her favorite pop group, the boy band ENHYPEN.
During the concert, Mina tried to give sunflowers to her favorite singer, Nishimura Riki, better known as NI-KI, by throwing them onto the stage. When another group member picked them up instead, she appeared upset. When NI-KI later criticized fans for seeking personal attention rather than enjoying the concert, many fans felt he was referring to Mina.
In the following weeks, Mina received so much online harassment, doxxing, and hate that she first apologized on X and withdrew from the fan club before eventually broadcasting her final livestream, in which she died by hanging. Mean comments continued throughout the livestream.
Online discussions in China have largely framed the incident in terms of online aggression (网暴, wǎngbào) and problematic fan circles (饭圈, fànquān). Although Mina was a Japanese fan of a South Korean band, K-pop fandom is also enormous in China.
Both online aggression and toxic fan culture have been repeatedly targeted by Chinese cyberspace authorities in recent years, undoubtedly contributing to greater public awareness of these problems. Against this backdrop, Mina’s death has prompted widespread calls to end online bullying, while thousands of Chinese netizens have expressed their sorrow over the young woman’s death.
Notably, just one day before Mina’s livestream, American celebrity blogger Perez Hilton became a global trending topic after self-harming during a TikTok livestream that remained online for approximately fifteen minutes, allowing a large audience to watch the disturbing events unfold – similar to what happened with Mina’s livestream. In the United States, the incident sparked further discussion about platform moderation and TikTok’s failure to end livestreams quickly when signs of self-harm or an acute mental health crisis emerge.
📱ON MY FEED

This post reads:
“China Southern, what on earth are you doing? I gulped it all down, only to realize it wasn’t grape juice, it was prune juice!!! This is the first time I’ve seen such a long, never-ending line of people waiting to use the restroom on a plane; the prize pool just kept growing.
Do you have any idea how much I suffered? #InFlightMeal #ChinaSouthern #PruneJuice”
After passengers on a China Southern Airlines flight from Wuhan to Urumqi were served prune juice with their meal, the queues for the plane’s only two toilets kept growing as dozens of passengers felt the high urge to go.
One other review said:
“What were you thinking, serving prune juice? China Southern, please answer me. You nearly made me shit myself.”
🔗 SEEN ELSEWHERE
🔹 “Grandma Economy” (“姥姥经济”) fills a void for urban Chinese Gen Z and millennial consumers who are increasingly projecting their nostalgia for the warmth of grandmothers onto the brands they buy, the content they consume, and the creators they follow. Read at Baiguan / by Amber Zhang.
🔹 Toddler twins are at the center of a very messy custody case involving a surrogate mother from Florida and a Chinese father who might never be allowed to enter the US. Born in November 2024, the twins are biologically not connected to the surrogate mother, but after the Chinese legal father never came to collect them, she and her husband want to adopt them. A new Florida law has now placed the case at the center of conservative outrage over Chinese parents allegedly exploiting the state’s lax surrogacy rules. Read at Wall Street Journal / by Katherine Long.
🔹 A Chinese state media correspondent has been accused of being a spy by the Czech Security Information Service, which identified Yang as an operative of China’s Ministry of State Security, alleging he used his cover as a journalist to collect compromising information on Czech politicians, particularly those supportive of closer ties with Taiwan. Read at Reporters Without Borders.
🔹 “What I feared to be my lifelong search has unexpectedly come to an end. Yesterday, I got a message from my family searcher in China on WeChat that I have a positive DNA match with my biological parents.” In late 2024, I wrote about how the Dutch adoptee Fengli Bottema had come to China in search of her biological family after she was left in front of an Anhui police station as a baby back in 2001. There’s now an update to her story, which echoes that of thousands of Chinese girls adopted abroad. Her search has finally come to an end. Read Fengli’s Instagram post here.
Thanks to Miranda Barnes for helping me curate topics for this edition.
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Bruce Humes
March 20, 2017 at 8:56 am
If foreign analysts are waiting for written proof that there is a ban or specific limits on the import and sale of foreign books for children, they are likely waiting in vain.
The authorities in China long ago learned that issuing such specific regulations in black and white makes for bad press. To avoid criticism from abroad, and at home as well, such orders are normally given orally at state-sponsored meetings limited to Chinese-owned publishers, or even by phone to specific publishers/importers. In addition, such orders are permitted to be circulated only among management, and — like so many things such as the amount of pm 2.5 particles in the air in a given city, or gag orders re: what events are to be covered and how they are to be covered in the media — these orders are a state secret. Posting them online is grounds for prosecution and imprisonment.