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China Arts & Entertainment

Two Hour Time Limit for KTV: China’s Latest Covid-19 Measures Draw Online Criticism

China’s latest COVID-19 infection prevention and control measures are drawing criticism from social media users.

Manya Koetse

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No more never-ending nights filled with singing and drinking at the karaoke bar for now, as new pandemic containment measures put a time limit as to how long people can stay inside entertainment locations and wangba (internet cafes).

On June 22nd, China’s Ministry of Culture and Tourism (文旅部) issued an adjusted version to earlier published guidelines on Covid-19-related prevention and control measures for theaters, internet cafes, and other indoor entertainment venues.

Some of the added regulations have become big news on Chinese social media today.

According to the latest guidelines, it will not be allowed for Chinese consumers to stay at various entertainment locations and wangba for more than two hours.

Singing and dancing entertainment venues, such as KTV bars, can only operate at no greater than 50% maximum occupancy. This also means that private karaoke rooms will be much emptier, as they will also only be able to operate at 50% capacity.

On Weibo, the news drew wide attention today, with the hashtag “KTV, Internet Cafe Time Limit of Two Hours” (#KTV网吧消费时间不得超2小时#) receiving over 220 million views at the time of writing. One news post reporting on the latest measures published on the People’s Daily Weibo account received over 7000 comments and 108,000 likes.

One popular comment, receiving over 9000 likes, criticized the current anti-coronavirus measures for entertainment locations, suggesting that dining venues – that have reopened across the country – actually pose a much greater risk than karaoke rooms due to the groups of people gathering in one space without a mask and the “saliva [drops] flying around.”

The comment, that was posted by popular comic blogger Xuexi, further argues that cinemas – that have suffered greatly from nationwide closures – are much safer, as people could wear masks inside and the maximum amount of seats could be minimized by 50%. Karaoke rooms are even safer, Xuexi writes, as the private rooms are only shared by friends or colleagues – people who don’t wear face masks around each other anyway.

Many people agree with the criticism, arguing that the latest guidelines do not make sense at all and that two hours is not nearly enough for singing songs at the karaoke bar or for playing online games at the internet cafe. Some wonder why (regular) bars are not closed instead, or why there is no two-hour time limit for their work at the office.

Most comments are about China’s cinemas, with Weibo users wondering why a karaoke bar, where people open their mouths to sing and talk, would be allowed to open, while the cinemas, where people sit quietly and watch the screen, remain closed.

Others also suggest that a two-hour limit would actually increase the number of individuals visiting one place in one night, saying that this would only increase the risks of spreading the virus.

“Where’s the scientific evidence?”, some wonder: “What’s the difference between staying there for two hours or one day?”

“As a wangba owner, this really fills me with sorrow,” one commenter writes: “Nobody cares about the financial losses we suffered over the past six months. Our landlord can’t reduce our rent. During the epidemic we fully conformed to the disease prevention measures, we haven’t opened our doors at all, and now there’s this policy. We don’t know what to do anymore.”

Among the more serious worries and fears, there are also some who are concerned about more trivial things: “There’s just no way we can eat all our food at the KTV place within a two-hour time frame!”

By Manya Koetse

*” 餐饮其实才更严重,一群人聚在一起,而且不戴口罩,唾沫横飞的。开了空调一样也是密闭空间。电影院完全可以要求必须戴口罩,而且座位可以只出售一半。KTV其实更安全,都是同事朋友的,本身在一起都不戴口罩了,在包间也无所谓。最危险的餐饮反而都不在意了”

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©2020 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is the editor-in-chief of www.whatsonweibo.com. She is a writer and consultant (Sinologist, MPhil) on social trends in China, with a focus on social media and digital developments, popular culture, and gender issues. Contact at manya@whatsonweibo.com, or follow on Twitter.

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China Celebs

Meet Ding Zhen: Khampa Tibetan “Horse Prince” Becomes Social Media Sensation

Ding Zhen’s quiet life out in the grasslands is seemingly over.

Luke Jacobus

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A Khampa Tibetan farmer has become an online sensation in China due to his handsome features. His overnight fame, which comes with legions of adoring fans and TV show invitations, has sparked discussions about the often-overwhelming loss of privacy that can accompany online stardom.

The recent rise to internet fame of a young man named Ding Zhen (丁真) has sparked controversy over the benefits and downsides of e-celebdom.

The 20-year-old farmer, who lives in Litang in the Kham region of Tibet, found accidental online fame after being captured in a blogger’s photography session in Nyima County, according to a Haixia News article.

His handsome features attracted online attention, snowballing out of control after his appearance on a livestream. The young man shyly admitted to having little proficiency in reading or speaking Mandarin, but managed to express his love for raising horses.

The cameraman and other villagers apparently later publicized Ding Zhen’s name, address, and other personal info, soliciting gifts and leading some netizens to mock Ding Zhen’s village neighbors as “blood-sucking vampires.”

Ding, still unaware of his own fame, mentioned with some difficulty on the livestream that his dream was simply to become a “horse prince” (马王子) by winning his local horse races. His dream after that? To raise more horses, of course much to the delight of many Weibo users, some of whom have begun creating fan art in the young man’s honor.

Calls for Ding Zhen to open a Douyin account of his own, or even to appear on reality television shows such as The Coming One (明日之子) and Produce Camp (创造营), have inspired heated debate.

“This kind of person,” wrote one Weibo commenter, “should be riding horses and shooting arrows out on the grasslands; he shouldn’t be imprisoned in Vanity Fair by your fan club’s cultural values.”

Others worried that this young man, “uncorrupted by the world,” might be taken advantage of by others for financial gain.

This concern over the invasiveness of online fans likely stems from previous incidents where ordinary Chinese citizens became extraordinarily famous overnight, such as in the cases of ‘Brother Sharp,’ a homeless man similarly inundated with adoring praise online for his good looks and stylish appearance, and Shanghai’s ‘Vagrant Professor,’ both of whom found their privacy constantly invaded by fans seeking photos or just a chance to meet the new stars. Soon both men could hardly walk outside without being swarmed as their private life had been effectively ended- all because they happened to become popular online.

‘Brother Sharp’ (on the left) and the ‘Vagrant Professor’ (right) both also went viral overnight.

Two phenomena unique to the Chinese internet seem to place these e-celebrities at a higher risk of being tracked down offline by their fans. One of them is the “human flesh search engine” (人肉搜索,) a massive online effort tapping into the knowledge and offline connections of netizens to track down and identify a person, often for shaming or as justice for perceived wrongdoing. The other is the highly-organized “super fan club” phenomenon prevalent in Chinese e-celeb culture, some of which boast structures rivaling the biggest corporations, with PR and financial departments. It’s no wonder then that some netizens fear for Ding Zhen’s personal life.

Many of these concerned netizens seem to particularly admire the simple, pastoral lifestyle of the “grasslands” (草原) which Ding leads, one which has been popularized in novels like Jin Yong’s Legends of the Condor Heroes (射鵰英雄傳), which details the adventures of the young Guo Jing, a Chinese boy who joins the court of Genghis Khan. The novel has been read by millions across China and has become a prominent source of political metaphors on the Chinese web. One commenter exhorted others to “Let him become his own hero, a horse prince! Don’t let the worst impulses of the internet corrupt him.”

With the question “Should Ding Zhen leave the grasslands?” (#丁真该不该离开草原发展#) becoming a trending topic all of its own, it seems opinions about his popularity are fiercely divided. “I hope this handsome guy can make his own choices,” writes one Weibo user: “..and no matter whether he becomes a star or not, I hope he can keep such an innocent heart!”

According to the latest reports, Ding has received a job offer from a Chinese state-owned company since his unexpected rise to online fame. CGTN writes that the ‘horse prince’ has now signed the contract, but they do not mention if this new job will allow him to do what he loves most – raising horses and being out in the grasslands.

 
By Luke Jacobus

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©2020 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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China Arts & Entertainment

Oh, the Drama! Chinese Opera Performance Turns into Stage Fight as Drunken Man Attacks Actors

This local traditional opera performance unexpectedly turned into a stage fight.

Manya Koetse

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On October 9 in Zhejiang’s Lishui city (Laozhu Town), a theatrical performance unexpectedly turned very dramatic when a drunken man stormed on stage to fight with the performers.

A video showing the Chinese opera performance being disturbed by the drunkard, turning it into a chaotic stage scene, is gaining major attention on Chinese social media.

The incident occurred Friday night around 9 pm, when the Laozhu Theatrical Troupe was performing.

Videos of the incident that are circulating online show how one man comes on stage, attacking one of the actors. The scene escalates into a big fight when others try to intervene. The police were quick to arrive at the scene.

Various news reports suggest the man started to act out after getting into an argument with one of the ‘Huadan’ (花旦) performers of the troupe. In traditional Chinese opera, the Huadan characters are young female roles, often seductive in appearance and quick with their words.

Local police posted on Weibo that the chaos was caused by a 33-year-old local who started to become aggressive after he had too much to drink. The man is charged with disorderly conduct and is currently detained.

The case received even more attention on social media when it turned out that the 33-year old troublemaker is the son of the head of a neighboring village.

Many Chinese netizens feel that the man is spared by Chinese news media outlets, which only report about a “drunken man” who was “causing trouble.” They insist that the real story should be properly reported.

“The son of the village chief took liberties with a huadan actress who rejected him, and then he kicked her, causing her to lose consciousness. He then beat up other actors,” some commenters explain.

“He is not just a ‘drunkard’, he’s the son of the village secretary.”

“What an explosive performance it was!” one Weibo blogger writes.

By Manya Koetse

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2020 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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