China World
BBC’s ‘Racism for Sale’ Documentary Triggers Discussions and Censorship on Chinese Social Media
Weibo discussions on ‘Racism for Sale’ documentary: “BBC is maliciously hyping up the issue.”
A video in which a group of African children dressed in red are happily chanting Chinese slogans made international headlines back in early 2020. Although the video might have seemed cheerful at first to those who don’t know Chinese, it is actually racist and exploitative.
The children are energetically repeating what someone else is telling them to say, while holding up a blackboard with the phrase they are chanting written out: “I am a black devil. My IQ is low” (“我是黑鬼, 智商低”).
The video was initially posted on Chinese social media on February 10th, 2020, sparking some controversy within China. It later started to attract international attention after Ghanaian vlogger Wode Maya, who studied in China, spoke out about it on his YouTube channel in a video on February 16th which has since been viewed nearly 200,000 times.
The video featuring the African children shocked people from all over the world and led to some media outlets looking further into the context. In April of 2020, France 24 Observers reporters investigated the video and shed light on a wider Chinese market for videos recorded in Africa with locals.
These type of videos are reportedly made by Africa-based Chinese nationals who give the children some money or food in return to perform for personalized videos, which are then sold via Chinese online platforms.
The videos often include birthday greetings or other personalized messages, but as the aforementioned example shows, sometimes also contains far more sinister content. In another video, the children were made to say they promised they’d never go to China.
There had been controversy over these kinds of videos before. As reported by France 24 Observers, such videos have been circulating on Chinese social media since 2015. In 2017, Chinese e-commerce platform Taobao already closed a few accounts selling such content.
This month, the racist video issue has been brought back to the forefront again due to BBC Africa Eye releasing its “Racism for Sale” documentary, in which reporters Runako Celina and Henry Mhango further investigate and expose the Chinese video-making industry that exploits vulnerable children across Africa. They traced the Weibo video and dozens of others back to one Chinese national living in Malawi, and then confronted him (watch the BBC documentary here).
Image of the Chinese national making the videos. (Via Yahoo).
On Weibo, the ‘Racism for Sale’ documentary also triggered discussions, but instead of focusing on the racist videos, they were generally more focused on the BBC documentary’s narrative and its intentions, and about anti-Black racism within China.
The influential Weibo channel Diba Guanwei (@帝吧官微), which has over 1,5 million followers, called out the documentary in a Weibo post for purposely wanting to meddle in China-Africa relations. It said that the Chinese man recording such videos and insulting African people was indeed a problem, but that it was too much to suggest that this is all about Chinese people exploiting Africans.
Other Weibo users denounced the Chinese man for making such videos, with one popular account suggesting that this person might have intentionally shot these videos to “hurt the friendship between Africa and China,” and that he should be severely punished for it.
One thing that some people jumped on is how a racist Weibo account named “Black People Joke Club” (黑人笑话社) is featured in the documentary for being the first Weibo account to post the video of the African children. Popular nationalist blogging account Guaguashuashi (@呱呱傻事) suggested that BBC Africa used the supposedly insignificant account to make a big story and stir up anger among Africans. Moreover, the account also claimed that the man identified as ‘Lu Ke’ (卢克) who was making the children chant and dance for the video actually had a Taiwanese accent. Guahuashashi’s post received over 2000 likes and more than 300 comments.
The “Black People Joke Club” (黑人笑话社) Weibo account was previously shut down. In light of the recent BBC documentary, other accounts publishing racist content have also been removed, including an account titled “That Guangzhou Guy” (那个广州人). Words such as ‘black devil’ have also been censored and come up with zero results on Weibo now. Images included in discussions of the BBC documentary have also been censored.
Censored images in a post about BBC’s ‘Racism for Sale.’
At time of writing, some content related to the “Black People Joke Club” or other racist accounts is still available on Weibo due to other social media users previously tagging these accounts when posting their own content. There are also still many Weibo groups, topics, and hashtags where people share racist jokes and memes. Many of these posts feature racist jokes about the N-word, blackface, or other stereotyping and derogatory content.
Although some Weibo bloggers blame the BBC for attracting more attention to the old racist video, there are also those who point out that there is indeed a problem with anti-Black racism among Chinese: “Some people in China are really discriminating against black people. Whenever there are women online who post about their happy life with their black husband, they are often cursed on by some men. I think there are really a lot of racist people in our country,” one Weibo commenter wrote.
Another popular comment by a Weibo account from Jiangxi said that some Chinese are hypocritical to deny their own racist rhetoric against black people and are loudly calling out America for anti-Black racism, while also being quick to call something ‘discrimination of Chinese people’ whenever they feel something is insulting to China.
The issue of anti-Black racism on Chinese social media has often popped up, turning into trending discussions, especially when it is about foreign media reporting on it. In 2021, a Chinese influencer came under fire after a video of her doing a blackface makeup tutorial resurfaced online. A Chinese Vtuber (virtual influencer) on Bilibili also stirred controversy for being blatantly racist and forcing her (virtual) ‘slave’ to go and pick cotton.
In 2016, social media exploded in light of a Chinese ad campaign for washing detergent brand Qiaobi (俏比) which featured a black man turning into a Chinese man after being ‘washed.’ Although the commercial initially did not receive much attention in China, the international media coverage eventually sparked major discussions on Chinese social media for being racist.
An Africa-themed skit performed during the 2018 CCTV Gala was meant to promote China-African relations, but instead it received backlash for featuring a Chinese actress wearing blackface and being accompanied by someone costumed as a monkey.
The Chinese Qiaobi commercial drew much controversy for being racist in 2016.
The ‘Racism for Sale’ video has not just triggered discussions on Weibo, it has also become a diplomatic issue. On June 13, Malawi’s Foreign Minister Nancy Tembo shared a video via Twitter addressing the matter, adding that she felt “disgusted, disrespected and deeply pained” because of the video industry exposed by BBC Africa.
The Chinese Embassy in Malawi condemned the videos in a Twitter post on June 13. Wu Peng, China’s Director-General of the Foreign Ministry Department of African Affairs, met with Minister Nancy Tembo a day later, and stated on Twitter that both China and Malawi have “zero tolerance for racism” and that China will continue to crack down on such racial discrimination videos in the future.
A Weibo account dedicated to the overseas Chinese community in Malawi has not posted anything about the BBC documentary nor the videos discussed in it.
Also read: Chinese social media responses to the Western anti-racism movement after Floyd’s death.
By Federica Giampaolo and Manya Koetse
Get the story behind the hashtag. Subscribe to What’s on Weibo here to receive our weekly newsletter and get access to our latest articles:
Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.
©2022 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.
China Media
Wilders’ Win on Weibo: Hu Xijin and Others Discuss the “Dutch Trump”
Chinese netizens on Weibo have placed Wilders’ victory in a broader geopolitical context.
China Media
Xi and Biden’s “Beautiful” Hongqi Moment: National Pride and Shifting Dynamics in Sino-American Relations
The recognition of the decades-old Chinese Hongqi brand by a U.S. president was a promotion-worthy moment for Chinese official channels, resonating with netizens.
After the much anticipated Xi-Biden meeting in California on November 15, one noteworthy detail quickly hit Weibo’s top trending topics, namely Biden’s apparent admiration for Xi Jinping’s Hongqi car. The hashtag “Biden Points at Hongqi Car, Calls it Beautiful” #拜登指着红旗车说beautiful#) had racked up over 300 million views on Weibo by Thursday night.
The short moment happened as Biden accompanied Xi to his car following their meeting. “It’s a beautiful vehicle,” Biden remarked. “It’s a Hongqi car, made in China,” Xi replied. Biden then quickly peek inside before comparing the Hongqi car to his own American Cadillac “beast.”
Biden accompanied Xi to his car following their meeting. "It's a beautiful vehicle," he remarked. "It's a Hongqi car, made in China," Xi replied. This brief moment became top trending on Weibo today, where it received over 270 million views. pic.twitter.com/piyhUlCxr6
— Manya Koetse (@manyapan) November 16, 2023
On Chinese social media, the Hongqi car compliment was prominently featured and amplified by various official channels, framing it not only as a testament to the friendly relations between the U.S. and China but also as a triumph for Chinese-made brands.
The recognition of this decades-old Chinese brand by a U.S. president (similarly vintage) added an extra layer of significance, making it a noteworthy promotion-worthy moment that resonated with netizens.
Image “Hongqi: Recognition by the President of the United States”, circulating on Weibo.
Hongqi holds special significance in China and serves as a symbol of national pride, being the first car and limousine independently produced by the country in 1958 by FAW Group under the guidance of Chairman Mao Zedong. At the front of the car, you find a red flag, while the emblem on the back features Chinese characters for Red Flag in Mao Zedong’s calligraphy. Hóngqí (红旗) literally translates to ‘red flag.’
In the book Development of a Society on Wheels (2018), the Hongqi car is described as “carrying strong political symbols with a strong socialist flavor” as it stands for the success of China’s socialist system and the country’s self-reliance (p. 187). The car first premiered during the military parade in 1959, which celebrated the tenth anniversary of the People’s Republic of China (Hong 2013, 191).
China’s car industry has come a long way since then. China is now the largest automobile market and its car industry has quadrupled exports in just three years, surpassing Japan as the world leader.
Various Chinese media outlet used the context of Biden’s remarks to hold polls on the popularity of Chinese brand cars among netizens, asking them if they’d rather purchase a foreign car or a domestically produced brand. A majority of respondents indicated a preference for made-in-China brands.
Hongqi making its international debut at the Leipzig Trade Fair (Des Foires Internationales, 1960) (Sina).
But the way this incident is showcased on Chinese social media through official channels goes beyond Chinese national pride of esteemed brands and the success of China’s car industry. It also serves as a means to highlight the positive relations between Xi and Biden, as well as between China and the U.S., without delving too deeply into the political aspects of the meeting itself.
Recently, there has been a noticeable shift in Chinese official narratives regarding Washington and Biden, a change reflected in the top-down management of social media discussions on these topics and the guidelines on what is permitted or restricted. As is always the case with bigger high-level events and meetings involving leader Xi Jinping, there is stringent control and limited space for open online discussions when it comes to political content. But it is evident that the comments that now do make it to the front pages of Weibo or Douyin are primarily positive and supportive—this, despite the overall surge in anti-American sentiments on Chinese social media (also see our other recent article here).
The brief exchange between Biden and Xi about their cars is not merely positive, non-political, and non-sensitive; it also possesses another layer that makes it the ideal moment to highlight. It portrays a moment of changing power dynamics in bilateral relations, with the American president appreciating the Chinese leader’s car as much as he does his own Cadillac. Despite their differences, both are equally powerful and “beautiful.” This narrative precisely mirrors the current discourse about Sino-American relations that is especially visible in China’s online media sphere.
On X, China’s Foreign Ministry spokesperson Hua Chunying (华春莹) dedicated two tweets to the Hongqi moment. One of them showed a picture of the two cars next to eachother at the Filoli estate in Woodside, California, with Hua writing: “🇨🇳Chinese Hongqi and 🇺🇸American Cadillac Beast.”
On Weibo, a few commenters playfully suggested that Biden should consider swapping his Cadillac for a Hongqi. “Hey Old Joe, why not opt for a Hongqi, too?” Others humorously proposed that Biden could become an outstanding new spokesperson for the iconic Chinese car brand.
Meanwhile, the Hongqi brand shared the video of the moment on its own social media page with a caption inspired by a quote from Xi: “Staying true to our original aspiration, living up to expectations” (“不忘初心，不负期待”).
FAW Group Hongqi also posted the moment on their own social media page.
One Weibo user (@林妹妹有话说) from Guangdong writes:
“Times have really changed. Once, it was us [Chinese] who looked in admiration at the towering skyscrapers and bustling cars and traffic in the United States. Now, the whole situation has turned around and it’s America’s turn to admire China’s infrastructure, Chinese manufacturing, and especially the Chinese automotive industry (..) Our current power has earned us equality, respect, and admiration from the U.S. and the West. This reality is a powerful blow to those ‘intellectuals’ in the past who wanted us to kneel down in return for “friendship” with the West. It’s such a happy moment!”
By Manya Koetse
Get the story behind the hashtag. Subscribe to What’s on Weibo here to receive our newsletter and get access to our latest articles:
References
Hong, Song. 2013. “National Patent Regime and Indigenous Innovations in compliance with TRIPS: A Case Study of China.” In: Sunil Mani and Richard R Nelson (eds), TRIPS Compliance, National Patent Regimes and Innovation, 172-222. Cheltenham: Edward Elgar Publishing Limited.
Wang, Junxiu. 2018. Development of a Society on Wheels: Understanding the Rise of Automobile-dependency in China Springer Nature Singapore.
Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.
©2023 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.
‘Sister Blood Points’ Controversy: Shanghai Woman’s Tibet Blood Donations Ignite Privilege Debate
Weibo Watch: Doing Homework at the Hospital
‘Auntie Goose Legs’ Goes Viral after Becoming Sensation in Beijing’s Student Scene
The Story of Li Jun & Liang Liang: How the Challenges of an Ordinary Chinese Couple Captivated China’s Internet
Wilders’ Win on Weibo: Hu Xijin and Others Discuss the “Dutch Trump”
Tsingtao Brewery ‘Pee-Gate’: Factory Worker Caught Urinating in Raw Material Warehouse
Too Sexy for Weibo? Online Discussions on the Concept of ‘Cābiān’
Bad Apples? Chinese Actor Liu Jin Smashes iPhone 13 Pro Max, Anger over ‘Chinese’ Employee Photo on Apple Website
The Story of Li Jun & Liang Liang: How the Challenges of an Ordinary Chinese Couple Captivated China’s Internet
Chinese Social Media Reactions to Israel-Hamas War: Pro-Palestinian Sentiments and Anti-Semitic Discourse
China’s National Holiday Crowds: Even the Desert’s Camels Are Stuck in Traffic
Wang Huidi: Stop Referring to Singapore as a Chinese ‘County’ (坡县)
“Elderlies” in Their Thirties: The Growing Interest of Chinese Youth in Nursing Homes
Fashion that Hurts? Online Debates on China’s Draft Law Regarding ‘Harmful’ Clothes
“Oppenheimer” in China: Highlighting the Story of Qian Xuesen
-
China Brands, Marketing & Consumers2 months agoTsingtao Brewery ‘Pee-Gate’: Factory Worker Caught Urinating in Raw Material Warehouse
-
China Digital2 months agoToo Sexy for Weibo? Online Discussions on the Concept of ‘Cābiān’
-
China Brands, Marketing & Consumers3 months agoBad Apples? Chinese Actor Liu Jin Smashes iPhone 13 Pro Max, Anger over ‘Chinese’ Employee Photo on Apple Website
-
China Insight2 weeks agoThe Story of Li Jun & Liang Liang: How the Challenges of an Ordinary Chinese Couple Captivated China’s Internet
Richard Merlin
June 24, 2022 at 5:02 am
The characters on the blackboard are traditional Chinese characters, which have been replaced by simplified characters on the Chinese mainland since the 1950s but remain in use in Taiwan and Hong Kong. People from mainland China of “Shushu”s age will not write that way.
His accent is typical Taiwan while Lu Ke has a Jiangsu or Zhejiang accent. It would be inconceivable for Lu Ke who makes a living filming in Africa to make such a disgusting, offensive and politically incorrect (in both China and Africa) film to destroy his own business AND himself.
The Chinese people have been extremely sympathetic for the African people. After all, the Chinese have been discriminated against, abused, exploited, and bullied by Western powers like the African people for almost two centuries.
The Chinese government has been sending aid to Africa since the 1950s, totally trillions of dollars even while the Chinese people were suffering from hunger en masse themselves. For emotional reasons and cold calculation, the Chinese government won’t tolerate anything that will undermine its huge investment in Africa.
In conclusion, this appears highly likely to be part of special operations by Taiwan’s intelligence agency to smear the Chinese people and to poison relations between Africa and China at the same time.
Chinese as well as people from all over the world of all political conviction and affiliation should do everything they can to expose and condemn such evil and hideous smearing attempts against all Chinese people.
黑板上写的都是繁体字，这个年纪的大陆人不会写繁体字。卢克的口音是典型的江浙口音。可领着小朋友们喊侮辱性口号的“叔叔”的口音明显是台湾人。卢克再愚蠢，也不会拍那种极具侮辱性的视频自断财路甚至自掘坟墓，而且拍了以后竟然还胆敢留在当地。推测很可能是台湾军情局的杰作 – 一方面败坏中国人的国际形象，同时离间中非关系。全世界的华人中国人无论何种政治信仰，无论身在何处，都应团结起来，揭露声讨谴责这种极其卑劣的、败坏全体中国人华人国际形象的无耻恶行。