Somewhere between March and April of 2013, the term “green tea bitch” (GTB) emerged on Chinese social media platforms. Weibo netizens joined in a collective effort to formulate a suitable definition of what a ‘green tea bitch’ actually is. As a result, a short essay was composed and shared online. The essay lists twenty-four different characteristics of a GTB. ‘Green tea bitch’ is not the first term to categorize young Chinese women in an overall derogatory manner. Other examples include ‘coffee bitch’, ‘black tea bitch’ or ‘milk tea bitch’.
What defines a ‘green tea bitch’ according to Chinese netizens? The list can be summarized in the following way:
“The green tea bitch appears to be very innocent. She normally has shiny long hair, but if it is not long, it is neat, straight, and parted in the middle. She has good looks, but is not exceptionally beautiful. She uses her eyes as her magic weapon to look at men with big bright eyes. She is especially energetic around her male friends, but somewhat dull around her girlfriends, complaining about how slim they look and how fat she is (although she is not). She hardly eats and gets drunk without hardly a sip of alcohol. She is overly dramatic during the night, when she complains about how hard and lonely her life is. She likes to take long walks and talk about the books she reads and the movies she sees. She loves Chinese art, literature and politics. Despite her intelligence, she will repeat how dumb she is. The GTB appears angelically innocent, harmless and pure, while she is anything but that: she is ambitious and would sell her soul for money.”
Weibo commenters mention the Chinese Lin Huiyin as the archetype of the ‘green tea bitch’. Lin Huiyin, or Phyllis Lin (1904-1955), was a famous architect, poet and writer. She was married to Liang Sicheng, who is also known as the ‘Father of modern Chinese architecture’. Lin supposedly also conquered the hearts of writer Xu Zhimo and philosopher Jin Yuelin. She is generally described as an ambitious, successful and plain woman who managed to win the love of rich and talented men, which is why Chinese netizens take her as the typical example of a green tea bitch.
The green tea bitch is one amongst many terms categorizing different ‘types’ of Chinese women. The ‘coffee bitch’ (咖啡婊) is often mentioned on Weibo and other social media platforms to describe high-end office ladies who constantly mix English with Chinese, dress according to the latest fashion craze and love to take pictures of themselves in fancy restaurants or on sunny beaches. The ‘black tea bitch’ (红茶婊) is a promiscuous girl who smokes, drinks, and likes eyeliner and low-cut clothes that show her cleavage. The ‘milk tea bitch’ (奶茶婊) is the kind of woman who talks in a girlish voice and has extremely sweet looks. She is always kind to everyone around her, but only to attract men who will give her presents that she will kindly accept.
“Not your tea, not your bitch!”
Public debates that attempt to (re-)define Chinese feminine roles have emerged since the 1990s. The decades before this era were times of political and social constraint. Under the rule of Mao, women were expected to be asexual and sacrifice themselves for the collective. The 1990s brought sexual liberation and a renewed awareness of what Chinese femininity entailed. China’s social environment was changing and increasingly influenced by the West. Female sexuality now also started to be used for commercial purposes, and new types of female identities were formed (Hung et al 2005;Evans 1995).
The discussion of female identities is nothing new, but in recent years, it seems that the online social debate has taken a derogatory tone towards women. The green tea bitch phenomenon is just one of many examples. As reported by Women’s Voice, there are small signs of resistance, as women refuse to be categorized in these terms. Their message: “Not your tea, not your bitch!” It will take more protests like theirs to get the message across. For now, it is only a matter of time before the next something-bitch pops up.
Some comments on Weibo:
Weibo user Yijinyexing (54.5174 fans) defines the term in these words: “Definition: the green tea bitch is represented by Lin Weiyin. She pretends to be a young pretty girl who is interested in art and literature. She often works as an actress/journalist/hostess/writer, and likes to talk about literature or politics to win a man’s heart. She’ll talk about how much she’s been hurt in the past, and her QQ [chat] username is that of a unique and obscure kind of flower. She is a successful lady with a chaotic private life- she has either been cheating in a relationship or has been somebody’s mistress.”
A user who calls himself ‘Summer Sailing’ (Xiari Yangfan) (965 followers), says: “Because of this whole green tea bitch thing, people say it degrades the status of women and that it is a display of male chauvinism, etc. But I feel that around me the ones who like to call women bitches or the ones who say that pretty girls are nasty from the inside- they’re all women themselves. And they also like to say that if it were not for them pointing out the sluts and the green tea bitches, the men would always be tricked by these types of girls.”
‘Women’s Voice‘ (weibo.com/genderinchina) reports: “This morning at eleven o’clock [April 8, 2013] in Xi’an, near to the Drumtower, three young women dressed as Sailor Moon [a Japanese cartoon about magical girls] held up signs saying ‘not your tea, not your bitch’, calling a halt to verbal violence against women. They stated that they protested against degrading terminology for women, and that they were hoping that society would show women more respect and create friendlier cultural climate.”
– by Manya Koetse
Thanks to Chen Chen for clarifying various terms.
Evans, Harriet. 1995. “Defining Difference: the “Scientific” Construction of Sexuality and Gender in the People’s Republic of China.” Signs 20(2): 357-394.
Gxdxw Website. 2013. Accessed April 9, 2013. http://www.gxdxw.cn/2008%E6%90%9E%E7%AC%91%E7%9F%AD%E4%BF%A1/gezhongbiaodeyisi.html
Kineta Hung, Yiyan Li, and Russell W. Belk. 2005. “Consumption and the Amodern Woman@ in China: a Conceptual Framework.” AP – Asia Pacific Advances in Consumer Research 6: 349-353.
Zhang Wenjing. 2013. “”绿茶婊”三亚淫乱派对走红 网友总结24项特点 [Green Tea Bitch and a Sanya Promiscuous Party become popular topics- netizens compile 24 characteristics].” Zhongguo Guangbowang, April 5. Accessed April 8, 2013. http://ent.cnr.cn/yuleyaowen/201304/t20130405_512296428.shtml
Anorexia in China – Same, But Different
What’s on Weibo gives an overview of how anorexia nervosa is discussed in China and on Chinese social media.
“Does anorexia exist in China?” is one amongst the millions of questions recently posted on the Chinese Quora-like platform Zhihu.com. It is a question that pops up on Chinese social media every now and then, as the eating disorder is not often discussed in a Chinese context.
The empty dialogue page on Zhihu.com is telling for the general discussion of anorexia in China today. Anorexia nervosa, commonly called anorexia, is an eating disorder characterized by low weight that receives relatively little attention on Chinese online and social media compared to the English-language online environment, where there are countless support groups, discussion forums, and even the so-called unhealthy ‘Pro Ana’ communities where the behaviors related to anorexia are promoted.
Both anorexia in general, and the pro-ana communities in specific, received ample attention from Western media over the past few years. ITV recently reported about an “alarming rise in social media sites encouraging anorexic sufferers to starve themselves,” and that social media worsens the condition of people with anorexia who flock to these kinds of websites.
A “WESTERN” PHENOMENON
“Eating disorders seem to be an exotic phenomenon to many Chinese, but it actually is not.”
General discussions of anorexia nervosa on Weibo, China’s biggest social media platform, mostly relate to cases of the disease in Western, Caucasian women. The young Australian model and performer Phoebe Combes attracted some attention on Weibo in 2017 for suffering from anorexia. “How come every time I read about [this disease] it concerns foreign women?”, one netizen wondered.
Sporadically, speculative discussions do arise on social media about Chinese celebrities who may or may not be suffering from anorexia. Talk show host Chen Luxu (陈鲁豫), for example, became a topic of discussion when netizens started worrying about her frail appearance and said she was “too thin.”
For many netizens, however, the issue is often simplified to a mere “they should just eat more.” Despite general public unawareness about anorexia in China, more doctors and specialists are stepping forward to talk about the issue.
“When a Chinese doctor raised the issue of anorexia in China some twenty years ago at an international conference, foreign experts doubted if eating disorders existed in China,” one professional support site dedicated to anorexia and bulimia in China says: “We now want to promote awareness about eating disorders to patients and their families.”
In 2017, deputy director Ma Yongchun (马永春) of a hospital in Tongde, Zhejiang, spoke out to Chinese media website AcFun.com, saying that although eating disorders seem to be an exotic phenomenon to many Chinese, it actually is not. She also warned about the negative effects of social media platforms promoting unhealthy body images or unhealthy eating patterns.
THE STORY OF YUN
“Her condition spiraled out of control when she spent days on end watching live streams on Chinese social media that promote unhealthy eating habits.”
The AcFun article featured the story of one of Ma’s patients named Yun (alias), a 33-year-old former athlete from Zhejiang who weighed only 36 pounds with a height of 160 cm when she was at her lowest point – and on the verge of death.
She told AcFun that she became anorexic after being forced to eat a restrictive diet by her grandparents during her teens. When her entire athlete team suffered from gastroenteritis, her grandmother only allowed to her to eat bean curds and rice for months on end.
Unable to continue eating her forced diet and not allowed to eat anything else, the young Yun developed an eating disorder. At the age of 19, she was diagnosed with anorexia by doctors at the Tongde hospital – a diagnosis that was followed by years of ups and downs. Yun’s condition spiraled out of control when she spent days on end watching live streams on Chinese social media that promote unhealthy eating habits.
Weighing only 36 pounds at her low point, Yun was barely able to move. One day, when she was alone with her sister’s small baby, she found herself too weak to pick up the infant went it was desperately crying. For Yun, it was a turning point in her decision to beat the illness.
Although many doctors gave Yun low chance of survival, a team of doctors including Ma Yongchun eventually were able to give Yun the help she needed. She now maintains a healthy weight.
UNHEALTHY ONLINE TRENDS
“Vomit Bars are online forums where netizens nicknamed ‘Rabbits’ encourage each other to vomit after eating.”
Doctors such as Ma Yongchun are part of a growing group of specialists in China raising awareness on eating disorders in China and warning against unhealthy online trends – which are on the rise.
Over the last years, online discussion boards such as Baidu Tieba have seen the phenomenon of ‘Vomit Bars’ (催吐吧) – a phenomenon somewhat comparable to the online ‘pro-ana’ movement on English-language internet sites.
‘Vomit Bars’ are online forums where netizens nicknamed ‘Rabbits’ (兔子) encourage each other to vomit after eating. Several live streaming sites also have people promoting weird or unhealthy eating habits, such as eating non-food products or binge eating – something Dr. Ma strongly condemns.
On Chinese social media, organizations helping those suffering from anorexia or other eating disorders are present, but not popular.
Although the Chinese Eating Disorder Recovery Web (@进食障碍康复网) only has a weak following online, their offline mission is strong: “China’s health care system can no longer ignore the growing group of eating disorder patients in China.”
ANOREXIA ON THE RISE OR NOT?
“There are no official statistics on the occurrence of anorexia nervosa or other eating disorders in China in the past and present.”
The topic of anorexia in China has also received more attention in international media and academic publications over the past decade.
Some English-language media, such as the LA Times, suggest that with changing beauty standards, skinny trends, and more influence from Western popular culture, eating disorders are “on the rise” in China.
Whether or not this is actually true is hard to say; there are no official statistics on the occurrence of anorexia nervosa or other eating disorders in China in the past and present. A study from 2013 among Chinese female college students in Wuhan, considered one of the best estimates of national rates, however, found levels similar to Western countries (Tong et al 2014).
In Fat China: How Expanding Waistlines are Changing a Nation, the authors (French & Crabbe 2010) also suggest that eating disorders such as anorexia are indeed present in society and that an increasing number of urban Chinese, mainly young women, are suffering from it (171).
Even if anorexia were to occur as much in China as in the West – which has neither been refuted nor confirmed – the way in which the disease is described and/or experienced seems to be significantly different.
SAME DISEASE, DIFFERENT MANIFESTATIONS
“Chinese patients showed few, if any, of the classical concerns associated with anorexia.”
Various studies over the past years have established that there are differences between Western countries and China in how anorexia develops with regards to patients’ preoccupations concerning appearance and body image.
In “The Myth of Chinese Barbies: Eating Disorders in China including Hong Kong” (2014), researcher M. Getz writes that eating disorders are traditionally conceptualized as a Western mental health issue, specifically because the ‘fat phobia’ aspects of the illness are often stressed the most. According to study, this attention towards appearance seems to be less important to Chinese patients (746-747).
This idea is further strengthened by Sing Lee, an expert in eating disorders in Chinese communities, who argues that Chinese patients “showed few, if any, of the classical concerns associated with anorexia” (747).
A major way in how anorexia in China is often different than in other (Western) countries is that it is somaticized. This relates to the fact that mental illnesses in China still carry a stigma and often go undiagnosed due to the lack of mental health care institutions.
Since physical problems are more socially accepted in China than mental health issues, people who suffer from anorexia in China are more prone to talk about their problems in the form of somatic symptoms such as distaste for food and not being hungry, or abdominal problems (Getz 2014, 750).
Levels of industrialization, media influence, eating habits, societal pressure to be thin, family pressure to succeed, etc., all may play a role in the occurrence of anorexia. Especially One-Child Policy generation children allegedly experience more pressure in their lives to perform.
As the development of anorexia in China goes hand in hand with social stigmas and superstitions regarding mental health issues, a traditionally strong food culture, a general unawareness on eating disorders, and many other cultural factors that may influence the manifestation of the disease, one can see why studies have found that “eating disorders are not culture-bound or culture-specific, but rather culture-reactive.” The reasons why patients develop anorexia and how it is manifested can, therefore, radically differ per culture (Pike & Dunne 2015).
“I simply can’t eat any food. I have no interest in food. Even if I am starving I still do not want to eat.”
These findings are also apparent on the various anorexia support message boards in China, where people suffering from the disease share their experiences. Rather than talking about fear of being fat, many commenters only discuss their loss of appetite and stressful lives.
One netizen on Zhihu.com writes:
“I am suffering from anorexia right now. The pressure at school is too much for me. I don’t have any time to relax. It’s all about studying. I simply can’t eat any food. I have no interest in food. Even if I am starving I still do not want to eat.”
Another person writes:
“I think I have anorexia. But I am not sure. (..) I simply do not want to eat. If I see food, I have no desire to eat it. I only eat some breakfast and some dinner, an egg at 7.30 and some rice at 17.30.”
A new study on anorexia in China by Zaida Aguera et al (2017) confirms the idea that anorexia in Chinese patients is often experienced or communicated physical rather than psychological, as they are “culturally encouraged to use denial and minimization to cope with conditions deemed taboo” (9).
Because the way anorexia presents itself is different, researchers argue that its treatment also requires a different approach in China than in other countries that have developed own national standards on treating eating disorders.
The treatment options in China, however, are still limited. The first and only closed ward for eating disorders opened in Beijing six years ago. But the recent increased media attention raised by doctors such as Ma Yongchun and heightened focus on mental health care in China indicate that there will be more options for Chinese anorexia patients in the future.
As for the Zhihu poster who asked about anorexia in China – they are still waiting for an answer. In the meantime, they have suggested an own solution in the underline, writing: “There just is so much tasty food in China, that anorexia in China is probably is much rarer here than in any other country in the world.” No one else responded.
Agüera, Z., Brewin, N., Chen, J., Granero, R., Kang, Q., Fernandez-Aranda, F., & Arcelus, J. 2017. “Eating Symptomatology and General Psychopathology in Patients with Anorexia Nervosa from China, UK and Spain: A Crosscultural Study Examining the Role of Social Attitudes.” PLoS ONE, 12(3), 1–13.
French, Paul, and Matthew Crabbe. 2010. Fat China: How Expanding Waistlines are Changing a Nation. Imprint: Anthem Press.
Getz, M.J. 2014. “The Myth of Chinese Barbies: Eating Disorders in China including Hong Kong.” Journal of Psychiatric and Mental Health Nursing 21: 746-754.
Pike, Kathleen M., and Patricia E. Dunne. 2015. “The Rise of Eating Disorders in Asia: a Review.” Journal of Eating Disorders 3:33. Available online https://jeatdisord.biomedcentral.com/articles/10.1186/s40337-015-0070-2 [17.1.18].
Tong, J., Miao, S., Wang, J. et al. 2014. “A Two-stage Epidemiologic Study on Prevalence of Eating Disorders in Female University Students in Wuhan, China.” Social Psychiatry and Psychiatric Epidemiology 49(3): 499-505.
Are you suffering from an eating disorder and need help? For information on eating disorders and how to help if you are worried about someone, Beat (UK) or ANAD (US) has advice for sufferers, friends and family.
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Remembering San Mao – the Bohemian Writer That Captured the Hearts of Millions of Chinese
27 years after her suicide, bohemian writer San Mao still strikes a chord with Chinese netizens.
In a time when Beijing’s first fast-food restaurants opened their doors, people were hooked on Teresa Tang’s sweet voice, and television sets entered Chinese living rooms, pirate editions of books by the wildly popular Chinese author San Mao first started spreading all over mainland China.
Before this time in the late 1980s, the female author was already a celebrity in Taiwan and Hong Kong since the 1970s; not just because of her many books, newspaper columns, song lyrics, and public lectures, but also because of her free, cosmopolitan, and “legendary” life that captured the imagination of many Chinese eager to look beyond their own borders.
Researcher Miriam Lang (2015) describes San Mao as “one of the first mass media celebrities in the Chinese-speaking world” (440).
On January 4th 2018, the 20th-century writer became a trending topic on social media when various media commemorated her. Chinese state media outlet People’s Daily dedicated a post to the iconic author on Weibo, titled “Today, we cherish the memory of San Mao.”
People’s Daily writes:
“She was born in Chongqing, moved to Taiwan, studied in Spain, and settled in the Sahara. All of her life she pursued freedom and touched the hearts of many with all of her words. Her love-story with Jose stirred people’s emotions. Her mother said that maybe her life was not perfect enough for her, but we now know that her life-long pursuit of her dreams has already become romantic legend. Today, in 1991, writer San Mao committed suicide.”
Besides that the post itself attracted thousands of comments and was shared nearly 3800 times, many other media outlets and netizens also posted their own commemorations to the author on Weibo. One post by the Communist Youth League received more than 100,000 comments on January 4th.
“She was the first author I really loved,” one person comments: “Whether she was in the Sahara or Madrid, the way she describes her love has become like a little gemstone in my own life.”
A Woman Writer Named Chen, Echo, and San Mao
San Mao is known as the wandering writer. Throughout her life, she moved from place to place; a life pattern that already started forming in the early years of her childhood.
San Mao was born in Chongqing, China, in 1943. Her parents, mother Miao Jinlan and father Chen Siqing, named their little girl Chen Mao Ping (陈懋平). Chen, however, later preferred to be called Chen Ping, and gave herself the English name of ‘Echo’ to honor her painting teacher. Once she started writing, she used the pen name San Mao (三毛), which is how she came to be remembered.
San Mao’s early years took her from wartime Chongqing via Nanjing to Taiwan, where the 6-year-old girl had trouble fitting in at school. She preferred reading books over doing schoolwork, and while she read literary classics such as Don Quixote at an early age, she failed in mathematics and received low grades.
After a teacher at her Taipei school embarrassed her in front of her classmates by drawing a ‘0’ grade on her face and making her parade around, she refused to continue her classes there and was home-schooled by private tutors and her own father, who was a lawyer (Chen 2007).
After studying Philosophy at the Chinese Culture University in Taiwan, the 20-year-old San Mao set out to broaden her horizons and moved to Spain, where she enrolled at the University of Madrid. It was the start of her bohemian lifestyle, that brought her from Spain to Germany, from the Sahara Desert to the Canary Islands, and from Central and South America back to Taiwan.
San Mao experienced many adventures but also had to face many difficult times. Her first great love whom she was to be married to, a German teacher 19 years her senior, died of a heart attack when San Mao was 26 old.
Ten years later, her Spanish husband Jose Maria Quero Y Ruiz, whom San Mao lovingly called ‘He Xi’ (荷西) and with whom she had spent six years in the desert, tragically died during a diving accident.
Miriam Lang, in her study of San Mao (2015), describes her as “unusual for a woman of her time and place”; she traveled far from home, married a non-Chinese man, and remained childless. Nonetheless, Lang notes, San Mao was also traditional in that she represented herself as a “happy housewife” while married, and expressed conservative feminine values in her books (443).
Although San Mao published her first book at the of 19, she did not really gain fame until the release of her first book The Stories of the Sahara (撒哈拉的故事) in 1976. This work revolves around San Mao’s personal experiences in the Sahara desert together with her husband Jose (Ying 2010, 162).
An Unhappy Ending
In the decade following her husband’s death, San Mao first set out on a 6-month journey to America but then traveled less and finally settled in Taiwan in 1982, where she started teaching literature and creative writing at the Chinese Culture University.
Being a celebrity, her classes were always packed – students lined up to attend her lectures.
In 1989, she first visited mainland China again since her childhood, where she started working on the screenplay of Red Dust, a love story set during the Sino-Japanese war. Although the film eventually received much acclaim – even winning the prize for Best Film at the Golden Horse Awards of 1990 – San Mao received criticism for creating a “too positive picture” of the leading male character, who was perceived to be a traitor to the Chinese nation (Lang 2015, 442).
Despite all of her activities in her later career, San Mao never parallelled the success she had with her stories about the Sahara. In 1990, San claimed she had won a literary prize in Spain for novella written in Spanish, but the work appeared to be non-existent (Lang 2015,442).
In early 1991, San Mao admitted herself to a hospital in Taiwan where she was tested for cancer. The results turned out negative, but San reportedly asked the nurse for a sleeping pill for the night and asked her not to wake her (Chen 2007).
San Mao ended her own life by hanging on January 4, 1991, at Rongmin General Hospital. She was 47 years old.
Father Jerry Martinson, a Jesuit priest who knew San Mao for years as the brother of her close friend Barry Martinson, told UCA News two weeks after her suicide that San Mao “desired to escape from her fame’s pressure and emotional entanglements, and to reunite with Jose (..). His death was a trauma in her life.”
He also said that Antoine Saint-Exupery’s The Little Prince was San Mao’s favorite reading: “At the end of the story, the Little Prince wanted to go back to his planet, reachable only through short suffering.”
Throughout her life, San Mao visited over 54 countries and wrote a total of 26 complete works (Chen 2007; Lang 2015, 442; Huang 2017). An English translation of her work Stories of the Sahara (1976) is expected to be released by publishing house Bloomsbury in 2018.
Online “San Mao Fever”
The suicide of San Mao generated a new wave of “San Mao fever” in the 1990s. And now, more than two decades after her death, the Chinese celebrity still has major appeal to social media users, who post her quotes, photos, and audio segments.
“How I love San Mao,” one person writes: “Her every word is just immersed with her wisdom.”
But not all commenters are equally positive. Some say that San Mao is representative of a time when Chinese women “blindly followed” western values, adoring foreign men.
For the majority of commenters, however, San Mao is a name that brings out new inspiration or old memories. “Whenever I think about her stories from the Sahara, it just moves me.”
One Weibo user honors San Mao by posting one of her quotes*:
“Often, I asked myself, what is distance? Then I heard my own answer, saying that distance is what I desired most in life – that it is freedom.
A freedom far, far away, like the air.
At that moment, I realized that I had slowly released myself from all the things I didn’t need that were binding me to my life. I then thought: I can go to the most remote corners of the earth if that is where my heart wants to go.
It was in that moment, that my freedom had finally arrived.“
If you are interested in this story you might also be interested in reading the story of Li Xianglan, the superstar who was caught between China and Japan during the Second Sino-Japanese War.
The Stories of the Sahara (in Chinese) can be purchased from Amazon:
The story of the Sahara (Chinese Edition)
The complete works of San Mao can also be purchased in Chinese online:
The Complete Works of Sanmao (Chinese Edition)
iTunes also offers The Stories of the Sahara in Chinese:
Sources & References
Chen, Shaoshua. 2007. “San Mao – Taiwan’s Wandering Writer.” Women of China, November 30. http://www.womenofchina.cn/womenofchina/html1/people/writers/8/8989-1.htm [4.1.18].
Huang, Echo. 2017. “The brave, tragic adventurer who inspired generations of Chinese girls to adopt her nickname.” Quartz Magazine, April 24. https://qz.com/963273/the-world-traveling-writer-san-mao-inspired-generations-of-girls-to-adopt-her-nickname-echo/ [4.1.18].
Lang, Miriam. 2015 (2003). In Lily Xiao Hong Lee and A.D. Stefanowska (eds), Biographical Dictionary of Chinese women – The Twentieth-Century 1912-2000. London/New York: Routledge.
Treichel, Tamara. 2013. “The Echo Effect.” Global Times, March 10. http://www.globaltimes.cn/content/767044.shtml [4.1.18].
UCA News. 1991. “PRIEST SAYS WRITER WHO COMMITTED SUICIDE WANTED TO BECOME CATHOLIC NUN.” UCA News, February 21. https://www.ucanews.com/story-archive/?post_name=/1991/02/19/priest-says-writer-who-committed-suicide-wanted-to-become-catholic-nun&post_id=32086 [7.1.18].
Ying, Li-hua. 2010. Historical Dictionary of Modern Chinese Literature. Lanham: The Scarecrow Press.
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