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Jia Zhangke Responds To Criticism From Global Times Editor Hu Xijin (Full Translation)

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Jia Zhangke (l) versus Hu Xijin

When the editor-in-chief of state tabloid Global Times gave Jia Zhangke’s latest film a bad review on Weibo, the renowned director responded with a bad review of the bad review.

This week, an online quarrel between Global Times editor-in-chief Hu Xijin (胡锡进) and Chinese director Jia Zhangke (贾樟柯) drew much attention on Chinese social media.

The issue started when Hu Xijin criticized Jia Zhangke’s latest film Ash Is Purest White (江湖儿女) on Weibo on September 24, calling the film “depressing” and “full of negative energy,” and suggesting the film Dying to Survive is much better.

At SupChina, Jiayun Feng translated Hu’s comments. Besides condemning the film for its negativity, Hu also wrote:

Please don’t place stinky tofu under our noses and force us to get used to that particular smell. I am aware that some people love to watch horror movies and negative energy can also attract audiences in a way like how opium gets people hooked. But I still hope filmmakers in China can study movies created by Hollywood and Bollywood and produce some movies with normal views about what’s good and what’s evil.”

Adding:

I know I can’t blame others because I bought the [movie] ticket and no one forced me to watch it. But what I’m doing here is to caution my fans no to be deceived by the movie’s title. It uses a gloomy style of filming to tell a banal story of how nice people don’t get properly rewarded for good deeds. It’s neither pleasant nor sad enough to bring you to tears. It only makes you frustrated and upset.”

Hu’s criticism was soon after deleted, but the screenshots already circulated online.

Ash Is Purest White, that was released in mainland China on September 21st, is a big box-office success and is Jia Zhangke’s highest-grossing film yet. The film revolves around the tumultuous love story between gangster Bin (Fan Liao) and dancer Qiao (Tao Zhao).

Jia’s responded to the harsh criticism in a lengthy Weibo post, that has since been shared more than 68,000 times, receiving over 128,000 likes and 30,500 comments.

Here is a full translation of Jia’s Weibo post in response to Hu:

Editor Hu Xijin:

I’m glad you went to watch ‘Ash is Purest White’. And I’m sorry it made you feel “depressed” (堵心) during the Mid-autumn Festival. First, I wish you nothing but happiness. Regarding your opinions, I’ll respond to them one by one below, comments/suggestions are of course welcome.

1. I also was moved by the movie ‘Dying to Survive’ (我不是药神). But, as Lu Xun (鲁迅) [famous Chinese writer] once said: “People’s joy and sorrows are not connected” (人类的悲欢并不相通). I’m not sure you and I are similar in what makes us happy or sad. That also goes for our feelings on ‘Ash is Purest White’ – I’m quite confused about how we could be so far apart.

2. About the “negative energy” – I believe energy is built on the basis of telling the truth as much as possible. The truth is the most powerful form of positive energy. Not tolerating truth or facts will bring about negative energy. Seeing or hearing it all the time, but pretending you have not, gains no truth or facts. In the end, it’ll lead to even greater negative energy. You should always be seeking truth from facts, don’t you agree?

3. Speaking of horror films and their audiences; I’ve never directed any horror films myself, hence my experience in this area is limited. However, all audiences are equal, regardless of taste. As an atheist, you shouldn’t really have any opinion regarding ghosts anyway, as you don’t believe in them.

4. With regards to Hollywood and Bollywood; you’re a ‘complex China’ (复杂的中国) reporter, but it would be better for you to further investigate ‘complex foreign movies’! Your job is to report ‘complex China’, and I am interested in making films about ‘complex characters.’ You can’t really be picky about your definition of “complex”, now can you?

5. Regarding “normal views about what’s good and what’s evil” – what I don’t really understand is: who should be the judge of what is normal and what is not?

6. About “stinky tofu” – you can certainly use ‘fragrant’ or ‘stinky’ as metaphors to comment on a movie. However, I disagree with your slandering of “stinky tofu.” For many families in poverty, it is all they eat! I’ve had a lot myself, and for that I’m eternally grateful.

7. Regarding the fact that you “bought the ticket yourself,” great! I’m a big supporter of the 8 provisions [rules stipulated by Chinese government on frugality within Party/government]. We don’t give free tickets to chief editors of government media!

8. About “letting your fans know” – I think it’s great of you to always have your fans in mind. But your fans might not be exactly the same as you in thinking that a movie is good or bad, in considering stinky tofu edible or not. There are many different colors in this world, if something is not black doesn’t mean it’s white.

9. About the movie using a “gloomy style” – were your eyes built in Meituxiuxiu? [美图秀秀: Chinese photoshop app]. Things are beautiful because they are real. Accept diversity and this world will be more beautiful.

10. About “nice people not getting properly rewarded for their good deeds” – I also wish good things come to good people, but this world is full of strange circumstances, and no one can have full control over it. Things we can’t control are also normal, we should accept that. I didn’t know you believed in karma yourself.

11. About it being “a banal story”: I’ve always been curious about strange stories, but would always do my best to understand the lives of ordinary people and this both inspires me and moves me.

12. With regards to you feeling “depressed” (堵得慌) – my apologies for not making you feel all warm and fuzzy during the Mid-autumn festival. I couldn’t make you tear up, your feelings didn’t get an outlet, instead, you felt “blocked and trapped.” But ‘feeling trapped’ is actually a complicated sensation, a big emotional wave if you will. You’ve been numb for too long, ‘feeling trapped’ shows that you still have some emotions. Congratulations! The fact that you ‘feel trapped’ has raised my hopes for the complexities of China.

Happy Mid-autumn Festival! I wish you all the best.

Many netizens applauded Jia’s reaction to the Global Times editor. One of the most popular comments was a wordplay on the two men’s names, saying: “Director Jia is not fake [‘jia’ in Chinese] while Editor Hu is full of nonsense [‘hu’ in Chinese]. (“贾导不假,胡编真胡 Jiǎ dǎo bù jiǎ, hú biān zhēn hú“)

“Perhaps Hu can tell me all the movies he dislikes,” another commenter said: “Because I’d sure love to watch them.”

At time of writing, the hashtag “Jia Zhangke sents response to Hu Xijin” (#贾樟柯发长文回应胡锡进#) received over 12,5 million views.

Hu dedicated another post to the issue on his Weibo account on Wednesday, saying he had written the bad review in the heat of the moment after watching the film, and that he had deleted it after calming down, never expecting it already went viral.

The editor wrote that he “fully accepted” everything Jia had written, and that he had learned his lesson and will be “more careful” in the future in posting his criticisms on Weibo.

“You have your right to criticize, and Jia has the right to refute it,” a popular comment said.

Although many people support Jia’s response to Hu, there are also those who are critical of it: “He’s just creating a hype to sell more tickets at the box office.”

Ash Is Purest White (Director’s cut) will also be featured at the upcoming Busan Film Festival.

By Miranda Barnes and Manya Koetse

Spotted a mistake or want to add something? Please let us know in comments below or email us.

©2018 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

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Miranda Barnes is a Chinese blogger and part-time translator with a strong interest in Chinese media and culture. Born in Shenyang, she used to work and live in Beijing and is now based in London. On www.abearandapig.com she shares news of her travels around Europe and Asia with her husband.

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China and Covid19

King of Workout Livestream: Liu Genghong Has Become an Online Hit During Shanghai Lockdown

Liu Genghong (Will Liu) is leading his best lockdown life.

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With their exercise livestreams, Liu and his wife are bringing some positive vibes to Shanghai and the rest of China in Covid times, getting thousands of social media users to jump along with them.

On Friday, April 22, the hashtag “Why Has Liu Genghong Become An Online Hit” (#为什么刘畊宏突然爆火#) was top trending on Chinese social media platform Weibo.

Liu Genghong (刘畊宏, 1972), who is also known as Will Liu, is a Taiwanese singer and actor who is known for playing in dramas (Pandamen 熊貓人), films (True Legend 苏乞儿), and releasing various music albums (Rainbow Heaven 彩虹天堂). He is a devout Christian.

Besides all of his work in the entertainment business, Liu is also a fitness expert. In 2013, Liu participated in the CCTV2 weight loss programme Super Diet King (超级减肥王, aka The Biggest Loser) as a motivational coach, and later also became a fitness instructor for the Jiangsu TV show Changing My Life (减出我人生), in which he also helped overweight people to become fit. After that, more fitness programs followed, including the 2017 Challenge the Limit (全能极限王) show.

During the Covid outbreak in Shanghai, the 50-year-old Liu Genghong has unexpectedly become an online hit for livestreaming fitness routines from his home. Together with his wife Vivi Wang, he streams exercise and dance videos five days of the week via the Xiaohongshu app and Douyin.

In his livestreams, Liu and his wife appear energetic, friendly, happy and super fit. They exercise and dance to up-beat songs while explaining and showing their moves, often encouraging those participating from their own living rooms (“Yeah, very good, you’re doing well!”). Some of their livestreams attract up to 400,000 viewers tuning in at the same time.

The couple, both in lockdown at their Shanghai home, try to motivate other Shanghai residents and social media users to stay fit. Sometimes, Liu’s 66-year-old mother in law also exercises with them, along with the children.

“I’ve been exercising watching Liu and his wife for half an hour, they’re so energetic and familiar, they’ve already become my only family in Shanghai,” one Weibo user says.

“I never expected Liu Genghong to be a ‘winner’ during this Covid epidemic in Shanghai,” another person writes.

Along with Liu’s online success, there’s also a renewed interest in the Jay Chou song Herbalist’s Manual (本草纲目), which is used as a workout tune, combined with a specific dance routine. Liu is also a good friend and fitness pal to Taiwanese superstar Jay Chou.

This week, various Chinese news outlets such as Fengmian News and The Paper have reported on Liu’s sudden lockdown success. Livestreaming workout classes in general have become more popular in China since the start of Covid-19, but there reportedly has been no channel as popular as that of Liu Genghong.

The channel’s success is partly because of Liu’s fame and contagious enthusiasm, but it is also because of Vivi Wang, whose comical expressions during the workouts have also become an online hit.

While many netizens are sharing their own videos of exercizing to Liu’s videos, there are also some who warn others not to strain themselves too quickly.

“I’ve been inside for over 40 days with no exercise” one person writes: “I did one of the workouts yesterday and my heart nearly exploded.” “I feel fine just watching,” others say: “I just can’t keep up.”

Watch one of Liu’s routines via Youtube here, or here, or here.

For more articles on the Covid-19 topics on Chinese social media, check here.

By Manya Koetse

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China Music

Weibo is Watching the DJs & Sports Presentation Team at the Winter Olympics Venues

Chinese netizens are not just closely following the athletes, they are also paying more attention to the “atmosphere enliveners” at the 2022 Beijing Winter Olympics.

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Chinese netizens are not just closely watching the athletes at the 2022 Winter Olympics – the DJs who are performing at the various venues and their noteworthy song selections have also become a popular topic on social media.

On Feb 8th, the US-born freestyle skier Eileen Gu (谷爱凌, Gu Aling) became the youngest ever gold medalist in freestyle skiing, winning the big air event for China. The American-born Gu has become a superstar in China, and everything related to her is going viral these days, including the songs that were playing when Gu had won gold.

The hashtag “When Gu Ailing Won the Gold, Jay Chou’s Song Huo Yuan Jia is Played” (#谷爱凌夺冠现场放周杰伦的霍元甲#) has received more than 29 million on Weibo. Chinese netizens praised the DJs for the song selection, saying it perfectly captured the scene as the song has a strong rhythm, and is also known as ‘Fearless.’

Before the hashtag about Gu went trending, the DJ team already attracted attention on Chinese social media for the interesting and noteworthy music selection at various events.

During the Ice Hockey Women’s Preliminary Round Group A, when Team US competed against Team ROC, there was a conflict between the two teams and the DJ played a remixed version of Katyusha, a Russian song that became famous during World War II. The dramatic effect of the scene and wartime song pairing made the song’s name (#喀秋莎#) and a video of the DJ trying to ‘make some noise’ on the venue go trending on Weibo with over 53 million views. Many netizens thought the music selection was humorous, with some joking that the DJ was adding oil to a burning fire.

Xie Xiao (@篮球DJ小牛), the ice hockey stadium music director for the 2022 Beijing Winter Olympics who played the song that day, later clarified on Douyin that the selection of Katyusha was not a response to the conflict. Before that game, he allegedly had already planned to use it because it is a famous song in Russia, and he already played a lot of well-known American songs.

Photo via Xie Xao, @篮球DJ小牛

Another creative song choice by this DJ team that resonated with Chinese netizens occurred during another ice hockey match between Team China and Team Japan, when an American DJ performed Defending the Yellow River on a keyboard. In China, Defending the Yellow River is a famous patriotic song. It was the seventh chapter of the classic Yellow River Cantata, written in 1939 to praise the fighting spirit of the Chinese people (#美国DJ现学后现场弹奏保卫黄河#).

A list of popular hashtags on Weibo relating to which songs are played at the venue of the Winter Olympics also demonstrates that music has become a more relevant and popular part of the Olympics, and is also an attractive component of the event that is encouraging more people, especially younger generations, to watch and participate in the Games.

Xie also said that the team is only allowed to select songs from a specific Winter Olympics music library due to copyright and licensing. The library includes 16000 musical tracks divided into various (sub)categories based on music styles, language, and themes, covering many hit songs and different music from all across the world. On the first event day of speed skating, for example, Adele’s Rolling in the Deep blasted through the speakers.

The pandemic has made the role of so-called ‘atmosphere enliveners’ or ‘vibe teams’ (气氛组, 氛围组) more important. This already became clear during the Tokyo Olympics, where we saw empty stadiums due to coronavirus measures, with DJs creating playlists to motivate athletes in the absence of cheering fans. This shift has also brought more online attention for DJs and other crew members, who would usually stay behind the scenes.

On the venues, the atmosphere is raised by Olympic mascots walking, jumping, and running around the venues interacting with smaller audiences. Meanwhile, the DJs are playing energetic tracks or are creating remixes and mash-ups while producers use different elements at the venue to enhance the audience’s experience.

Li Helin, the deputy manager of the venue operations team at Beijing National Speed Skating Oval, takes care of the event presentation at the venue. He also worked as an MC at the volleyball stadium during the 2020 Tokyo Olympics. Li has also been in charge of some popular music selections played by the DJs during events involving the China team, including Calorie (卡路里) by the Chinese idol girl group Rocket Girls 101 and Immortal Sound Above Cloud Palace (云宫迅音), the opening theme of Journey to the West, a 1986 TV series that is still considered one of China’s most popular TV dramas. These song selections also were popular on Weibo.

Li Helin, image via Sina.

Li previously said he believed that using DJs to connect with the audiences and to enliven the atmosphere at the venues will become a bigger trend for big sports events in the future. As the standard of sports presentation and fan engagement rises, more new elements, such as spectacular lighting, drones, 3D projects, etc. will also be included: “Sports presentation serves the game, but also adds fresh elements to it.”

Meanwhile, many social media users praise the music crew: “This time, the DJs at the Olympics are really awesome and their song selection is on point.”  “If you don’t know what kind of work you want to do, becoming an Olympic DJ is a good choice,” one Weibo user writes, with others agreeing: “Seriously, if I cannot be an Olympic athlete, then I’ll strive to be an Olympic DJ.”

 

By Wendy Huang

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©2022 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

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