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Online Discussions over Income: “When My Dad Was Young, His Monthly Salary Was 2000 Yuan (And I Still Earn the Same)”

Making 2000 yuan ($287) now is not the same as making 2000 yuan then. Some netizens complain that they’ll never earn as much as their dad did.

Manya Koetse

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A hashtag titled “When My Dad Was Young His Monthly Income Was 2000 Yuan” (#爸爸年轻时的工资是2000#) received 130 million views on Weibo this week and raised discussions about changes in average monthly salary, inflation, and discouraged youth.

The hashtag comes from a post by a netizen who jokingly wrote: “My dad’s salary was 2000 yuan (US$287) when he was young. My current monthly income is the same, [so] he passed the torch.”

The text contains a word joke, using the idiom xīnhuǒ xiāngchuán 薪火相传, meaning “passing on the torch” or “handing down the tradition,” but the word ‘torch’ also contains the character for ‘salary,’ reinforcing the joke of passing on salary from one generation to the next. The same blogger also posted other similar jokes in the thread.

This week, China’s National Bureau of Statistics released new statistics showing that the average annual salary for a Chinese urban, non-private sector worker in 2022 was 114,029 yuan ($16,400) while private sector workers had an average annual income of 65,237 yuan ($9375).

According to Caixin, the salary gap between the private and non-private sector have been widening since 2008, leading to employees in China’s non-private sector now earning around 75% more than people working for private-sector companies.

In 2019, China’s per capita income reached US$10,000 (Song & Zhou 2021, 1). However, in addition to the differences between the private and non-private sectors, there are also significant income gaps between urban and rural areas, as well as across different regions. Then there are also income disparities related to other things, such as differential treatment in the urban labour market of locals versus migrants.

Right now, a McDonald’s store manager in Suzhou would make a minimum monthly income of 7200 yuan ($1035), plus a 13th month pay. A restaurant staff member in Qingyuan, no experience required, would get a minimum monthly income of 2000-3000 yuan ($287-$430) according to recent online job advertisements.

In discussions surrounding the ‘my dad made 2000 yuan’ joke, many people share their own experiences of what they are making versus what their parents made.

One popular Weibo blogger (@琉玄) wrote: “I remember my dad made 3000 yuan ($430) around the year 2000. However, a lot of people are still at that level of pay nowadays. In 2000, I paid 1.5 yuan ($0.22) for a bowl of rice noodles in Hunan. In 2005 in Beijing, I could get a jianbing (Chinese pancake) for the same price. Now, a bowl of rice noodles in Shanghai will cost 38 yuan ($5.5), and jianbing prices start at 7 yuan ($1).”

“With your dad’s 2,000, he could do whatever he wanted; with your 2,000, you only can only do what your salary will get you,” one commenter wrote.

The idea that some children are still barely making more than their parents did over two decades ago – yet it buys them much less – is prevalent in online discussions.

Some Weibo users also suggest that this is a reason why so many Chinese youth are ‘lying flat’ (tǎng píng 躺平). By ‘lying flat,’ Chinese young adults from middle and lower classes basically refuse to sweat over climbing higher up the social and economic ladder. They will only do the bare minimum and believe that upward social mobility has become an unattainable goal (read more here).

Chinese political/social commentator Hu Xijin (@胡锡进) also had something to say about this issue. According to Hu, you could still find some people getting by on 2000 yuan per month in China’s more rural areas, including among farmers and fishermen. In the bigger cities, however, people could not get by with a monthly income of just 2000 yuan, and he suggests that even a cleaner in Beijing would be able to make 6000 yuan ($862) now if they work twenty days per month.

At the same time, urban, white-collar workers are seeing a declining trend in income while competition and work pressure is increasing. It is therefore not surprising, according to Hu, that they are venting online and finding some pleasure in mocking themselves. Nevertheless, Hu argues, Chinese youth is still among the most hardworking in the world.

He also reminds people that a middle income in Beijing around the year 2000 was below 2000 yuan: “If you are now in your early 20s, your dad did not make 2000 yuan as a young worker in Beijing. And if he was working a smaller city, he definitely did not make it [2000 yuan]!”

However, some people in the comment section believe that Hu’s post trivializes a serious issue and demonstrates a lack of awareness of the current realities, especially considering his position of privilege.

“Why don’t they eat meat porridge?” (Hébù shí ròumí 何不食肉糜) one commenter wrote, referring to the famous sentence attributed to Emperor Hui (259–307) of Western Jin. The story goes that when he was told that his people were starving because there was no rice, he asked why did not eat porridge with meat instead. Similar to “let them have cake” (“qu’ils mangent de la brioche“), it showed that he was oblivious to the sufferings of the common folk.

“Hu should go to the counties in Hebei and ask around, he’ll find plenty of people with a monthly pay of 2000.” “Come to Harbin, you’ll find many people on this pay here.”

Others also suggest that Hu was not right in saying that a cleaner in Beijing could earn 6000 a month by only working twenty days.

“I currently make an income of 10k, yet I still can’t afford a house, have one child, and we can just get by.”

Although many people, including Hu Xijin, suggested that it is not actually true that your dad made 2000 yuan when he was young and that you still get the same pay, some claim that it is their reality: “But really. My dad made around that amount back in the day, and now that I’m grown up, my pay is around that amount. I’m speechless.”

“I won’t even tell my dad what I’m making,” another commenter wrote: “After graduating, I just told him I’ll never make what he made.”

By Manya Koetse,

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References

Song, Ligang, and Yixiao Zhou (eds.) 2021. China’s Challenges in Moving towards a High-Income Economy. Australian National University Press.

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2023 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is the founder and editor-in-chief of whatsonweibo.com. She is a writer, public speaker, and researcher (Sinologist, MPhil) on social trends, digital developments, and new media in an ever-changing China, with a focus on Chinese society, pop culture, and gender issues. She shares her love for hotpot on hotpotambassador.com. Contact at manya@whatsonweibo.com, or follow on Twitter.

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China Arts & Entertainment

Singing Competition or Patriotic Fight? Hunan TV’s ‘Singer 2024’ Stirs Nationalistic Sentiments

“I’m in Zibo eating barbecue, I really don’t feel like listening to Alicia Keys.” Hunan TV’s ‘Singer 2024’ has set off a new wave of national pride in China’s music and performers.

Ruixin Zhang

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Besides memes and jokes, Hunan TV’s ‘Singer 2024’ has set off a new wave of national pride in China’s music and performers on Chinese social media.

In May, while the whole of Europe was gripped by the Eurovision Song Contest frenzy, Chinese audiences were eagerly anticipating the return of their own beloved singing competition, Singer 2024 (@湖南卫视歌手), formerly known as I Am a Singer (我是歌手).

The show, introduced from South Korea’s MBC Television and popular in China since 2013, only features professional singers who have already made a name for themselves.

Rather than watching unknown aspiring singers who are hoping to be discovered in many singing competitions, such as Sing! China, Singer 2024 gives audiences a show filled with professional and often stunning show performances by established names in the entertainment industry.

Since 2013, renowned singers from China and abroad have appeared on the show, including Chinese vocalist Tan Jing (谭晶), British pop singer Jessie J, and the late Hong Kong pop diva Coco Lee. However, no season managed to create as many waves as the 2024 season did, dominating all social media trending topics overnight.

So, what exactly happened?

 
COMPETING WITH FOREIGNERS

“The difference between the Grammys and the Strawberry Musical Festival”

 

In early May, the pre-show promotion of Singer 2024 was already buzzing on Chinese social media after a list of featured singers appeared on Weibo, including big names such as American singer-songwriter Bruno Mars, Korean-New Zealand singer Rosé from Blackpink, and Japanese diva LiSA.

Although Singer previously had many foreign singers on the show, this international celebrity lineup still caused a stir.

On the day of the first episode, only two foreign singers were announced to appear on the show: young Moroccan-Canadian singer Faouzia and the Grammy-nominated American singer-songwriter Chanté Moore. The other contestants were all Chinese singers who are already well-known among Chinese audiences. Because many people were unfamiliar with the two foreign singers, they joked that the winner of this season was already set in stone; surely it would be the famous Chinese singer Na Ying (那英), known for her beautiful voice.

However, that first episode surprised everyone as the two foreign singers, Faouzia and Chanté Moore, showed outstanding vocal skills. This not only startled many viewers but also made the Chinese contestants uneasy. Several experienced Chinese singers apparently were so unnerved after watching Faouzia and Chanté Moore’s performance that their voices trembled when singing.

Since the show was broadcast live – without post-production editing or autotune – audiences got to hear the actual vocal capabilities and see performers’ genuine reactions. It seemed undeniable that the foreign contestants did much better in terms of vocals and stage presence than the Chinese ones. Some online commenters even said that the gap between Chinese and foreign singers’ levels was like “the difference between the Grammys and the Strawberry Musical Festival” [a local Chinese music festival].

Chinese online influencer Yongkai (@陈咏开165) shared screenshots of Chanté Moore’s backstage reactions during the show. The American celebrity seemed puzzled when hearing the somewhat underwhelming performance by Chinese singer Yang Chenglin (楊丞琳), and she appeared much more positive when Na Ying sang.

This noteworthy scene, coupled with Chanté’s comments during an interview saying that she thought the Chinese production team had invited her on the show to be a judge, turned the entire show into a display of foreign singers outshining the Chinese contestants.

By the end of the first episode, Chanté Moore and Faouzia unsurprisingly ranked first and second, with Na Ying in third place.

After the show, some online commenters jokingly pointed out that Na Ying, being of Manchu descent like the rulers of China during the Qing Dynasty, showed some similarities to Empress Dowager Cixi’s defiance against Western colonizers in the way she “single-handedly took up against on foreigners” on the show.

They humorously turned Na Ying’s expressions into memes resembling Empress Dowager Cixi from an old Chinese TV show, with captions like “I want the foreigners dead” (“我要洋人死”).

Others suggested finding better Chinese singers for the show who could compete with Faouzia and Moore.

 
“SINGING WELL” CULTURALLY COLONIZED?

“I’m in Zibo eating BBQ, I really don’t want to listen to Alicia Keys.”

 

Initially, discussions about the show were light-hearted and humorous, until some netizens who couldn’t appreciate the jokes began to dampen the mood and made online discussions more serious.

Zou Xiaoying (@邹小樱), a music critic with nearly two million followers, posted on social media after the show, stating that he would have never voted for Chanté Moore or Faouzia. Not only did Zou question their vocal talent, he also wondered if the aesthetic of Chinese listeners had been influenced by Western music taste to such an extent that it has been “culturally colonized” (“文化殖民”). Meanwhile, he praised the members of Beijing rock band Second Hand Rose as “national heroes” (“民族英雄”).

He wrote:

If I had three votes for the first episode of “Singer 2024,” I’d vote for Second Hand Rose, Na Ying, and Silence Wang [note: Chinese singer-songwriter and record producer Wang Sushuang 汪苏泷]. The reason I wouldn’t vote for Chanté Moore or Faouzia is because — do they actually sing so well?

Has our definition of “singing well” perhaps been colonized? Just as our modern-day use of Chinese has little to do with our classical Chinese poems, with the foundation of modern Chinese actually being translations from the 20th century, is this also a form of ‘cultural colonization’?

You must think I’m talking nonsense again. But when I listen to Chanté Moore singing “If I Ain’t Got You,” I find it too boring. I know her singing is “good,” but this “good” has nothing to do with me. If, for Chinese listeners, Chanté Moore’s “good” is the standard, then is that what we in the music industry should be working towards? Isn’t that funny? When you open QQ Music or NetEase Cloud Music, and it recommends these songs to you every day, won’t you be convinced to practice again?

Of course, I know Chanté Moore is in good shape, very relaxed. Actually all of the Chinese singers tonight were very nervous. Yang Chenglin (杨丞琳) was nervous, Na Ying was also nervous. Even a seemingly carefree band like Second Hand Rose, if you listened to the introduction of their song, [you’ll find] they were so nervous that Yao Lan, supposedly “China’s No.1 Guitarist”, was so nervous that he hit the wrong note. It was not even a fast-paced solo (…), how nervous could he be? When everyone’s so tense, the confidence of Chanté Moore and Faouzia is indeed something that East Asia can’t match. In East-Asian [entertainment] circles, represented by China/Japan/Korea, our different cultural habits, upbringing, and ethnic characteristics have made it so that we don’t possess these kinds of singing abilities, even including our ways of emotional expression. I don’t know from which season it started with ‘Singer’ – and if it’s some kind of Catfish Effect (鲶鱼效应 ) – that they brought international singers with different cultural backgrounds into the competition. But this isn’t the Olympics, it’s not like Liu Xiang [刘翔, Chinese gold medal hurdler] is going to defeat opponents from the United States or Cuba. “I’m in Zibo eating barbecue, I really don’t feel like Alicia Keys.” (This line is not mine, I stole it from my WeChat friend).

Because of this, I find Second Hand Rose even more rare and precious. It’s just like I used to love asking: If you could only recommend one Chinese band to your foreign friends, which one would you recommend? Some say it’s New Pants (新裤子), some say it’s Omnipotent Youth Society, but my answer will always be Second Hand Rose. ‘The drama of Monkey King is a national treasure,’ its light will always shine. Facing the gunfire of Western powers, Second Hand Rose is standing on the frontline, they are our national heroes. Indeed, the band itself was nervous, (..), but when Chanté Moore goes off like a singing dolphin, we are fortunate to have Second Hand Rose at the frontline; the Chinese sons and daughters are building the Great Wall of Music of flesh and blood.

Because of this, I find Second Hand Rose even more rare and precious. It’s just like I used to love asking: If you could only recommend one Chinese band to your foreign friends, which one would you recommend? Some say it’s New Pants (新裤子), some say it’s Omnipotent Youth Society, but my answer will always be Second Hand Rose. ‘The drama of Monkey King is a national treasure,’ its light will always shine. Facing the gunfire of Western powers, Second Hand Rose is standing on the frontline, they are our national heroes. Indeed, the band itself was nervous, (..), but when Chanté Moore goes off like a singing dolphin, we are fortunate to have Second Hand Rose at the frontline; the Chinese sons and daughters are building the Great Wall of Music of flesh and blood.

Anyway, no matter if they’re strong or not, I would never vote for the foreigner.

The comment about ‘I’m in Zibo eating barbecue, I really don’t feel like [listening to] Alicia Keys’ refers to the craze surrounding China’s ‘BBQ town’ Zibo. In Zibo, Chinese visitors like to sing, drink beer, and enjoy food together; it’s a simple and modest way of appreciating life and music, which contrasts with slick and smooth American or foreign styles of performing and singing.

Whether Zou’s criticism was for attention or genuine sentiment, it shifted the focus of the discussion from music to patriotism.

 
CHINESE SINGERS WITH MILITARISTIC UNDERTONES

“I volunteer to join the battle”

 

Amidst all this, some netizens, easily swayed by nationalist sentiments, began to seek help from the “national team” (国家队) of singers — musicians employed by national-level arts troupes — to “bring glory to the nation” and teach the foreigners a lesson. Some even questioned the intentions of the Singer 2024 TV show in inviting foreign singers to participate.

On May 12th, renowned Chinese singer and philanthropist Han Hong (韩红) posted on Weibo, fueling a wave of sentiment and support. In her post, Han Hong declared, “I am Chinese singer Han Hong, and I volunteer to join the battle,” tagging the production team of the TV show. Her invitation to join the battle quickly went viral.

Han Hong meme: “Who called for me?”

Han Hong has significant influence in the Chinese music industry and society as a whole. Her usual serious demeanor and avoidance of internet pop culture made netizens unsure whether she was joking or serious. Nevertheless, regardless of her intentions, a group of well-known singers began to volunteer via Weibo, emphasizing their identity as “Chinese singers” and using phrases with strong militaristic undertones like “fighting for the country” and “answering the call.”

Although many enjoyed this new wave of national pride in Chinese music and performers, some netizens criticized the trend of transforming an entertainment show into a nationalistic competition.

Film critic He Xiaoqin (何小沁) stated, “It’s okay to take the Qing-Dynasty-fighting-foreigners comparison as a joke, but taking it too seriously in today’s context is absurd.”

Others expressed fatigue with how quickly topics on Chinese internet platforms escalate to patriotic sentiments. To bring the focus back to entertainment, they turned “I volunteer to join the battle” (#我请战#) into a new internet catchphrase.

In response, the production team of Singer 2024 released a statement on Weibo, thanking all the singers for their self-recommendations. They emphasized the show’s competitive structure but clarified that “winning” is just one part of a singer’s journey..but that the love of music goes beyond all in connecting people, no matter where they’re from.

By Ruixin Zhang, edited with further input by Manya Koetse

Independently reporting China trends for over a decade. Like what we do? Support us and get the story behind the hashtag by subscribing:

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China Insight

The Tragic Story of “Fat Cat”: How a Chinese Gamer’s Suicide Went Viral

The story of ‘Fat Cat’ has become a hot topic in China, sparking widespread sympathy and discussions online.

Manya Koetse

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The tragic story behind the recent suicide of a 21-year-old Chinese gamer nicknamed ‘Fat Cat’ has become a major topic of discussion on Chinese social media, touching upon broader societal issues from unfair gender dynamics to businesses taking advantage of grieving internet users.

The story of a 21-year-old Chinese gamer from Hunan who committed suicide has gone completely viral on Weibo and beyond this week, generating many discussions.

In late April of this year, the young man nicknamed ‘Fat Cat’ (胖猫 Pàng Māo, literally fat or chubby cat), tragically ended his life by jumping into the river near the Chongqing Yangtze River Bridge (重庆长江大桥) following a breakup with his girlfriend. By now, the incident has come to be known as the “Fat Cat Jumping Into the River Incident” (胖猫跳江事件).

News of his suicide soon made its rounds on the internet, and some bloggers started looking into what was behind the story. The man’s sister also spoke out through online channels, and numerous chat records between the young man and his girlfriend emerged online.

One aspect of his story that gained traction in early May is the revelation that the man had invested all his resources into the relationship. Allegedly, he made significant financial sacrifices, giving his girlfriend over 510,000 RMB (approximately 71,000 USD) throughout their relationship, in a time frame of two years.

When his girlfriend ended the relationship, despite all of his efforts, he was devastated and took his own life.

The story was picked up by various Chinese media outlets, and prominent social and political commentator Hu Xijin also wrote a post about Fat Cat, stating the sad story had made him tear up.

As the news spread, it sparked a multitude of hashtags on Weibo, with thousands of netizens pouring out their thoughts and emotions in response to the story.

 
Playing Games for Love
 

The main part of this story that is triggering online discussions is how ‘Fat Cat,’ a young man who possessed virtually nothing, managed to provide his girlfriend, who was six years older, with such a significant amount of money – and why he was willing to sacrifice so much in order to do so.

The young man reportedly was able to make money by playing video games, specifically by being a so-called ‘booster’ by playing with others and helping them get to a higher level in multiplayer online battle games.

According to his sister, he started working as a ‘professional’ video gamer as a means of generating money to satisfy his girlfriend, who allegedly always demanded more.

He registered a total of 36 accounts to receive orders to play online games, making 20 yuan per game (about $2.80). Because this consumed all of his time, he barely went out anymore and his social life was dead.

In order to save more money, he tried to keep his own expenses as low as possible, and would only get takeout food for himself for no more than 10 yuan ($1,4). His online avatar was an image of a cat saying “I don’t want to eat vegetables, I want to eat McDonald’s.”

The woman in question who he made so many sacrifices for is named Tan Zhu (谭竹), and she soon became the topic of public scrutiny. In one screenshot of a chat conversation between Tan and her boyfriend that leaked online, she claimed she needed money for various things. The two had agreed to get married later in this year.

Despite of this, she still broke up with him, driving him to jump off the bridge after transferring his remaining 66,000 RMB (9135 USD) to Tan Zhu.

As the story fermented online, Tan Zhu also shared her side of the story. She claimed that she had met ‘Fat Cat’ over two years ago through online gaming and had started a long distance relationship with him. They had actually only met up twice before he moved to Chongqing. She emphasized that financial gain was never a motivating factor in their relationship.

Tan additionally asserted that she had previously repaid 130,000 RMB (18,000 USD) to him and that they had reached a settlement agreement shortly before his tragic death.

 
Ordering Take-Out to Mourn Fat Cat
 

– “I hope you rest in peace.”
– “Little fat cat, I hope you’ll be less foolish in your next life.”
– “In your next life, love yourself first.”

These are just a few of the messages left by netizens on notes attached to takeout food deliveries near the Chongqing Yangtze River Bridge.

AI-generated image spread on Chinese social media in connection to the event.

As Fat Cat’s story stirred up significant online discussion, with many expressing sympathy for the young man who rarely indulged in spending on food and drinks, some internet users took the step of ordering McDonalds and other food delivery services to the bridge, where he tragically jumped from, in his honor.

This soon snowballed into more people ordering food and drinks to the bridge, resulting in a constant flow of delivery staff and a pile-up of take-out bags.

Delivery food on the bridge, photo via Weibo.

However, as the food delivery efforts picked up pace, it came to light that some of the deliveries ordered and paid for were either empty or contained something different; certain restaurants, aware of the collective effort to honor the young man, deliberately left the food boxes empty or substituted sodas or tea with tap water.

At least five restaurants were caught not delivering the actual orders. Chinese bubble tea shop ChaPanda was exposed for substituting water for milk tea in their cups. On May 3rd, ChaPanda responded that they had fired the responsible employee.

Another store, the Zhu Xiaoxiao Luosifen (朱小小螺蛳粉), responded on that they had temporarily closed the shop in question to deal with the issue. Chinese fast food chain NewYobo (牛约堡) also acknowledged that at least twenty orders they received were incomplete.

Fast food company Wallace (华莱士) responded to the controversy by stating they had dismissed the employees involved. Mixue Ice Cream & Tea (蜜雪冰城) issued an apology and temporarily closed one of their stores implicated in delivering empty orders.

In the midst of all the controversy, Fat Cat’s sister asked internet users to refrain from ordering take-out food as a means of mourning and honoring her brother.

Nevertheless, take-out food and flowers continued to accumulate near the bridge, prompting local authorities to think of ways of how to deal with this unique method of honoring the deceased gamer.

 
Gamer Boy Meets Girl
 

On Chinese social media, this story has also become a topic of debate in the context of gender dynamics and social inequality.

There are some male bloggers who are angry with Tan Zhu, suggesting her behaviour is an example of everything that’s supposedly “wrong” with Chinese women in this day and age.

Others place blame on Fat Cat for believing that he could buy love and maintain a relationship through financial means. This irked some feminist bloggers, who see it as a chauvinistic attitude towards women.

A main, recurring idea in these discussions is that young Chinese men such as Fat Cat, who are at the low end of the social ladder, are actually particularly vulnerable in a fiercely competitive society. Here, a gender imbalance and surplus of unmarried men make it easier for women to potentially exploit those desperate for companionship.

The story of Fat Cat brings back memories of ‘Mo Cha Official,’ a not-so-famous blogger who gained posthumous fame in 2021 when details of his unhappy life surfaced online.

Likewise, the tragic tale of WePhone founder Su Xiangmao (苏享茂) resurfaces. In 2017, the 37-year-old IT entrepreneur from Beijing took his own life, leaving behind a note alleging blackmail by his 29-year-old ex-wife, who demanded 10 million RMB (±1.5 million USD) (read story).

Another aspect of this viral story that is mentioned by netizens is how it gained so much attention during the Chinese May holidays, coinciding with the tragic news of the southern China highway collapse in Guangdong. That major incident resulted in the deaths of at least 48 people, and triggered questions over road safety and flawed construction designs. Some speculate that the prominence given to the Fat Cat story on trending topic lists may have been a deliberate attempt to divert attention away from this incident.

‘Fat Cat’ was cremated. His family stated their intention to take necessary legal steps to recover the money from his former girlfriend, but Tan Zhu reportedly already reached an agreement with the father and settled the case. Nevertheless, the case continues to generate discussions online, with some people wondering: “Is it over yet? Can we talk about something different now?”

Fat Cat images projected in Times Square

However, given that images of the ‘Fat Cat’ avatar have even appeared in Times Square in New York by now (Chinese internet users projected it on one of the big LED screens), it’s likely that this story will be remembered and talked about for some time to come.

 
UPDATE MAY 25
 

On May 20, local authorities issued a lengthy report to clarify the timeline of events and details surrounding the death of “Fat Cat,” which had attracted significant attention across China.

The report concluded that there was no fraud involved and that “Fat Cat” and his girlfriend were in a genuine relationship. Tan did not deceive “Fat Cat” for money; the transfers were voluntary. Furthermore, Tan returned most of the money to his parents.

The gamer’s sister is reportedly still being investigated for potentially infringing on Tan’s privacy by disclosing numerous private details to the public.

In the end, one thing is clear in this gamer’s tragic story, which is that there are no winners.

By Manya Koetse

– With contributions by Miranda Barnes and Ruixin Zhang

Independently reporting China trends for over a decade. Like what we do? Support us and get the story behind the hashtag by subscribing:

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

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