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Weibo Watch: Explosive Material
From nationalist influencers to the Handan murder case, Chinese social media was ablaze with more explosive topics this week than the Yanjiao blast alone.
Published
2 years agoon
PREMIUM NEWSLETTER | ISSUE #25
This week’s newsletter:
◼︎ 1. Editor’s Note – Explosive material
◼︎ 2. What’s Been Trending – A closer look at the featured stories
◼︎ 3. What More to Know – Five bit-sized trends
◼︎ 4. What’s the Drama – Top TV to watch
◼︎ 5. What Lies Behind – Justice & social neglect in the Handan murder case
◼︎ 6. What’s Noteworthy – A 61-year-old twin toddler mom
◼︎ 7. What’s Popular – AI brings celebrities back from the dead
◼︎ 8. What’s Memorable – TikTok CEO hailed as “Asian hero”
◼︎ 9. Weibo Word of the Week – “Mellow People”
Dear Reader,
A devastating explosion in North China’s Yanjiao, claiming the lives of seven and injuring 27 others, has dominated Chinese social media discussions over the past few days. The incident not only raised questions about the cause of the blast but also sparked concerns about press freedom, as Chinese reporters were reportedly obstructed from their work at the scene. This fueled suspicions that local authorities might be withholding information from the public.
Despite its significant impact, the Yanjiao blast was not the most combustible topic on Chinese social media. Various other incidents and issues gained traction, largely driven by online nationalists.
The most eye-catching issue has been the so-called “battle of the two water bottles” (两瓶水之争), which emerged after the recent death of the much-beloved Chinese entrepreneur Zong Qinghou (宗庆后), founder of the Wahaha company known for its bottled water and beverages.
As detailed in our latest article here, a support campaign for the Wahaha brand morphed into a witch hunt against its major domestic competitor, Nongfu Spring. While Zong Qinghou was lauded as a patriotic entrepreneur, Nongfu Spring’s founder, billionaire Zhong Shanshan (钟睒睒), faced criticism for supposedly prioritizing profit over national interests.
From Weibo to Douyin and beyond, online influencers came up with all kinds of reasons why Nongfu Spring should be seen as an unpatriotic Chinese brand, from its product packaging containing Japanese elements to its water containing bugs.
One point of ongoing contention is the fact that Zhong’s son (his heir, Zhong Shuzi 钟墅子) holds American citizenship. This sparked anger among netizens who questioned Zhong’s allegiance to China. Numerous Douyin videos showed livestreamers pouring bottles of Nongfu Spring water down the drain, small shop owners recorded themselves removing Nongfu Spring products from store shelves, and overall sales plummeted. Because the issue was about affordable bottled water, participating in these kinds of ‘patriotic’ activities was relatively easy; consumer nationalism has never been cheaper.
When Chinese entrepreneur Li Guoqing (李国庆), co-founder of the e-commerce company Dangdang, defended Nongfu Spring and called for rationality, he too came under fire. Wasn’t his own son, Li Chengqing (李成青), an American citizen as well? Rumors about other Chinese entrepreneurs also started gaining traction.
While grassroots nationalist activities on Douyin and nationalist trends on Weibo aren’t new, the recent campaign against Nongfu Spring stands out as it targets a domestic company. Typically, Chinese online nationalism focuses on foreign brands, encouraging consumers to boycott foreign products and support domestic ones (buycott).
For instance, in 2021, Nike faced backlash and boycotts in China for its stance on Xinjiang cotton and a viral incident involving discrimination against a rural migrant worker by a Nike employee. The Chinese sportswear brand Erke indirectly profited from existing consumer sentiments over Nike, positioning itself as a patriotic alternative (read more here).
The current boycott of Nongfu Spring in favor of another ‘more patriotic’ Chinese brand represents a shift in online nationalism. It’s not top-down, it’s not state-led, and it’s not necessarily driven by political ideology. On the one hand, this is a sign of Chinese economic growth as domestic brands and companies are no longer considered the ‘underdog’ in a market dominated by bigger foreign brands. It reflects Chinese consumers’ confidence in made-in-China brands and a desire for them to embody their national identity.
On the other hand, this movement sheds light on the dynamics of contemporary Chinese social media and “the business of nationalism” (also described by Zhang & Ma, 2023, 899). Various actors in the Chinese digital ecosystem profit from the commodification of nationalist content on platforms like Weibo and Douyin, where patriotism and aggressive nationalism are amplified for commercial gain (Liao & Xia 2023, 1536).
Influencers, too, capitalize on patriotic narratives to garner attention, often at the expense of balanced discourse, as the algorithm pushes aggressively nationalist discourses to the forefront (Schneider 2022, 277).
Regular users of these platforms find themselves navigating an environment where extreme views dominate, perpetuating a cycle of nationalism. With a click, post, or video, they can be part of an online nationalist movement that’s driven by hype, not necessarily representative of nationalism on the ground, and sometimes more fleeting than a fast food trend — you could call it nationalist clicktivism.
All of this forms a toxic cocktail that can flare up and become explosive from time to time. But, this too shall pass. Some smart Chinese restaurant owners know that as well. They have started buying Nongfu Spring water in bulk. The price has never been lower, and the water will still be sellable by the time the storm has calmed. For them, too, nationalism has never been cheaper.
Best,
Manya (@manyapan)
References:
Liao, Sara and Grace Xia. 2023. “Consumer Nationalism in Digital Space: A Case-Study of the 2017 Anti-Lotte Boycott in China”. Convergence, 29(6), 1535-1554.
Schneider, Florian. 2022. “Emergent Nationalism in China’s Sociotechnical Networks: How Technological Affordance and Complexity Amplify Digital Nationalism.” Nations & Nationalism 28(1): 267-285.
Zhang, Chi and Yiben Ma. 2023. “Invented Borders: The Tension Between Grassroots Patriotism and State-Led Campaigns in China.” Journal of Contemporary China, 32(144), 897-913.
What’s Been Trending

1: Wahaha vs Nongfu Spring | It’s the big topic that’s been fermenting online for some time now: Nongfu and the online nationalists. The praise for one Chinese domestic water bottle brand, Wahaha, sparked online animosity toward the other, Nongfu Spring, after the death of Wahaha founder Zong Qinghou. While Wahaha is seen as a patriotic, proudly made-in-China brand, big competitor Nongfu Spring and its founder Zhong Shanshan are under attack for allegedly being profit-driven and disloyal to China. The online anti-Nongfu campaign has even led to people pouring out their Nongfu Spring water bottles. Read all about it here👇🏼

2: Party Slogan, Weibo Hashtag | A hashtag promoted by Party newspaper People’s Daily recently became top trending: “Wang Yi Says the Next China Will Still Be China” (#王毅说下一个中国还是中国#). The hashtag refers to statements made by China’s Foreign Minister, Wang Yi (王毅), during a press conference held alongside the Second Session of the 14th National People’s Congress. After Wang Yi’s remarks, the sentence ‘the next China will still be China’ has now solidified its place as a new catchphrase in the Communist Party jargon. But what does it actually mean?

3: Online Tributes to Toriyama | Chinese fans have been mourning the death of Japanese manga artist and character creator Akira Toriyama. On March 8, his production company confirmed that the 68-year-old artist passed away due to acute subdural hematoma. On Weibo, a hashtag related to his passing became trending as netizens shared their memories and appreciation for Toriyama’s work, as well as creating fan art in his honor (also see this tweet). Chinese readers form the largest fan community for Japanese comics and anime, and for many Chinese, the influential creations of Akira Toriyama, like “Dr. Slump” and particularly “Dragon Ball,” are cherished as part of their childhood or teenage memories.
What More to Know
◼︎ 🏛️ Boy Murdered by Classmates | A case in which a young boy from Feixiang county in Handan, Hebei, was murdered by three classmates has recently shocked the nation. The young boy, Wang Ziyao (王子耀), had suffered years of bullying before his three classmates, all 13 years old, brutally killed him. Wang had been missing for one day before his body was discovered buried in a greenhouse in a field nearby the home of one of the suspects. While the three suspects have now been detained, netizens and legal scholars are discussing whether the case could be handled by the Supreme People’s Procuratorate (SPP). Since an amendment to China’s Criminal Law in 2021, children between the ages of 12-14 can be held criminally responsible for extreme and cruel cases resulting in death or severe disability, if approved for prosecution by the SPP. A chilling video showing the palpable shock in Handan after Wang’s body was recovered by authorities also made its rounds online, see here. (Various related Weibo hashtags, including “#13-Year-Old Middle School Student Killed By Classmate, Three Arrested” #13岁初中生被同学杀害三人被刑拘#, 150 million views; “#CNR Discusses Case in Which Junior High School Student Was Killed and Buried by 3 Classmates #央广网评初中生被3名同学杀害掩埋#, 200 million views).
◼︎ ♪ U.S. TikTok Ban | Besides the battle over water, the battle over TikTok has also generated hashtags and discussions on Chinese social media after the US House of Representatives passed a bill that could lead to an American TikTok ban if parent company Bytedance does not sell the app. Security concerns surrounding TikTok’s ownership by a Chinese company and its access to American data have existed ever since the app became popular in the US, where it now has over 170 million users. Chinese Foreign Ministry spokesperson Wang Wenbin denounced the bill, suggesting it was unfair for US to cite security reasons to “arbitrarily” suppress TikTok. Many social media commenters agree with this stance, suggesting the app is solely targeted because of its Chinese parent company, unrelated to actual security risks. The Singaporean TikTok CEO Shou Zi Chew (周受资) is expected to pay US legislators a visit in the coming days to fight against the ban, which is something many netizens are looking forward to (Shou Zi Chew is very popular on Weibo). (Hashtag: “American House of Representatives Passes Tiktok Bill” #美众议院通过tiktok法案#, 160 million views; “#TikTok Strikes Back” #TikTok开始反击#, 140 million views).
◼︎ 🛒 Livestreaming Chaos | Many different topics popped up during this year’s 3.15 Consumer Day and the two-hour annual Chinese Consumer Day Gala television show, which is all about raising awareness of consumer rights. One hot topic within this context is China’s “chaos of live-streaming e-commerce” (直播带货乱象). People’s Daily reported that in 2023 alone, more than half (56.1%) of the complaints received at the “12315” consumer hotline were related to online shopping, primarily through livestreaming. Over the span of five years, complaints regarding live e-commerce have surged by 47 times. The primary concerns revolve around after-sales service problems, such as the difficulty in returning items, and quality issues, wherein products showcased in livestreams differ from what customers actually receive. (Hashtag “#Most After-Sales Complaints About Livestreaming Ecommerce” #售后服务直播带货投诉排名第一#, 34.8 million views).
◼︎ 🇬🇧 Where’s Kate? | Speculation and controversy surrounding the whereabouts of the Princess of Wales, Kate Middleton, have also surfaced on Weibo, where discussions about the UK royals have been trending in recent days. Worldwide, rumors about her condition emerged following her absence from any official public appearances since January 16, when she underwent abdominal surgery. The situation intensified when a photo of the Princess and her children, shared on Mother’s Day, raised suspicions of editing and photoshopping. Although Kate took responsibility for altering the image herself, the internet erupted with various theories about her situation, ranging from serious illness to marital issues or even another pregnancy. Some commenters suggest the Chinese interest in the issue is because “we love to watch palace drama.” (Hashtag “Where is Princess Kate?” #凯特王妃去哪了#, 40 million views; “Rumors of Princess Kate Missing Stirs Up UK” #凯特王妃失踪传闻搅动英国#, 43 million views).
◼︎ 🖋️ Chinese Author Mo Yan Under Attack | Another story that has been circulating online for some time involves Chinese blogger Wu Wanzheng (@说真话的毛星火) initiating a lawsuit against the renowned Chinese author and Nobel Prize winner Mo Yan (莫言). Wu accuses Mo Yan of distorting history and tarnishing the legacy of the Communist Party in his 1986 novel Red Sorghum (红高粱). The well-known Chinese internet commentator Hu Xijin recently came to Mo Yan’s defense, which actually increased media attention for the case. Although the initial attempt to sue Mo Yan was rejected by a Beijing court, Wu allegedly intends to persist with his mission. Opinions on the matter are divided: while some believe Wu is within his rights to pursue legal action against Mo Yan, others view the entire affair as a sensationalist grab for attention. Meanwhile, various articles and hashtags about the case have been taken offline (Weibo hashtag “Mo Yan Sued” #莫言被起诉#, 1.8 million views; “Hu Xijin: Person Suing Mo Yan Is Taking Words Out of Context” #胡锡进称起诉莫言者是在扣帽子断章取义#, 29 million clicks).
What’s the Drama

The Chinese historical drama “In Blossom” (花间令) currently ranks number one on Weibo. It premiered on the streaming platform Youku on March 15. The costume drama revolves around the story of the handsome Pan Yue (Liu Xueyi 刘学义), who marries Yang Caiwei (played by Ju Jingyi 鞠婧祎). She is murdered on the night of their wedding, and he is the prime suspect. But Yang Caiwei miraculously returns from the dead to uncover the truth.
▶️ This drama was directed by Zhong Qing (钟青), who is best known for directing suspenseful and romantic dramas.
▶️ The Weibo hashtag about “In Blossom” has received over two billion views already (#花间令#).
▶️ The first day after “In Blossom” was released, it already broke some viewing records; on March 16, 13.6% of Youku audiences had watched the drama, making it the first drama this year to become so popular within such a short timeframe.
You can watch In Blossom with English subtitles via YouTube here.
What Lies Behind

With emotions running high on social media, many are eager to learn about the fate awaiting the three young perpetrators in the trending case of the bullied boy from Handan, Hebei, who was killed and buried by his classmates. Online discussions mostly revolve around the legal and social aspects of this case.
There’s widespread frustration over the possibility of lenient punishment for the 13-year-old suspects due to their age. As China still has capital punishment, some people are even calling for execution once they turn 18.
These sentiments do not come out of the blue. In recent years, China has seen a rise in crimes, including murders, committed by minors. Many people are worried that without properly addressing the bullying problems that are prevalent among young people, the country will only see an increase in minors committing serious crimes like assault, rape and murder.
Online discussions show that people are reluctant to accept the “Law on the Protection of Minors” which recognizes the limited understanding young offenders may have of their own actions’ gravity and consequences. Chinese criminal psychologist and youth education expert Mei Jinli (李玫瑾) suggests that families or legal guardians should bear part of the responsibility exempted from the child due to their age.
Another issue that has caught people’s attention in this case is that all suspects and the victim are so-called “left-behind children” (留守儿童). With over 295 million Chinese rural migrant workers leaving their hometowns to find jobs in the city, many find themselves unable to bring their children due to the household registration system in China. Instead, they leave their children behind with grandparents or family.
Chinese experts and charities have been raising awareness of psychological trauma among these children – there are some 67 million of them – and are calling for changes in the household registration system so that migrant workers can bring their children with them instead of leaving them to fend for themselves.
The comments surrounding this case highlight how deeply it resonates with many. One commenter said he was a left-behind child himself, and when he saw the words “left-behind children” and “raised by grandparents” in the news, he couldn’t help but burst into tears.
What’s Noteworthy

During the Two Sessions, China’s annual parliamentary meetings, numerous proposals and “suggestions” (建议) put forth by National People’s Congress delegates became trending topics on Chinese social media. While a proposal in 2020 aimed to prohibit single women from freezing their eggs to encourage them to “marry and reproduce at the appropriate age,” a recent proposal suggests the opposite approach to address China’s declining birth rates: improving fertility treatment options for older Chinese women to facilitate childbearing for older parents.
Uncoincidentally, during the same week, a Chinese media outlet shared the story of a 61-year-old twin mom recounting her experience of ‘late parenthood.’ Having lost her 26-year-old son in a car accident in 2014, Zhang Yumei attempted to conceive for seven years and eventually welcomed healthy twin daughters in 2021, at the age of 58. In an interview with Chinese media, the senior citizen expressed that her two children have given her “the courage to continue living.” The story garnered significant attention on Chinese social media, with many sympathizing with Zhang Yumei. However, some netizens speculated whether authorities would now begin encouraging elderly women to use donated eggs for childbirth.
Read more about other proposals made during the Two Session in our article here.
What’s Popular

This video shows Chinese singer & actor Qiao Renliang (乔任梁) in 2024. He actually died in 2016.
Using AI tools, Chinese social media users are reviving deceased celebrities like Qiao, Coco Lee, or Godfrey Gao. By using old videos and images, artificial intelligence digitally recreates them, bringing them back to life in online videos. A recent example sparking controversy is the video featuring Chinese singer and actor Kimi Qiao Renliang (乔任梁), who took his own life in 2016 at the age of 28. In the AI-generated video, Qiao states, “Actually, I never really left…”
His parents are unsettled by the video. Qiao’s father is now urging netizens to delete these videos of his son. He says they were created without permission and violate his son’s portrait rights. It has sparked some much-needed discussion on the legal and ethical issues surrounding so-called ‘AI resurrection’ (AI复活).
In an online poll conducted by Sina Hotspot (新浪热点) among 80,000 netizens on Weibo, a significant majority of respondents, over 66,000, expressed that recreating deceased celebrities is unacceptable. Only 2,100 people said they see practice as a nice way to remember celebrities who’ve passed.
What’s Memorable

This pick from our archive takes us back to when Shou Zi Chew (周受资, Zhou Shouzi), the Singaporean CEO of TikTok, appeared before the House Energy and Commerce Committee in the United States, facing a four-and-a-half-hour hearing over data security and harmful content on the TikTok app. Some bloggers and commenters noted how Chew fits the supposed idea of a ‘perfect Asian’ by staying calm despite unreasonable allegations and emphasizing business interests over culture. The so-called “Mr. Perfect In the Eye of the Storm” is going back to defend TikTok this week, so we can expect him to receive a lot of support from Chinese netizens again. Read more about it here 👇
Weibo Word of the Week

“Mellow People” | Our Weibo Word of the Week is “Mellow People” or “Mellow Person” (dàn rén 淡人), a term that’s popped up recently to self-describe the mental state of young people in China today.
The word dàn 淡, which I’ve translated as ‘mellow’ in this context, can mean numerous things in China: it’s light, calm, indifferent, pale, or even trivial. Being a dàn individual, a dànrén 淡人, has recently come to be used by young people to describe themselves and how they experience life. They might want to quit their crappy job, but it generates money so it’s okay. They have to commute for hours every day, but the rent is cheaper so it’s okay. They are being forced to go on blind dates by their parents and actually don’t want to, but they don’t have the energy to refuse so it’s okay.
Being this ‘mellow’ or ‘unperturbed’ means being indifferent in a calm and light way. Not unlike previous Chinese popular expressions such as “lying flat” (躺平) and being “Buddha-like” (佛系) (read here), it’s a way to cope with the challenges and pressures faced by Chinese young people today, but it’s a bit more positive than being completely passive (lying flat): it’s a passive acceptance of life as it is, embracing dull daily routines or competitive work environments without resistance. The art of being or becoming a dàn rén is also referred to as 淡人学 dànrén xué, which could be translated as ‘Mellowism’ or, perhaps even better, ‘Unperturbabilism.’
This is an on-site version of the Weibo Watch newsletter by What’s on Weibo. Missed last week’s newsletter? Find it here. If you are already subscribed to What’s on Weibo but are not yet receiving this newsletter in your inbox, please contact us directly to let us know.
Manya Koetse is a sinologist, writer, and public speaker specializing in China’s social trends, digital culture, and online media ecosystems. She founded What’s on Weibo in 2013 and now runs the Eye on Digital China newsletter. Learn more at manyakoetse.com or follow her on X, Instagram, or LinkedIn.
Featured
Quick Eye: XChat, Orbán, and a Very Questionable Tripe-Strawberry Hotpot
A 2-minute overview of trending topics on Chinese social media, including XChat, Orbán’s defeat, and that tripe-strawberry hotpot.
Published
3 hours agoon
April 14, 2026
🔥 Quick Eye: What’s Trending in China in 2 Minutes (April 14 | week 16 | 2026) Part of Eye on Digital China by Manya Koetse, this is a quick catch-up on what’s trending and being discussed on Chinese social media right now. Subscribe here to receive the next issue in your inbox.
The Big Stories
📌 Evergrande trial China’s fallen property giant Evergrande, once the world’s most indebted developer, and its founder Xu Jiayin (许家印) are at the center of a much-anticipated public trial in Shenzhen on April 13-14. Xu pleaded guilty to charges including fundraising fraud, illegal deposit-taking, and corporate bribery. A verdict will be announced at a later date.
📌 Lululemon investigated over “forever chemicals” American brand Lululemon is under investigation in Texas over the potential use of PFAS chemicals in its athletic apparel, which have been linked to health risks such as cancer and fertility issues. Chinese netizens and media are closely following this story: mainland China is Lululemon’s second-largest market.
📌 Diplomatic line-up in Beijing While Spanish Prime Minister Sánchez is still in Beijing, UAE Crown Prince of Abu Dhabi Khaled also arrived in China on Tuesday. Vietnamese President Tô Lâm is meeting Xi Jinping, while Russia’s foreign minister Sergey Lavrov has also arrived, and the President of Mozambique is expected later this week. Chinese newspaper Yangcheng Evening News described it as “foreign leaders lining up to visit China” (“外国政要排队访华”). The framing presents world leaders as turning to China in a turbulent time, amid tensions around Iran and the Strait of Hormuz, and declining trust in the US.
The Quick Eye
👁
XChat, Musk’s “Western WeChat” opens pre-registration in mainland China app store
Musk has long said he wanted X to become a WeChat-like “super app,” and now he’s finally launching XChat, already dubbed the “Western version of WeChat” (西方微信) in China. The app is set to launch on April 17 on the Apple App Store, with pre-registration available to users in mainland China. It features end-to-end encryption, no phone number requirement, no advertising, anti-screenshot and disappearing-message functions, and integrated Grok AI.
Zhihu discussions note that while XChat’s “pre-order” function is visible to Chinese iOS users, the app will likely remain inaccessible. Beyond China’s stringent platform regulations, XChat requires an X account to log in, meaning users cannot get past registration. The irony of a privacy-focused app opening pre-registration in a market where X itself is blocked has not gone unnoticed, with many commenters treating it as something of a joke.
👁
Hungary’s Orbán defeated: Chinese netizens react to pro-EU shift
The Hungarian elections and Viktor Orbán’s defeat drew unusual attention on Chinese social media, where European politics usually aren’t a big deal. Beyond the historic loss, much of the discussion framed the outcome through a China–EU lens, especially in relation to the Russia–Ukraine war.
While state media stayed relatively neutral, some commentators emphasized that Orbán had been one of the EU’s most China-friendly leaders. Others, including Hu Xijin, pointed to more practical reasons — arguing that in the end, elections are decided by “bread and butter.”
👁
Audio recording: Shanxi judge accused of sexual harassment during divorce hearing
A judge at Lüliang Intermediate Court in Shanxi has come under fire after a woman accused him of molestation during her divorce proceedings. She says Judge Lü Yunsuo (吕云锁) summoned her under false pretenses and then groped, embraced, and kissed her in his office — an incident she secretly recorded on her smartwatch, capturing 16 minutes of audio.
Although she reported the case for months, no action was taken until news of the case and the recording circulated online, after which Lü was suspended. The case has sparked widespread anger, with many questioning why action was only taken after the situation drew public attention.
A Different Note
⭐
Tianjin University Library Q&A: Children Solve Existential Problems
A Q&A message board at Tianjin University Library (天津大学图书馆) went viral after primary school children visiting the campus answered questions left by university students. Some exchanges:

“How do you slow down growing up?”
— Child: “Enjoy the present.”
“What should I do if I’m unhappy?”
— Child: “Do something that makes you happy.”
“How can I get into Tianjin University?”
— Child: “I just came in on Open Day.”
“How do I find happiness again?”
— Child: “Watch Peppa Pig.”
“What is happiness?”
— Child: “Having an apple and thinking only about the apple.”
On My Feed
Bizarre Tripe & Strawberry Fusion Hotpot
Perhaps this needs a trigger warning for Sichuan foodies and hotpot purists, given the rather bizarre hotpot trend currently circulating on Chinese social media:
It’s Tripe-Strawberry Hotpot (毛肚草莓火锅), where you wrap fresh strawberries in organ meat (beef tripe 毛肚, máodǔ) — a somewhat sacred ingredient within Sichuan hotpot culture — before dipping them into spicy, simmering broth and eating them with your regular dipping sauce.

I’ve seen this pop up before, but it’s now gaining more traction—and not just as rage bait, since some people seem to genuinely enjoy it. Others, however, are shocked by how far hotpot food trends are going. One Weibo user wrote:
“First, I apologize to the tripe, then to the strawberries, to the hotpot, and fourth, to myself”😅
That’s it for today — more soon!
Best, Manya
P.S. If you find this useful and aren’t a paying subscriber yet, you can support my work and receive more updates by subscribing. You can do so here.)
Chapter Dive
Cancel-Proof: The Rise of China’s AI Actors
China’s AI actors are on the rise, and not everyone is buying it. The country’s microdrama industry offers a glimpse of what’s to come for the broader film and TV sector.
Published
5 days agoon
April 10, 2026By
Ruixin Zhang
Is this the real life? Is this just fantasy? In the fast-growing world of China’s AI microdramas, even virtual actors can’t escape reality. As production companies turn them into idols, audiences are voicing discomfort, while the future for human actors looks increasingly uncertain.
– By Ruixin Zhang and Manya Koetse
For Chinese audiences, AI in film and television is nothing new. In the fall of 2023, the first fully AI digital performer in a Chinese domestic drama, the character Erzhuang (二壮) in I Am Nobody (异人之下) sparked debate on Chinese social media.
Some fans, due to Erzhuang’s convincing northeastern Chinese dialect and natural expressions, almost couldn’t believe she wasn’t a real actress.

Erzhuang in I Am Nobody (异人之下) in 2023.
But Erzhuang was just the beginning.
In 2024, China Mythology (中国神话) was promoted by state media as China’s first fully AI-produced short drama series.
A year later, In My Heart, You Are One of a Kind (在我心中,你是独一无二) premiered as Hong Kong’s very first AI-generated short drama, a youth campus romance that sparked further discussion about whether AI actors could actually replace human actors.

From the two AI dramas from 2024 and 2025: China Mythology and In My Heart, You Are One of a Kind.
Those discussions were reignited in late March of this year when Shanghai-based production company Yaoke Media (耀客传媒) introduced two newly signed AI actors, Qin Lingyue (秦凌岳) and Lin Xiyan (林汐颜), who’ll be starring in the fantasy short drama Qinling (秦岭).

Qin Lingyue (秦凌岳) and Lin Xiyan (林汐颜)
Unlike earlier AI figures in microdramas, this high-profile ‘signing’ marks a shift: the company plans to develop these characters as independent IPs, much like human actors. In other words, they are to attract fans both through their on-screen performances and their off-screen ‘personalities.’
Soon after, the two AI actors created their own social media accounts on Douyin and Xiaohongshu, and began cultivating a sense of authenticity and ‘liveness’ (活人感).

A real-looking social media profile.
But as these digital performers and real actors become harder to distinguish, audience discomfort is growing, too.
The Rise of AI Microdramas
In China’s microdrama market, AI is already playing a dominant role, with “AI dramas” (AI剧 or AI短剧) standing out as a distinct creative category within the broader industry.
Microdramas, also simply known as short dramas, have been around in China for at least a decade, but have become especially popular in recent years due to their vertical, ultra-short formats, designed for quick mobile viewing and easy ‘binge watching.’ Microdramas typically run for 60 to 100 episodes, but with each episode lasting just one to three minutes, an entire season can be watched in an hour or two.
That format also makes the industry particularly well-suited to AI. It is large, fast-moving, and often operates on limited budgets, with productions turning around quickly. In this environment, using AI-generated effects and AI actors simply makes sense. This is very different from traditional drama production, which typically involves longer timelines, higher budgets, well-known actors, and less room for experimentation.
“AI is no longer just an add-on in China’s drama sector—it is an integral part of the production process”
As a result, AI is no longer just an add-on in China’s short drama sector—it is becoming an integral part of the production process, with digital actors helping to improve efficiency and reduce costs. With the launch of Bytedance’s Seedance 2.0, production costs for AI-generated videos have dropped significantly, further boosting the growth of AI microdramas.
The scale of this shift is already clear: AI microdramas are now often outpacing live-action productions on trending charts. In 2025 alone, one Zhejiang-based production company (刚刚好影视) released 229 AI micro-dramas, generating over 513 million views.
According to Sixth Tone, short dramas featuring AI actors already represented approximately 40% of the top 100 animated short dramas in January 2026.
Turning AI Actors into Real Idols
With AI and microdramas entering a kind of symbiosis, virtual actors are no longer disposable, one-off creations. They are evolving into continuous, persona-driven figures, often designed to resemble real celebrities—much like “fandom-driven actors” (流量演员), whose core function is to monetize fan attachment and sell fantasies rather than just act.
According to Yaoke Media, their plans for Qin Lingyue and Lin Xiyan are similar to those of idol models: they are expected to interact with fans, appear in multiple productions, and eventually become monetizable assets through brand endorsements and image licensing.
This also means they will likely take on the full spectrum of idol labor, including promotional events, fan service, and carefully manufactured on-screen chemistry—sometimes even “queerbaiting” (卖腐). (There’s no perfect English equivalent, but the term refers to deliberately staging romantic interactions between two male characters aimed in particular at a female “danmei” fans or “rotten girls” audiences who like indulging in such fantasies.)
In one AI costume drama, behind-the-scenes clips showed the lead actor and actress “live-streaming” together, answering fan questions, and deliberately hyping up their on-screen chemistry.

“Behind the scenes” livestream screenshots by AI actors.
Such human-coded content is now increasingly becoming an important part of the AI microdrama industry.
Some of these online videos also show the supposed perspective of “fans” and “staff” watching the actors walk around or interacting with them, creating a simulated world that some netizens feel is pushing a sense of “realness,” with comments like: “Please don’t force AI to act so human-like.”
“AI actors featuring in AI dramas that are watched by AI audiences, it’s the perfect closed loop”
For the same AI costume drama, some clips even mimic the perspective of ‘fansite admins’ (站姐)—dedicated fan photographers who typically capture and share candid, off-stage footage of real stars.

In one vlog by a supposed prop assistant, she appears as an overworked but witty crew member, taking viewers around the set, chatting with the leads, buying them coffee, and even stepping in as an extra.

“Behind the scenes” of an AI microdrama.
These glimpses of everyday, behind-the-scenes life all feel oddly real, but everything is AI-generated: the actors, the sets, the audience interactions, the staff, even the paparazzi (see example videos here and here).
For ordinary audiences, it is striking how deeply AI has already penetrated the film & television industry. Beyond criticisms of stiff expressions and rigid aesthetics, many netizens describe the new phenomenon as “uncanny” or “just too real😨.”
With AI actors now realistic enough to pass as human at a glance, but with small details like emotional expression still being off, that gap between being almost human but not quite creates a sense of discomfort among viewers, who dub these AI actors ‘stuffed monsters’ (缝合怪) or ‘stitched-together corpses’ (尸块).
More than the actors, it’s the entire ecosystem around them that makes us believe we’re watching “candid moments” of something that is not even alive. Screenwriter Wang Hailin (汪海林) was sarcastically commented on Weibo: “AI actors featuring in AI dramas that are watched by AI audiences 👍, it’s a perfect closed loop.”
‘Borrowing’ Facial Features
Besides the simulated “aliveness” of digital performers, another controversial issue surrounding the recent rise of China’s AI actors is whether these creations infringe on portrait rights. Since the debut of Qin Lingyue and Lin Xiyan, these AI figures have been criticized for appearing to use facial features from multiple real actors.
As online discussions intensify, more AI actors in microdramas have been found to resemble real celebrities. Fans of beloved Chinese celebrities such as Dilraba Dilmurat (迪丽热巴) and Xiao Zhan (肖战) have taken to Weibo to protest this kind of “face swapping” (AI换脸) and demand protection of their idols’ likenesses.

An “AI face swap” (AI换脸): an AI actor on the left, Xiao Zhan on the right.
Yaoke responded that these images were “derived from massive datasets on the internet” and did not replicate any specific individual’s features.
This only fueled further backlash. To many, the use of “massive data” suggests that anyone, celebrity or ordinary person, could potentially have their image appropriated.
“The vlogger discovered the face swap infringement after a friend recognized his face while watching the AI drama”
In related recent trending news, a Chinese content creator (白菜汉服妆造), who typically wears traditional Chinese clothing in his videos, accused Hongguo (红果短剧), ByteDance’s short drama platform, of using his likeness without authorization to create a greedy villain in the AI-generated drama Taohua Zan (桃花簪).

On the left: greedy villain in the AI-generated drama Taohua Zan. On the right: Chinese content creator (白菜汉服妆造).
The vlogger discovered the face swap infringement after a friend recognized his face while watching the drama. The series was later taken offline.
One problem is that legal frameworks around AI lag behind technological development: by the time victims try to fight back legally, the technology has already moved on, making enforcement almost impossible.
Better Than the Real Thing?
Despite the backlash against the AI-fication of China’s short drama industry, some netizens are more optimistic about its development.
One blogger recently noted that as many people have already formed near friendship-like emotional dependencies on chatbots like ChatGPT—initially seen as cold technological tools—it is entirely possible that audiences will also develop genuine attachment to AI actors.
Current limitations that still make AI actors feel stiff, such as robotic voices or unnatural expressions, will likely diminish as the technology continues to improve.
Some call binging on AI short dramas their “guilty pleasure,” just to watch the AI actors perform. As one Weibo user wrote: “The female characters are just so beautiful—seriously, unbelievably beautiful. And they’re becoming more and more realistic: their facial expressions, especially the way their mouths move, are incredibly precise. Even the makeup looks stylish, and the hair feels very real. I honestly find myself wondering what eyeshadow and mascara they’re using.”
But support for AI performers in China’s drama industry is not limited to guilty pleasures and tech enthusiasts. For some, it also reflects a broader weariness with the perceived lack of quality among human actors.
“If the performances of real actors are already no better than AI, why not use AI actors instead?”
China’s film and television industry’s strong focus on fandom culture and good-looking idols, combined with limited budgets and a lack of formal training, has produced a wave of actors who are widely criticized for poor acting and a lack of professionalism. They are also frequently caught up in controversies, from refusing to memorize lines to relying heavily on green-screen acting.
These criticisms intensified during the 2021 major scandal involving former drama actress Zheng Shuang (郑爽), who had long faced criticism over her acting. A leaked recording at the time revealed she was earning a staggering 2.08 million RMB per day (roughly $320,000 then). Since then, “2.08 million” (208万) has become a derogatory label for fandom-driven actors who get high pays despite low-quality performances.
Amid weak acting and a distorted pay structure, many viewers have been calling for change. A common sentiment is: if their performances are already no better than AI, why not use AI actors, and give real actors a sense of crisis?
From Cancel Culture to AI Actors
But will the use of AI actors actually push the industry to improve human actors, or simply replace them?
Some Chinese industry insiders remain optimistic, arguing that AI can never fully replicate the nuance of human emotion. Among those who have spoken out are A-list actors such as Zhang Ruoyun (张若昀) and Feng Yuanzheng (冯远征), president of the Beijing People’s Art Theatre.
Others, however, are less optimistic.
“China’s “cancel culture” will eventually make AI actors an increasingly attractive bet for industry investors”
Agan Jackie (阿甘Jackie), a streamer working in the film industry, pointed out in a recent podcast that China’s “cancel culture” will eventually make AI actors an increasingly attractive bet for industry investors.
Although there’s “cancel culture” in the Western entertainment industry as well, the moral bar for Chinese celebrities is exceptionally high: anything from tax evasion to littering, simply being rude to fans could destroy an actor’s commercial value. The superstar Fan Bingbing (范冰冰), for example, disappeared from public view after a tax evasion scandal. Even after repaying her debts, she is still effectively banned from mainland productions.
China’s cancel culture is also closely tied to political red lines. One remark or move – intended or not – could end a career overnight. Zhang Zhehan (张哲瀚), an actor who quickly rose to fame a few years ago, vanished from the industry after photos surfaced of him posing near the Japanese Yasukuni Shrine.
For production companies and streaming platforms, such unpredictability creates a high-investment, high-risk environment. “Scandal-proof” AI actors offer a low-risk substitute.
This perhaps also plays a major role in why major streaming platforms such as Tencent and iQiyi are now promoting or encouraging the use of AI actors through AI feature film experiments, with the first fully AI-generated commercial blockbusters expected to be released later this year.
A Glimpse into the Future
At the recent China TV Drama Production Industry Conference, it became clear that the industry is undergoing something of an earthquake, with major changes ahead: while top actors will continue to function as traffic drivers, demand for human actors is expected to decline, and much of the mid- and lower-tier acting segment (such as extras and body doubles, but also voice actors) could largely disappear as it becomes replaceable by AI.
The microdrama industry, already heavily infiltrated by AI, offers a glimpse of the future of the broader TV and film industry when it comes to digital performers.
Microdrama actress Zhou Ye (周野) recently said that her pay has been slashed by 50% since AI-driven microdramas flooded the market, leaving many more actors jobless. For the 140,000 registered extras at Hengdian World Studios, China’s largest filming base, these developments could have far-reaching consequences.
Sometimes, these actors even sign away their fate—quite literally—as some companies now require “AI authorization” clauses as a condition of employment, effectively selling their digital likeness just to get a job. Companies can then create AI actors based on real individuals. Chinese talent management company Yuxiao Media (聿潇传媒) has introduced six such AI actors, directly modeled on real performers.
“The microdrama industry, already heavily infiltrated by AI, offers a glimpse of the future of the broader TV and film industry when it comes to digital performers”
One of these, influencer Han Anran (韩安冉), openly stated during a livestream that she had sold her likeness rights for AI creation. Playing into public criticism of her acting and heavily altered appearance, she said this was the best way to monetize her image. She even wondered that if her AI doppelganger were ever to win an award, whether she or the AI should go on stage to accept it.

Han Anran (韩安冉) on the left and the AI actress modeled after her on the right.
Perhaps nobody likes to see ordinary actors’ livelihoods being taken over by AI. But despite concerns about shrinking job opportunities, China is unlikely to see Hollywood-like strikes, as it lacks unions or organizations comparable to SAG-AFTRA or the AFL-CIO, which focus on labor representation beyond awards and industry guidelines.
For now, the only collective pushback against the full “AI-fication” of the industry comes from Chinese netizens themselves: boycotting platforms and production companies using AI actors, and voting with their views. Ultimately, only when public demand for realness becomes strong enough to threaten profits—or when laws finally catch up—will there be a sense of security for the people behind the screen—the real ones.
By Ruixin Zhang, with editing and additional context by Manya Koetse
©2026 Eye on Digital China/Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.
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