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China and Covid19

“Why Is It Always the BBC That Has Problems?” – Chinese Response to Arrest of Foreign Reporter

China’s Ministry of Foreign Affairs blamed the BBC for distorting facts and painting China in a bad light.

Manya Koetse

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Chinese media reports about the official response to the arrest of a UK reporter during protests in Shanghai has gone viral on Chinese social media, without explicitly mentioning the circumstances in which the incident occurred. Chinese netizens are now demanding videos to ‘expose’ how the situation unfolded.

News about the arrest of BBC journalist Edward Lawrence while covering the second night of protests in Shanghai on November 27 has not only made headlines in English-language media, it also became a trending topic on Chinese social media.

On Tuesday, China’s Ministry of Foreign Affairs spokesperson Zhao Lijian (赵立坚) responded to the incident in a regular press conference. A day earlier, UK Prime Minister Rishi Sunak denounced the arrest of the BBC journalist as “shocking and unacceptable.”

But according to Zhao, the incident has been distorted by Western media to paint China in a bad light. The Chinese side claims that Lawrence refused to cooperate with the police and failed to show his credentials. “There are many foreign media in China, why is it always the BBC that has problems at the scene? This is a question that must be seriously considered.”

Zhao’s comments went viral on Weibo in two hashtags, namely “Zhao Lijian Presents the Truth about the BBC Reporter Who Was Taken Away” (#赵立坚介绍BBC记者被带离真相#), and “Why Is It Always BBC That Has Problems at the Scene?”(#为什么每次都是BBC在现场出问题#).

Zhao Lijian on Tuesday.

A translation of the full statement by Zhao was also posted on the official website of the Chinese Embassy in the UK. Part of the statement said:

“On the night of November 27, to maintain public order, local police in Shanghai asked people who had gathered at a crossroads to leave. One of  those at the scene is a resident journalist from the BBC. Though the  police made it clear to the journalist and others that they needed to leave, the journalist refused to go and in the entire time did not identify himself as a journalist. The police then took him away from the scene. After verifying his identity and informing him of pertinent laws  and regulations, the police let him leave. Everything was conducted within legal procedures. This BBC journalist refused to cooperate with the police’s law enforcement efforts and then acted as if he were a victim. The BBC immediately twisted the story and massively propagated  the narrative that its journalist had been “arrested” and “beaten” by police while he was working, simply to try to paint China as the guilty party. This deliberate distortion of truth is all too familiar as part of the BBC’s distasteful playbook.”

On Weibo, the statement by Zhao, including video, was published by state media outlet Global Times (环球时报), which did not explicitly report that the incident happened during demonstrations in Shanghai. Instead, they reported about ‘the scene’ and that it allegedly happened “in the course of his work” “记者在工作中”).

One top comment on Weibo said: “The BBC is always making up rumors, there are engaged in an anti-Chinese campaign. They should be punished.” That comment received over 6700 likes.

“Are BBC reporters really reporting on the news, or are they making the news up?” another popular reply said.

The idea that Western mainstream media outlets are ‘creative’ in their reporting has been a long-standing one on Chinese social media. In a well-known example from 2017, social media users accused American broadcaster CNN of staging an anti-ISIS protest in London after a Twitter user uploaded a video that showed how police and TV producers directed a group of Muslim women to stand in line with their protest signs behind the TV anchor. The BBC was also widely criticized for using the allegedly “staged” CNN footage.

Although many netizens gave their thumbs up for Zhao’s remarks about the arrest of Lawrence, there were also some who wanted to know more about the incident.

One popular comment said: “Was there just one BBC reporter at the scene? Why would take away a hard-working journalist? What was the BBC reporter recording? Were there also Chinese reporters? If so, can you give us the real recordings of what was happening at the scene?”

“Domestic reporters wouldn’t dare to post it,” someone replied: “The scene was too electrifying.”

There were also those who made sarcastic comments relating to the ‘outside force’ narrative that became ubiquitous in China’s online media sphere in response to the (censored) protests that have been taking place across China.

“Give us the irrefutable evidence to expose these ‘outside forces,'” some said.

The idea that “outside forces” or “external forces” (外部势力) had something to do with the protests first started increasingly popping up in social media discussions on late Sunday night, and it was also raised in an online column by the political commentator Hu Xijin (read here).

Zhao Lijian also reiterated this idea in Monday’s press conference in by talking about “forces with ulterior motives” who had connected the Urumqi fire, which initially triggered the unrest, with the local response to Covid-19.

“Thousands of people are protesting, they must all be foreigners. CNN and BBC are fully responsible. Except for us and North Korea, the whole world is watching these news channels. The entire world – except for us – is wrong,” one commenter wrote.

Many commenters kept asking for video proof of the incident: “I demand you make the video public so we can all denounce them, we will resolutely denounce them” one person wrote, adding a melon-eating emoji (吃瓜 ‘eating melon’ is frequently used as a humorous reference to standing by and watching the scene unfold).

“We firmly denounce disturbing editing, give us the original video!”

Despite the banter, there were also some more serious comments. One Weibo user wrote: “Foreign reporters often do not have good intentions, they are often distorting the facts, and I hate that. But domestic reporters do not dare to face the epidemic situation and only report on the good news.”

“So who can actually give us the truth?” others wondered.

Read more about the “11.24” unrest or “white blank paper protests” in China here.

By Manya Koetse , with contributions by Miranda Barnes

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Featured image via Zhejiang Daily.

 

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©2022 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is the founder and editor-in-chief of whatsonweibo.com. She is a writer, public speaker, and researcher (Sinologist, MPhil) on social trends, digital developments, and new media in an ever-changing China, with a focus on Chinese society, pop culture, and gender issues. She shares her love for hotpot on hotpotambassador.com. Contact at manya@whatsonweibo.com, or follow on Twitter.

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1 Comment

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  1. Avatar

    Heiko khoo

    December 1, 2022 at 6:43 pm

    I am a journalist with an opinion column on China.org.cn since 2009. (http://www.china.org.cn/opinion/heikokhoo.htm) On 5 November 2020 I was arrested while covering an anti-lockdown protest in London. More than 150 people were arrested. I was bundled to the floor by more than 10 police officers, handcuffed and carried 400 meters in a circle of 30 officers with cuffs behind my back which caused bad bruising and injuries to the Charing Cross police station. There I was detained from 9pm to 5am. I was not charged with any crime. I never received an apology and members of the National Union of Journalists complained about my treatment. My journalist card was clearly on display and I told the police again and again that I am a journalist.
    After this I was arrested another 6 times over several months on other anti-lockdown demonstrations.

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China and Covid19

The “Final Round Players” of China’s Covid Outbreak

Those who still haven’t had Covid have made it to the “finals,” but it’s not always easy to stay positive about still testing negative.

Manya Koetse

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This Chinese Lunar New Year period, as millions of people are traveling across the country, Hangzhou Daily (杭州日报) posted a video on Weibo of a 13-year-old boy dressed in full protective clothing at the Hangzhou train station.

The young man told the reporter that he was on his way to visit his grandparents for the Chinese New Year. When asked why he was dressed in protective clothing from head to toe, he answered: “Because I haven’t had Covid yet.”

According to the video posted by Hangzhou Daily, the boy has made it to the “Final Rounds” (决赛圈) as he has managed to stay Covid-negative at a time when so many people have already been infected with Covid-19 (#挺进决赛圈的男孩穿防护服坐火车#).

Since China ‘optimized’ the last stringent measures of its ‘Zero Covid’ policy back in early December – including an end to mandatory mass testing, – a wave of Covid infections spread across the country. The number of infections and emergency department visits reportedly reached its peak in late December of 2022 and in early January of 2023.

According to Wu Zunyou (@吴尊友ChinaCDC), chief epidemiologist of the Chinese Center of Disease Control and Prevention, 80 percent of China’s population has now been infected with Covid (“这一波疫情已经使得全国约80%的人感染过”).

As it is getting rarer to come across someone who has not had Covid yet, travelers dressed in full hazmat suits and protective gear are bound to stand out. “So many people on the train, and there are still two people in the crowd wearing protective clothing,” one Weibo user from Guangdong wrote. Others also post photos on social media of some of the few travelers still fully dressed in protective gear.

One blogger photographed a child wearing protective clothing at Chongqing West Station on Jan. 24, calling the protective attire “exaggerated,” and wondering how the child was supposed to go to the toilet.

Photo posted on Weibo by @杨品-光线摄影学院 on Jan 24., 2023.

Traveler wearing protective clothing at Hangzhou East Station, photo by @百鸣老屈.

Hangzhou Daily is not the only media outlet dubbing those who managed to stay negative “final round players” (决赛圈选手). In early January, Beijing Daily (北京日报​​​​) and People’s Daily (人民日报) also published a short article using the same phrase. In the article, the Beijing expert physician Dr. Li Dong (李侗) answered some questions about the so-called ‘finalists.’

According to Dr. Li Dong, some of the people who claim to have managed to stay ‘Covid free’ were never infected due to protective measures. But there are also those who may have actually had Covid-19 without realizing it, as they barely had any symptoms or were completely asymptomatic.

“Final round players, protect yourself!” one Weibo commenter writes: “Who else has managed to reach these finals?”

“As a ‘final player,’ I finally went out to eat and visit the shopping mall today. I’ll have to wait and see if I reach the championship level. If I haven’t caught [Covid], I can go on and lead a normal life; if I did catch it, I’ll need to wait a while, and will also be able to lead a normal life.”

Other persons who did not have Covid yet also share on social media that they went out for the first time during this Spring Festival period: “I cautiously went out and saw my first movie in 2023, Wandering Earth II, I picked a morning screening so that the cinema is not so crowded yet.”

Now that the Covid infections in China have peaked and the number of infected critically ill patients is quickly dropping, the fears over catching Covid are also seemingly fading among those who were not yet infected.

But some people who have not had Covid yet are still being careful, especially if it concerns elderly family members. It’s not always easy to stay positive about still testing negative – also for loved ones who did previously have Covid and want to protect their family.

One Fujian-based social media user writes: “I recovered from Covid and I’m spending the Spring Festival with three ‘final round players.’ We’ve been stuck inside the house for days. I’ve been looking at the lanterns and the lights in the neighborhood, watching them from the balcony, and I really wanted to go down and see.”

“Looking at WeChat Moments, all my friends are out traveling, but my family still hasn’t had Covid and we’re afraid to go out,” another netizen writes: “It’s sad to celebrate the New Year without going out. Guess we’re final-round players now, let’s hope it brings good things.”

Meanwhile, the group of ‘finalists’ is still shrinking. One Weibo user from Guangxi wrote: “I’ve left the finalist circle. It’s only been two days since I returned to my hometown and I’m already infected.”

By Manya Koetse 

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China and Covid19

Video Shows Real-Time “Departure” Information Board at Chinese Crematorium

From “cremation in process” to “cooling down,” the digital display shows the progress of the cremation to provide information to those waiting in the lobby. The crematorium ‘departure’ board strikes a chord with many.

Manya Koetse

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A video showing a live display screen announcing the names and status of the deceased at a Yunnan crematorium has been making its rounds on Chinese social media, from WeChat to Weibo, where one version of the video received over 1,7 million views.

Somewhat similar to a real-time platform departure display on train stations, the screen shows the waiting number of the deceased person, their name, gender, the name of the lounge/room (if any) for families, the name of the crematorium chamber, and the status of the cremation process. Below in the screen, it says “the final journey of a warm life” (温暖人生的最后旅程).

For example, the screen displays the names of a Mr. Chen and a Mr. Li; their bodies were in the process of being cremated (火化中), while other cremations were marked as “completed” (完成) or “cooling down” (降温中).

Through such a screen, located in the crematorium lobby, family members and loved ones can learn about the progress of the cremation of the deceased.

The video, recorded by a local on Jan. 7, received many comments. Among them, some people commented on the information board itself, while others simply expressed grief over those who died and the fragility of life. Many felt the display was confronting and it made them emotional.

“It makes me really sad that this how people’s lives end,” one commenter said, with another person replying that the display also shows you still need to wait in line even when you’re dead.

“I didn’t expect the screens [in the crematorium] to be like those in hospitals, where patients are waiting for their turn,” another Weibo user wrote. “It would be better if the names were hidden, like in the hospitals, to protect the privacy of the deceased,” another person replied.

Others shared their own experiences at funeral parlors also using such information screens.

Another ‘departure display’ at a Chinese crematorium, image shared by Weibo user.

“My grandfather passed away last September, and when we were at the undertaker’s, the display was also jumping from one name to the other and we could only comfort ourselves knowing that he was among those who lived a relatively long life.”

“Such a screen, it really makes me sad,” another commenter from Guangxi wrote, with others writing: “It’s distressing technology.”

Although the information screen at the crematorium is a novelty for many commenters, the phenomenon itself is not necessarily related to the Covid outbreak and the number of Covid-related deaths; some people share how they have seen them in crematoriums before, and funeral parlor businesses have used them to provide information to families since at least 2018.

According to an article published by Sohu News, more people – especially younger ones – have visited a funeral home for the first time in their lives recently due to the current Covid wave, also making it the first time for them to come across such a digital display.

The online video of such an information board has made an impact at a time when crematoriums are crowded and families report waiting for days to bury or cremate their loved ones, with especially a large number of elderly people dying due to Covid.

On Jan. 4, one social media user from Liaoning wrote:

I really suggest that the experts go to the crematoriums to take a look. There is no place to put the deceased, they’re parked outside in temporary containers, there’s no time left to hold a farewell ceremony and you can only directly cremate, and for those who were able to have a ceremony, they need to finish within ten minutes (..) At the funeral parlor’s big screen, there were eight names on every page, and there were ten pages for all the people in line that day, I stood there for half an hour and didn’t see the name of the person I was waiting for pop up anymore.”

As the video of the display in the crematorium travels around the internet, many commenters suggest that it is not necessarily the real-time ‘departure’ board itself that bothers them, but how it shows the harsh reality of death by listing the names of the deceased and their cremation status behind it. Perhaps it is the contrast between the technology of the digital display boards and the reality of the human vulnerability that it represents that strikes a chord with people.

One blogger who reposted the video on Jan. 13 wrote: “Life is short, cherish the present, let’s cherish what we have and love yourself, love your family, and love this world.” Among dozens of replies, some indicate that the video makes them feel uncomfortable.

Another commenter also wrote:

I just saw a video that showed an electronic display at a crematorium, rolling out the names of the deceased and the stage of the cremation. One name represents the ending of a life. And it just hit me, and my tears started flowing. I’m afraid of parting, I’m afraid of loss, I just want the people I love and who love me to stay by my side forever. I don’t want to leave. I’m afraid I’ll be alone one day, and that nobody will ever make me feel warm again.”

One person captured why the information board perhaps causes such unease: “The final moments that people still spent on this earth take place on the electronic screen in the memorial hall of the funeral home. Then, they are gone without a sound.”

 

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By Manya Koetse 
with contributions by Zilan Qian

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2023 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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