China Arts & Entertainment
All About the Chinese Films Featured at Busan Film Festival (Part III)
On the 4th of October, the 23th Busan International Film Festival in South Korea finally kicked off. With the screening of 323 films from 79 countries, and 140 world and international premieres, it is one of Asia’s biggest and most exciting international film festivals, with China as one of the main suppliers of films.
This week, we will introduce to you to the final batch of the Chinese nominees, including mostly arthouse films in the category Wide Angle (many of them being short films), but also the big comeback of one of China’s greatest directors, Zhang Yimou.
1. My China (Wǒ de Jìngtóu 我的镜头)
China Mainland/Hong Kong
Genre: Documentary (90 min)
Selected in the category: Wide Angle
Director: Wang Xiaoshuai (王小帅)
Premiere: 6th October 2018, Busan International Film Festival
About the Director:
Wang Xiaoshuai (王小帅) is a renowned Chinese director who was born in Shanghai in 1966. He directed his first film The Days (冬春的日子) in 1993, after which it immediately entered film festivals in Canada, Berlin, The Netherlands, Italy, London and many more. Since then, Wang has made around one film every two years.
Scene from ‘The Days’ (冬春的日).
Wang especially gained international recognition since the 2001 film Beijing Bicycle (十七岁的单车), which became the winner of the Silver Bear Jury Grand Prix at the Berlin Film Festival and wowed critics with its story of a youth’s search for his stolen bicycle, particularly with its shades of Vittorio De Sica’s 1948 Bicycle Thieves. In 2005, Wang’s film Shanghai Dreams (青红) won the Jury Prize at Cannes Film Festival. Other famous works of Wang include Chongqing Blues (日照重庆) and Red Amnesia (闯入者) which were both nominated for best film at the Venice Film Festival.
Storyline:
My China, also known as Chinese Portrait, is a documentary portraying Chinese people and the places they live in during a period of upheaval. While traveling all over China, the documentary captures people from all walks of life, including miners, fishermen, farmers, students, or construction workers, with Wang Xiaoshuai himself being the main character and guide throughout the film.
See the trailer with Chinese subtitles here.
Why you should watch it:
Although Wang is one of the most famous Chinese directors outside the PRC, his works are often not welcomed within China. With his often-critical lens, he tries to lay bare contemporary China and her societal problems, leading to many of his works being banned in China.
Chinese Portrait might be Wang’s most personal work yet, as he questions his own identity in it by following the path of his family members; he tries to get to know his own country and get an understanding of how the country influenced him as a person. The film is a very intimate portrait of the director and an honest and a beautiful visualization of China’s tumultuous modern history.
2. On The Border (Yánbiān Shàonián 延边少年)
China Mainland
Genre: Drama/Short Film
Selected in the category: Wide Angle
Director: Wei Shujun (魏书钧)
Weibo Hashtag: #延边少年# (164.000+ views)
Premiere: 18th May 2018, Cannes International Film Festival
Starring: Li Zhengming, Cui Yuan, Fei Peng, Gang Yanming, Yang Gao and Zhao Lihua.
About the Director:
Wei Shujun (魏书钧) was born in 1991 in Beijing. At the age of 14, he first entered the film industry as an actor. In the years that followed, he worked in various junior positions, such as runner, assistant director, and sound recorder, before he directed his first documentary Said in the Forbidden City (说在紫禁城). In 2016, Wei had an international breakthrough with his first feature film Duck Neck (浮世千) which got him a nomination at the Busan Film Festival as the youngest nominated director that year.
Storyline:
This 15-minute film revolves around Hua Mingxing, a boy from a Korean ethnic group who lives in a Korean-Chinese border village. His father left him a long time ago to earn money in the city. As the boy is passing his time in the village that is mostly populated by elderly people, he decides to go and find his father in the city to ask him to finance his travel plans to Korea. But instead of finding his dad, Hua ends up roaming the streets of Yanbian, striking up a friendship with a young woman.
See here the trailer with English subtitles.
Why you should watch it:
On the Border was awarded with a Special Jury Distinction-Short Film at the Cannes Film Festival of 2018.
3. Void (Mèn 闷)
China Mainland
Genre: Drama/Short film
Selected in the category: Wide Angle
Director: Xu Jianshang (徐鉴赏)
Premiere: 19th June 2018, China Mainland
Starring: Chen Xuanyu (陈宣宇)
About the Director:
Majoring in film directing at Beijing Film Academy, Xu Jianshang received recognition for her short Lost in the City (城市), which won Best Screenplay at the Xiejin Academy Film Festival and got nominated for the French Poitiers Film Festival. She graduated from the Asian Film Academy in 2014 and directed the feature film Ma•amaa, a co-production between India and China. She is currently studying film production at Busan Asian Film School.
Storyline:
Pai is a Beijing-based student who is alone and struggling with her studies, her friends, and her living situation. When Pai tries to make things better, the this 19-minute short film shows how her situation further spirals out of control.
Noteworthy:
Despite the fact that Xu is still young, she already received much recognition for her work. Xu is the only female listed among all the directors in our three part overview of Chinese nominees at Busan.
4. In the Middle of Blue (Yīzhǐ lánsè de xiā 一只蓝色的虾)
China Mainland
Genre: Drama/Short film
Selected in the category: Wide Angle
Director: Qi Ji or Miracle（祁骥）
Weibo Hashtag: #一只蓝色的虾# (315 views)
Premiere: 21th June 2018, Beijing Film Academy Graduation Show
Starring: Kong Yan (孔雁), Zhang Benyu (张本煜) and Zhang Lu (张鹭).
About the Director:
Qi Ji is a 22-year-old director that graduated from the Beijing Film Academy in July of this year. In 2016, after studying film for only one and a half year, he directed Belief (念) a short film portraying the Muslim minority in China. The film unexpectedly entered the International Youth Micro Film Exposition (国际青少年微电影) and ended in the top ten Best Chinese Films. For Qi’s second work, In the Middle of Blue, he won the jury award at the +86358 Short Film Festival.
See here his speech ‘Can an artist be made?’ on TEDx in English.
Storyline:
This 26-minute film features a female protagonist called Ye Hong, who is left by her husband after not being able to have children. Her life then takes a dramatic change, that unexpectedly leaves her having twins and only raising one of them.
Why you should watch it:
Qi is an extremely young and promising director that is worth keeping your eye on. This does not only show in his nomination for the Busan Film Festival, but is also evident from the cast he rounded up for this production.
5. Down There (Nàlǐ 那里)
China Mainland/France
Genre: Drama/Short film
Selected in the category: Wide Angle
Director: Yang Zhengfan (杨正帆)
Premiere: 6th of September 2018, Venice Film Festival
Starring: An Qigu, Wang Songhua and Chen Shaokai
About the Director:
Yang Zhengfan started his career in filmmaking in 2009, and in 2012 he set up production company ‘Burn the Film‘ with producer Zhu Shengze (朱声仄). In 2013, his work Distant (远方) received international attention and was nominated at the Locarno and Vancouver Film Festival. In 2016, he was invited at the Rotterdam International Film Festival, receiving the Jury Award at China Independent Film Festival and the Best Experimental Film Award at South Taiwan Film Festival with his work Where Are You Going (你往何处去).
In collaboration with Zhu, Yang also worked as a cinematographer and producer for two documentaries titled Out of Focus (虚焦) and Another Year (又一年). Both received much international attention.
Storyline:
A blissful night is unexpectedly interrupted by the sound of a woman desperately screaming downstairs. Residents of the apartment building do wonder about the sound, but it quickly loses their interest, and continue the thing that they were doing before. If nobody sees what happened, does that mean it becomes something that never happened? This 11-minute sgort film explores indifference and cruelty in the modern-day city.
See here the trailer with English subtitles.
Why you should watch it:
Down There received nominations for both the Venice International Film Festival and the New York Film Festival. Another reason why you should watch it, is that Yang has proved to be an expert in portraying individuality, loneliness, and exclusion of people in big cities. Whether he is portraying migrant worker families or middle age taxi drivers, Yang has a gift for showing the immensely intimidating effect the big city environment has on people.
6. Monkey Magic (Dànào Xīyóu 大闹西游)
China Mainland
Genre: Animation
Selected in the category: Wide Angle
Director: Ma Xihai (马系海)
Weibo Hashtag: #大闹西游# (3.498.000+ views）
Premiere: 22nd of September 2018, China
Starring: Sun Ye (孙晔), Shen Dawei (沈达威), Tao Dian (陶典) and Liu Beichen (刘北辰).
About the Director:
Ma Xihai began his career in the animation industry in the early 1990s. He started as a crew member, made it to senior graphic designer, production supervisor, and eventually executive director. Besides Monkey Magig, he has worked on many adaptions like Master Q: Incredible Pet Detective (老夫子之反斗侦探), Master Q: Fantasy Zone Battle (老夫子之魔界梦战记), and Storm Rider. His computer animations even brought him to South Korea where he produced a TV series, and to Japan where he worked on game animations. In 2013 he co-directed his first animation film The Soccer Way (圣龙奇兵大冒险). Monkey Magic will be the first film directed entirely by Ma.
Storyline:
Monkey Magic is a modern reinterpretation of the timeless Chinese classic Journey to the West. The story starts when toys refuse to admit that monkey Sun Wuyuan is the king of monkeys because he doesn’t have Sun Wukong’s magic stick. Full of determination, Sun Wuyuan goes to find the legendary king Sun Wukong on Mount Huaguo to give him the magic stick – the beginning of a tumultuous adventure.
See here the trailer with Chinese subtitles.
Why you should watch it:
The film has already seen a very good reception within China since it premiered, selling over 36 million tickets. It was the most popular film in theaters during the mid-autumn festival, and it already is the most successful animation film of 2018.
7. Shadow (Yǐng 影）
China Mainland
Genre: Drama/Action/Historic
Selected in the category: A View on Asian Cinema
Director: Zhang Yimou (张艺谋）
Weibo Hashtag: #影# (88.674.000+ views）
Premiere: 6th of September 2018, Venice Film Festival
Starring: Chao Deng (邓超), Sun Li (孙俪), Zheng Kai (郑恺), Wang Qianyuan (王千源), Wang Jingchun (王景春), Hu Jun (胡军), Guan Xiaotong (关晓彤) and Wu Leo (吴磊).
About the Director:
The renowned Zhang Yimou is an awarded cinematographer and director from Xi’an. He is often praised for his knowledge of Chinese history and his capacity to respectfully and truthfully transform these old stories into white screen productions. He is one of the few Chinese directors that is a regular at both Asian and western film festivals. In 2003, his film Hero (英雄) was nominated for an Oscar for the best foreign film. Other famous works include Red Sorghum 红高粱), Not One Less (一个都不能少), The Flowers of War (金陵十三钗), and his previous film starring Matt Damon, The Great Wall (长城).
In 2008, Zhang directed the opening- and closing ceremony of the Olympics held in Beijing, China. This gained him a very high reputation in both China and abroad. That same year, he was nominated for “person of the year” by the American Time Magazine.
Storyline:
Shadow is based on Zhu Sujin’s rendition of China’s legendary Three Kingdoms saga. It tells the story of Yu, a commander who lost his kingdom. In an attempt to regain his power and kingdom, he trains a boy named Jing to become his ‘shadow’ or double (note: Yu and Jing are both played by Chao Deng). But things go differently than he planned, with Jing falling in love with Yu’s wife and growing up to doubt his own identity and the path that was chosen for him.
See here the trailer with English subtitles.
Why you should watch it:
Variety was positive about the film and was talking of a comeback after Zhang’s somewhat soulless previous two films. The review read: “Every supremely controlled stylistic element of Zhang Yimou’s breathtakingly beautiful ‘Shadow’ is an echo of another, a motif repeated, a pattern recurring in a fractionally different way each time.”
Others describe the film as “rousing” and “typically beautiful.”
To see the other Chinese films at Busan, check Part I and Part II here.
By Gabi Verberg
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China Celebs
Hong Kong Police Find Head of Murdered Model Abby Choi in Soup Pot
“Reality is more gruesome than fiction,” some commenters wrote on Weibo, where the Abby Choi murder case has drawn wide attention.
The gruesome murder of the 28-year-old Hong Kong socialite and model Cai Tianfeng (蔡天鳳), better known as Abby Choi, has been all the talk on Chinese social media this week.
The Hong Kong influencer went missing on Tuesday. Just a week ago, Choi was featured on the cover of the magazine L’Officiel Monaco.
On Saturday, South China Morning Post and Hong Kong Free Press reported that Choi’s partial remains, including her dismembered legs, were found cooked and stored inside the freezer at a village house and that four people had been arrested for murder.
The village house at Lung Mei Tsuen in Tai Po was allegedly set up as a “butchery site” equipped with a choppers, hammer, an electric saw and a meat grinder that had been used to mince human flesh.
Choi was entangled in a financial dispute with her ex-husband’s family over luxury property in Hong Kong’s Kadoori Hill. The persons arrested in relation to her murder are her ex-husband named Alex Kwong, his elder brother, his mother and his father, who reportedly is a retired police officer.
Abby Choi and Alex Kwong had two children together, a daughter and a son.
Cho was last seen in Fo Chun Road in Tai Po on Tuesday afternoon. CCTV footage captured her before she went missing. Choi was supposed to pick her daughter up on Tuesday together with Kwong’s elder brother, who drove her. She was reported missing after she did not show up to collect her daughter.
While earlier media articles reported that some of Choi’s remains had still not been found, news came out on Sunday that the decapitated head had been found in a soup pot. Seeing over 300 million views, the topic went trending on Weibo (#蔡天凤头颅在一大汤煲中找到#), where many people have closely been following the latest developments in the case. Later on Sunday night, the topic hashtag was taken offline.
Local police disclosed that the head remained “intact” although it is believed that someone tried to “smash” it. Some of Choi’s ribs were also found.
“Reality is more gruelsome than fiction,” some top comments said. “What a terrifying family,” others wrote, calling them “inhuman” and “devilish.”
Another topic related to the case also went trending on Sunday, namely that Choi’s ex-husband and his family allegedly had been planning the murder for a month (#蔡天凤前夫家1个月前开始布局#, 180 million views).
Some Weibo bloggers said the case reminded them of another well-known and gruesome Hong Kong murder case, namely the 2013 murder of Glory Chau and Moon Siu. At age 63, the couple was murdered by their own 28-year-old son Henry Chau Hoi-leung and his friend. After killing them, the two chopped up Chau’s and Siu’s bodies and cooked their remains and stored them inside the refrigerator. The 2022 crime film The Sparring Partner (正義迴廊) was based on this story.
About the Kwong family, some Weibo users write: “Too bad that Hong Kong law does not have the death penalty.” Capital punishment in Hong Kong was formally abolished in 1993.
By Manya Koetse
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China Arts & Entertainment
South Korean Actor Yoo Ah-in Dropped as Brand Ambassador in China after Propofol Scandal
The current drug scandal involving Yoo Ah-in also has consequences for the South Korean actor’s activities in China.
The South Korean actor Yoo Ah-in (刘亚仁) has become a trending topic on Chinese social media for getting caught up in a drugs scandal in his home country.
Yoo Ah-in (1986) is an award-winning actor who is known for starring in various well-known dramas and renowned movies, such as Voice of Silence, Burning, and Hellbound.
Yoo is currently being investigated for alleged illegal, habitual use of the anesthetic drug propofol and has been banned from overseas travel.
On Thursday, the hashtag “Yoo Ah-in Admits to Using Drugs” (#刘亚仁确认吸毒#) received over 310 million views on Weibo, where several accounts reported that Yoo allegedly started using propofol in 2021.
Yoo issued a statement via his management, saying he is cooperating with the police in the investigation. He also apologized for causing concern among his fans and followers.
The drug scandal also has consequences for the actor’s activities in China. Liu was the brand ambassador for the Chinese men’s clothing brand Croquis (速写), but Croquis immediately removed him as their representative after the scandal.
Croquis issued a statement saying the company has been closely following the latest developments regarding the investigation into the actor’s alleged drugs use, and stated that they have “zero tolerance” when it comes to drug use and therefore would temporarily take all content offline in which Yoo represents their brand.
South Korean media reported on Feb. 9 that Yoo is among a group of 51 people that is part of an illegal drug use investigation initiated by the Food and Drug Administration, which found that Yoo went doctor hopping and “hospital shopping” to obtain multiple prescriptions.
Propofol is a sedative that is widely used by anesthetists for the induction and maintenance of general anesthesia and for long-term sedation. Over recent years, the abuse of propofol in South Korea has been getting more media attention.
Although propofol is classified as a controlled substance in South Korea since 2011, the recreational use of the drugs has been a problem and various celebrities have previously been charged for illegally using the drugs.
On Weibo, some people say that there indeed should be “zero tolerance” for drug abuse among celebrities and artists, but there are also those who think Yoo Ah-in’s drug abuse is a result of his alleged (mental) health problems, and that he needs help instead of punishment.
By Manya Koetse
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