Connect with us

China Arts & Entertainment

All About the Chinese Films Featured at Busan Film Festival (Part III)

Gabi Verberg

Published

on

From Chinese dissident filmmakers to government-funded films, you can find it all at Busan, Asia’s biggest film festival. What’s on Weibo provides an overview of all the Chinese nominees at the festival. This week, the final 7 in our Part III (See Part I here, part II here).

On the 4th of October, the 23th Busan International Film Festival in South Korea finally kicked off. With the screening of 323 films from 79 countries, and 140 world and international premieres, it is one of Asia’s biggest and most exciting international film festivals, with China as one of the main suppliers of films.

This week, we will introduce to you to the final batch of the Chinese nominees, including mostly arthouse films in the category Wide Angle (many of them being short films), but also the big comeback of one of China’s greatest directors, Zhang Yimou.

 

1. My China (Wǒ de Jìngtóu 我的镜头)

China Mainland/Hong Kong
Genre: Documentary (90 min)
Selected in the category: Wide Angle
Director: Wang Xiaoshuai (王小帅)
Premiere: 6th October 2018, Busan International Film Festival

About the Director:

Wang Xiaoshuai (王小帅) is a renowned Chinese director who was born in Shanghai in 1966. He directed his first film The Days (冬春的日子) in 1993, after which it immediately entered film festivals in Canada, Berlin, The Netherlands, Italy, London and many more. Since then, Wang has made around one film every two years.

Scene from ‘The Days’ (冬春的日).

Wang especially gained international recognition since the 2001 film Beijing Bicycle (十七岁的单车), which became the winner of the Silver Bear Jury Grand Prix at the Berlin Film Festival and wowed critics with its story of a youth’s search for his stolen bicycle, particularly with its shades of Vittorio De Sica’s 1948 Bicycle Thieves. In 2005, Wang’s film Shanghai Dreams (青红) won the Jury Prize at Cannes Film Festival. Other famous works of Wang include Chongqing Blues (日照重庆) and Red Amnesia (闯入者) which were both nominated for best film at the Venice Film Festival.

Storyline:

My China, also known as Chinese Portrait, is a documentary portraying Chinese people and the places they live in during a period of upheaval. While traveling all over China, the documentary captures people from all walks of life, including miners, fishermen, farmers, students, or construction workers, with Wang Xiaoshuai himself being the main character and guide throughout the film.

See the trailer with Chinese subtitles here.

Why you should watch it:

Although Wang is one of the most famous Chinese directors outside the PRC, his works are often not welcomed within China. With his often-critical lens, he tries to lay bare contemporary China and her societal problems, leading to many of his works being banned in China.

Chinese Portrait might be Wang’s most personal work yet, as he questions his own identity in it by following the path of his family members; he tries to get to know his own country and get an understanding of how the country influenced him as a person. The film is a very intimate portrait of the director and an honest and a beautiful visualization of China’s tumultuous modern history.

 

2. On The Border (Yánbiān Shàonián 延边少年)

China Mainland
Genre: Drama/Short Film
Selected in the category: Wide Angle
Director: Wei Shujun (魏书钧)
Weibo Hashtag: #延边少年# (164.000+ views)
Premiere: 18th May 2018, Cannes International Film Festival

Starring: Li Zhengming, Cui Yuan, Fei Peng, Gang Yanming, Yang Gao and Zhao Lihua.

About the Director:

Wei Shujun (魏书钧) was born in 1991 in Beijing. At the age of 14, he first entered the film industry as an actor. In the years that followed, he worked in various junior positions, such as runner, assistant director, and sound recorder, before he directed his first documentary Said in the Forbidden City (说在紫禁城). In 2016, Wei had an international breakthrough with his first feature film Duck Neck (浮世千) which got him a nomination at the Busan Film Festival as the youngest nominated director that year.

Storyline:

This 15-minute film revolves around Hua Mingxing, a boy from a Korean ethnic group who lives in a Korean-Chinese border village. His father left him a long time ago to earn money in the city. As the boy is passing his time in the village that is mostly populated by elderly people, he decides to go and find his father in the city to ask him to finance his travel plans to Korea. But instead of finding his dad, Hua ends up roaming the streets of Yanbian, striking up a friendship with a young woman.

See here the trailer with English subtitles.

Why you should watch it:

On the Border was awarded with a Special Jury Distinction-Short Film at the Cannes Film Festival of 2018.

 

3. Void (Mèn 闷)

China Mainland
Genre: Drama/Short film
Selected in the category: Wide Angle
Director: Xu Jianshang (徐鉴赏)
Premiere: 19th June 2018, China Mainland

Starring: Chen Xuanyu (陈宣宇)

About the Director:

Majoring in film directing at Beijing Film Academy, Xu Jianshang received recognition for her short Lost in the City (城市), which won Best Screenplay at the Xiejin Academy Film Festival and got nominated for the French Poitiers Film Festival. She graduated from the Asian Film Academy in 2014 and directed the feature film Ma•amaa, a co-production between India and China. She is currently studying film production at Busan Asian Film School.

Storyline:

Pai is a Beijing-based student who is alone and struggling with her studies, her friends, and her living situation. When Pai tries to make things better, the this 19-minute short film shows how her situation further spirals out of control.

Noteworthy:

Despite the fact that Xu is still young, she already received much recognition for her work. Xu is the only female listed among all the directors in our three part overview of Chinese nominees at Busan.

 

4. In the Middle of Blue (Yīzhǐ lánsè de xiā 一只蓝色的虾)

China Mainland
Genre: Drama/Short film
Selected in the category: Wide Angle
Director: Qi Ji or Miracle(祁骥)
Weibo Hashtag: #一只蓝色的虾# (315 views)
Premiere: 21th June 2018, Beijing Film Academy Graduation Show

Starring: Kong Yan (孔雁), Zhang Benyu (张本煜) and Zhang Lu (张鹭).

About the Director:

Qi Ji is a 22-year-old director that graduated from the Beijing Film Academy in July of this year. In 2016, after studying film for only one and a half year, he directed Belief (念) a short film portraying the Muslim minority in China. The film unexpectedly entered the International Youth Micro Film Exposition (国际青少年微电影) and ended in the top ten Best Chinese Films. For Qi’s second work, In the Middle of Blue, he won the jury award at the +86358 Short Film Festival.

See here his speech ‘Can an artist be made?’ on TEDx in English.

Storyline:

This 26-minute film features a female protagonist called Ye Hong, who is left by her husband after not being able to have children. Her life then takes a dramatic change, that unexpectedly leaves her having twins and only raising one of them.

Why you should watch it:

Qi is an extremely young and promising director that is worth keeping your eye on. This does not only show in his nomination for the Busan Film Festival, but is also evident from the cast he rounded up for this production.

 

5. Down There (Nàlǐ 那里)

China Mainland/France
Genre: Drama/Short film
Selected in the category: Wide Angle
Director: Yang Zhengfan (杨正帆)
Premiere: 6th of September 2018, Venice Film Festival

Starring: An Qigu, Wang Songhua and Chen Shaokai

About the Director:

Yang Zhengfan started his career in filmmaking in 2009, and in 2012 he set up production company ‘Burn the Film‘ with producer Zhu Shengze (朱声仄). In 2013, his work Distant (远方) received international attention and was nominated at the Locarno and Vancouver Film Festival. In 2016, he was invited at the Rotterdam International Film Festival, receiving the Jury Award at China Independent Film Festival and the Best Experimental Film Award at South Taiwan Film Festival with his work Where Are You Going (你往何处去).

In collaboration with Zhu, Yang also worked as a cinematographer and producer for two documentaries titled Out of Focus (虚焦) and Another Year (又一年). Both received much international attention.

Storyline:

A blissful night is unexpectedly interrupted by the sound of a woman desperately screaming downstairs. Residents of the apartment building do wonder about the sound, but it quickly loses their interest, and continue the thing that they were doing before. If nobody sees what happened, does that mean it becomes something that never happened? This 11-minute sgort film explores indifference and cruelty in the modern-day city.

See here the trailer with English subtitles.

Why you should watch it:

Down There received nominations for both the Venice International Film Festival and the New York Film Festival. Another reason why you should watch it, is that Yang has proved to be an expert in portraying individuality, loneliness, and exclusion of people in big cities. Whether he is portraying migrant worker families or middle age taxi drivers, Yang has a gift for showing the immensely intimidating effect the big city environment has on people.

 

6. Monkey Magic (Dànào Xīyóu 大闹西游)

China Mainland
Genre: Animation
Selected in the category: Wide Angle
Director: Ma Xihai (马系海)
Weibo Hashtag: #大闹西游# (3.498.000+ views)
Premiere: 22nd of September 2018, China

Starring: Sun Ye (孙晔), Shen Dawei (沈达威), Tao Dian (陶典) and Liu Beichen (刘北辰).

About the Director:

Ma Xihai began his career in the animation industry in the early 1990s. He started as a crew member, made it to senior graphic designer, production supervisor, and eventually executive director. Besides Monkey Magig, he has worked on many adaptions like Master Q: Incredible Pet Detective (老夫子之反斗侦探), Master Q: Fantasy Zone Battle (老夫子之魔界梦战记), and Storm Rider. His computer animations even brought him to South Korea where he produced a TV series, and to Japan where he worked on game animations. In 2013 he co-directed his first animation film The Soccer Way (圣龙奇兵大冒险). Monkey Magic will be the first film directed entirely by Ma.

Storyline:

Monkey Magic is a modern reinterpretation of the timeless Chinese classic Journey to the West. The story starts when toys refuse to admit that monkey Sun Wuyuan is the king of monkeys because he doesn’t have Sun Wukong’s magic stick. Full of determination, Sun Wuyuan goes to find the legendary king Sun Wukong on Mount Huaguo to give him the magic stick – the beginning of a tumultuous adventure.

See here the trailer with Chinese subtitles.

Why you should watch it:

The film has already seen a very good reception within China since it premiered, selling over 36 million tickets. It was the most popular film in theaters during the mid-autumn festival, and it already is the most successful animation film of 2018.

 

7. Shadow (Yǐng 影)

China Mainland
Genre: Drama/Action/Historic
Selected in the category: A View on Asian Cinema
Director: Zhang Yimou (张艺谋)
Weibo Hashtag: #影# (88.674.000+ views)
Premiere: 6th of September 2018, Venice Film Festival

Starring: Chao Deng (邓超), Sun Li (孙俪), Zheng Kai (郑恺), Wang Qianyuan (王千源), Wang Jingchun (王景春), Hu Jun (胡军), Guan Xiaotong (关晓彤) and Wu Leo (吴磊).

About the Director:

The renowned Zhang Yimou is an awarded cinematographer and director from Xi’an. He is often praised for his knowledge of Chinese history and his capacity to respectfully and truthfully transform these old stories into white screen productions. He is one of the few Chinese directors that is a regular at both Asian and western film festivals. In 2003, his film Hero (英雄) was nominated for an Oscar for the best foreign film. Other famous works include Red Sorghum 红高粱), Not One Less (一个都不能少), The Flowers of War (金陵十三钗), and his previous film starring Matt Damon, The Great Wall (长城).

In 2008, Zhang directed the opening- and closing ceremony of the Olympics held in Beijing, China. This gained him a very high reputation in both China and abroad. That same year, he was nominated for “person of the year” by the American Time Magazine.

Storyline:

Shadow is based on Zhu Sujin’s rendition of China’s legendary Three Kingdoms saga. It tells the story of Yu, a commander who lost his kingdom. In an attempt to regain his power and kingdom, he trains a boy named Jing to become his ‘shadow’ or double (note: Yu and Jing are both played by Chao Deng). But things go differently than he planned, with Jing falling in love with Yu’s wife and growing up to doubt his own identity and the path that was chosen for him.

See here the trailer with English subtitles.

Why you should watch it:

Variety was positive about the film and was talking of a comeback after Zhang’s somewhat soulless previous two films. The review read: “Every supremely controlled stylistic element of Zhang Yimou’s breathtakingly beautiful ‘Shadow’ is an echo of another, a motif repeated, a pattern recurring in a fractionally different way each time.”

Others describe the film as “rousing” and “typically beautiful.”

To see the other Chinese films at Busan, check Part I and Part II here.

By Gabi Verberg

Spotted a mistake or want to add something? Please let us know in comments below or email us.

©2018 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Gabi Verberg is a Business graduate from the University of Amsterdam who has worked and studied in Shanghai and Beijing. She now lives in Amsterdam and works as a part-time translator, with a particular interest in Chinese modern culture and politics.

Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

China Arts & Entertainment

“Not Just a Style, But a Mission” – China’s Online Hanfu Movement

What started with a 2003 internet sensation grew into a massive movement – Hanfu is booming on Weibo and beyond.

Things That Talk

Published

on

It’s been nearly two decades since the Chinese traditional clothing trend named Hanfu 汉服 first became noticeable as a popular social phenomenon in mainland China. Throughout the years, Hanfu has gone from a fashion style to a full-fledged movement that is flourishing on Chinese social media. Koen van der Lijn reports.

 
When objects meet social media, two websites meet as well. This is a collaboration between What’s on Weibo and Things That Talk (follow on Insta @thingsthattalk).
 

This last Christmas, Hanfu was once again a trending topic on Weibo. Enthusiasts of the traditional Chinese clothing trend posed online in their Christmas inspired Chinese clothing.

It was yet another development in the Hanfu Movement, which has been a hot topic with hundreds of hashtags and thousands of pictures, videos, and stories on Weibo, with the official Weibo Hanfu @微博汉服 account boasting a whopping 1.8 million followers and a Weibo ‘supertopic’ on Hanfu being joined by nearly half a million fans.

“You can also wear Hanfu during Christmas,” post and images by @弥秋君 on Weibo.

One example of the manifold of Hanfu content on Weibo is a video recently posted by Chinese actress Xu Jiao (徐娇). In the short video, which is an advertisement by the e-commerce platform RED (小红书), the actress wears Hanfu in various settings while talking about the meaning behind the fashion. Xu Jiao, being 23 years of age, is part of Generation Z (mid-1990s – early 2010s), who are adept users of social media and make up the mass of Hanfu enthusiasts.

Screenshot of video posted by Xu Jiao 徐娇

Though Hanfu enthusiasts seldomly go out on the streets whilst wearing the clothing style,1 Hanfu sales have been increasing a lot over the past few years.2 Possibly linked to the popularity of Chinese costume dramas, many Chinese youth have started to wear Hanfu in the past two decades. However, it is not just a form of cosplay or a new clothing style. As Xu Jiao says herself in the video: “It’s not just a style, it’s a mission.”

 

Background of the Hanfu Movement


 

It was November 2003 when Wang Letian walked the streets of Zhengzhou in Hanfu. News of his action rapidly spread over the internet through websites such as hanminzu.net.3

Besides online discussions, an article was also written about Wang Letian’s bold move in the Singaporean newspaper Lianhe Zaobao 联合早报, helping spread word about the young man’s actions. This moment was seen as the start of the Hanfu Movement.

Wang Letian in the Lianhe Zaobao of November 29, 2003.

Now, roughly twenty years later, the wearing of Hanfu has developed into a true movement, with many young Chinese participating in the wearing of the traditional Chinese dress. Especially on college campuses, the trend is very much alive.

In its most basic idea, the Hanfu Movement can be described as a social movement that supports the wearing of Han Chinese ethnic clothing. The emphasis on the Han ethnicity is of importance here. Han Chinese make up the vast majority of the population in China, accounting for more than 90% of China’s total population. However, aspects famous outside China for being typically Chinese, such as the queue, are actually of Manchu origin.

The Manchus are an ethnic group from Northeastern China, showing cultural similarities to the Mongols, who ruled China’s last dynasty, the Qing dynasty (1644-1912). Their clothing style has influenced foreign perceptions of China, due to the fact that the Manchus were the ruling class in the last Chinese imperial dynasty.

Image via https://shop60421556.taobao.com/.

Hence the emphasis on the Han ethnicity. Central to the Hanfu Movement is the idea that ethnic Han clothing, as worn during Han Chinese ruled dynasties, such as the Han dynasty (202BC-220AD), the Tang dynasty (618-907), and the Ming dynasty (1368-1644), has much value in its own and should be worn and appreciated by contemporary Han Chinese, just as the ethnic clothing of China’s minorities is appreciated in contemporary China.4

 

The Mission


 

On 4 December 2020, blogger Mi Qiujun posted a video with the hashtag #How to make the world understand Hanfu?#, (#如何让世界了解汉服#), gaining many likes and comments. Showing clips of herself wearing Hanfu in Egypt, the United States, France, and Japan, she tells how she became determined to make people around the globe understand China’s traditional culture after her clothing being wrongly identified as a Japanese kimono at her first stop in Nepal.

Mi Qiujun discusses an important aspect of the Hanfu movement. Hanfu enthusiasts feel that their ethnic clothing is not understood well enough by others, and showing the rest of the world their clothing is a true mission.

Hanfu enthusiasts have found themselves in online quarrellings about what can be defined as Hanfu, and what cannot be defined as Hanfu. It is worth noting that some scholars have disputed the existence of a uniform Hanfu throughout Chinese history.5 Instead, Hanfu is seen to have been popularised by students through the internet, without strong knowledge of Han Chinese clothing traditions.6 This makes it difficult to assess what does and what does not count as Hanfu.

Online quarrelings have therefore become part of the Hanfu Movement. In November 2020, for instance, Chinese netizens found themselves in an online discussion with their Korean neighbours. That month, Chinese actor Xu Kai (许凯) posted a photo of himself in traditional costume from the set of the Chinese drama titled Royal Feast (尚食), which is set in the Ming Dynasty.

A controversial selfie.

After South Korean web users pointed out that the traditional costume worn by Xu resembled Korean traditional clothing named Hanbok, the drama’s producer Yu Zheng (于正) posted a response on social media in which he firmly stated that this clothing was not Hanbok but Hanfu, adding that Korea was a vassal state of China at the time and that only “uncivilized people” would call it ‘Hanbok.’

 

A Nationalist Movement?


 

These kinds of discussions also show another side of the Hanfu Movement. For some Hanfu enthusiasts, Hanfu is more than a mission to let others understand Han ethnic culture; instead, it is a way to construct a purified Han Chinese identity, free from foreign influence.7

Girl dressed in Hanfu while visiting the Forbidden City. Photo by Manya Koetse.

This foreign influence is often linked back to the Manchus once again. ‘Uncivilised practices’ in contemporary Chinese society are attributed to the Manchus. This rhetoric reinforces the belief of Han supremacy, which has existed long before the invention of the internet, where the ‘civilized’ Han Chinese believe themselves to be superior to the ‘uncivilized’ barbarians, such as the Manchus.

This rise in Han Chinese nationalism started in the past few decades.8 The Hanfu Movement thus has followers who are a part of this new turn, where Han Chinese want to restore the glory of their past and turn away from Western and Manchu influences.9

These hardcore Han nationalists are but a small part of the movement. The Hanfu Movement encompasses a large and diverse group of people, who all share a certain belief that Hanfu should gain more appreciation in China and abroad. These are, for instance, some of the comments under Xu Jiao’s video:

– “(…) Xu Jiao speaks for Hanfu!!” (@怪物与约翰)

– “Do not be afraid to doubt, never forget the original intention, Hanfu is a style, it’s a mission, it’s culture, and it’s an attitude.” (@打翻废纸篓)

– “I am so thankful we have you! I really like your work and your attitude towards Hanfu!” (@小瓦肯Shail)

What connects most Hanfu enthusiasts then? Hanfu enthusiasts take pride in wearing Hanfu, and they wear Hanfu simply because they like wearing it. Moreover, they believe it to be important to make others, both in and outside China, gain a deeper understanding of Han Chinese ethnic culture. Hanfu is more than a fad. It is a subculture, it is a style, and for Xu Jiao and many others, it is their mission.

 
By Koen van der Lijn

Koen van der Lijn (China Studies, BA) is a ResMa student Asian Studies at Leiden University focused on Chinese history and its international relations. He is a student ambassador at Things That Talk.

This story was made in collaboration with ThingsThatTalk.net – exploring humanities through the life of objects. Things That Talk is an educational digital project where staff and students produce narratives and metadata about objects in Leiden collections and beyond. A story focused on the background of the Hanfu Movement and objects associated with this movement has previously been published on Things that Talk, go check it out!
 

Notes (other sources hyperlinked within the article)

1 Buckley, Chris, and Katrina Northrop. 2018. “A Retro Fashion Statement in 1,000-Year-Old Gowns, With Nationalist Fringe.” New York Times, Nov 22 https://www.nytimes.com/2018/11/22/world/asia/china-hanfu-gowns-clothing.html [Jan 16 2021].
2 Zhou Xing 周兴. 2020. “Report: Hanfu turnover on Taobao platform exceeded 2 billion yuan in 2019 [报告:2019年淘宝平台上汉服成交金额突破20亿元].” Dianshangbao, August 2 2020 https://www.dsb.cn/124836.html [Jan 16 2021].
3 Cui Chentao 崔晨涛. 2016. “Han Costume Movement and National Culture Rejuvenation [汉服运动“与民族文化复兴的诉求].” Journal of Yunyang Teachers College 36(5): 19-24.
4 Cui Chentao 崔晨涛. 2016. “Han Costume Movement and National Culture Rejuvenation [汉服运动“与民族文化复兴的诉求].” Journal of Yunyang Teachers College 36(5): 19-24.
5 Carrico, Kevin. 2017. The Great Han: Race, Nationalism, and Tradition in China Today. Oakland, California: University of California Press.
6 Zhang Xian 张跣. 2009. “‘Hanfu Movement’: Ethnic Nationalism in the Internet Age [“汉服运动”:互联网时代的种族性民族主义].” Journal of China Youth University for Political Sciences (4): 65-71.
7 Carrico, Kevin. 2017. “Imaginary Communities: Fantasy and Failure in Nationalist Identification,” in The Great Han: Race, Nationalism, and Tradition in China Today, chapter 1. Oakland, California: University of California Press.
8 Dikötter, Frank. 2001. “Nationalist Myth-making: The Construction of the Chinese Race.” Human Rights in China, 27 April https://www.hrichina.org/en/content/4573 [16 Jan 2021].
9 Carrico, Kevin. 2017. “Imaginary Communities: Fantasy and Failure in Nationalist Identification,” in The Great Han: Race, Nationalism, and Tradition in China Today, chapter 1. Oakland, California: University of California Press.

Featured image: Photo by zhang kaiyv on Unsplash

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2021 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Continue Reading

China Celebs

Angelababy, Huang Xiaoming, Li Fei’er: Love Triangle Rumors From Decade Ago Revisited

Weibo explodes after Angelababy addresses rumors that have been going on for over ten years.

Manya Koetse

Published

on

On Wednesday afternoon, Beijing time, Weibo exploded when Chinese celebrity couple Huang Xiaoming and Angelababy addressed some strong rumors about the start of their relationship.

Their posts resulted in various hashtags and search terms going viral, including the phrases “When Angelababy Met Huang Xiaoming, He Said He Was Single” and “Angelababy Was Not My Mistress.” At least three out of today’s top trending Weibo topics are related to Angelababy and Huang Xiaoming.

Angelababy (nickname for Yang Ying 杨颖) is practically a household name in China. The famous actress and model married actor Huang Xiaoming (黄晓明) in 2015, and ever since, their marriage and relationship status is a popular gossip topic on social media. The two have a son together.

With Angelababy having over 100 million fans on her Weibo page (@angelababy) and Huang Xiaoming having over 61 million followers on his (@黄晓明), the two are practically Weibo’s most followed couple. Their $31 million wedding is probably the most-discussed Chinese weddings of the past decade.

Chinese actress Li Fei’er (李菲儿) previously dated Huang Xiaoming after working with him in the 2008 television series Royal Tramp (鹿鼎记). The two are said to have started a relationship in 2007, and to have broken up in 2010 – the same year when Huang got together with Angelababy. The ending of the relationship with Li and the start of the new love affair with Angelababy has been a source of gossip for over a decade.

In a 2011 interview with a Hong Kong magazine, Li had hinted that Angelababy was previously ‘the other woman’ during her relationship with Huang.

The rumors surrounding that alleged love triangle between Angelababy, Li, and Huang reached a new peak this week when Huang Xiaoming and Li Fei’er shared a stage on the super popular reality series Sisters Who Make Waves 2, which features 30 female celebrities over the age of 30. Huang hosts the show.

Apparently, Angelababy felt that the waves of rumors became too strong for her not to speak out. In the late afternoon of January 6, she posted a Weibo post in which she stated that Huang Xiaoming told her he was single when they first met. When Li made ‘groundless’ comments about Angelababy in a magazine interview, she asked Huang about it, and “he told me they had broken up.”

“A decade has passed by. Today, I’ve chosen to stand up for myself and to explain the entire thing clearly. I don’t want to take the blame anymore,” Angelababy writes.

She also added that she felt this is “a matter between Mister Huang and Li Fei’er,” suggesting that Huang is the person who needs to clarify the matter to the public.

Angelababy’s post was followed up by a post by Huang just an hour later, in which he stated the success of the Sister Who Make Waves tv show lies in the values it conveys to respect women, suggesting that the recent flood of rumors is harmful to the show’s central theme, the women participating in it, as well as to his own family.

He further clarifies that Angelababy “was not a mistress,” refuting ongoing rumors about the start of their relationship.

The huge attention for this matter seemed to temporarily put a strain on Weibo’s servers, with the site momentarily showing a notification that its servers were too busy. In 2017, Weibo servers could no longer handle the peak in traffic after Chinese singer ad actor Lu Han announced his new relationship.

Weibo servers were busy after Angelababy posted about the decade-old ‘love triangle’ rumors.

For now, the statements by Angelababy and Huang have only brought about more speculation. The fact that Angelababy refers to her husband as “Mr. Huang” in her post intensifies ongoing rumors that Huang and Angelababy might already be separated.

Meanwhile, Li Fei’er, who has over 11 million followers on her Weibo page (@李菲儿love) has not posted anything about the recent developments. In her last post on January 1st, she wished her followers a happy new year.

By Wednesday night, Beijing time, Angelababy’s post had received over 1,3 million likes and 100,000 comments; Huang’s post got over 850,000 likes, already making this celebrity news one of the most talked-about topics this week.

By Manya Koetse, with contributions from Miranda Barnes

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2021 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Continue Reading
Advertisement
Advertisement

Support What’s on Weibo

If you enjoy What’s on Weibo and support the way we report the latest trends in China, you could consider becoming a What's on Weibo patron:
Donate

Facebook

Advertisement

Contribute

Got any tips? Or want to become a contributor or intern at What's on Weibo? Email us as at info@whatsonweibo.com.

Popular Reads