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The Best and the Worst of CCTV New Year’s Gala 2017

The CCTV New Year’s Gala aired on Friday night and triggered thousands of netizens to comment on its best and worst performances. What’s on Weibo gives you a summary of the show’s highlights and its low points.

Manya Koetse

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The CCTV New Year’s Gala aired on Friday night and triggered thousands of netizens to comment on its best and worst performances. What’s on Weibo gives you a summary of the show’s highlights and its low points.

This year’s CCTV New Year’s Gala (known as Chunwan) has come to an end. The show, that is both a much-anticipated and a much-dreaded one, became top trending topic on Weibo on Friday night. The hashtag ‘Chunwan’ (#春晚#) alone drew 56.5 million comments.

As every year, viewers commented on the best and the worst moments in the show. The ‘worst’ parts often relate to the political aspects of the show; the annual Gala is as much about entertainment as it is about political propaganda.

Whereas it was the ‘Chinese Dream’ that was last year‘s main theme, the major themes propagated throughout this edition were ‘National Unity’ and ‘Family Affinity’, something that became especially apparent in the different comical sketches that were focused on family relationships and the coming together of people of different (ethnic) backgrounds.

The Worst Message: The Woman as “Breeding Machine”

This year, many people could not appreciate the message constructed in the Gala’s sketches that emphasized the woman’s role as mother and wife, such as the narratives where a woman depended on her husband’s money or the one where a wife wanted to let her husband divorce her because she could not conceive children (in the sketch titled ‘Long Last Love’ 真情永驻).

Many felt the sketches propagated women to have children, some saying they depicted women as “breeding machines.”

Author Chen Jian (@沉佥) wrote on Weibo:

“Every year watching Chunwan I always love the sketches and crosstalk the most, I would’ve never expected there would be a day that I would dread them the most. China is the country with the highest female employment rate in the world, and since long men are not the only breadwinners anymore. China would not have been able to create the miracle of its rapid economic development without the high employment rate of Chinese women participating in all areas of the economy. That China has become the world’s second-largest economy is also thanks to the contribution of Chinese women! But now there is this atmosphere of vigorous propagation for women to return home to have children, to depend on her husband, and to contribute by carrying on the family line. (..) But I hope that every clear-headed Chinese girl will make every effort to think for herself. No matter what people around you say, no matter what the media says, you are (..) an independent woman. Do not be swept away by the tide of feudal thinking. If you don’t save yourself, nobody will save you.”

The controversial sketch ‘Long Last Love’ where a woman wanted to divorce her husband for not being able to conceive children.

Others also expressed their thoughts on the representation of women in the show:

“There was a female Red Army soldier who had walked the Long March, there were female astronauts. But still, there is this idea of women leaning on their husbands for money or this sister who divorces her man for not being able to have a child. It really shows the existing problem. We are already with our head in space, but our feet are sucked into the swamp of feudalism.”

The day after the Gala, some netizens feel that the sexism in the New Year’s Eve show is so bad that they demand that CCTV apologizes to all Chinese women, with the hashtag “CCTV apologize to the nation’s women” making its rounds on Weibo (#央视向全国女性道歉#).

The Worst Performances: Jackie Chan and Dancing Pineapples

As for the dancing and singing performances; Jackie Chan’s much-anticipated appearance on the show turned out to be somewhat cringeworthy. The Hong Kong singer and kung fu star showed his love for China through a song that was simply titled “Nation” (国家).

In this act, the Hong Kong celebrity stood in front of an enormous Chinese flag together with students from the mainland, Taiwan, Hong Kong, as well as ethnic minorities. Although the use of sign language by all the performers was praiseworthy, the song came after a night that had already seen many big flags, many dancing minorities, and the message of China’s national unity was already – not so subtly – propagated at every possible opportunity.

Many netizens, however, did like the performance; some even claimed it was their “favorite act of the night.”

Another remarkable performance was that of the ‘Being Healthy Song’ (健康动起来) by singers Lay (张艺兴) and Boran Jing (井柏然), in which adult men were jumping around in tiger suits and others were dancing and swinging as pineapples and mushrooms.

The song act that was criticized most on social media, for as much as it was allowed, was the song Millenial Night (千年之约) by Han Hong (韩红), a singer and songwriter of mixed Tibetan and Han ethnicity.

The singer is very popular on Sina Weibo, where she has over 13 million followers. Despite her popularity, her lip-synced performance on Chunwan made her the target of many online jokes.

Also the train projected on the background screen during her song sometimes made it seem as if the singer was standing on the rails with the train coming at her, with netizens saying: “Get off the tracks, Han Hong!”

The Best: Scenes from Harbin and Shanghai

But the Gala of 2017 also had its highlights. This year’s Gala was innovative in its use of Virtual Reality (VR) techniques, for example, with viewers being able to watch the show in VR via various mobile apps.

Like the performance with the 540 dancing robots last year, the CCTV Gala seems to become a new platform to promote the image of China as a high-tech nation.

One performance that was popular and quite spectacular was that of Coco Lee and JJ Lin in Shanghai; a catchy pop song (that actually did not seem lip-synced) in Shanghai with motorists performing a bold stunt in a so-called “globe of death.”

The extreme motorcycle stunt show let a total of 8 motors spin through a huge metal ball with the iconic Pearl Tower in the background.

Another popular act was that of Mao Amin and Zhang Jie (毛阿敏 & 张杰) amidst a 3D projection full of colors and lights that was somewhat reminiscent of a scene from the Avatars.

The dreamy ‘Wind Dance’ also deserves a mention, with dancer Li Yanchao (李艳超) stealing the show with her beautiful appearance and graceful appearance. The background of this performance was probably even more Avatar-like than that of Mao Amin and Zhang Jie.

During this performance, dancer Li was accompanied by a group of at least 100 dancers.

The performance called “Snow Dream” (冰雪梦飞扬) from sub-venue Harbin also won the favor of many netizens who said it was their favorite act of the night. Performed by, among others, the Heilongjiang Acrobatics Troupe, the fragment showed dozens of acrobats ice-skating in costumes with led-lights in the middle of Harbin’s Snow World – a themepark completely made from ice and snow.

“It might not have been the place with the most celebrities,” some netizens said: “But the Harbin part was the most beautiful of all.”

Despite all criticism, it is fair to say the 2017 CCTV Gala was a success – it actually is the criticism that makes the evening, as it has become a New Year’s tradition to comment on the show and complain about it.

The sentence “there’ll never be a ‘worst’, just ‘worse than last year'” (“央视春晚,没有最烂,只有更烂”) has become a popular saying about the show throughout the years, and again, was one of the sentences uttered by many on Chinese social media again this year.

“But even if it is bad, we still need to see it,” one netizen concluded. With an audience of millions and thousands of people both praising and condemning the show, this year’s show really wasn’t that bad after all.

– By Manya Koetse
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©2017 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is the founder and editor-in-chief of whatsonweibo.com. She is a writer, public speaker, and researcher (Sinologist, MPhil) on social trends, digital developments, and new media in an ever-changing China, with a focus on Chinese society, pop culture, and gender issues. She shares her love for hotpot on hotpotambassador.com. Contact at manya@whatsonweibo.com, or follow on Twitter.

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China Arts & Entertainment

Behind the Short Feature Film of the Spring Festival Gala

The first-ever ‘mini film’ of the Spring Festival Gala struck a chord with viewers for its strong storytelling and authentic production.

Manya Koetse

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This precious and powerful short film by Zhang Dapeng has touched the hearts of Spring Festival Gala viewers. But there is more to the short film than meets the eye. Here’s the noteworthy story behind the 7-minute Spring Festival Mini Film.

On January 21, 2023, China’s Spring Festival Gala, hosted by China Media Group, kicked off the Year of the Rabbit. The annual show, which featured forty different acts and performances, lasted over four hours and attracted millions of viewers worldwide (see our liveblog here, and see a top 5 highlight of the show here).

Traditionally, the Spring Festival Gala always shows several short public service ad films in between the performances, but this year was the first time the Gala featured a “mini-film” or “micro film” (微电影).

Titled Me and My Spring Festival Night (“我和我的春晚”), the 7-minute film was praised among viewers. On Weibo, one hashtag dedicated to the short film received over nine million clicks (#我和我的春晚#).

The film was directed by the Beijing director Zhang Dapeng (张大鹏). Born in 1984, Zhang is a Beijing Film Academy graduate who previously attracted wide attention for directing the Peppa Pig Celebrates Chinese New Year movie and the brilliant ad campaign that came with it. Titled What Is Peppa, that short ad film featured a grandfather living in rural China who goes on a quest to find out what ‘Peppa’ is. The promotional video became an absolute viral hit back in 2019 (see/read more here).

Still from ‘What is Peppa.’ 2019.

This time, Zhang’s latest Chinese New Year film is about a hard-working former military man from China’s countryside named Zhang Jianguo (张建国), for whom coming on the show to play the trumpet has been a dream for many years. By featuring his story, the film takes us from the Chinese 1980s, 90s, 00s – as we see him change jobs, move around, and start a family – up to the present.

The main idea behind the film was to honor all the ordinary viewers who have written – and are still writing – to the Gala ever since it first aired in the early 1980s, and to tell a story inspired by these personal letters and ordinary viewers.

Short Summary of “Me and My Chunwan”

At the start of the film, we see Zhang Jianguo dusting off his military honorary awards (光荣军属), putting on his jacket, grabbing his thermos flask and trumpet, and setting out on a journey in the midst of winter.

Riding an electric tricycle in the icy cold, his driver (actor Huang Bo 黄渤) asks him where he is going. “Can you keep your mouth shut?” Zhang replies (“你嘴严实不严实”). “I can,” the driver says, and Zhang then says: “So can I.”

The voiceover narration, a first-person narrative by Zhang himself, explains that he has always been busy: “I never had time for the Spring Festival Gala. My Spring Festival fate is all because of something my captain said.”

The film jumps to a scene showing Zhang as a young military man during the Chinese New Year’s Eve, working outside while people are watching the Spring Festival Gala on a small black and white television inside. As his commander (played by Wu Jing 吴京) hands him his trumpet, he says: “Go and play your trumpet on the television.”

“If the leader asks me to go on the Spring Festival Gala, it’s a task I must complete,” the voice-over says.

But in the military scene itself, duty calls and Zhang has to blow the trumpet to announce dinner time.

In the years that follow, Zhang is always busy during the Spring Festival Gala. Working in the factory, getting married, working on a train, farming cattle, taking care of his family, and always cooking. His trumpet is still there with him, to announce dinner time or hanging on the wall as a memory of times past.

As the years pass by, Zhang realizes that he has gradually forgotten about his commander’s words. Time moves fast. First, he had a son, then his son grew taller than himself, and then his son had his own son. “And I still had never been to the Spring Festival Gala.”

With his captain’s words back on his mind, Zhang, now an older man, sets out on his journey without telling anyone. By foot, by electric tricycle, by bus, and by train, Zhang travels all the way to the famous Beijing Studio 1 to perform at the Spring Festival Gala after being “too busy” for forty years.

Backstage at the Spring Festival Gala, Zhang sits down with famous Chinese Spring Festival Gala performers (Ma Li 马丽 and Shen Teng 沈腾). While unpacking his lunchbox, he tells them he was finally not too busy to come on the show: “I wrote a letter and here I am.” “It’s that simple?” Ma Li wonders.

The producer then rushes to come and get Zhang, who bravely walks towards the stage with his old little trumpet.

A female voice-over then reads out a message, while we see various scenes throughout the years showing Zhang – from young to old – writing letters to CCTV from wherever he is.

The female narrator says: “Dear Uncle Zhang, we’ve received your letter regarding your hopes to realize your cherished stage dream. In this age of emailing, and knowing that you’ve been writing us for 39 years, we’re moved and feel guilty. Our reply may be late, but not our sincerity..

Meanwhile, we see a flashback to a mailman pulling up to old Zhang’s home (the mailman is the actor Wang Baoqiang), and the old Zhang finally receives that much-anticipated letter from CCTV at his remote rural home.

The female narrator continues: “This year, we proudly invite you to be a guest at the Spring Festival Gala and to “ring the dinner bell” [play the sound announcing dinner]. Sincerely, the Spring Festival Director Committee.

In the final shot, we see Zhang blowing the trumpet at the Gala, with flashbacks showing him blowing that trumpet in all those decades before. He has finally made it to the big stage.

A Noteworthy Story

While Me and My Spring Festival Night received a lot of praise on Chinese social media, the story behind the film was not immediately clear to many viewers celebrating the Chinese New Year, but it was explained in several articles and interviews with director Zhang Dapeng.

During the live-televised Spring Festival Gala itself, the airing of Me and My Spring Festival Night was directly followed up by a shot featuring a person (a veteran) in the audience standing up and actually playing the trumpet.

Directly after, the song “Goodmorning Sunshine” began, representing multiple people from all kinds of professions and social groups. About one minute into the song, the camera turns to another audience member: the person who plays ‘Uncle Zhang’ in the mini-film. Later in the song, we can see he is wiping away tears, visibly moved.

Why was he so moved? The older man in the audience, the main ‘Uncle Zhang’ actor in the film, is Jin Changyong (金长勇), and he actually is not a professional actor.

Somewhat similar to the character Zhang Jianguo, Jin Changyong or “Uncle Jin” (金叔) is a hardworking veteran from Hebei’s Huailai County in Zhangjiakou.

Jin Changyong is a 63-year-old farmer who is also active at the Hebei Tianmo Film and TV Park doing security and logistics-related jobs. He served in the army for four years from the age of 19, as, among others, a military chef.

Director Zhang Dapdeng came across ‘Uncle Jin’ one day while shooting another film at the studio. While Jin was busy doing kitchen work, director Zhang saw him and, as he later recounts, was struck by his face that showed he had “lived through many changes” (“这种饱经沧桑的脸”).

Zhang later invited Uncle Jin to star in the movie, and he also made sure Jin’s own story played a role in the script.

Director Zhang Dapeng, image via CCTV.

This makes this short movie all the more special, something which has since been discussed on Chinese social media (#春晚微电影的主演是普通农民#).

The surprising twist in the story is how Zhang Jianguo tells other people he has just always been “too busy” to attend the Gala, while he had in fact already written to the show for 39 years with the hope of one day being invited.

Another noteworthy aspect of the film is how Zhang Dapeng chose to cast some of China’s most celebrated actors as supporting roles to lift up the main character and actor, Jin, who was inexperienced and learnt from his fellow players.

In an interview, Jin expressed that the entire experience of playing in this short film left his overcome with emotion. After the filming had ended, he told reporters that he had sleepless nights because he had not received an actual invitation to the Spring Festival Gala yet, something which he so very much hoped for. Just one week before the show, that invitation finally came.

The fact that Jin, in a way, played a man like himself in the short movie has added to the film’s popularity.

“I was sincerely moved by this film,” one commenter wrote, with others saying: “This was the best program I’ve seen on the Gala over the past decade.”

While some people also remarked that the short film seemed to have been influenced by The Grand Budapest Hotel by Wes Anderson, others praised it for its originality.

“This was just the best part of the night,” several commenters said: “It made me cry.”

“Zhang Pengda – a name to remember,” others wrote.

You can watch the short film on Youtube here.

By Manya Koetse 

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China Celebs

Gu’s Year: How Eileen Gu Became a Beloved Icon and Controversial Role Model in China

Patriotic, privileged, perfect? A year after Eileen Gu became an online sensation in China, she is still generating discussions.

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Eileen Gu, the American-born freestyle skier and gold medallist who represented China in the 2022 Beijing Olympics, has made headlines again for her excellent halfpipe World Cup performance during the Chinese New Year. One year after Gu first became an internet sensation, she is, once again, receiving praise and triggering discussions on Chinese social media.

This Chinese Lunar New Year, the three Chinese Winter Olympic athletes Wu Dajing, Xu Mengtao, and Gao Tingyu, were widely discussed on Chinese social media after their debut at the CGM Spring Festival Gala.

Over 8000 kilometers away, another Winter Olympic athlete, Eileen Gu – better known as Gu Ailing 谷爱凌 in China, – also garnered huge attention for her excellent performance at the Calgary halfpipe World Cup. Just as people were celebrating the Chinese New Year, Eileen Gu claimed her second gold medal at the FIS Freeski World Cup.

It has almost been a year since the then-18-year-old Chinese-American freestyle skier grabbed gold at the Olympics and became front-page news in China.

Although Gu already garnered attention online when she announced in June of 2019 that she would switch national affiliation and compete for China, it wasn’t until the Olympics that she appeared all over social media, was featured in dozens of ad campaigns, and practically became a household name in China.

Now, in light of the FIS Snowboard World Cup and the X Games in Aspen, Gu is back in the limelight.

On January 21st, the first day of the Year of the Rabbit, Chinese state broadcaster CCTV celebrated Gu’s victory on social media using the hashtag “Eileen Gu Claims Two Golds within Three Days during the New Year Celebrations” (#谷爱凌过年3天2金#), with a two- minute video clip recording the highlights of her recent race. The hashtag has since received over 180 million views.

Gu herself also shared her victory on Weibo and wished people a prosperous New Year. That post attracted over 110,000 likes.

Many Chinese people celebrated Gu’s new achievements with words of admiration, praising her capabilities and determination. One Weibo user commented: “I have to say, Gu Ailing is truly excellent. Three days, two medals. She has an indisputable talent.”

Another user posted a video of Gu practicing while waiting for her flight and commented: “A healthy, energetic, diligent, excellent Gu Ailing who even continues training while waiting for boarding. Success doesn’t come overnight.”

Others also view Gu as a national icon for her gold medal wins for China. The phrase “wèi guó zhēngguāng” (“为国争光”), “winning glory for the country,” appeared in many posts under the hashtag related to Gu’s win.

But over the past year, since Gu’s Olympic success, she has not always merely been viewed as a patriotic hero. Despite her popularity, Gu also triggered controversy and sometimes came under fire, with some wondering if she truly was patriotic and others blaming her for being privileged.

 

PATRIOTIC

Everybody knows Eileen Gu is Chinese

 

During the 2022 Winter Olympics in Beijing, the fact that Gu had switched her international allegiance and represented China instead of the US instilled pride among many Chinese. Chinese media flooded with stories on Gu that focused on the narrative of the multi-talented “mixed kid” who gave up her United States citizenship to represent the People’s Republic of China.

However, when being asked about her citizenship in interviews, Gu’s replies left many people wondering about the facts of the matter; they wanted to know whether or not Gu actually gave up her American passport, as China does not recognize dual nationality. Gu’s response “I’m American when in the US and Chinese when in China” triggered dissatisfaction among Chinese audiences.

“I have stopped liking her since she said that,” one Weibo user reflected in December 2022, and the post received 35,000 likes. To this day, there are many social media comments bringing up Gu’s comment: “You’re in America, so now you’re American, right?”

Others also attacked Gu after Forbes listed her as the third highest-paid female athlete in the world in 2022 (#谷爱凌年收入1.4亿#). Some commenters argued that she had earned her money in China and was spending it in the US, and that she was unpatriotic for doing so.

However, some netizens defended Gu by stressing what she had done for China. In Weibo posts and comment threads, users supporting Gu wrote: “She won two gold medals and more for China, what did your patriotism contribute to China?” Others also said Gu had shown her love for China through her performances, and that it would be impossible to expect her to distance herself from the country she grew up in.

Meanwhile, Western media outlets described how the bi-lingual Gu had been “dodging” explicit questions about her US citizenship status. This also led to Gu getting attacked by Americans. When Gu returned to the US and enrolled in Stanford University, there was even an online petition about getting Gu’s admittance to Stanford revoked due to Gu’s supposed “lack of integrity about her nationality” and indifference to “the human rights violations” in China.

Among Chinese netizens, questions also rose about whether Gu had only represented China during the Olympics and if her return to the US might mean that she would give up her Chinese nationality and play for the US team instead.

But with Gu’s debut at the FIS Freeski World Cup in the Year of the Rabbit, Chinese bloggers pointed out that Gu’s nationality was still listed as Chinese.

“No matter where she is, Gu Ailing still has the Chinese nationality,” one Weibo blogger wrote, with others also saying: “She is still representing China, we should all support her! The rumors about her changing nationalities are false!”

“Everybody knows Eileen Gu is Chinese,” another social media user wrote.

But not everybody is convinced: “Don’t fool yourself. I’m happy she helped China win gold, but dual citizenship is dual citizenship, there’s no point in covering it up.”

 

PRIVILEGED

Gu’s success is unrelated to normal people

 

Another discussion that has flared up during Eileen Gu’s past year of success is focused on her alleged privileged status, especially within the context of her being praised as a role model for Chinese (female) younger generations.

In February of 2022, an Instagram comment made by Gu regarding the use of VPNs in China caused some controversy. At the time, one person asked Gu about “internet freedom” in China and how it was possible for her to use Instagram while she was in China, where the platform is blocked. Gu then replied: “Anyone can download a vpn its literally free on the App Store [thumbs up]”

A screenshot of the exchange then circulated on Weibo, where many netizens were surprised about Gu’s statement. VPNs are generally not available on app stores in mainland China, as there are numerous restrictions on virtual private networks (VPNs) which are commonly used to browse websites or apps that are otherwise blocked in China.

Gu was then criticized over the fact that she seemed unaware of the restrictions on VPNs along with her suggestion that ‘internet freedom’ only referred to the accessibility of foreign platforms, allegedly showing her privileged position.

After Gu enrolled in Stanford University and posted her all-A transcript of the first semester at the end of 2022, many praised her hard work but there was also criticism about her “showing off” and strategically choosing a supposedly easier curriculum.

“She posted it to impress Chinese people who do not understand the system,” one person commented, with others replying that an “S” grade does not equal full points and that she had no A+ grades. Others claimed that Gu probably received help with her schoolwork.

Gu’s Weibo post at the end of 2022 reviewing her achievement of the year, including her transcript of the first semester at Stanford University.

As online discussions intensified (#谷爱凌斯坦福所有课程全部满分#), Gu herself responded to online criticism, stressing that she – without anybody’s help – had worked hard for her grades and that only 5% of students can get an A at Stanford.

The idea that Gu comes from a very privileged background and that it is not just her diligence that brought her success is a recurring one on social media.

Gu was raised by her Chinese mother, a molecular biology graduate who studied at Peking University and Stanford University and who used to be a speed skating athlete as well as a part-time coach at Peking University. She allegedly worked at Wall Street and later became a CEO of a risk investment company. Her grandmother, a former official at China’s Ministry of Transport, was a university basketball player, while her grandfather was a soccer player at school who was also good at swimming, skiing, and skating. Her family members’ background is exceptional. University students were rare among Gu’s grandparents’ generation, and studying abroad was also uncommon for her mother’s generation.

As people believe that this family background has largely contributed to Gu’s success, Gu’s position as a “role model” is questioned.

“Gu’s success is unrelated to normal people,” one Weibo user wrote. “What is the meaning of having this kind of role model? I have no parents from the Ivy League, no pretty face of mixed race, no elite education from the mix of Chinese and American cultures, no exceptional family background, and even no talent,” one Zhihu user wrote.

“Gu started skiing at three years old, and practiced running, basketball, piano, and ballet soon after; I started playing in the mud at three years old and I can still only play in the mud,” another user wrote. “Gu’s mother meticulously planned Gu’s life, but my mother could hardly spare any time for me while she was working.”

 

PERFECT

Congratulations, Little Gu, you’re the greatest!

 

Amid all the online discussions surrounding Eileen Gu, there is the view that people have not necessarily grown tired of Gu herself but of the (online) media narratives surrounding her which present her as the perfect daughter, the perfect athlete, or the perfect role model.

Some people admit that they feel jealous or say that they feel it is unfair because they feel they could never reach that standard.

One article published by The Paper in 2022 reiterated the popular view that Gu’s success “has nothing to do with ordinary people” (“谷爱凌的成功与普通人没啥关系”), but argued that people should draw inspiration from her story rather than focusing on all the aspects of her life that are unattainable to them.

A commentary by PLA Daily also argued that Olympic athletes should not be turned into “gods” for their overnight success; neither should they be vilified because of their shortcomings. It’s not about the pursuit of perfection, the author wrote, but about facing up to one’s own shortcomings.

There are also those who remind others that Gu is still a teenager. Not only have some of the controversies over the past year shown that Gu is not “perfect,” they also showed that fame is a double-edged sword.

As one netizen put it: “Success can be magnified to an extreme, and mistakes can be enlarged without boundaries (..) She’ll be carefully walking on the sharp edge of the sword because if she does something that does not conform to what people expect of her, the same people who praise you today will step on you tomorrow.”

Meanwhile, many Chinese fans of Eileen Gu have had it with those leaving “sour comments.” “She is representing China, she snatched gold, your empty ‘patriotism’ is contributing nothing!”

“Congratulations, Little Gu, you’re the greatest!” some say: “You did a good job, and we’re proud of you.”

By Zilan Qian and Manya Koetse

 

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