While surfing Weibo, a Changsha police officer named Hu Hanlin (@老囧货) recently came across an article titled “Violent Murder of Golden Retriever.” The article discussed a video posted on the afternoon of December 31st, 2017, showing a Changsha police officer bludgeoning a golden retriever. The article caught Hu off guard – it was about him.
As Hu wrote in a January 2nd Weibo post; “I was surprised to find that [the article] included my official position, work photo, name, phone number, and even described me as this event’s perpetrator.”
Hu Hanlin is a victim of what has been called the “Human Flesh Search Engine” (renrou sousuo yinqing 人肉搜索引擎), the Chinese term for the phenomenon of netizens distributing the personal information of individuals people feel ‘deserve’ public interest or scorn.
In Hu Hanlin’s case, the attack was unjust. As Hu wrote on his Weibo account: “I was not at all involved (..) For quite some time I have only investigated crimes through video footage, I have never directly responded to 110 calls.” In Hu’s case, as with many other instances of Human-Flesh-Searching, a viral online video had instigated netizen’s search for the culprit, at which point they mistook Hu’s picture for the man in the video.
Human-Flesh-Searching: Identifying the ‘Culprit’
‘Human-Flesh-Searching’ is a group endeavor to reveal someone’s identity and personal details online. Targets are often individuals who have disrupted public order in some way and have angered netizens for their behavior and actions; such as a Ms. Luo, who was recently caught on camera blocking a train door and fighting off a conductor as she refused to allow a high-speed train to depart from Hefei station – she was determined to let her tardy husband get on board.
While online outcry directed at the individual is the norm, the result of a Human Flesh Search can also come to personal confrontations, or to netizens sending unsavory items, such as cockroaches or funerary objects, to a person’s personal address.
Media have been reporting about the Human Flesh Search phenomenon since the early beginnings of Chinese social media. One of the first big cases from 2006 involved a video that spread through chatrooms of a woman purposely killing a kitten with the sharp point of her high heel. Enraged netizens soon came into action to search for the identity and personal information of this so-called ‘Hangzhou Kitten Killer,’ and discovered she was a 41-year-old nurse named Wang Jue. She was later suspended from her job.
Digging further back into China’s internet history, Human-Flesh-Searching first became popular in 2001 on MOP, one of China’s most influential online forums, when a netizen posted a photo of his alleged girlfriend that turned out to be model Chen Ziyao. Her personal information was publicized to prove he was lying.
One explanation of the practice’s jarring name is that it originally referred not to the hunt for an individual per se, but to how the information is collected. Instead of entering their question into a search engine, netizens who want to ‘activate’ the ‘Human Flesh Search Engine’ call on the online community to find the answers for them in a collective effort. Online community members usually gather this kind of information from their personal resources and networks. “Human Flesh” therefore actually refers to the searchers – not the searched.
From Animal Cruelty to Media Bias
Human Flesh Searches are often used in cases involving animal cruelty. A case that recently made headlines occurred in the capital of Sichuan province. On December 12th, a woman’s Corgi dog ‘Lion’ went missing and was found by another woman named He Hengli who then blackmailed the owner over its release.
When the ‘hostage’ negotiations reached a deadlock, the dog’s owner finally went to He’s apartment to fetch her dog with police offers and reporters. While they knocked the door, Lion was thrown to his death from He’s sixth story apartment.
The story caused huge outrage on Chinese social media, where details of He were released online, including her phone number and (work) address, leading to netizens harassing and threatening her at her home.
But besides coming into action with cases that involve animal cruelty, there are countless of other types of cases in which it also happens.
Just last week, the huge ‘Tang Lanlan’ case on Weibo ignited an ‘online war’ between netizens and the media over reports of a decade-old sexual abuse case. When many netizens felt that journalists reporting the case were biased and favored the suspects over the victim, personal details of the reporters were gathered by netizens and leaked online.
Voices Calling for More Privacy Laws
While 2018 has already seen several viral cases of Human-Flesh-Searching, these fly in the face of current Chinese internet privacy laws.
Voices calling for more privacy laws grew stronger in late 2014, when a Guangzhou shopkeeper named Ms. Cai was sentenced to one year in prison for instigating a Human-Flesh-Searching campaign over an alleged case of theft that resulted in the suicide of an 18-year-old high schooler.
Becoming the (unjust) target of a Human Flesh Search can ruin people’s lives and careers, as well as jeopardize their safety. Whether it concerns alleged theft, animal abuse, or an extramarital affair, the ‘culprits’ will be hit equally hard by the impact of the ‘online mob’.
Ma Rong, the ex-wife of Chinese celebrity Wang Baoqian, was slandered online in 2016, with people exposing her phone and address when news of her secret love affair went viral. Do a thief, an unfaithful wife, and a kitten killer all deserve the same scorn, and should it be up to the online community to punish them for their alleged deeds? While some support the human-flesh-search-engine approach for those who abuse animals and show off their violence, others point out its dangers.
In a further effort to limit Human Flesh Searching, legal punishment for the practice grew stricter last year. The Supreme People’s Court and Supreme People’s Procuratorate released a joint statement clarifying that, depending upon the severity of the invasion and dispersion of personal information, a perpetrator could be sentenced to up to 7 years in jail.
An Alternative Punishment
These previous legal warnings, however, have not seemed to stop individuals from exposing other people’s personal information; neither has it stopped individuals from acting upon available details. Some argue that Human Flesh Searching plays a valuable societal role in China’s online community.
One Weibo blogger (@灰鸽叔叔) concluded a post on the subject by writing: “Some people don’t do bad things because they have a kind heart. Some people don’t do bad things because they are unwilling to bear the responsibilities of doing bad things. If you don’t allow people to suffer [the humiliation of Human Flesh Searching] they will begin to feel that they are above the consequences…If the law is momentarily unable to solve this problem, then netizens using human-flesh-searching, or even collectively speaking ill of them surely can supply this kind of punishment.”
This blogger is not the only one arguing that Human Flesh Searching is an important way to battle social injustice; many other netizens also say that when the law cannot punish people for their deeds (f.e. China lacks a solid legislation against animal cruelty), a Human Flesh Search is an alternative form of retribution.
As for the case of Officer Hu – in the two days after being falsely accused he received more than a thousand texts. The texts contained messages such as “I wish Hu Hanlin a 2018 full of death for him and his whole family by evisceration…,” or “Hu Hanlin’s body should fester in the wilderness, to be slowly consumed by wild dogs.”
On Weibo, meanwhile, despite a seeming majority of people supporting the practice of the Human Flesh Search Engine, there are more and more voices opposing it. One netizen pleads: “No matter for what purpose you do it, no matter what kind of evidence you are trying to get, the Human Flesh Search method is undoubtedly the most stupid and the most dangerous – please stop this crazy criminal behavior.”
For Hu, however, any movements against the practice come too late. For him, the Human Flesh Search has even resulted in netizens coming to his house. The funeral flowers and funeral money on his doorstep are a reminder of how far the Human Flesh Search Engine can go.
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Chinese E-Readers: The Best E-book Devices in China
Overview of the top 10 e-readers in China in 2021.
Ereaders have become booming business over recent years. Some people prefer an e-reader because it is easier on their eyes than reading from phone screens, others want a distraction-free digital reading style, and some just like the idea of carrying their own mini-library with them with a battery that lasts much longer than those of tablets or smartphones.
While Amazon’s Kindle is the biggest brand name in the American and European e-book reader market, the Chinese e-reader market also has several domestic brands topping the popularity lists.
Here is an overview of the top 10 brands currently dominating the lists in China. This list is based on the rankings of Zol.com, one of China’s leading IT information and business portals.
The devices mentioned in this list are all devices with E Ink (“electronic ink”) display technology, which gives them that low-power paper-like display. Devices using E Ink technology are usually in grayscale, but color e-paper technologies are now also available.
1. ONYX BOOX (CHINESE BRAND)
BOOX, also known as Onyx Boox (文石BOOX), currently is China’s top e-book reader brand, produced by Onyx International Inc., which mostly produces E Ink (ePaper) devices. Onyx Boox was founded in 2008 by a team from IBM, Google, and Microsoft. It is headquartered in Guangzhou.
What sets Onyx apart from many other e-book reader brands is that they offer devices from 7.8 to 13.3 inches that can also function as digital note-taking tablets, equipped with a pen that allows users to pen down their notes as they would in any paper notebook.
The latest Onyx devices such as the Max Lumi (13.3 inch), Onyx Boox Note Air (10.3 inch), the Note 3 (10.3 inch), and the Nova 3 and Nova 3 Color (7.8 inch) all have a wide variety of functions. Besides the common e-reading functions and digital note-taking possibilities, these devices run Android, handle many different file formats, and allow an install of Google Play, Kindle, OneDrive, and more, which really make them “like a tablet unlike any tablet” (which just happens to be their slogan).
Currently, the Boox Nova 3 is the brand’s most popular model in China. Priced at ￥2480 ($377), it is also among the pricier models in the markets due to its multifunctionality. It has 32GB of storage, E Ink Carta Plus (the latest generation of screens made by “electronic paper” technology) and also has a screen front light system, allowing users to keep on reading in the dark.
At ￥2780 ($423), the Onyx Boox Note S, which features a 9.7-inch screen, is also rising in popularity. Then there is also the Nova 3 Color 7.8-inch color E Ink tablet with a new Kaleido (Kaleido Plus) screen.
The Onyx is also sold outside of China, check it out here on Amazon.
The American Amazon brand is also popular in China when it comes to its e-reader devices. While compiling this list, the Onyx and Amazon brands actually competed over the number one spot, so there is not much difference there in terms of ranking.
Along with the entry-level Kindle Migu X, the 4th generation (2018) Kindle Paperwhite (6 inches, 1448x1072px) is among the most popular e-reader models in China, priced at ￥998 ($152). Like the Onyx Nova 3, it is also available with 32GB storage, but keep in mind that the screen is smaller.
The Kindle e-book devices are much more affordable than the Onyx ones, and their functionality is more straightforward as an e-book reader. They are known for their great battery life, and since the first Kindle was introduced in 2007 it has become the world’s most famous dedicated e-reader. Kindles are designed to interface seamlessly with Amazon’s online store, which makes them perfect for Amazon fans and less appealing for those who have no desire to use the Amazon ecosystem.
The Paperwhite model has an extra advantage to it, as it allows to keep on reading while taking a bath or sitting by the pool since it is water-resistant. The Paperwhite is currently the no.2 best-sold e-book reader on Chinese major shopping platform JD. It is sold through Amazon here.
3. iFLYTEK (科大讯飞) (CHINESE BRAND)
iFlytek is a partially state-owned Chinese AI firm established in 1999 that also produces e-book readers. The company made headlines in 2019-2020 when it was blacklisted in the US for allegedly using its technology for surveillance and human rights abuses in Xinjiang.
Its iFlytek Smart Office X2 (科大讯飞智能办公本X2) is the e-book reader that is currently in the top 5 list of most popular ink screen devices in China (it even scores no 1 on e-commerce platform JD.com at the time of writing), and it is also among the most expensive (￥4999/$762). The X2 is a 10.3-inch E Ink device.
Similar to the Onyx Boox devices, it is much more than an e-reader alone; it is also a note-taking device (comes with the Wacom stylus) and incorporates fingerprint authentication, Wifi/4G, (offline) voice recognition, and transcription functions; it probably is the smartest e-reader around.
The iFlytek also has a whopping 64GB storage, which can be expanded to 128GB. GizTechReview did a review of the Smart Office X2 here.
4. IREADER / ZHANGYUE (掌阅) (CHINESE BRAND)
Ebook reader Zhangyue (掌阅) made headlines in late 2020 when it was announced that Tiktok owner Bytedance would invest $170 million in the company.
Zhangyue, founded in 2008 in Beijing, is not just a producer of e-readers, it is also the online literature publisher behind the iReader platform (掌阅书城). Its most popular ebook reader in China at this time is the 6-inch Zhangyue iReader Light (掌阅iReader Light青春版), which is priced at ￥638 ($97) and comes with 8GB storage.
A much pricier model is the Smart X (￥3499/$539), which has 32GB storage and a 10.3 inch 1872×1404 resolution screen, making it just as big as the Onyx Boox Note Air and the iFlytek Smart Office X2. The iReader Smart X also comes with a Wacom pen for note-taking. There’s a review of this device on Gearbest.
The iReader Smart 2 is popular on shopping site JD.com, priced at ￥2299 ($353). It came out in 2020, and also is a note-taking device with 32GB storage and a 10.3 inch screen. The difference with the Smart X device mainly lies in its screen quality.
5. XIAOMI (CHINESE BRAND)
Beijing-brand Xiaomi is mostly known for being one of the world’s largest smartphone makers, but the tech company does so much more, from watches to earphones, TVs, scooters, and e-readers.
Priced at ￥599 ($92), the Xiaomi MiReader (小米多看电纸书), released in November 2019, is among the more popular e-reader devices in China at the moment. Mainly marketed for the Chinese market, it is Xiaomi’s first ebook reader which comes with a 6-inch e-Ink screen and 16GB storage. With its 1024×768 pixels at 212 PPI screen, it might not be as crisp and fast as other devices in this list, but its price is also much lower. This review at Goodereader was not positive at all, calling it “super slow and plodding.”
The MiReader also has a Pro device (小米多看电纸书Pro) available in China, which is ￥1299 ($200) and comes with a 7.8-inch 300 PPI screen and 32GB storage. The Xiaomi e-readers allow access to the WeChat Library, which is a great advantage for Chinese consumers (Kindle doesn’t allow access to the WeChat Library).
6. HANVON (汉王) (CHINESE BRAND)
Established in 1998, Hanwang is a pioneering company in character recognition technology and intelligent interactive products.
Although Hanvon is in the top 10 of China’s hottest e-book device brands, its Hanvon Gold House 3 model (汉王黄金屋3), priced at ￥799 ($123), is not nearly as popular as other devices in this list. The Hanvon Gold House comes with a 6-inch 1024×758 resolution screen and 4GB in storage. The device is marketed as being simple, stylish, and ergonomic.
7. TENCENT (CHINESE BRAND)
Chinese tech giant Tencent is mostly known for its social media and gaming products, but it also produces e-book devices.
The Tencent Pocket Reader (腾讯口袋阅) is small and lightweight with its 5.2 inches 1280×720 eInk screen, it comes with 8GB storage and is priced at ￥889 ($136). The device is centered around the Tencent ecosystem and provides access to the Tencent Library and bookstore.
Its small size makes this device different from other e-readers. It is the size of a smartphone, which is great if you really want an e-reader in your pocket, but less ideal if you are looking for a more comfortable reading experience. The Pocket Reader supports a 4G mobile card and can also make calls and do text messaging.
8. BOYUE (博阅) (CHINESE BRAND)
Boyue is a digital reading technology company founded in 2009. Throughout the years the company has released different e-book devices as well as digital note-taking devices.
The Boyue T80 model and its Likebook Mars are its best-sold devices in China. The Boyue T80 is priced at ￥1199 ($184) and has 8GB of storage, features an 8-inches 1024×768 screen, and supports SD.
The Likebook Mars is ￥1380 ($212) and comes with 16GB of storage, a 7.8 inch 1872×1404 screen, and it also has SD card support, which allows you to extend the storage capacity to 128GB.
9. OBOOK (国文) (CHINESE BRAND)
Guowen or OBOOK is an e-reader company established in 2010 as what was meant to be the Chinese answer to Kindle.
Its Dangdang E-reader 8 (当当阅读器8) is currently rising in popularity. It features a 6-inch 300 PPI resolution screen and 16GB of storage and is priced at ￥918 ($141).
Sony is perhaps not a name you’d expect in this list, since Sony seems to have exited the e-reader business some time ago.
There are only a few e-book devices by Sony that are still popular in China right now, and one of them is the 10.3-inch 1404×1872 screen Sony DPT-CP1 model that is priced at ￥4888 ($750). For this price, you get a lightweight, thin device that also serves as a digital note-taking tablet that syncs with PC or Mac.
The DPT-RP1/WC model is even pricier at ￥5299 ($815), for which you get a 13.3 inch 1650×2200 screen, which is comparable to the Onyx Boox Max Lumi.
By Manya Koetse
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Luo Tianyi and the Booming Virtual Idol Market in China
The virtual entertainment market is exploding in China.
This is the “WE…WEI…WHAT?” column by Manya Koetse, original publication in German by Goethe Institut China, see Goethe.de: WE…WEI…WHAT? Manya Koetse erklärt das chinesische Internet.
At the Spring Festival Gala of 2021, the Chinese state media’s annual televised event that only invites the country’s top-notch performers, the virtual idol Luo Tianyi (洛天依) made a guest appearance.
It was a big media moment that showed the growing importance of virtual superstars in Chinese pop culture. Luo’s performance was even announced on the show’s promo posters, making this the first time ever for a virtual star to be on the show like this.
Virtual celebrities such as Luo Tianyi are also called ‘vsingers’ and often have an enormous fanbase. What is the story behind Luo Tianyi and the boom of virtual superstars in China, leading to the remarkable appearance of a non-human celebrity in the country’s biggest mainstream TV show?
Although it was the first time for Luo Tianyi to appear at the Spring Festival Gala, it was not her first big performance. The superstar previously showed up as holograph live at big events such as the Bilibili night, and in 2019 she shared a stage with renowned Chinese pianist Lang Lang.
Such a performance does not come easy. It takes months to design the looks and the moves. The holographic appearance of Luo Tianyi and the spectacular two-hour show took around six months of preparation by around 200 professionals involved in the production of Luo Tianyi.
Luo Tianyi is a so-called ‘vocaloid’ singer – a Mandarin Chinese language virtual character that was originally featured in the voice synthesizer software called VOCALOID developed by Yamaha, using third parties to create the characters. Vocaloid is a commercial product (released in 2004) with the purpose of enabling users to get a singer for lyrics and melodies without needing to hire an actual human singer.
The Shanghai Henian company collaborated with Tokyo-based Bplats in developing Luo Tianyi. The character was based on the winner of a contest that was organized in support of creating the first Chinese Vocaloid. The real-life singer whose voice was used for the creation of Tianyi is Chinese singer Shan Xin (山新).
Luo Tianyi was officially launched in 2012 as a 15-year-old entertainer and vsinger. By now, she has around five million followers on her Weibo account (@Vsinger_洛天依) where she posts about her performances, with thousands of people liking and sharing these posts.
According to Chinese state media outlet Global Times, 2020 was the year that virtual idols really took off in China, going hand in hand with the growing popularity of livestreaming.
Chinese video-sharing site Bilibili has contributed to the growing success of virtual idols in China. Bilibili is a homebase for many fan communities in China, since it is mainly themed around animation, comic, and games (ACG). It is one of the earliest platforms in China to broadcast virtual idol concerts, and in 2020 it held China’s first concert consisting solely of virtual performers under the title ‘BML-VR 2020’ (link).
The Bilibili concert featured a performance by various virtual entertainers, including the popular Hiseki Erio. Hiseki Erio is not Chinese, but Japanese. So is Hatsune Miki, one of the most famous virtual idols ever.
You could say Japan is the birthplace of virtual idols – a history that goes back to 1996 when Kyoko Date, also known as DK-96 or ‘Digital Kid 1996,’ made her debut as the first virtual talent.
Virtual idols come in various shapes, forms, and subgenres, and they all have their different background stories. Hatsune Miki was released in 2007 as the embodiment of the Vocolaid software developed by Crypton Future, and then there are the popular virtual Youtubers, ‘vtubers’, with virtual talent agencies such as Hololive also thriving in Japan.
The term ‘virtual Youtuber’ came with the arrival of Kizuna AI, who posted her first introduction Youtube video in late 2016. Kizuna, who later became a cultural ambassador for the Japan National Tourism Organization, is still considered one of the most popular vtubers on earth.
With the great popularity of Japanese manga and anime on the Chinese market, Japanese virtual idols also gained a strong foothold in the People’s Republic since around 2017. Hatsune Miki alone already has over 3,4 million fans on Weibo (@初音未来CryptonFutureMedia).
The virtual entertainment market is now exploding in China, where the online ACG culture is flourishing on Bilibili and beyond.
Since Japanese popular culture products began to gain popularity in China in the early 1990s, there have been various developments that have shown the government’s dislike of the ‘Japanese cultural invasion’ in the country. As a counter-reaction, there has been stronger promotion of the production of made-in-China animations and other ACG products.
While China is seeing a steady release of domestic animated films and series, there is now also a wave of new China-born virtual stars, such as the Bilibili idol Yousa (冷鸢), or Xing Tong (星瞳), a virtual idol from Tencent. Chinese gaming company Papergames made the virtual character Nuan Nuan (暖暖) to also live outside of the gaming world; she is now a singer, a stylist, and a popular fashion ambassador.
There is also Ling (翎), the Chinese virtual influencer who loves Peking opera, tea culture, and calligraphy. Ling, who was created by Next Generation studio and Shanghai AI startup Xmov, appeared on the CCTV show Bravo Youngsters (上线吧华彩少年) and was featured on the cover of Vogue Me in February 2021 alongside actual real-life celebrities.
The number of Chinese virtual celebrities is expected to grow along with the growing market. In October of 2020, the Chinese variety show Dimension Nova (跨次元新星) first aired as a talent show scouting new virtual talent.
The growing influence of the virtual entertainment economy and culture in China is becoming more and more noticeable in pop music, commercial culture, and even in the sphere of politics.
Virtual celebrities are so popular that brands are also jumping in on this craze by hiring them as brand ambassadors or by creating their own cyber stars. Tencent’s Xing Tong, for example, modeled for Levi’s and sportswear brand Li Ning. Nuan Nuan, among others, was featured in a commercial for hair care brand LUX. Luo Tianyi appeared in campaigns for Huawei, Pizza Hut and KFC.
In January of 2021, McDonald’s China announced their own virtual idol “Happy Sister” (开心姐姐) as a brand ambassador. They are not the only one: there are over thirty companies in China now using a virtual brand ambassador. The new McDonald’s idol was welcomed by Weibo users, where the news of her launch received 200 million views.
The virtual idol influence also became apparent when Japanese ‘Hololive’ virtual celebrities Akai Haato and Kiryu Coco recently got caught up in a diplomatic row because they referred to Taiwan as a “country” when discussing their YouTube channel analytics during a livestream, leading to controversy among their Chinese fanbase.
In a statement published on Bilibili by Cover (the Japanese company behind the Hololive talent agency that the virtual celebrities in question were under), the agency apologized for what had happened. Nevertheless, both virtual stars involved in the controversy were banned from Bilibili and eventually the entire Chinese Hololive branch was shut down.
This example shows that although virtual idols are generally regarded as a safe option for brands and companies because, unlike real celebrities, they are not likely to get caught up in scandals, it is still possible for them to spark controversy.
Nevertheless, the future looks bright for virtual stars in China with still an enormous market for Luo Tianyi and others to conquer, with plenty of room for growth. From concerts to fashion shows to live streaming channels, from Weibo to Bilibili and beyond, we are bound to see virtual stars increasingly become a part of everyday life in China.
This text was written for Goethe-Institut China under a CC-BY-NC-ND-4.0-DE license (Creative Commons) as part of a monthly column in collaboration with What’s On Weibo.
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