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Where is Tang Lanlan? Chinese Netizens and Media Clash over Decade-Old Sexual Abuse Case

Ten years after it happened, a sexual abuse case involving a 14-year-old rural girl has ignited a huge debate.

Boyu Xiao

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A photo of Tang (right) with her mother and sibling in 2006.

The story of a highly unusual criminal case from 2008, in which 11 villagers were sentenced to prison for the abuse of a 14-year-old girl named Tang Lanlan (alias), has caused an online war between netizens and Chinese media reporters. On Thursday night, the hashtag ‘Tang Lanlan Sexual Abuse Case’ had received 50 million views on Weibo.

The story of a decade-old abuse case is causing an uproar on Chinese social media since it was first reported by The Paper (澎湃新闻) and other Chinese media outlets in late January. Many netizens on Weibo are outraged, as they believe reporters of the story are biased and have harmed the privacy of Tang Lanlan, the alleged victim in the case.

The story that is at the center of this ‘online war’ between media and netizens starts in October of 2008, when a then 14-year-old girl named Tang Lanlan (汤兰兰, pseudonym) wrote a letter to the local police station in Longzhen town in Wudalianchi, Heilongjiang Province, declaring that she had been raped and sexually abused by her own father, grandfather, uncles, teachers, the rural director and neighbors since she was seven years old.

Photo of the letter written by Tang in 2008, pulished by various Chinese media outlets.

The letter was the beginning of a police investigation into the case, leading to the arrest and prosecution of more than a dozen people, Chinese online news outlet The Paper reported. Throughout the prosecution period, Tang’s teachers and custodian parents supported the young girl.

In 2008, 16 people from the town were arrested on sex assault charges against a minor. Four years later, 11 of these suspects were sentenced to prison for rape and forced prostitution. Amongst them were Tang’s parents, who were also found guilty of forced prostitution.

Various Chinese media outlets report that although all of the 11 suspects sought to appeal the judgment against them and denied all allegations, the court remained with its original verdict during a second trial that took place by the end of 2012.

At present, five of the 11 suspects have been released, including Wan Xiuling, Tang’s mother, who was released from prison in 2017 after serving a sentence of almost nine years. Wan and the others are now asking lawyers to appeal, Global Times reports, claiming the 14-year-old Tang had been instigated by others to fabricate the story.

However, the only one able to verify the alleged falsity of the whole case, Tang Lanlan herself, now 23 years old, has changed her name and has moved to another place.

 
“Where is Tang Lanlan?”
 

Although the case was already reported on January 19, it caught the attention of Chinese netizens when The Paper (澎湃新闻) published its article about the case on January 30, which was titled “Looking for Tang Lanlan” (“寻找汤兰兰”*).

The article, for which a reporter traveled to Longzhen with Tang’s mother to interview the relatives of the other convicts, caused so much uproar online that it has since been removed from the website.

Many netizens criticize The Paper and its journalists Wang Ruifeng and Wang Le for their alleged bias in reporting about the case, and for posting a photo with the article that – although blurred – showed details about Tang’s possible new address and identity. Reporters were allegedly able to get their hands on the document upon a visit to the local police station.

The photo of a document regarding Tang, which, according to netizens, reveals too much information. (Blurred by What’s on Weibo).

Some Weibo users especially blame reporter Wang Le (王乐) for the controversial reports and claim that because she is female and around the same age as Tang, she should protect the victim instead of choosing the suspect’s side.

Although reports by The Paper and other media, such as BJnews (新京报), emphasize the lack of evidence in the case – suggesting the 14-year-old Tang fabricated the story – many commenters on Weibo say that it is normal for authorities to not disclose any information about a minor in an abuse case to protect the privacy of the child.

Some angry netizens felt so wronged about the reports on the matter that they even came forward and posted personal details of The Paper‘s reporters on Weibo in an act of ‘revenge.’

The Paper, or Pengpai (澎湃) in Chinese, was launched in 2014 as a new online media outlet, backed by government funding, aimed at young, mobile-focused people.

 
“Keep a clear mind”
 

Since the online commotion over the case and its reports, authorities in Wudalianchi city issued a notice on Thursday that urged netizens to “keep a clear mind,” Chinese state media outlet Global Times reports, writing: “We urge netizens not to believe in some people who deliberately create confusion.”

Despite the notice, the hashtag “Tang Lanlan Sexual Abuse Case” (#汤兰兰性侵案#) was already viewed over 49.8 million times on Weibo by Thursday night, proving the case has caught the strong interest of Chinese netizens.

“The public security authorities change the name and identity of the child, and then it’s the media who start a ‘human flesh search’ and reveal her identity, who would have expected this,” some netizens write.

“F*ck this, why turn this into a public trial now instead of going through the official legal channels?” others write.

By now, Tang Lanlan’s story has also attracted the attention of some of Weibo’s ‘big V’s,’ online influencers with a major following, who have shared their sympathy for the young woman.

Micro-blogger @Yijinyexing (@衣锦夜行的燕公子), who has nearly 4 million fans on Weibo, pointed out that the private information about Tang, released by the media, reveals that she is studying for her Bachelor’s degree. Yijinyexing wrote: “That’s good. I hope you can go abroad after your studies and see the world. We never need to know who you are, or who you’ll be. You can live the life of an ordinary person, and you’ll be just fine.”

By Boyu Xiao and Manya Koetse

*Full title of the controversial article is “Looking for Tang Lanlan: Girl claims she is the victim of sexual assault by relatives and their friends, 11 people jailed for years, now she’s gone ‘missing'”《寻找汤兰兰:少女称遭亲友性侵,11人入狱多年其人“失联”》

Spotted a mistake or want to add something? Please let us know in comments below or email us.

©2018 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Boyu Xiao is an MPhil graduate in Asian Studies (Leiden University/Peking University) focused on modern China. She has a strong interest in feminist issues and specializes in the construction of memory in contemporary China.

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China Local News

From Reckless Driving to Cyber Bullying: Wuhan Mother Jumps to Death after Son Gets Run over by Teacher’s Car

The Wuhan mother received online harassment for dressing nicely and for allegedly hyping the case for compensation.

Manya Koetse

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A tragic incident that unfolded in Wuhan has garnered significant attention on Chinese social media this week. It involves a mother who took her own life a week after her son was tragically crushed to death by a car driven by his teacher within the primary school campus.

The little boy named Xiaotan, a grade one student, was run over by a car near the school gates of the Wuhan Hanyang District Hongqiao School (弘桥小学) on May 23. He was just about to pick up a paper plane from the ground when he was hit by the car.

As reported by Thatsmag on May 26, the boy’s parents could not accept the teacher’s explanation of how the incident could have happened.

The teacher claimed he tried to wave the boy away with his hand when he appeared in front of his car and then waited before proceeding. But CCTV footage from the school showed that the car initially stopped for 2-3 seconds after the front wheels ran over Xiaotan, and then started driving again, causing the back wheels to run over the boy.

The teacher reportedly was not supposed to drive his car there at all according to school rules. According to school staff members, the teacher deviated from the designated path for vehicle entry and exit within the school premises.

On May 25th, the Education Bureau of Hanyang District made an announcement stating that the teacher in question had been criminally detained by the public security authorities and that legal actions will be taken based on the findings of the ongoing investigation into the incident. The school’s principal and deputy principal of the school were also removed from their positions.

Following the incident, the boy’s mother, Yang, spoke out about the incident at multiple occasions, as she was looking for justice. The way the school and authorities responded to the incident seemed to further exacerbate her despair, as more questions lingered.

Mother Yang with her young son.

Why was her child not sent to the nearest hospital after the incident? Why was the teacher driving so recklessly? Why was a car allowed to enter the primary school campus at all?

On the evening of June 2, Yang jumped from the 24th floor of a building in her residential community.

Cyberbullying

In the wake of this tragedy, the discussions on Chinese social media primarily revolve around the issue of cyberbullying. Many people believe that it was the online harassment Xiaotan’s mother endured that ultimately led her to take her own life.

After the death of her son, Yang voiced her grievances in multiple ways. The woman, a successful local real estate agent, received online slander for dressing nicely or even because she wore makeup. Other people accused her of hyping her son’s death to get more compensation, as she waited around the school for answers and an apology while mourning her son and talking to reporters.

The boy’s mother spoke out in various ways and tried to get justice. In doing so, she received online backlash.

Before her tragic death, Yang had published a post online in which she said she wanted to go and be together with her son (#坠楼离世母亲曾发文称想陪孩子一起去#).

Many people compared the story to that of Liu Xuezhou (刘学洲). The teenage boy became well-known in 2022 after an online search for his biological parents turned into a nightmare. Not only did Liu Xuezhou discover he was a victim of human trafficking, he also suffered online harassment. The situation eventually drove him to commit suicide.

One Weibo blogger (@开花富贵老娘发飙) highlighted that the Wuhan mother’s death should not solely be attributed to online harassment but rather to the lack of psychological support for individuals who go through such immense tragedies and suddenly find themselves in the spotlight of online attention. The blogger emphasized the need for psychological intervention for victims like the mother in Wuhan and Liu Xuezhou, as they often resort to expressing their grievances online, only to become a target of cyberbullies.

Commentator Hu Xijin (胡锡进) also responded to the issue in a post on June 4, in which he highlighted that the case is tragic and complex, and that cyberbullying is one factor that worsened the mother’s mental state. Online harassment must be avoided at all costs, Hu argued: “Internet users need to think about how to express their opinions without being harsh towards those who are grieving.”

On Douyin, where Yang frequently posted, many people mourn the tragic death of both mother and son.

Meanwhile, multiple commenters note how the cars inside Wuhan’s school campuses have disappeared, and that even outside of Wuhan in other cities in Hubei, there are no longer cars parked inside the primary school campus. Various sources report that, following the incident, it was announced that vehicles are no longer allowed to park inside school campuses.

On June 3, various bloggers also noted how accounts that were involved in the online harassment of Yang have now been restricted or blocked by the Weibo platform.

By Manya Koetse, with contributions by Miranda Barnes

For information and support on mental health and suicide, international helplines can be found at www.befrienders.org.

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China Arts & Entertainment

Let’s Plant: China’s Variety Show “Become a Farmer” Is Harvesting Success Online

As iQIYI’s ‘Become a Farmer’ gains momentum, it highlights China’s growing trend of embracing rural themes in mainstream entertainment.

Wendy Huang

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With its focus on hard farm work and meeting actual targets, Become a Farmer is a fresh breeze of air for China’s variety show business, especially among young Chinese viewers who appreciate the show’s authenticity and the calmness of the rural scenes that pose a stark contrast with stressful urban life.

The Chinese variety show Become A Farmer has achieved tremendous popularity in China recently through the iQIYI platform, which is often hailed as the Chinese equivalent of Netflix. Become A Farmer recently gained over 4.6 billion (!) views on Weibo through the hashtag #种地吧# (Zhǒng dì ba), which translates to “Let’s Plant” or “Let’s Farm” in English and also happens to be the show’s name in Chinese.

Produced by iQIYI and Blue Sky Media Group (BSMG), Become A Farmer (Young Men edition) is a documentary-style interactive reality show that revolves around the theme of farming, with actual farm work as its central focus.

The show handpicked ten young men out of 300 candidates to assemble a “farming team.” With unwavering dedication, they toiled for over 190 days, diligently cultivating 142.8 mu (approximately 95,200 square meters) of land. They actively engaged in every aspect of farm work, starting from planting a single seed and guiding the audience through the complete journey of rice germination, growth, flowering, and ultimately reaping the harvest.

Chinese netizens have drawn comparisons between the show and the British television documentary series Clarkson’s Farm. Playfully, they remarked that if Clarkson’s Farm were to be introduced in the Chinese market, it could aptly be renamed “Become A Farmer (Old Men Edition).”

Become A Farmer released its first episode on February 4 of this year, initially receiving limited attention. However, as subsequent episodes were released, the show started garnering increased interest, with the audience discovering the genuine dedication of the ten young men towards their farming endeavors – and that it was not just for show.

The show’s nomination for the Shanghai TV Festival, and its current rating on Douban.

Its rating on Douban, China’s IMDB, has climbed up to 8.9 out of 10. Meanwhile, the series has been nominated for the prestigious Magnolia Award for Best Variety Program at the 28th Shanghai TV Festival.

A Fresh Take on Chinese Idol Survival Shows

Become A Farmer initially caught the attention of many Chinese netizens through the humorous jokes of veteran comedian Pang Bo during the fifth season of the stand-up comedy competition Rock & Roast.

At that time, the show had not yet been aired but its format had already been introduced during a media conference, and Pang Bo (庞博) had heard about it.

In Pang’s joke, he compared the show to a farmer version of idol survival shows, proposing that the four individuals who made the greatest contributions to the final harvest could come together as a group, forming a new generation of F4 (referring to the popular Asian boy band), playfully dubbed “Farmer 4.”

Pang Bo joking about the upcoming show.

While Chinese netizens were initially amused by this joke, little did they realize that iQIYI was actually turning it into a reality, albeit without the comedic intent.

“Food is not something we can take lightly with jokes and banter, especially considering the size of our farmland, which spans approximately 140 mu and has the potential to provide sustenance for many people. This is a matter of responsibility and morality,” stated Yang Changling (杨长岭), the show’s director.

Normally, Chinese entertainers are compensated for their involvement in reality or variety shows, as they play a crucial role in generating engaging content. Such shows often seek out celebrities with a large online fan base to ensure a favorable viewership.

But Become A Farmer is different. Among the ten young men, no one is a typical celebrity that has a huge fan base online. Moreover, they are not paid for filming the show but have to earn from the land rented from local farmers through their own hard work.

To legally sell the products grown on their farmland, the ten young men took the step of registering an official company. This registration allowed Chinese netizens to verify the company’s information on the government website, providing evidence of the project’s authenticity. As the information about the company circulated, the related hashtag (#种地吧 开公司#) gained traction on Weibo, eventually trending when the ten young men received their official company certificate.

(Snapshot from the show /The ten young men received the certificate of their company)

Become A Farmer leans more towards being a documentary rather than a traditional entertainment program. To underscore its authenticity, a novel approach has been adopted in China’s variety show landscape. It airs live for one hour every day, beginning at 9:30 am, synchronizing with the young men’s start of work. This timing allows netizens, who typically commence their own workday around that time, to actively participate as ‘online supervisors,’ overseeing the ten young men’s daily tasks while starting on their own tasks of the day.

Through livestreaming on both Weibo and Douyin (the Chinese version of TikTok), the show creates a natural teaser for the edited reality series while embodying its interactive nature.

As an additional element, the ten young men occasionally share vlogs on Weibo and Douyin during the filming process. This unique combination of long-form reality show footage + livestreaming + vlogs allows the audience to closely follow and stay updated on the progress of the ten young men’s work over the span of more than 190 days.

The show’s concept of gathering relatively unknown young men aspiring to make a breakthrough in the entertainment industry bears resemblance to popular shows like Youth With You, also produced by iQIYI. However, Youth With You‘s third season was suspended in 2021 for wasting large amounts of milk amid the China’s strengthened efforts in eradicating wasting food; viewers were ecouraged to buy bottled Mengniu milk and scan QR codes inside the caps to vote for their favorite trainees, which led to fans buying tons of bottles only to vote and getting rid of the milk.

Clearly, iQIYI has learned from the past and taken a different approach with Become A Farmer. In this show, there are no milk-wasting competitions or cutthroat rivalries. Instead, the ten young men are united in their goal to complete the farm work together and to run the company and get rid of its debt.

Focus on Vital China Topics: Empowering Youth, Food Security, and Rural Revitalization

Various topics that are relevant in today’s China come together in Become a Farmer. The show also explicitly addressed its objectives in producing this diverse variety show and released a pre-episode to emphasize the importance of food security and shed light on the challenges faced by Chinese youth upon entering the workforce.

In recent years, China has placed significant emphasis on food security, with leaders repeatedly stressing the need to ensure that “the Chinese rice bowl is firmly held in our own hands.”

The China Agricultural Outlook Report (2023-2032), released on April 20, outlined the ongoing consolidation of China’s food security foundation for the next decade. Notably, all 103 million hectares of permanent farmland will be transformed into high-standard farmland. The report also highlighted plans to diversify import channels for agricultural products, improve the trade structure, and reduce grain imports by 19.7 percent over the next decade.

During the pre-episode of the show, an expert who provided training courses to ten young men emphasized the need to address the aging agricultural workforce in China’s agricultural development.

Simultaneously, in 2023, China witnessed a record-breaking number of graduates, reaching 11.58 million.

Given the increasing digitalization in agriculture, encouraging young people to pursue farming careers emerges as a viable solution. By becoming New Era Farmers (新农人) and actively participating in the nine tasks outlined in China’s “No. 1 central document” for 2023, which promotes rural vitalization comprehensively, young talent can contribute to the development of rural areas instead of solely pursuing white-collar jobs in urban areas.

A Rural Trend in Chinese Entertainment

The increasing appeal of rural life among young people in China is reflected in a survey conducted by the Social Survey Center of China Youth Daily (中国青年报社社会调查中心) in September 2022. The survey revealed that 70.9% of the respondents believed that the countryside has become more attractive to young individuals. Factors such as a slower pace of life, lower pressure, and reduced costs were cited as the main reasons why young people find rural areas appealing.

As transportation and internet connectivity have gradually improved, rural life in China is no longer seen as isolated and cut off from the rest of the world. This transformation has sparked a growing interest in living in the countryside, particularly among young people. The countryside’s allure lies in its simplicity, natural beauty, and the chance to escape the fast-paced and hectic city life.

This growing interest in rural life may explain the popularity of shows like Become a Farmer. The commitment demonstrated by the ten young men to their farm work has garnered applause from Chinese netizens. Overcoming challenges such as working in adverse weather conditions, assisting with difficult births for animals, and engaging in physically demanding tasks have showcased their dedication and hard work. These aspects have resonated with the audience and contributed to the show’s success.

(The ten young men are diligently digging drainage ditches in the farmland during chilly weather, working hard to ensure they meet the planting season deadline.)

Snapshot from the show: Jiang Dunhao, the oldest among the ten young men and chairman of the company, joins forces with He Haonan to support in the challenging task of aiding the delivery of difficult births for ewes. Together, they strive to save the life of a premature lamb, seeking guidance from a professional veterinarian through online assistance.

Originally planned to conclude after 39 episodes, the show’s production team has decided to extend it to 50 episodes due to the abundance of material gathered from over 190 days of farm work and the increasing interest and positive feedback from viewers. This extended episode count goes beyond the typical duration for a variety show, highlighting its exceptional popularity.

It is evident that iQIYI, the broadcasting platform behind the show, is keen on fulfilling its alleged social responsibility to promote the importance of food security and sustainable food production, farming, and showing that young individuals that they can thrive in rural areas.

Capitalizing on the success of the reality show, iQIYI has also released a teaser for an upcoming drama called Romance on the Farm (田耕纪), which also revolves around farming. This drama portrays a contemporary woman unexpectedly finding herself in the countryside during the Song Dynasty and embarking on a journey of farming, prosperity, and love alongside the enigmatic Shen Nuo.

In the last couple of years, there were several countryside-themed dramas that showcased China’s rural revitalization efforts and highlighted the involvement of younger generations in supporting their rural hometowns, such as On The Way to Hope (在希望的田野上) or The Story of Xing Fu (幸福到万家) which starred the renowned Chinese actress Zhao Liying.

The success of Become a Farmer, the upcoming Romance on the Farm, and the overwhelming enthusiasm among Chinese viewers for these shows suggest that farming has become the latest ‘hip’ trend in China’s entertainment industry. It seems that plowing fields and tending to crops have now found their place in the limelight. With the growing interest and excitement surrounding these shows, it’s safe to say that we can expect a blooming harvest of more Chinese productions focused on farm work and rural life in the near future.

Watch “Become a Farmer” on Youtube here (including English subtitles).

By Wendy Huang

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©2023 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

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