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‘D&G Loves China’ Controversy: The Video, the “Racist” Designer, the Canceled Show

“D&G Loves China”, but China doesn’t really love D&G this week.

Manya Koetse

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It started with a controversial promotional video, got really messy when screenshots went viral of a China-bashing online conversation with the alleged Stefano Gabbana, started snowballing when D&G claimed the account was hacked, and ended with the cancellation of Dolce & Gabbana’s big Shanghai show. A classic trending marketing drama has captured the attention of Chinese netizens today.

One of the biggest topics on Chinese social media today is a controversy involving Italian luxury brand Dolce & Gabbana, better known as D&G (Dùjiābānnà 杜嘉班纳 in Chinese), and the cancelation of its high profile Shanghai fashion show that would have taken place on Wednesday night.

 

1: The Video

 

The story starts with the Italian fashion house D&G’s recent campaign series “DG Loves China,” which was launched in order to promote a runway show that was supposed to take place in Shanghai on November 21st.

As part of the campaign, D&G issued multiple videos on social media. One of them shows a Chinese-looking woman – all dressed in D&G – attempting, quite unsuccessfully, to eat a large cannoli bread with chopsticks.

A male Chinese voice over in the video then suggests that the cannoli might be “too big” for the lady (watch one of the videos on Temper Magazine here).

She then takes a small part of the bread with her chopsticks, after which the voiceover says: “Right, now you feel like you’re in Italy, while you are in China.”

The campaign was promoted through Instagram and also went live on Weibo on November 18, using hashtags as #DGLovesChina# and #DGTheGreatShow#. But it was not received very well by many netizens on Chinese social media, with some calling it “outdated and stereotypical,” “racist,” or “disrespectful.”

China-focused fashion publication Temper Magazine notes that this is not the first time for D&G to trigger this kind of controversy in mainland China.

In April of 2017, netizens also reacted angrily to a series of D&G photographs shot in Beijing streets, which featured glam models next to common taxi drivers or impoverished local residents. Many thought the photos purposely showed a more ‘ugly’ side of China, instead of the more glamorous sides of the city.

This week, the D&G videos in question were pulled from Weibo following the criticism. On Twitter, the videos are still available (check one of them in embedded Tweet above to judge for yourself).

 

2: The “Racist” Designer

 

The social media storm snowballed out of control after screenshots of comments attributed to fashion designer Stefano Gabbana went viral on Wednesday, also being reposted by major Chinese state media accounts such as Global Times.

The screenshots were posted by Instagram user Michaela Phuong Thanh Tranova (@michaelatranova), a fashion business student, although it is stil unclear why this Instagram user would have a private Instagram conversation with Stefano Gabbana and whether or not they are acquainted.

Alleged screenshots of conversation with Mr. Gabbana (completely unverified but went viral anyway).

Alleged screenshots of conversation with Mr. Gabbana (completely unverified but went viral anyway).

Despite the lack of context and/or veracity of the conversation, the screenshots, in which the alleged fashion designer uses rambling texts and refers to China as the “land of sh*t” and speaks of “China ignorant dirty smelling mafia”, soon spread on Chinese social media, where many netizens called for a boycott of D&G.

“This is not just a designer, he is one of the creators of D&G,” some commenters said: “The brand literally carries his name.” And: “Congratulations with your bankruptcy.”

 

3: The Cancelled Fashion Show

 

On Wednesday afternoon, Beijing time, Stefano Gabbana published a post on his official Instagram account, in which the designer said his Instagram account had been hacked, adding, “I love China and the Chinese culture. I’m so sorry for what happened.”

Despite the alleged hack of the Gabbana account, news came out on Wednesday that the much-anticipated Shanghai fashion show of D&G, that would take place this evening, had been canceled.

“The fashion show that was planned on November 21st at 20.00 has been rescheduled due to circumstances, we deeply regret any inconvenience caused,” the official D&G account published on Weibo, just some three hours before the show would take place.

The hashtag “DG Show Cancelled” (#DG大秀取消#) had received 340 million 490 million views at time of writing, being one of the top 10 trending topics of this moment.

According to Chinese media, various Chinese celebrities, including Zhang Ziyi (章子怡) and Chen Kun (陈坤) had already refused to attend the show.

On Weibo, many netizens do not believe the claims by D&G that their account had been hacked, saying things such as: “Ha, ha, ha, your show has been canceled, you tried to make money off China, get lost!”

The Sina Fashion Weibo account has since posted photos of the fashion show venue, that is now deserted (images below).

Meanwhile, Instagram user @michaelatranova, who posted the screenshots of the conversation with the alleged D&G designer, posted on Instagram that “we all (not only us Asians) deserve a better treatment from all (fashion) brands that pretend to cater to our needs just to stuff their pockets with our money.”

Many Chinese netizens seem to agree with the Instagram user, as hundreds of Weibo commenters are calling for a China boycott of D&G.

As this story is still developing, feel free to share your view on this below in the poll: do you believe Gabbana’s account was really hacked, do you think it is an excuse, or is it irrelevant?

[Total_Soft_Poll id=”2″]

For an update of this story, please check this article!

By Manya Koetse, with contributions from Miranda Barnes

Spotted a mistake or want to add something? Please let us know in comments below or email us.

©2018 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

Manya Koetse is the editor-in-chief of www.whatsonweibo.com. She is a writer and consultant (Sinologist, MPhil) on social trends in China, with a focus on social media and digital developments, popular culture, and gender issues. Contact at manya@whatsonweibo.com, or follow on Twitter.

5 Comments

5 Comments

  1. Avatar

    Ed Sander

    November 21, 2018 at 1:56 pm

    Regardless of the question if the account was hacked (if it wasn’t we have probably identified the biggest idiot on the planet), the question that I’m wondering about most is: what agency were they using for this campaign?!

    • Avatar

      EVA-04

      November 21, 2018 at 5:50 pm

      I’m not surprised D&G would have a marketing campaign like that with the inferred sexual innuendo, they’re deliberately provocateurs in that regard. But really, where’s the harm? Are we at the point where Intersectionality and Cultural Misappropriation ruin everything?

  2. Avatar

    autraka

    November 22, 2018 at 6:56 am

    Best article I read about this accident. One thing I think is missing is that it is the Chinese models who are preparing for the show decided to quit the show that night. Check out this video http://n.miaopai.com/media/ZG9PxYlMIdYOGSzf-8WT2u3Tjz9MJ4hP

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China Arts & Entertainment

China’s New Hit Drama ‘Nothing But Thirty’ Thrives in the “She Era”

Chinese latest hit drama ‘Nothing but Thirty’ has 20 billion views on its Weibo hashtag page.

Yin Lin Tan

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China’s latest TV drama hit Nothing But Thirty is flooding Weibo discussions. With over 20 billion views on its hashtag page, the show is one of the most popular shows of the season and demonstrates that China’s ‘she era’ (ta shidai 她时代) dramas are all the rage. What’s on Weibo’s Yin Lin Tan explains.

“Have you heard of ‘independent at the age of thirty’ (sān shí ér lì 三十而立)?” Wang Manni asks, her hair pulled back neatly and white shirt cleanly pressed. “I hope that, before I’m thirty, I’ll be promoted to supervisor.”

Riding on the wave of female protagonist (‘heroine’ 大女主) shows that have been taking over China’s entertainment scene, Nothing But Thirty (三十而已) is a 43-episode drama by Dragon Television that follows the challenges of three different women who have reached the ever-important age of thirty.

In a society where women are often expected to be married by their late twenties, a show like this, which tackles women’s present-day struggles, both in their personal and professional lives, has resonated with many.

In fact, the show is so popular that at the time of writing, the show’s hashtag (“Nothing But Thirty”, #三十而已#) has over 20 billion (!) views on Weibo.

 

Depicting the struggles of China’s thirty-something women

 

Nothing But Thirty revolves around the lives of three female leads from different walks of life. Gu Jia (Tong Yao) is a capable businesswoman turned full-time housewife; Wang Manni (Jiang Shuying) is an independent, career-oriented sales assistant; and Zhong Xiaoqin (Mao Xiaotong) is your run-of-the-mill office lady.

For Gu Jia, the birth of her son was what truly transformed her into a full-fledged housewife. In many ways, she seems like a perfect wife and mother: well-educated, capable, and thoughtful. But, eventually, she too has to face life’s challenges.

Driven and hardworking, Wang Manni is confident in both her looks and abilities. Her immediate goal, at least at the start of the show, is to achieve professional success. Throughout the show, her resilience is put to the test, personally and professionally.

Zhong Xiaoqin is described by many netizens as the most “average” or “normal” character. She is kind-hearted -sometimes to the point of being a pushover -, and has spent years at the same company without rising the ranks. Though her story might seem mundane at first, this peace is disrupted when her marriage takes a turn for the worse.

 

A story that resonates with the masses

 

“The show attracted wide attention, and it strongly resonated with female audiences. Many thirty-something working women saw their own lives reflected in the show,” Xinhua recently wrote about the show.

Nothing but Thirty currently carries a 7.6 out of 10 rating on Douban, an online reviewing platform.

Though some reviewers criticized how the later episodes of the show were unnecessarily draggy, most praised it for its portrayal of strong female characters, good acting, and largely realistic depiction of women above the age of thirty.

“I saw myself, and also saw the friends beside me,” a reviewer notes.

In China, women are, more often than not, burdened with expectations of getting married and settling down by the time they are in their late twenties. If you’re single and thirty, that’s made even worse.

Those who fall into this category carry the derogatory label of “leftover women” (剩女), a term that reflects how single women above the age of thirty are seen as consolation prizes or even unwanted goods.

Thirty is thus an incredibly important number, especially for women — something that’s clearly reflected in the show’s concept trailer.

Aside from societal expectations of starting a family, some women now also take it upon themselves to build their careers. In fact, you can chase after professional success without burdening yourself with the idea that you must be married – a notion exemplified by the character of Wang Manni.

Nothing But Thirty also showcases the sheer diversity of experiences for women above thirty: you don’t have to be married, you don’t have to be super capable, and you don’t have to be thinking about having children. Each woman goes through her own unique struggles and isn’t necessarily endowed with the so-called “protagonist’s halo.”

Ultimately, the popularity of the show is driven by the three female leads and the actresses who bring these strong characters to life.

By telling a story that is relatable and touches on relevant social issues, namely on expectations of women in society, Nothing But Thirty was able to achieve widespread popularity and is adding another notch on the trend of China’s ta shidai (她时代) dramas. 

 

The rise of ta shidai shows

 

Ta shidai literally translates to “her era” or “the ‘she’ era.”

Ta shidai shows explore what it’s like to be a woman in China today. The female characters are diverse when it comes to both their backgrounds and character arcs; they might have different jobs, different levels of education, or different personalities. These shows mostly center around a strong female lead and/or a main cast that is primarily female.

More importantly, they often feature capable women and how these women overcame the odds to achieve success.

Recent shows like The Romance of Tiger and Rose (传闻中的陈芊芊) and Sisters Who Make Waves (乘风破浪的姐姐) also fall under this category, as do somewhat older hit shows such as Ode to Joy (欢乐颂) and Women in Beijing (北京女子图鉴).

The Romance of Tiger and Rose is set in a society in which women are in charge and men are subordinate, in a daring reversal of gender roles. Though the show has been criticized for using social issues to attract attention, it gained a decent following for tackling topics like gender inequality and women’s rights.

The Romance of Tiger and Rose (传闻中的陈芊芊)

A reality TV competition that swept the Chinese entertainment scene, Sisters Who Make Waves attempted to rebuke stereotypes of women over 30 as “leftover women.”

The show brought together female celebrities above the age of 30 (the oldest competitor was 52), and had them go through a series of challenges, culminating in a girl group formed by the final competitors.

Nothing But Thirty is just another example of a show that’s attempted to depict the realistic struggles of women in modern-day China.

More Chinese dramas that feature women — specifically, their struggles and the expectations that society places on them — are slated to be released in 2020.

Over the past few years, more attention has been focused on women’s rights in China. As feminism becomes an increasingly important topic of discussion in China, strongly facilitated by social media and not without controversy, companies are likely to hop on the bandwagon and continue producing shows that fall squarely in the ta shidai category, given the genre’s rising popularity.

Though we can’t expect every single show to perfectly, accurately, and realistically portray women’s struggles, the fact that more stories like these are being produced already helps bring such conversations into the mainstream. 

Hopefully, the trend of ta shidai shows is a sign that these issues won’t just be tackled on camera, but in real life as well. 

 
Read more about Chinese TV dramas here.
 

By Yin Lin Tan

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©2020 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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China Arts & Entertainment

Two Hour Time Limit for KTV: China’s Latest Covid-19 Measures Draw Online Criticism

China’s latest COVID-19 infection prevention and control measures are drawing criticism from social media users.

Manya Koetse

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First published

No more never-ending nights filled with singing and drinking at the karaoke bar for now, as new pandemic containment measures put a time limit as to how long people can stay inside entertainment locations and wangba (internet cafes).

On June 22nd, China’s Ministry of Culture and Tourism (文旅部) issued an adjusted version to earlier published guidelines on Covid-19-related prevention and control measures for theaters, internet cafes, and other indoor entertainment venues.

Some of the added regulations have become big news on Chinese social media today.

According to the latest guidelines, it will not be allowed for Chinese consumers to stay at various entertainment locations and wangba for more than two hours.

Singing and dancing entertainment venues, such as KTV bars, can only operate at no greater than 50% maximum occupancy. This also means that private karaoke rooms will be much emptier, as they will also only be able to operate at 50% capacity.

On Weibo, the news drew wide attention today, with the hashtag “KTV, Internet Cafe Time Limit of Two Hours” (#KTV网吧消费时间不得超2小时#) receiving over 220 million views at the time of writing. One news post reporting on the latest measures published on the People’s Daily Weibo account received over 7000 comments and 108,000 likes.

One popular comment, receiving over 9000 likes, criticized the current anti-coronavirus measures for entertainment locations, suggesting that dining venues – that have reopened across the country – actually pose a much greater risk than karaoke rooms due to the groups of people gathering in one space without a mask and the “saliva [drops] flying around.”

The comment, that was posted by popular comic blogger Xuexi, further argues that cinemas – that have suffered greatly from nationwide closures – are much safer, as people could wear masks inside and the maximum amount of seats could be minimized by 50%. Karaoke rooms are even safer, Xuexi writes, as the private rooms are only shared by friends or colleagues – people who don’t wear face masks around each other anyway.

Many people agree with the criticism, arguing that the latest guidelines do not make sense at all and that two hours is not nearly enough for singing songs at the karaoke bar or for playing online games at the internet cafe. Some wonder why (regular) bars are not closed instead, or why there is no two-hour time limit for their work at the office.

Most comments are about China’s cinemas, with Weibo users wondering why a karaoke bar, where people open their mouths to sing and talk, would be allowed to open, while the cinemas, where people sit quietly and watch the screen, remain closed.

Others also suggest that a two-hour limit would actually increase the number of individuals visiting one place in one night, saying that this would only increase the risks of spreading the virus.

“Where’s the scientific evidence?”, some wonder: “What’s the difference between staying there for two hours or one day?”

“As a wangba owner, this really fills me with sorrow,” one commenter writes: “Nobody cares about the financial losses we suffered over the past six months. Our landlord can’t reduce our rent. During the epidemic we fully conformed to the disease prevention measures, we haven’t opened our doors at all, and now there’s this policy. We don’t know what to do anymore.”

Among the more serious worries and fears, there are also some who are concerned about more trivial things: “There’s just no way we can eat all our food at the KTV place within a two-hour time frame!”

By Manya Koetse

*” 餐饮其实才更严重,一群人聚在一起,而且不戴口罩,唾沫横飞的。开了空调一样也是密闭空间。电影院完全可以要求必须戴口罩,而且座位可以只出售一半。KTV其实更安全,都是同事朋友的,本身在一起都不戴口罩了,在包间也无所谓。最危险的餐饮反而都不在意了”

Spotted a mistake or want to add something? Please let us know in comments below or email us. First-time commenters, please be patient – we will have to manually approve your comment before it appears.

©2020 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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