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‘Humiliating’ Korean K-Swiss Commercial Enrages Chinese Netizens, Fuels Anti-Korean Sentiment

A Korean commercial by American footwear company K-Swiss has recently sparked outrage on Chinese social media. The ad video depicts an alleged Chinese character in a way that is called “insulting” and “humiliating” to China. The controversy fuels anti-Korean sentiments amidst current China-South Korea tensions, negatively impacting the popularity and presence of Korean pop culture in the PRC.

Manya Koetse

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A Korean commercial by American footwear company K-Swiss has recently sparked outrage on Chinese social media. The ad video depicts an alleged Chinese character in a way that is called “insulting” and “humiliating” to China. The controversy fuels anti-Korean sentiments amidst China-South Korea tensions, negatively impacting the popularity and presence of Korean pop culture in the PRC.

On August 3, Sina News, along with several other Chinese media, reported that popular Korean actor Park Bo Gum (朴宝剑) appeared in a commercial that is “insulting to China”. The message states that it is unreasonable for Park “to make money in China” and then “humiliate Chinese people”.

Park Bo Gum is famous in mainland China, where Korean popular culture has been booming since the early 2000s. The major popularity of Korean pop culture in the PRC is also referred to as Hallyu, or “Korean Wave”.

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The K-Swiss commercial caused a storm of criticism on Chinese social media, where the Sina News post alone was already shared over 5700 times, liked 21,000 times, and receiving more than 19,500 comments within 48 hours after it was posted. Other accounts posting about the video also received thousands of comments, making the issue a trending topic on Sina Weibo, using hashtags like “Korean commercial vilifies The Great Wall [China]” (#韩国广告丑化万里长城#).

“He [Park] comes to China to fill his pockets and then ridicules us,” one of the top comments says. Other Weibo users say Park is “no longer a pop idol” in their eyes or in their country (“国家面前无偶像”), and call him “deceitful” and “no longer welcome in China”.

Controversial game of chess

The 50-second commercial for K-Swiss, an American apparel company, shows Park playing a the Go board game against an alleged Chinese rival named ‘The Great Wall’ (万里长城). Like chess, Go is a strategy board game in which the aim is to surround more territory than the opponent. The game originated from ancient China, and is considered one of the oldest and most refined Chinese strategy games.

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After showing how the ‘Chinese’ player makes a move and just when it is Park’s turn, the commercial shifts to a party scene where the two players are dancing on the chess board. Park, in his K-Swiss sneakers, is portrayed as a popular kid with smart moves, his opponent is somewhat clumsy, chubby, and unfashionable. Not only does he have bad dancing skills, he is also slapped by a woman on the dance floor – a move that is laughed about by Park.

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Back to the actual chess game, Park finally makes the winning move. As the Chinese name of his opponent [“Great Wall”] is clearly visible, the sound of a goat bleating is played and the commercial ends with a happy Park.

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Shutting out Korean stars due to THAAD

By now, the commercial has become highly controversial on Chinese social media, where a majority of netizens denounce it, finding it insulting and discriminatory to China. Many netizens argue that Park should no longer be welcomed in China after choosing to feature in this commercial. “It is not without reason that we’re shutting out Korean stars,” one netizen comments.

The netizen refers to the recent request made by the Chinese State Administration of Press, Publication, Radio, Film and Television (SAPPRFT) to China’s major broadcasting firms, asking them to ban South Korean celebrities from making appearances on television entertainment shows starting next month, The Korea Herald reports.

The request was preceded by a series of sudden cancellations of appearances by Korean stars in China; a Chinese fan meeting with Korean stars Kim Woo Bin and Bae Suzy was “abruptly postponed” earlier this week. The popular Korean actor Lee Jun-ki will not be able to attend the opening of his most recent movie in China due to “visa issues”, and scheduled PRC concerts by Korean bands such as Snuper and Wassup have also been canceled by Chinese organizers for “no specific reason”.

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The apparent crackdown on China’s “Korean wave” comes after Beijing’s vehement opposition to South Korea’s THAAD (Terminal High-Altitude Area Defense) deployment. Last July, South Korea and the US announced their final decision to deploy the THAAD system in the south against North Korea’s missile and nuclear threats. The plan has angered Chinese leaders, who see the system as a possible security threat to the PRC.

The opposition to THAAD has now spilled over into popular culture, and South Korean businesses fear it might further influence their trade relations to China.

The huge controversy over the K-Swiss commercial comes at a moment when China-South Korea relations are strained over THAAD. Fragments of the commercial on YouTube from January 2016 suggest that this commercial has been around for at least 7 months, which makes the timing for Chinese state media to put forward news about this ‘recent’ commercial more questionable.

The commercial has nevertheless fuelled anti-Korean sentiments, as Chinese netizens claim to be “furious”, taking the representation of the man called ‘Great Wall’ in the ad video as the way South-Koreans perceive Chinese. “It is not that we want to curse you Koreans, but you disrespect us and look down on China. Your commercial might say ‘Great Wall’, but it is actually directed against all of China. Even I don’t always think China is that harmonious, but when it comes to foreign countries, we need to be patriotic!”, one netizen writes.

While Weibo is overflowing with anti-Korean and China-loving comments, actor Park Bo Gum is quickly losing followers on his official Weibo account, where his latest fan post received thousands of angry comments over the past two days. “I always liked you so much,” one disappointed fan writes: “I never expected this from you.”

What’s on Weibo video blog about the recent controversy on the Korean K-Swiss commercial: discrimination of China?

– By Manya Koetse

©2016 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

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Manya Koetse is the editor-in-chief of www.whatsonweibo.com. She is a writer and consultant (Sinologist, MPhil) on social trends in China, with a focus on social media and digital developments, popular culture, and gender issues. Contact at manya@whatsonweibo.com, or follow on Twitter.

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    justsomeguy69

    November 16, 2016 at 2:46 am

    LOL whiney chiney. Grow up, all of you. No one on the planet likes you, loud, rude, no manners at all, disgusting, spitting, shitting in public, destorying property including millenia-old monuments, committing fraud all day every day. When kids do not play well with others, they are excluded. What do you think the world will do with you? Permanently put you away. All of you

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Chinese TV Dramas

No ‘Novoland’: This Really Is a Tough Year for Chinese Costume Dramas

After the sudden cancellation of the much-anticipated ‘Novoland’ premiere, Chinese fantasy costume dramas are facing grim prospects.

Manya Koetse

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With 1,4 billion views on its Weibo page, the Chinese fantasy drama Novoland: Eagle Flag was one of the most-anticipated series of the year. This week, the show was suddenly canceled twenty minutes ahead of its premiere. The incident is indicative of recent tensions within China’s TV drama industry, where some costume dramas have apparently failed to win the support of official regulators.

Just a week ago, What’s on Weibo reported about the Chinese fantasy drama Novoland: Eagle Flag (九州缥缈录, Jiǔzhōu piāomiǎo lù) being one of the most anticipated TV dramas in China this summer. On June 3rd at 21:40 CST, however, just twenty minutes before the drama’s much-awaited premiere on Tencent, Youku, and Zhejiang TV, the show was suddenly canceled.

Novoland: Eagle Flag, which has been called China’s answer to Game of Thrones, is a costume drama that tells a story of war, conspiracy, love, and corruption in a fantasy universe called Novoland. It is based on a popular web fantasy novel series by Jiang Nan (江南), and produced by Linmon Pictures. Production costs reportedly were as high as RMB 500 million ($72 million).

Why was the show’s premiere suddenly canceled? The only reason given for it on June 3rd was that there was a ‘medium problem’ (“介质原因”).

China’s English-language state tabloid Global Times reported on June 4th that their official sources also did not know the reason for the withdrawal, although they did admit to having received an order from “higher level,” which would come from China’s National Radio and Television Administration (NRTA,国家广播电视总局).

In March of 2018, China’s State Administration of Press, Publication, Radio, Film, and Television (SAPPRFT), the former top regulatory body overseeing television productions, was officially abolished and replaced by three different state administrations in the ideological sector.

The NRTA is responsible for media control on radio and TV, and falls directly under the State Council. It is led by Nie Chenxi (聂辰席), who is also the deputy director of the Publicity Department of the Communist Party of China. This appears indicative that the Party now has more direct influence over this industry, as also recently suggested by Global Policy Watch, SupChina, and Variety. Under the NRTA, the regulation and censorship of Chinese TV dramas are as strict, and arguably stricter, than under the SAPPRFT.

 

Costume dramas: not enough “spiritual guidance”?

 

The strict control of the NRTA over China’s TV industry is especially visible this year. As reported by CCTV News, China’s regulatory body started to severely crack down on the rising popularity of Chinese costume dramas (古装剧) in March of 2019.

Regulatory rules were supposedly issued for costume dramas with ‘themes’ (题材) such as martial arts, fantasy, history, mythology, or palace, stating that they should not air or were to be taken down from online video homepages. The strictest crackdown would allegedly last until July.

From early on in 2019, it was already rumored that Chinese costume dramas would face a tough year.

On January 28 of 2019, Beijing Daily, the official newspaper of the CPC Beijing Municipal Committee, published a critical post on its social media account listing negative influences of court-themed TV dramas (宫廷剧).

The critique included arguments such as that the imperial lifestyle was being hyped in these dramas, that the social situation of the dynastic era was being negatively dramatized, and that these productions are just aimed at commercial interests while weakening China’s “positive spiritual guidance.”

In February of this year, two weeks after the Beijing News post, Eduardo Baptista at CNN.com reported on the abrupt cancelation of the planned rebroadcasting of two costume dramas that were also targeted by Beijing News, namely the super TV drama hit Story of Yanxi Palace (延禧攻略) and period drama Ruyi’s Royal Love in the Palace (如懿传).

Ruyi’s Royal Love in the Palace

Other costume dramas such as iQiyi’s The Legend of White Snake (新白娘子传奇) or The Longest Day in Chang’an (长安十二时辰) were also withdrawn (or postponed) in March. Investiture of the Gods (封神) was replaced by another drama on Hunan TV this month.

“Historical dramas in many cases twisted the narrative of the country’s past and the image of historical figures,” TV critic Shi Wenxue was quoted by Global Times recently: “[they are] having an adverse effect on teenagers who may regard such fictional stories as real history.”

 

A state and marketplace collusion

 

With China being the world’s largest consumer of TV dramas in the world, the drama industry is a powerful channel for spreading Party ideology.

The political and cultural agenda is especially apparent in those TV dramas that are official propaganda productions. But since the TV drama industry has become increasingly commercialized and TV dramas became more market-oriented in the 1990s, their programming is no longer a mirror reflection of ‘Party narratives.’

The number of profit-driven productions has grown over the past 25 years and has skyrocketed with the arrival of video streaming sites such as iQiyi or Tencent Video.

Although non-official productions are ultimately still regulated and overseen by the relevant state departments, they also have to compete for viewer ratings in a highly competitive (online) media environment.

There are many visible trends in China’s TV drama industry. There have been peaks of popularity in those TV dramas depicting rural struggles or urban family life, for example, but historical costume dramas (especially dynasty dramas) have consistently been popular and rising since the mid-90s.

One reason for the growing popularity of these historical or fantasy costume dramas is that official censors initially had different standards for them than for more contemporary storylines, resulting in more creative freedom for scriptwriters (see Zhu et al 2008, 7).

Yongzheng’s Dynasty (1999)

There also have been many popular Chinese dynasty dramas that were commercial successes while also serving as propaganda tools.

As pointed out by Shenshen Cai in her work Television Drama in Contemporary China (2017), for example, TV drama serials such as Yongzheng Dynasty (雍正王朝) or The Great Han Emperor Wu (汉武大帝) promoted the ideal of strong central government, harmonious relations between the fatherly ruler and his devoted people, or the exemplary ruler cracking down on corruption – these narratives contributed to the leadership agenda in “stabilizing and re-energizing the dominant moral order” (Cai 3-4; also see Schneider 2012).

But more recent historical dramas have taken a fantasy route that, apparently, resonates with viewers but does not successfully appropriate the official propaganda apparatus.

The sudden withdrawal of new costume dramas is actually not about costume dramas at all. It just shows that although China’s TV drama industry is no longer the propaganda machine it once used to be, it still needs to adhere to those narratives that are in line with Party ideology.

‘Novoland: Eagle Flag’ (2019)

Even if their scripts and productions were apparently given the green light in earlier stages, the official supervision bodies still have the power to intervene until the last moment before airing – even if that, apparently, means that moment is twenty minutes ahead of the grand premiere.

 

“Things don’t look too optimistic”

 

For Chinese drama fans, the recent cancellations have been a real slap in the face. The Novoland: Eagle Flag TV serial was super popular before it even aired: its hashtag page has a staggering 1.4 billion views on Weibo.

“I cried,” one ‘Novoland’ fan comments: “Why such a sudden and abrupt withdrawal?”

“When can we finally see this show?” others wonder.

For now, the show’s premiere has officially been “postponed” and is “waiting for specific broadcasting time.” Whether or not the 55-episode series will be allowed to broadcast after June is still to be seen.

On Twitter, the fan account of Liu Haoran (刘昊然), one of the show’s main stars, writes: “You’re going to see rumors of tentative dates flying around this week, but note that it’s more of a deadline to get things sorted, not an air date. As of right now, things don’t look too optimistic. We’ll just have to be patient!

More: For an overview of all of our articles on Chinese TV Dramas, please check this list.

By Manya Koetse

References

Cai, Shenshen. 2017. Television Drama in Contemporary China: Political, social and cultural phenomena. London and New York: Routledge Taylor & Francis Group.

Schneider, Florian. 2012. Visual Political Communication in Popular Chinese Television Series. Leiden and Boston: Koninklijke Brill NV.

Zhu, Ying, Michael Keane, Ruoyun Bai (eds). 2008. TV Drama in China. Hong Kong University Press.

Spotted a mistake or want to add something? Please let us know in comments below or email us. Please note that your comment below will need to be manually approved if you’re a first-time poster here.

©2019 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

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China Arts & Entertainment

Chinese Shoppers Are Going Absolutely Crazy over UNIQLO x KAWS Collection

Everybody wants KAWS – Chinese shoppers were even spotted fighting in front of a UNIQLO store today.

Manya Koetse

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The Chinese sales of the UNIQLO KAWS collection are so crazy that the craze itself has become an online hit. “I don’t even like UNIQLO, I just like to compete,” some shoppers say.

Chinese shoppers are going completely crazy over the latest collection sold by Japanese fashion company UNIQLO (优衣库) today. The summer collection is a cooperation between UNIQLO and the renowned American artist and designer KAWS (Brian Donnelly).

It is not the first time for the American street artist to partner with the Japanese chain: they previously also collaborated on a Sesame Street-themed collection.

The current collection first started selling in mainland China stores in the early morning of Monday, June 3, and soon became a top trending topic on social media.

The online sales reportedly were sold out in seconds.

Photos and videos circulating on Weibo show people fighting to get into UNIQLO stores, pulling clothes off the shop mannequins, and buying piles of clothes from the stores (see embedded tweet below):

The hashtag “Everybody KAWS” (#全员kaws#) had received 140 million views on Weibo by Monday evening, China time.

Many netizens on Weibo are confused about the big hype surrounding the latest UNIQLO selection, with some wondering who KAWS is, and why people are so eager to wear his design.

Some commenters joke that it actually is not really about the KAWS collection at all, but more about the competition between shoppers on who can score the most clothes from the special product line.

The topic has set off various memes and online jokes, with some people saying: “I don’t think there is any need to learn self-defense skills. I only need to wear UNIQLO KAWS clothes, and no one will dare to touch me. They will all know that I can not only fight very well but also run very fast!”

Some memes suggest that KAWS sales have been so successful that everybody on the street or at work will walk around in the same t-shirts this week.

A meme that’s going viral saying: “Entering the office on Monday and seeing my colleagues…”

“I finally understand now,” one Weibo user writes: “What I love is not UNIQLO, nor KAWS – what I love is to rush and clash with all these people!”

The online sales of the UNIQLO x KAWS collection will start on June 6 in Europe. Its American sales started on Monday 10 AM ET.

Meanwhile, in China, the T-shirts that were bought for RMB 99 ($14) today are being resold online for four-five times their original price.

This is not the first time the Japanese UNIQLO brand becomes a viral hit on Chinese social media, albeit for different reasons. In 2015, the brand became the talk of the week when a naked girl and a man recorded an adult video in the fitting room of their Beijing flag store.

Also read:
* Chinese Kid Destroys Lego Sculpture Within Hour After It Is Displayed
* Kidnappers? Crazy Fans? No, It’s Chinese Parents on Their Kids’ First Day at School

By Manya Koetse and Miranda Barnes

Spotted a mistake or want to add something? Please let us know in comments below or email us. Please note that your comment below will need to be manually approved if you’re a first-time poster here.

©2019 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com

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