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Chapter Dive

Jews in Shanghai: Memories of a Nearly Forgotten Community

New initiatives bring back the memories of Shanghai’s Jewish community.

Manya Koetse

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As modern buildings mushroom and old neighborhoods disappear, the traces of Jewish history are fading in today’s Shanghai. But recent initiatives, such as a Jews in Shanghai musical and the launch of a Shanghai Jewish diaspora website, keep the memories of China’s Jewish heritage more alive than ever. A short history of Jews in Shanghai and how their history is remembered in 21st century China.

 
Story by Manya Koetse, photo-reportage by Maarten van…

Manya Koetse is a sinologist, writer, and public speaker specializing in China’s social trends, digital culture, and online media ecosystems. She founded What’s on Weibo in 2013 and now runs the Eye on Digital China newsletter. Learn more at manyakoetse.com or follow her on X, Instagram, or LinkedIn.

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2 Comments

2 Comments

  1. Henry B Meisel

    February 11, 2017 at 1:43 am

    I am a survivor of the Shanghai Ghetto 1939-49…………lived in the Ghetto because we were declared stateless not because we were Jews….other Jews besides German,Viennese,Polish lived outside……..in fact the Japanese saved our lives though Germany an ally tried to find a solution. I lecture on the survival by showing the film “Shanghai Ghetto” with question and answer periods. In recent years Shanghai TV produced another film “Survival in Shanghai” which will be shown at Temple Emanuel in NYCity in April 2017

    (one part of this comment that included a link to a private website has been removed by whatsonweibo for as the link contained malware. sorry for any inconvenience)

  2. Kevin Dwyer

    November 24, 2018 at 7:08 pm

    Keep up the good work, Ms. Koetse. Read your stuff all the time but don’t think I’ve thanked you for you b/f for your excellent reporting. (P.S. ‘Dwyer’ is the Irish cousin of the Dutch ‘zwart’ & the German ‘schwarz’)

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Chapter Dive

The Power of Ugly: Why Niu Lai Became China’s Unlikeliest Box-Office Hit

How the two-person animated film Niu Lai turned its “ugly” visuals, dreamcore nostalgia, and remarkable cinema journey into a nationwide participatory meme.

Manya Koetse

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A mother-and-son duo’s animated 3D film earned just 342 yuan ($US50) on opening day. Then its crude visuals turned it into a viral success, propelling it into the top ten of the year’s domestic animated releases. A meaningless ‘miracle’ or sign of shifting cultural sentiments? An explainer.

Something extraordinary has happened in Chinese cinemas this month. A tiny animated film about a yellow cow on a dreamlike adventure opened in a few hundred Chinese theaters on August 5, 2026, with zero promotion and no trailer. On its first day, the movie’s box office revenue totaled just 342 yuan (US$50).

Nobody could have expected that this microbudget indie movie, initially playing to empty seats, would become a nationwide viral hit—not because people thought it was good, but because they found it so aesthetically ugly.

The 86-minute 3D animation is titled Niu Lai (牛来, literally “Here Comes the Cow/The Cow Comes”). It was produced by just two people from Dalian: 34-year-old Xin Yumeng (信雨萌) and his mother, Sun Lifang (孙丽芳). The pair spent five years making it.

The plot follows a young calf named Niu Lai, who is too afraid to stand. In his dreams, he befriends a skylark and a young leopard on a sometimes-scary adventure, during which he grows up, loses his mother in a wolf attack, and eventually wakes up with new life lessons.

Despite being complete newcomers to the film industry, Xin and his mother handled everything themselves, from directing and writing to animation, voice acting, and music—theirs were the only two names in the end credits.

They registered the script in 2021 and, after passing the content review, received a public-screening permit in 2024. The narrative contained no apparent sensitivities, and all the paperwork was in order. A film distributor they knew reportedly helped them secure screenings at a few hundred cinemas (even though, after seeing the film’s quality, he had advised them against a theatrical release).

Around August 13-14, the movie went viral when a few netizens who saw it shared their disbelief at the primitive visuals, which contrasted sharply with the…

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China Digital

How Chinese AI Videos Turned Foreigners into Villains

How viral AI videos turn racialized outsiders into threats and violent Chinese heroes into defenders of social order, China’s first nationally broadcast AI drama, and why a newspaper is being sold for 50 times its original price.

Manya Koetse

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Welcome to China Trend Watch (Week 30–33 | 2026), where I bring you the latest trends, memes, and debates driving conversation across Chinese social media. Subscribe here to receive future editions.

 

Over the past few weeks, a noteworthy amount of AI-related news has been trending on Chinese social media, which is reflected in this week’s edition.

Now that AI has entered every corner of media consumption and online life, related discussions seem…

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