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Rocking it for a Decade, Beijing Band Namo Catches the Spirit of Their Generation

Beijing band Namo, that brings a fresh sound by mixing rock with Chinese traditional music influences, is celebrating its ten-year anniversary this year.

Manya Koetse

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Mixing traditional Chinese music with Western rock influences, Beijing-based band NAMO is one of Beijing’s new generation’s go-to bands. This fall, the band celebrates its ten-year anniversary with a new tour all across China. A short introduction (video here!) to Namo and its style by What’s on Weibo.

Although the Beijing-based ban Namo (Nanwu 南无乐队) has been already rocking it for over a decade, their star has especially been on the rise recently, with their upcoming anniversary tour, titled ‘Ruyi’ (如一) bringing them to concert halls all across China.

The start of ‘Namo’ – a term from Buddishm showing reverence and devotion – takes us back to late 2007, when lead singer Liu Xiangsong (刘相松, 1984), who was born and raised in Shandong, had come to Beijing and founded the band after graduating from the Sichuan Music Academy.

Liu’s education has had a profound impact on the band, with his focus on guitar performance, classical guitar, and Chinese opera. Liu also has a strong interest in Chinese traditional culture and Buddhism, which clearly shines through in Namo.

Namo, with Liu Xiangsong in the front.

Through the years, the band has seen some shifts in its line-up and now is a perfect coming-together of six people with their own strengths and backgrounds.

Besides Liu, the band consists of Zhang Lan (also known as Lanzi 张岚) on guitar and keys, Chen Ying (陈颖) on flute, percussion by Zhang Shuo (张硕), Daniel (丹尼奥) on bass, and drums by Shenzi Jun (申子俊) (主唱:刘相松/吉他手:张岚/笛子:陈颖/贝斯:丹尼奥/鼓手:申子俊/民打:张硕).

A little over two years after the band first came together, they were the first music group to perform at the Famen Temple (法门寺), one of China’s most prestigious pagoda temples, to open for renowned Chinese pop star Faye Wong. Shortly after, they became the first Chinese band ever to play at Japan’s Summer Sonic in 2011.

Namo won the “Best Newcomer Award” at Midi 2010. Since then, the band signed with the SX Music (视袭音乐) label, and have made quite a name for themselves, performing at music festivals across China, Japan, and Korea.

In 2014, Namo was invited to perform for the CCTV Spring Gala, where they played their song ‘Spring is Here’ (春来了).

In the first season of Chinese reality TV show ‘Sing My Song’ (中国好歌曲), in 2014, Liu Xiangsong also performed the same song on stage (see video below), which then gained in popularity.

Their music is inspired by Chinese music, but also uses influences from Western music styles, resulting in an original style that is both charming and humorous at times.

At Beehype, William Griffith describes the band as follows: “Combining Chinese culture obsessed, 80s nostalgic, vigorous lyric-based melodies, and crosstalk rock, a traditional Chinese comedic performance style, the band is a creation of their generation of youth.”

Namo is a representation of the Chinese post-80s generation (bālínghòu 八零后) in multiple ways. Their songs reflect on the urban stories of China’s modern-day society and the lives of young Chinese, and the overall style of the band also corresponds with what characterizes China’s post-80s; they are formed by traditional Chinese culture, but also grew up in a China that was quickly modernizing, transforming, and impacted by Western influences. Noteworthy is that Namo’s band members come from all across China.

 

Social Media & Online Channels

 

Recently, Namo and its band members have been growing more popular on Chinese social media. Their official Weibo account @南无乐队微博 has over 48,500 fans, but the individual members also have quite a following.

* Lead singer Liu Xiangsong currently has approximately 74,000 fans on his Weibo account: @南无刘相松.
* Band member Lanzi: @南无岚子 (48,400 fans).
* Namo’s Chen Ying: @陈颖小卡 (30,100 fans)
* Shenzi Jun: @申子俊 (10,150)
* Zhang Shuo: @南无张叫母 (4270 fans)
* Daniel: @丹尼奥帅牛哈哈 (2000 fans)

Listen to Namo on Xiami here.
On Douban here.
QQ channel here.

 

Tour Dates

 

Although the band has already been touring over the past year, they will still perform in many Chinese cities for the weeks to come. For those interested, we’ve listed the tour dates with links to further information on venues, times, and tickets.

November 9: Xi’an
November 10: Chengdu
November 11: Chongqing
November 14: Nanning
November 16: Guangzhou
November 17: Shenzhen
November 18: Xiamen
November 21: Wenzhou
November 23: Shanghai
November 24: Nanning
November 25: Wuhan

Don’t forget to check out What’s on Weibo’s latest video on Namo here.

Interested to read more? You might be interested in the following:
* Rock Hotpot: Why Chinese Celebrities are Opening Up their Own Hotpot Places
* The Early Days of Rock in China – Interview with Sinologist & Hardrocker Jeroen den Hengst: From copied tapes to a unique rock scene – Jeroen den Hengst was part of the Beijing rock scene when it first awakened.

By Manya Koetse


Directly support Manya Koetse. By supporting this author you make future articles possible and help the maintenance and independence of this site. Donate directly through Paypal here. Also check out the What’s on Weibo donations page for donations through creditcard & WeChat and for more information.

 

Spotted a mistake or want to add something? Please let us know in comments below or email us.

©2018 Whatsonweibo. All rights reserved. Do not reproduce our content without permission – you can contact us at info@whatsonweibo.com.

Manya Koetse is the founder and editor-in-chief of whatsonweibo.com. She is a writer, public speaker, and researcher (Sinologist, MPhil) on social trends, digital developments, and new media in an ever-changing China, with a focus on Chinese society, pop culture, and gender issues. She shares her love for hotpot on hotpotambassador.com. Contact at manya@whatsonweibo.com, or follow on Twitter.

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China Arts & Entertainment

Behind the Short Feature Film of the Spring Festival Gala

The first-ever ‘mini film’ of the Spring Festival Gala struck a chord with viewers for its strong storytelling and authentic production.

Manya Koetse

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This precious and powerful short film by Zhang Dapeng has touched the hearts of Spring Festival Gala viewers. But there is more to the short film than meets the eye. Here’s the noteworthy story behind the 7-minute Spring Festival Mini Film.

On January 21, 2023, China’s Spring Festival Gala, hosted by China Media Group, kicked off the Year of the Rabbit. The annual show, which featured forty different acts and performances, lasted over four hours and attracted millions of viewers worldwide (see our liveblog here, and see a top 5 highlight of the show here).

Traditionally, the Spring Festival Gala always shows several short public service ad films in between the performances, but this year was the first time the Gala featured a “mini-film” or “micro film” (微电影).

Titled Me and My Spring Festival Night (“我和我的春晚”), the 7-minute film was praised among viewers. On Weibo, one hashtag dedicated to the short film received over nine million clicks (#我和我的春晚#).

The film was directed by the Beijing director Zhang Dapeng (张大鹏). Born in 1984, Zhang is a Beijing Film Academy graduate who previously attracted wide attention for directing the Peppa Pig Celebrates Chinese New Year movie and the brilliant ad campaign that came with it. Titled What Is Peppa, that short ad film featured a grandfather living in rural China who goes on a quest to find out what ‘Peppa’ is. The promotional video became an absolute viral hit back in 2019 (see/read more here).

Still from ‘What is Peppa.’ 2019.

This time, Zhang’s latest Chinese New Year film is about a hard-working former military man from China’s countryside named Zhang Jianguo (张建国), for whom coming on the show to play the trumpet has been a dream for many years. By featuring his story, the film takes us from the Chinese 1980s, 90s, 00s – as we see him change jobs, move around, and start a family – up to the present.

The main idea behind the film was to honor all the ordinary viewers who have written – and are still writing – to the Gala ever since it first aired in the early 1980s, and to tell a story inspired by these personal letters and ordinary viewers.

Short Summary of “Me and My Chunwan”

At the start of the film, we see Zhang Jianguo dusting off his military honorary awards (光荣军属), putting on his jacket, grabbing his thermos flask and trumpet, and setting out on a journey in the midst of winter.

Riding an electric tricycle in the icy cold, his driver (actor Huang Bo 黄渤) asks him where he is going. “Can you keep your mouth shut?” Zhang replies (“你嘴严实不严实”). “I can,” the driver says, and Zhang then says: “So can I.”

The voiceover narration, a first-person narrative by Zhang himself, explains that he has always been busy: “I never had time for the Spring Festival Gala. My Spring Festival fate is all because of something my captain said.”

The film jumps to a scene showing Zhang as a young military man during the Chinese New Year’s Eve, working outside while people are watching the Spring Festival Gala on a small black and white television inside. As his commander (played by Wu Jing 吴京) hands him his trumpet, he says: “Go and play your trumpet on the television.”

“If the leader asks me to go on the Spring Festival Gala, it’s a task I must complete,” the voice-over says.

But in the military scene itself, duty calls and Zhang has to blow the trumpet to announce dinner time.

In the years that follow, Zhang is always busy during the Spring Festival Gala. Working in the factory, getting married, working on a train, farming cattle, taking care of his family, and always cooking. His trumpet is still there with him, to announce dinner time or hanging on the wall as a memory of times past.

As the years pass by, Zhang realizes that he has gradually forgotten about his commander’s words. Time moves fast. First, he had a son, then his son grew taller than himself, and then his son had his own son. “And I still had never been to the Spring Festival Gala.”

With his captain’s words back on his mind, Zhang, now an older man, sets out on his journey without telling anyone. By foot, by electric tricycle, by bus, and by train, Zhang travels all the way to the famous Beijing Studio 1 to perform at the Spring Festival Gala after being “too busy” for forty years.

Backstage at the Spring Festival Gala, Zhang sits down with famous Chinese Spring Festival Gala performers (Ma Li 马丽 and Shen Teng 沈腾). While unpacking his lunchbox, he tells them he was finally not too busy to come on the show: “I wrote a letter and here I am.” “It’s that simple?” Ma Li wonders.

The producer then rushes to come and get Zhang, who bravely walks towards the stage with his old little trumpet.

A female voice-over then reads out a message, while we see various scenes throughout the years showing Zhang – from young to old – writing letters to CCTV from wherever he is.

The female narrator says: “Dear Uncle Zhang, we’ve received your letter regarding your hopes to realize your cherished stage dream. In this age of emailing, and knowing that you’ve been writing us for 39 years, we’re moved and feel guilty. Our reply may be late, but not our sincerity..

Meanwhile, we see a flashback to a mailman pulling up to old Zhang’s home (the mailman is the actor Wang Baoqiang), and the old Zhang finally receives that much-anticipated letter from CCTV at his remote rural home.

The female narrator continues: “This year, we proudly invite you to be a guest at the Spring Festival Gala and to “ring the dinner bell” [play the sound announcing dinner]. Sincerely, the Spring Festival Director Committee.

In the final shot, we see Zhang blowing the trumpet at the Gala, with flashbacks showing him blowing that trumpet in all those decades before. He has finally made it to the big stage.

A Noteworthy Story

While Me and My Spring Festival Night received a lot of praise on Chinese social media, the story behind the film was not immediately clear to many viewers celebrating the Chinese New Year, but it was explained in several articles and interviews with director Zhang Dapeng.

During the live-televised Spring Festival Gala itself, the airing of Me and My Spring Festival Night was directly followed up by a shot featuring a person (a veteran) in the audience standing up and actually playing the trumpet.

Directly after, the song “Goodmorning Sunshine” began, representing multiple people from all kinds of professions and social groups. About one minute into the song, the camera turns to another audience member: the person who plays ‘Uncle Zhang’ in the mini-film. Later in the song, we can see he is wiping away tears, visibly moved.

Why was he so moved? The older man in the audience, the main ‘Uncle Zhang’ actor in the film, is Jin Changyong (金长勇), and he actually is not a professional actor.

Somewhat similar to the character Zhang Jianguo, Jin Changyong or “Uncle Jin” (金叔) is a hardworking veteran from Hebei’s Huailai County in Zhangjiakou.

Jin Changyong is a 63-year-old farmer who is also active at the Hebei Tianmo Film and TV Park doing security and logistics-related jobs. He served in the army for four years from the age of 19, as, among others, a military chef.

Director Zhang Dapdeng came across ‘Uncle Jin’ one day while shooting another film at the studio. While Jin was busy doing kitchen work, director Zhang saw him and, as he later recounts, was struck by his face that showed he had “lived through many changes” (“这种饱经沧桑的脸”).

Zhang later invited Uncle Jin to star in the movie, and he also made sure Jin’s own story played a role in the script.

Director Zhang Dapeng, image via CCTV.

This makes this short movie all the more special, something which has since been discussed on Chinese social media (#春晚微电影的主演是普通农民#).

The surprising twist in the story is how Zhang Jianguo tells other people he has just always been “too busy” to attend the Gala, while he had in fact already written to the show for 39 years with the hope of one day being invited.

Another noteworthy aspect of the film is how Zhang Dapeng chose to cast some of China’s most celebrated actors as supporting roles to lift up the main character and actor, Jin, who was inexperienced and learnt from his fellow players.

In an interview, Jin expressed that the entire experience of playing in this short film left his overcome with emotion. After the filming had ended, he told reporters that he had sleepless nights because he had not received an actual invitation to the Spring Festival Gala yet, something which he so very much hoped for. Just one week before the show, that invitation finally came.

The fact that Jin, in a way, played a man like himself in the short movie has added to the film’s popularity.

“I was sincerely moved by this film,” one commenter wrote, with others saying: “This was the best program I’ve seen on the Gala over the past decade.”

While some people also remarked that the short film seemed to have been influenced by The Grand Budapest Hotel by Wes Anderson, others praised it for its originality.

“This was just the best part of the night,” several commenters said: “It made me cry.”

“Zhang Pengda – a name to remember,” others wrote.

You can watch the short film on Youtube here.

By Manya Koetse 

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China Celebs

Gu’s Year: How Eileen Gu Became a Beloved Icon and Controversial Role Model in China

Patriotic, privileged, perfect? A year after Eileen Gu became an online sensation in China, she is still generating discussions.

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Eileen Gu, the American-born freestyle skier and gold medallist who represented China in the 2022 Beijing Olympics, has made headlines again for her excellent halfpipe World Cup performance during the Chinese New Year. One year after Gu first became an internet sensation, she is, once again, receiving praise and triggering discussions on Chinese social media.

This Chinese Lunar New Year, the three Chinese Winter Olympic athletes Wu Dajing, Xu Mengtao, and Gao Tingyu, were widely discussed on Chinese social media after their debut at the CGM Spring Festival Gala.

Over 8000 kilometers away, another Winter Olympic athlete, Eileen Gu – better known as Gu Ailing 谷爱凌 in China, – also garnered huge attention for her excellent performance at the Calgary halfpipe World Cup. Just as people were celebrating the Chinese New Year, Eileen Gu claimed her second gold medal at the FIS Freeski World Cup.

It has almost been a year since the then-18-year-old Chinese-American freestyle skier grabbed gold at the Olympics and became front-page news in China.

Although Gu already garnered attention online when she announced in June of 2019 that she would switch national affiliation and compete for China, it wasn’t until the Olympics that she appeared all over social media, was featured in dozens of ad campaigns, and practically became a household name in China.

Now, in light of the FIS Snowboard World Cup and the X Games in Aspen, Gu is back in the limelight.

On January 21st, the first day of the Year of the Rabbit, Chinese state broadcaster CCTV celebrated Gu’s victory on social media using the hashtag “Eileen Gu Claims Two Golds within Three Days during the New Year Celebrations” (#谷爱凌过年3天2金#), with a two- minute video clip recording the highlights of her recent race. The hashtag has since received over 180 million views.

Gu herself also shared her victory on Weibo and wished people a prosperous New Year. That post attracted over 110,000 likes.

Many Chinese people celebrated Gu’s new achievements with words of admiration, praising her capabilities and determination. One Weibo user commented: “I have to say, Gu Ailing is truly excellent. Three days, two medals. She has an indisputable talent.”

Another user posted a video of Gu practicing while waiting for her flight and commented: “A healthy, energetic, diligent, excellent Gu Ailing who even continues training while waiting for boarding. Success doesn’t come overnight.”

Others also view Gu as a national icon for her gold medal wins for China. The phrase “wèi guó zhēngguāng” (“为国争光”), “winning glory for the country,” appeared in many posts under the hashtag related to Gu’s win.

But over the past year, since Gu’s Olympic success, she has not always merely been viewed as a patriotic hero. Despite her popularity, Gu also triggered controversy and sometimes came under fire, with some wondering if she truly was patriotic and others blaming her for being privileged.

 

PATRIOTIC

Everybody knows Eileen Gu is Chinese

 

During the 2022 Winter Olympics in Beijing, the fact that Gu had switched her international allegiance and represented China instead of the US instilled pride among many Chinese. Chinese media flooded with stories on Gu that focused on the narrative of the multi-talented “mixed kid” who gave up her United States citizenship to represent the People’s Republic of China.

However, when being asked about her citizenship in interviews, Gu’s replies left many people wondering about the facts of the matter; they wanted to know whether or not Gu actually gave up her American passport, as China does not recognize dual nationality. Gu’s response “I’m American when in the US and Chinese when in China” triggered dissatisfaction among Chinese audiences.

“I have stopped liking her since she said that,” one Weibo user reflected in December 2022, and the post received 35,000 likes. To this day, there are many social media comments bringing up Gu’s comment: “You’re in America, so now you’re American, right?”

Others also attacked Gu after Forbes listed her as the third highest-paid female athlete in the world in 2022 (#谷爱凌年收入1.4亿#). Some commenters argued that she had earned her money in China and was spending it in the US, and that she was unpatriotic for doing so.

However, some netizens defended Gu by stressing what she had done for China. In Weibo posts and comment threads, users supporting Gu wrote: “She won two gold medals and more for China, what did your patriotism contribute to China?” Others also said Gu had shown her love for China through her performances, and that it would be impossible to expect her to distance herself from the country she grew up in.

Meanwhile, Western media outlets described how the bi-lingual Gu had been “dodging” explicit questions about her US citizenship status. This also led to Gu getting attacked by Americans. When Gu returned to the US and enrolled in Stanford University, there was even an online petition about getting Gu’s admittance to Stanford revoked due to Gu’s supposed “lack of integrity about her nationality” and indifference to “the human rights violations” in China.

Among Chinese netizens, questions also rose about whether Gu had only represented China during the Olympics and if her return to the US might mean that she would give up her Chinese nationality and play for the US team instead.

But with Gu’s debut at the FIS Freeski World Cup in the Year of the Rabbit, Chinese bloggers pointed out that Gu’s nationality was still listed as Chinese.

“No matter where she is, Gu Ailing still has the Chinese nationality,” one Weibo blogger wrote, with others also saying: “She is still representing China, we should all support her! The rumors about her changing nationalities are false!”

“Everybody knows Eileen Gu is Chinese,” another social media user wrote.

But not everybody is convinced: “Don’t fool yourself. I’m happy she helped China win gold, but dual citizenship is dual citizenship, there’s no point in covering it up.”

 

PRIVILEGED

Gu’s success is unrelated to normal people

 

Another discussion that has flared up during Eileen Gu’s past year of success is focused on her alleged privileged status, especially within the context of her being praised as a role model for Chinese (female) younger generations.

In February of 2022, an Instagram comment made by Gu regarding the use of VPNs in China caused some controversy. At the time, one person asked Gu about “internet freedom” in China and how it was possible for her to use Instagram while she was in China, where the platform is blocked. Gu then replied: “Anyone can download a vpn its literally free on the App Store [thumbs up]”

A screenshot of the exchange then circulated on Weibo, where many netizens were surprised about Gu’s statement. VPNs are generally not available on app stores in mainland China, as there are numerous restrictions on virtual private networks (VPNs) which are commonly used to browse websites or apps that are otherwise blocked in China.

Gu was then criticized over the fact that she seemed unaware of the restrictions on VPNs along with her suggestion that ‘internet freedom’ only referred to the accessibility of foreign platforms, allegedly showing her privileged position.

After Gu enrolled in Stanford University and posted her all-A transcript of the first semester at the end of 2022, many praised her hard work but there was also criticism about her “showing off” and strategically choosing a supposedly easier curriculum.

“She posted it to impress Chinese people who do not understand the system,” one person commented, with others replying that an “S” grade does not equal full points and that she had no A+ grades. Others claimed that Gu probably received help with her schoolwork.

Gu’s Weibo post at the end of 2022 reviewing her achievement of the year, including her transcript of the first semester at Stanford University.

As online discussions intensified (#谷爱凌斯坦福所有课程全部满分#), Gu herself responded to online criticism, stressing that she – without anybody’s help – had worked hard for her grades and that only 5% of students can get an A at Stanford.

The idea that Gu comes from a very privileged background and that it is not just her diligence that brought her success is a recurring one on social media.

Gu was raised by her Chinese mother, a molecular biology graduate who studied at Peking University and Stanford University and who used to be a speed skating athlete as well as a part-time coach at Peking University. She allegedly worked at Wall Street and later became a CEO of a risk investment company. Her grandmother, a former official at China’s Ministry of Transport, was a university basketball player, while her grandfather was a soccer player at school who was also good at swimming, skiing, and skating. Her family members’ background is exceptional. University students were rare among Gu’s grandparents’ generation, and studying abroad was also uncommon for her mother’s generation.

As people believe that this family background has largely contributed to Gu’s success, Gu’s position as a “role model” is questioned.

“Gu’s success is unrelated to normal people,” one Weibo user wrote. “What is the meaning of having this kind of role model? I have no parents from the Ivy League, no pretty face of mixed race, no elite education from the mix of Chinese and American cultures, no exceptional family background, and even no talent,” one Zhihu user wrote.

“Gu started skiing at three years old, and practiced running, basketball, piano, and ballet soon after; I started playing in the mud at three years old and I can still only play in the mud,” another user wrote. “Gu’s mother meticulously planned Gu’s life, but my mother could hardly spare any time for me while she was working.”

 

PERFECT

Congratulations, Little Gu, you’re the greatest!

 

Amid all the online discussions surrounding Eileen Gu, there is the view that people have not necessarily grown tired of Gu herself but of the (online) media narratives surrounding her which present her as the perfect daughter, the perfect athlete, or the perfect role model.

Some people admit that they feel jealous or say that they feel it is unfair because they feel they could never reach that standard.

One article published by The Paper in 2022 reiterated the popular view that Gu’s success “has nothing to do with ordinary people” (“谷爱凌的成功与普通人没啥关系”), but argued that people should draw inspiration from her story rather than focusing on all the aspects of her life that are unattainable to them.

A commentary by PLA Daily also argued that Olympic athletes should not be turned into “gods” for their overnight success; neither should they be vilified because of their shortcomings. It’s not about the pursuit of perfection, the author wrote, but about facing up to one’s own shortcomings.

There are also those who remind others that Gu is still a teenager. Not only have some of the controversies over the past year shown that Gu is not “perfect,” they also showed that fame is a double-edged sword.

As one netizen put it: “Success can be magnified to an extreme, and mistakes can be enlarged without boundaries (..) She’ll be carefully walking on the sharp edge of the sword because if she does something that does not conform to what people expect of her, the same people who praise you today will step on you tomorrow.”

Meanwhile, many Chinese fans of Eileen Gu have had it with those leaving “sour comments.” “She is representing China, she snatched gold, your empty ‘patriotism’ is contributing nothing!”

“Congratulations, Little Gu, you’re the greatest!” some say: “You did a good job, and we’re proud of you.”

By Zilan Qian and Manya Koetse

 

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