China Arts & Entertainment
Top 25 Best Fiction Books on China: Understanding Contemporary China through Modern Literary Fiction
A selection of the best modern literary fiction works that provide deeper insights into China.
Published
7 years agoon
Literature or modern fiction can be a great way to understand more about a country’s culture, history, or society, as it describes events, feelings, atmospheres, and personal stories in a way that history books or more scholarly accounts could never do. This is a top 25 modern fiction works on China compiled by What’s on Weibo as recommended reading to get a better understanding of present-day China.
After doing a Top 30 on Best (Non-Fiction) Books to Better Understand China, we felt it was high time to give you a list of recommendations of modern literary fiction works focusing on the People’s Republic of China (PRC) that also help to better understand the past and present of this rapidly changing society.
There are hundreds of novels and literary works out there on modern China, and a lot of them are written in Chinese, Japanese, French, Spanish, Dutch, and many other languages – but for the scope of this particular list, we have chosen just to focus on the modern fiction books that have come out in the English language. We leave out fictional works focused on specifically Hong Kong and/or Taiwan here, because a top 25 just would not be enough.
Also, due to the scope of this list, we have selected those works that have come out after 1978, the year of the ‘Reform and Opening Up’ of China, mainly because this period marks a new era in Chinese literature and literature on China. Note that this list does not necessarily focus on ‘Chinese literature’ but on ‘literary works on China’ in general.
The earlier years of modern China have seen so many great literary works that are absolutely pivotal for anyone studying China, Chinese literature, or wanting to understand its past century, from the works of Lu Xun to gems such as Miss Sophie’s Diary (1928) by Ding Ling, a Fortress Besieged (1947) by Qian Zhongshu, the works by Eileen Chang or Louis Cha (Jin Yong), that they deserve a list of their own.
These are the 25 books we have selected based on your recommendations and our own. The list is numbered based on the original year of publication. Note that we have provided Amazon links with these books, and most will be available for sale in the US/Europe and elsewhere, but we would also recommend checking out your local thrift stores, Oxfam stores, garage sales etc. because you might unexpectedly find some of these gems there (we sure did!).
● #1 Red Sorghum: A Novel of China (Mo Yan)
Year first published: 1986/1987 (红高粱家族), English translation 1992 by Howard Goldblatt
Red Sorghum by Mo Yan (莫言, real name Guan Moye, 1955) is a novel that has become very famous both in- and outside of China, one of the reasons being that the renowned director Zhang Yimou turned the novel into a movie in 1988. The novel tells the story of a family’s struggles spanning three generations in Shandong from the 1920s to the 1970s, through the Japanese occupation and the Cultural Revolution. The sorghum fields are constantly present throughout the book – it is the heart of the home, the provider of food and wine, and the battleground of war.
When Mo Yan became the winner of the 2012 Nobel prize in literature, some controversy erupted: Mo Yan is one of China’s most famous writers, but he is not a “social activist” or dissident, as many other internationally acclaimed Chinese artists and writers are. “Do cultural figures in China have a responsibility to be dissidents?” the Atlantic wrote in 2013. Perhaps the criticism was somewhat unfounded; after all, Mo Yan never asked to win the Nobel Prize. He said: “I hate partisan politics and how people gang up on opponents based on ideology. I like to come and go on my own, which allows me to look on from the sidelines with a clear mind and gain insight about the world and the human condition. I don’t have the capability or interest of becoming a politician. I just want to write, quietly, and do some charity work in secret. “ Mo Yan is also active on Weibo, where he sporadically shares his calligraphy.
Get on Amazon: Red Sorghum
Also worth reading by the same author:
- The Garlic Ballads (1988)
- The Republic of Wine (2000)
- Life and Death are Wearing Me Out (2006)
● #2 Stick Out Your Tongue (Ma Jian)
First published in 1987 (亮出你的舌苔或空空荡荡), English translation by Flora Drew
This book by the exiled author Ma Jian (马建, 1953) definitely deserves a place on this list, even if it was just for the controversy it triggered once it was published. The publication of Stick Out Your Tongue sparked off the notorious “Ma Jian Affair,” which has since been called one of the biggest scandals in modern Chinese literature; it led to an immediate ban on the book within mainland China. Stick Out Your Tongue was targeted as an anti-nationalistic book for being “vulgar, obscene,” and for “defaming the image of [our] Tibetan compatriots” (Koetse 2009).
Stick Out Your Tongue (SOYT) resumes where Red Dust, Ma Jian’s first book, left off, for which the author traveled to Tibet and wrote a book about his experiences. SOYT is almost a dream-like novel. Short stories sketch a dark image of remote grasslands and dilapidated temples; a secretive, haunted place. The book tells about how an aging pilgrim reveals why he gave everything away in a Buddhist penance before walking into the mountains to die. Other stories tell about incest and rape. Although SOYT enraged both Han Chinese and Tibetans, Ma Jian said about the book: “The need to believe in an earthly paradise, a hidden utopia where men live in peace and harmony, seems to run deep in among those who are discontented with the modern world. Westerners idealize Tibetans as gentle, godly people untainted by base desires and greed. But in my experience, Tibetans can be as corrupt and brutal as the rest of us. To idealize them is to deny them their humanity” (89).
Get on Amazon: Stick Out Your Tongue
● #3 Please Don’t Call me Human (Wang Shuo)
First published 1989 (千万别把我当人), English translation 2000 by Howard Goldblatt
Wang Shuo (王朔, 1958) is one of China’s most popular and controversial authors, and is known as “the idol of rebellion for the youth” and a ‘celebrity writer’: most of his works have been turned into movies or TV series (Yao 2004, 432). Because of his cynism and bashing of literature elite, he became known as a “hooligan” writer who is quoted as saying things as: “The key is to make sure you f*ck literature and don’t let literature f*ck you.”
Please Don’t Call Me Human is a satirical and surreal novel on “the worthlessness of the individual in the eyes of the totalitarian state” (Abrahamsen 2011) as the author writes about an Olympic-like Wrestling Competition where China is determined to win at any cost and where the so-called National Mobilization Committee strives to find a man to reclaim China’s honour and defeat the big western wrestler.
Get on Amazon here
Also recommended by this author:
- Playing for Thrills (1997)
● #4 Soul Mountain (Gao Xingjian)
First published: 1990 (灵山), English translation 2001 by Mabel Lee
Gao Xingjian (高行健, 1940), who is best known for his Soul Mountain, won the Nobel Prize in Literature in 2000. Unlike his fellow Nobel Laureate Mo Yan, Gao already left China in 1987, and later became a French citizen (He 2016).
Soul Mountain is largely autobiographical, based on the author’s 1983 remote travels to remote areas along the Yangtze river. The protagonist of the narrative is on a journey to find the fabled mountain Lingshan (Soul Mountain), and along the way, he collects stories, lovers, and spiritual wisdom. The characters in the book are unnamed; instead, they go by pronouns such as “I”, “you” or “she,” detaching them from their personal names, harboring bigger stories about the origins of humankind and Chinese culture.
Get on Amazon: Soul Mountain
Also recommended by the same author:
- One Man’s Bible (1999)
- Buying a Fishing Rod for My Grandfather (2004)
● #5 Wild Swans: Three Daughters of China (Jung Chang)
Year first published: 1991
Practically every garage sale or thrift shop nowadays has a copy of Wild Swans lying around since its immense success in the 1990s. The book is often categorized as non-fiction, but reads like a literary novel, and cannot not be on this list; it is an account of the tumultuous Chinese 20th century from the perspective of three generations of women.
Wild Swans is sometimes called an example of ‘scar literature’ (伤痕文学), a genre that came up after the end of the Cultural Revolution in which authors shared the pain suffered by people during the 1960s, and which basically started with the publication of Lu Xinhua’s 1978 story “Scar.” Whether or not Wild Swans belongs in this category is up to debate, but what is undeniable is that this book offers a glimpse into an incredible time in the history of China in a personal and captivating way that formal history books could never do. An absolute recommendation for anyone who wants to know more about how the Cultural Revolution and the period before and after affected Chinese women, families, and society at large.
Get on Amazon: Wild Swans: Three Daughters of China
● #6 To Live (Yu Hua)
Year first published: 1993 (活着), English translation 2003 by Michael Berry
To Live by Yu Hua (余华, 1960) is the novel that was most recommended to What’s on Weibo by readers upon asking for people’s favorite China books. The book has become an absolute classic, and follows the life of Fugui, a spoiled son of a wealthy landlord, who is changed forever after witnessing and experiencing the hardships of the Civil War and Cultural Revolution.
In 1994, this novel was used for the screenplay of the film by Zhang Yimou, starring Gong Li, which was later denied a theatrical release in mainland China due to its critical portrayal of various policies and campaigns of the Communist government.
Buy via Amazon: To Live
Other recommend works by the same author:
- Brothers (2005)
- China in Ten Words (2011)
- The Seventh Day (2013)
● #7 Song of Everlasting Sorrow: A Novel of Shanghai (Wang Anyi)

First published in 1995 (长恨歌), English translation 2008 by Michael Berry & Susan Chan Egan
Wang Anyi (王安忆, 1954) is one of China’s most popular female authors, and The Song of Everlasting Sorrow is among her most famous works. The book traces the life story of the young Shanghainese girl Wang Qiyao from the 1940s, when Gone with the Wind played in Shanghai theatres, until her tragic death after the Cultural Revolution, in the 1980s.
The city of Shanghai is at the heart of this book – its rooftops, its skyline, its birds, moonlight, sunsets its girls, and its gossip.
Get on Amazon here
● #8 A Dictionary of Maqiao (Han Shaogong)
Year first published 1996 (马桥词典), English translation 2003 by Julia Lovell
Han Shaogong (韓少功, 1953) is a celebrated Chinese author who is also known as the leading figure within the 1980s ‘Xungen movement’ (寻根文学: literally ‘Finding Roots Literature’), a cultural and literary movement in mainland China in which writers started to focus on local and minority cultures as a new source of inspiration.
The narrative of A Dictionary of Maqiao takes places in an imaginary village in Southern China called ‘Maqiao.’ It is written as a dictionary, in which the author explains the words of the local language, and in doing so, tells the stories of rural China during the Cultural Revolution.
Get on Amazon here
First published in 1996
This collection by Ha Jin (哈金, 1956, real name Jin Xuefei) won the 1997 PEN/Hemingway Award for best first work of fiction. Ha Jin was born in Liaoning, China, but emigrated to the US after studying in Massachusetts during the 1989 Tiananmen protests. Ha Jin is now an American national who writes in English.
Ocean of Words is a collection of short stories that all take place at the border between China and Russia during the early 1970s, after a series of border clashes, and focus on the soldiers of the People’s Liberation Army (PLA). Not coincidentally, Ha Jin also served the PLA himself from the age of 14, and spent a year at the Russian border.
Get on Amazon: Ocean of Words
Also recommended by the same author:
- Waiting (1999)
● #10 Falling Leaves (Adeline Yen Mah) and Once Upon a Time in the East (Xiaolu Guo)

Years published: Falling Leaves in 1997 and Once Upon a Time in the East 2017
These are two books under one number, since we did not want to choose one over the other; these female authors have a lot in common despite their different ages and backgrounds, and this also shows in their books.
Adeline Yen Mah (马严君玲, 1937) and Xiaolu Guo (郭小橹, 1973) are two female authors of a very different generation, but in these works, they both very much focus on their family stories and their struggle to find their own independence and voice. Although these works do give a peek into some parts of Chinese history, they are more about Chinese family dynamics and culture.
Adeline Yen Mah is a Chinese-American author who was born in Tianjin. Her mother died of childbed fever soon after giving birth to her, which was to be the start of a difficult and abusive childhood for Yen Mah, who grew up with her sisters, her fathers, and her cruel Eurasian stepmother. It is Yen Mah’s own story that is the focus of Falling Leaves.
Xiaolu Guo is a British-Chinese author who was born in 1973 and then handed over to a childless peasant couple in the mountains by her parents. Aged two, and suffering from malnutrition, Xiaolu is left with her illiterate grandparents in a fishing village on the East China Sea, and does not meet her own parents until she is almost seven years old. Once Upon a Time in the East is written from the perspective of a forty-year-old Xiaolu, who lives in London and is now becoming a mother herself, and has the urge to revisit her past memories and roots of the past, that now seems like a “foreign country” to her.
Get: Falling Leaves: The Memoir of an Unwanted Daughter
Get: Once Upon A Time in the East: A Story of Growing up
● #11 Shanghai Baby (Wei Hui)
Year first published: 1999 (上海宝贝), English translation 2001 by Bruce Humes
This is arguably one of the more controversial novels on this list, since it has sparked many discussions since its publication in the early years of the millennium, with many deeming it a “disgrace to Chinese culture” and a “shame to Chinese men.”
One of the reasons this book by Wei Hui (周卫慧, 1973) deserves attention is because it represents a genre of literature written by young female authors, known as ‘Beauty Writers’ (美女作家) who focused on topics generally deemed taboo in China around 2000. This book touches upon topics such as female orgasm, menstruation, oral sex, and other things that were somewhat rare to read about in modern Chinese novels before this time.
The novel revolves around the everyday life of the 25-year-old aspiring writer Coco, who works as a waitress in downtown Shanghai. The book, that is written as if it were the protagonist’s own diary, focuses on Coco’s life, her ambitions, (foreign) boyfriends, erotic encounters, and most importantly, on the city itself and the sexual awakening of a young Chinese writer on her way to success.
Buy via Amazon: Shanghai Baby a Novel
● #12 Balzac and the Little Chinese Seamstress (Dai Sijie)
Originally published in 2000 (Balzac et la petite tailleuse chinoise), English translation by Ina Rilke
Dai Sijie (戴思杰, 1954) is a Chinese–French author and filmmaker who, as several authors on this list, was sent down to a ‘re-education camp’ in rural Sichuan during the Cultural Revolution. Much of his experience there was used in his book.
Balzac and the Little Chinese Seamstress is a captivating account that tells the story of two young men who become good friends with a local seamstress while spending time in a countryside village where they have been sent for “re-education” during the Cultural Revolution. Instead of a passion for Mao, they discover their love for (western) literature.
Get on Amazon here
Recommended by the same author:
- Mr. Muo’s Travelling Couch (2003)
● #13 Candy (Mian Mian)
Year first published: 2000 (糖), English translation 2003 by Andrea Lingenfelter
Just as the author of Shanghai Baby, Mian Mian (棉棉, 1970) is also one of China’s so-called ‘Beauty Writers’ (美女作家), whose works are characterized by its focus on the stories of a young urban female generation, leading a wild and extravagant lifestyle. For Shanghai Baby, Candy, but also for works such as Beijing Doll (2002, Chun Sue), it meant that their boldness soon also resulted in banishment within the PRC.
Candy tells the story of a young female high-school dropout who runs away to Shenzhen, where her new life is clouded by alcohol and drugs. About the book, the author writes: “This book exists because one morning as the sun was coming up I told myself that I had to swallow up all of the fear and garbage around me, and once it was inside me I had to transform it all into candy.”
Although it has been somewhat quiet around the author since her smashing debut and her lawsuit against Google, Mian Mian is still active on Weibo.
Buy: Candy by Mian Mian
● #14 Becoming Madame Mao (Anchee Min)
Anchee Min (閔安琪, 1957) is a Chinese-American author who is known for her works in which she focuses on strong female characters. Becoming Madame Mao is a historical novel, that uses letters, poems, and quotations from original documents, detailing the life of Jiang Qing.
Jiang Qing, who is known as one of China’s most ‘evil women’, became ‘Madame Mao’ after her marriage to Mao Zedong. In this novel, Min shows another side of one of the most controversial political figures in the People’s Republic of China.
Get online: Becoming Madame Mao
Recommended by the same author:
- Wild Ginger (2004)
- Empress Orchid (2005)
● #15 Mao’s Last Dancer (Li Cunxin)

First published 2003
Just as a few other books on this list, such as Jung Chang’s Wild Swans, this book officially is not ‘fiction,’ since it is an autobiography – but it still reads like a novel. Li Cunxin (李存信, 1961) is a Chinese-Australian former ballet dancer whose intriguing life story is what this book is about. Li is selected to be trained as a ballet dancer at Madame Mao’s Beijing Dance Academy when he is just a young boy, and later gets the chance to travel to America as a visiting student, where he begins to question the Chinese Communist doctrines which he has been raised with.
Many people might know this book because of the film based on this work, directed by Bruce Beresford, that came out in 2009.
Buy online: Mao’s Last Dancer
● #16 Northern Girls (Sheng Keyi)
First published in: 2004 (北妹), English translation 2012 by Shelly Bryant
Sheng Keyi (盛可以, 1973) is among one of China’s newer generations of writers who focus on modern China. Like protagonist Qian Xiaohong in her book, Sheng was also born in a village in Hunan province and then worked and lived in Shenzhen. Staying close to her own experiences, this coming-of-age novel is about a community of fellow rural ‘northern girls’ in a search of a better life in the bustling city.
Amazon has it here
● #17 Wolf Totem (Jiang Rong)
First published in 2004 (狼图腾), English translation 2008 by Howard Goldblatt
Wolf Totem is an award-winning semi-autobiographical novel about the experiences of a young student from Beijing who is sent to the countryside of Inner Mongolia during the Cultural Revolution. He lives with nomadic Mongols and learns from them, but also finds himself fascinated with the wolfs of the grasslands; their survival is threatened when are attacked by the government as ‘class enemies.’ The book became highly popular in China shortly after it was published, and more than a decade later, it still is very popular, especially since a film based on the novel came out in 2015.
Author Jiang Rong (姜戎 1946, real name Lü Jiamin) is very familiar with Inner Mongolia, as he went there at the age of 21 as “sent down youth,” and stayed there for eleven years. Wolf Totem is not just partly based on his experiences there, it is also a social commentary on the dangers of China’s economic growth and the destruction of culture, spirituality, and ecology.
To buy: Wolf Totem – a Novel
● #18 Dream of Ding Village (Yan Lianke)
First published in 2005 (丁庄梦), English translation 2009 by Cindy Carter
Yan Lianke (阎连科, 1958) is a leading author of modern Chinese literature; he is also called the Chinese author (inside of China) who has come closest to winning the Nobel Prize after Mo Yan. Dream of Ding Village was originally published in China, but then got banned. The narrative is about a place where poverty-stricken villagers are coerced into selling their blood and are subsequently infected with HIV by contaminated plasma injections. Although the book is fiction, these kinds of scandals, unfortunately, have taken place. Noteworthy enough, a Chinese film based on Yan’s (banned) book was made in 2011, called Love for Life (最爱).
About his work, Yan said in 2018: “China’s reality is complex and irrational. The people are always under the nation, their existence burdened by its great weight (..) I have been writing about people living under these circumstances, and believe my overseas readers can learn something universal from my stories about China.”
● #19 Leave Me Alone: A Novel of Chengdu (Murong Xuecun)

First published in 2006 (成都,今夜请将我遗忘), English translation 2013 by Harvey Thomlinson
Murong Xuecun (慕容雪村, 1974, real name Hao Qun) is one of the younger authors in this list, whose debut Leave Me Alone: A Novel of Chengdu instantly made him famous and was long-listed for the Man Asian Literary Prize in 2008. The contemporary novel is focused on the lives of three young men who struggle to make their way in the dynamic city of Chengdu where gambling, womanizing, corruption, and cheating have become part of their everyday lives.
Murong Xuecun is known as an anti-censorship activist who reportedly had 8.5 million followers on his Weibo microblog accounts before they were forcibly closed. For an excerpt of the book see The New York Times here.
Buy online: Leave Me Alone
● #20 The Flowers of War (Yan Geling)
Year published: 2006 (金陵十三钗), English translation 2012 by Nicky Harman
Many people might have heard of The Flowers of War because of the film by Zhang Yimou, who has often made films based on Chinese literary works by authors such as Mo Yan, Yu Hua, or Su Tong. This novella by Geling Yan (严歌苓, 1958), inspired by the diaries of Minnie Vautrin, is set in Nanjing during the gruesome history of the 1937 Japanese invasion, also known as the ‘Rape of Nanjing.’ This story focuses on an American church compound in the ‘safety zone’ where a group of escapees tries to survive the violent invasion of the city.
The Nanjing massacre is deeply engraved into China’s collective memory, and stills plays a major role in Chinese art, literature, popular culture, and politics.
Geling Yan is one of the few authors in this list that is also active on Weibo.
Buy via Amazon: here
Other recommended works by the same author:
- The Lost Daughter of Happiness (1996)
- Little Aunt Crane (2008)
● #21 Happy Dreams (Jia Pingwa)
First published in 2007 (高兴), English translation 2017 by Nicky Harman
Jia Pingwa (贾平凹, 1952) is one of China’s most prominent authors, and this imaginative work, that came out in English in 2017, focuses on the tough lives of China’s migrant workers. The story is set in Xi’an and focuses on trash picker Hawa “Happy” Liu, a rural laborer who has arrived in the city in search of work, and his friend and fellow villager Wufu.
To buy: Happy Dreams
Also recommended by the same author:
- Ruined City (1993)
● #22 Beijing Coma (Ma Jian)
Year Published: 2008, translated by Flora Drew
Beijing Coma tells the compelling story of Dai Wei, who lies in a coma in his mother’s flat in Beijing, whose memories “flash by like the lighted windows of a passing train” as we as readers are sucked into the pages – going back to those dorms days and discussions that eventually led to the massive Tiananmen student protests of 1989.
Buy via Amazon here: Beijing Coma
Also must-read by the same author (who also just released his new book China Dream (2018)!):
- Red Dust (2001)
- Stick Out Your Tongue (earlier in this list)
- The Noodle Maker (2004)
- The Dark Road (2013)
● #23 The Vagrants (Yiyun Li)
First published 2009
This is the debut of the award-winning Chinese American author Yiyun Li (李翊雲, 1972), which takes place the late 1970s China in an impoverished rural town named Muddy River, where two parents wake up the day their daughter Gu Shan gets executed as a ‘counterrevolutionary.’ The book is dark and gripping, focusing on a world of oppression and pain, as it tells the stories of a group of very different characters who are all connected to each other.
About her writing style, Li told an interviewer: “People would say I portray the world in a bleak way. It’s not bleak to me. I think what is bleak is when you create a veil to make the world feel better. Literature is one place we should be able to experience bleakness and brightness and anything in between. Literature should not make people feel comfortable, it should challenge the readers.”
Get on Amazon: The Vagrants: A Novel
● #24 The Fat Years (Chan Koonchung)
First published in: 2009 (盛世——中国,2013年), English translation 2011 by Michael S. Duke
The Fat Years is a science fiction book that tells of a dystopian future of China and its political landscape by Chinese author Chan Koonchung (陈冠中, 1952), and for many people, it’s one of the more important China fiction books that have come out the past decade. “After the world’s second financial crisis in 2013, the government clings to power only after it sends troops into the streets for a month of bloody killing. Finally, the government laces the water with a chemical that makes people feel happy and eager to spend money” (Johnson 2011). The book has never come out in mainland China.
China columnist Didi Kirsten Tatlow said about The Fat Years: “Rarely does a novel tell the truth about a society in a way that has the power to shift our perceptions about that place in a certain way, but ‘The Fat Years’ does exactly that.”
Get via Amazon: The Fat Years
● #25 Lotus (Lijia Zhang)
First published in 2017
Lijia Zhang (张丽佳, 1964) is an internationally acclaimed author and public speaker. Inspired by the secret life of the author’s grandmother, who was sold to a brothel at age 14, Lotus follows the life of a young prostitute in an urban China that is rapidly changing.
Zhang has called the subject of prostitution “an interesting window to observe/explore social tensions” in China. Recommended by the same author is her memoir Socialism Is Great!: A Worker’s Memoir of the New China. Also check out this interview with Lijia Zhang on the WAGIC website.
Get on Amazon: Lotus
Some bonus recommendations:
Running Through Beijing by Xu Zechen (徐则臣, 1978)
(First published 2008, 跑步穿过中关村, 2014 transl. Eric Abrahamsen)
Invisible Planets: Contemporary Chinese Science Fiction in Translation
(By Ken Liu 2016)
A Private Life by Chen Ran (陈染, 1962)
(First published 1996, 2004 transl. John Howard-Gibbon)
Raise the Red Lantern / Wives and Concubines by Su Tong (苏童, 1963)
(First published 1990 妻妾成群, 2004 transl. Michael S. Duke)
Beijing Doll – A Novel by Chun Sue (春树)
(First published 2002 北京娃娃, 2004 transl. Howard Goldblatt)
Don’t forget to check out our top 30 of best non-fiction books on China.
By Manya Koetse
Follow @whatsonweibo
Note that due to the scope of this list we’ve applied several criteria. Books selected in this list are:
- ..translated into English or written in English.
- ..literary fiction works that take place in the People’s Republic of China, or in which Chinese modern history and/or society is an important theme, and that are relevant for people in getting a better grasp of Chinese history, society, urbanization, gender, literature, family relations etc.
- ..not necessarily written by mainland Chinese authors, not necessarily originally written in Chinese.
- ..published after 1978.
This list was compiled based on own preferences and that of many readers whom we asked about their favorite books within this category. If you think certain books are not here that should be here, please let us know and we might compile a second list in the future.
References
Abrahamsen, Eric. 2011. “Irony Is Good! – How Mao killed Chinese humor … and how the Internet is slowly bringing it back again.” Foreign Policy, January 12 https://foreignpolicy.com/2011/01/12/irony-is-good/ [24.12.18].
He Chengzhou. 2016. “Gao Xingjian’s Individualistic Revolt: Fiction, Biography, and Event.” MFS Modern Fiction Studies 62, no. 4: 627-643. https://muse.jhu.edu/ (accessed December 23, 2018).
Johnson, Ian. 2011. “On the Party Circuit, and Upsetting the Party.” New York Times, July 29 https://www.nytimes.com/2011/07/30/world/asia/30chan.html [27.12.18].
Koetse, Manya. 2009. “‘Stick Out Your Tongue’: A Banned Book on the Health of a Nation.” Essay [Universiteit Leiden], published online December 2012: https://www.manyakoetse.com/stick-out-your-tongue-a-banned-book-on-the-health-of-a-nation/.
Yang, Lan. 1998. Chinese Fiction of the Cultural Revolution. Hong Kong: Hong Kong University Press.
Yao, Yusheng. 2004. “The Elite Class Background of Wang Shuo and His Hooligan Characters.” Modern China 30, no. 4 (2004): 431-69.
Spotted a mistake or want to add something? Please let us know in comments below or email us.
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Manya Koetse is a sinologist, writer, and public speaker specializing in China’s social trends, digital culture, and online media ecosystems. She founded What’s on Weibo in 2013 and now runs the Eye on Digital China newsletter. Learn more at manyakoetse.com or follow her on X, Instagram, or LinkedIn.
China Arts & Entertainment
The Reunification with Taiwan is Hitting Chinese Cinemas This Summer
A new state-backed epic about the Qing conquest of Taiwan is stirring debate. Plus: the Shanxi mine disaster, a controversial prison film, hukou reform, and China’s top 5 rising books.
Published
2 weeks agoon
May 29, 2026
🔥 China Trend Watch (Week 21–22 | 2026) Part of Eye on Digital China by Manya Koetse, China Trend Watch is an overview of what’s trending and being discussed on Chinese social media.
In this edition:
- China’s upcoming Taiwan reunification blockbuster
- 8 Quick Scrolls to Know
- The Liushenyu coal mine disaster exposes hidden tunnels, “yin-yang maps,” and systemic safety failures
- A controversial prison film starring a convicted killer is pulled from cinemas
- China announces major hukou reforms
- China’s Top 5 Rising Books
- Why everyone is saying: “I genuinely did feel uncomfortable”
Chinese cinema is “riding the winds of history.”[1] While the biggest films of the 2025 summer movie season focused on the Second Sino-Japanese War, this year, it is China’s military campaign to take Taiwan that is heading to the big screen.
The movie Battle of Penghu (澎湖海战), scheduled to premiere in mainland China on July 25, is a state-backed historical epic centered on the major naval battle that ultimately led to the Qing conquest of Taiwan.
Over the past week, the film held its first full preview screenings, released its theatrical trailer, unveiled a series of posters, and triggered online discussions.
The film’s narrative and promotional slogans make clear that its timing is neither coincidental nor merely historical. The movie is deeply entangled with contemporary cross-strait politics and Beijing’s message that unification with Taiwan is inevitable and “unstoppable.”
The “Battle of Penghu”, also known as the Battle of the Pescadores, took place in 1683, when Qing dynasty admiral Shi Lang (施琅) defeated the forces of the Zheng regime in Taiwan, which was basically the last big Ming loyalist center after Beijing had already fallen in 1644. Shi Lang’s victory at sea led to the Zheng regime’s surrender and the Qing annexation of Taiwan, formalized in 1684 when Taiwan was incorporated as a prefecture of Fujian province.
Over the past decade, China has increasingly fused Hollywood-style commercial filmmaking with state propaganda goals. Although Xi-era patriotic blockbusters had appeared earlier, the 2021 Korean War epic The Battle at Lake Changjin marked a turning point: it showed that a visually spectacular film could become both a massive commercial success and an effective vehicle for state messaging.
Beyond serving as spectacular propaganda and a nationalist boost, The Battle at Lake Changjin also became a platform for promoting a new narrative about China’s role in the Korean War. The film helped breathe new life into these narratives among younger Chinese moviegoers, who bought merchandise, checked in online while watching the film, and even posted photos of themselves eating frozen potatoes — echoing scenes from the movie based on the real experiences of soldiers on the battlefield.
The victory the Chinese soldiers achieved on the battlefield in Korea against the Americans was a reminder of Chinese courage and pride at a time of heightened Sino-American tensions.

Battle at Lake Changjin caused a real social media frenzy surrounding its merchandise and people eating frozen potatoes to share in the hardships felt by those on the battlefield.
Last year, similar dynamics unfolded when Dead to Rights (Nanjing Photo Studio, 南京照相馆) hit theaters, focusing on the Japanese invasion of Nanjing and the atrocities that followed. Together with Unit 731 and Dongji Island (东极岛), it formed part of a broader cinematic re-narration of the Sino-Japanese War (read more here).
The films were accompanied by a wider state media campaign emphasizing how China’s War of Resistance against Japan, as an integral part of World War II, represented China’s major contribution and sacrifice in the global fight against fascism, underscoring the country’s important role in shaping the postwar world order.
Now, this upcoming Taiwan-focused blockbuster seems to follow a similar playbook.
The movie is directed by award-winning Hong Kong filmmaker Cheang Pou-soi (郑保瑞). Wang Xueqi (王学圻), one of China’s most respected veteran actors, stars as Admiral Shi Lang, while the super-popular Jackson Yee (易烊千玺), the TFBOYS pop idol who turned into an acclaimed actor, plays the young Emperor Kangxi. Other major names starring in the movie include Zhao Liying (赵丽颖), one of China’s most renowned female stars, and Geng Le (耿乐), who also starred in Battle at Lake Changjin.

Promo posters for Battle at Penghu.
Besides the cast, the other details surrounding the production of the film are also impressive.
The crew reportedly spent 34 months in preparation, constructing 50 ancient warships, including twelve battleships of nearly 40 meters long, allegedly the largest historical naval replicas ever built in China. Most of them were destroyed during filming. We can expect some spectacular scenes.
Although this summer blockbuster appears to have the right formula for another Battle at Lake Changjin-like success, criticism is surfacing online.
Many netizens argue that the film should never have celebrated Admiral Shi Lang as its hero, and that it would have been more appropriate to focus on Zheng Chenggong (鄭成功, Koxinga) instead, since he is the one who expelled a foreign colonial power, the Dutch VOC, in 1662 and established the first Han Chinese governance on Taiwan. Due to this story of resistance against Western imperialism, many see Zheng Chenggong as the true hero.
💬 As one commenter writes: “Zheng Chenggong [Koxinga] drove out the Dutch colonizers and recovered Taiwan — what does that have to do with Shi Lang? Instead of making a film about Zheng Chenggong, they chose to make one about the traitor Shi Lang.”
Adding to this criticism, others wondered why a movie celebrating the Qing dynasty’s defeat of the Ming loyalist Zheng regime — framed by some netizens as “Manchu forces defeating Han Chinese” — should be treated as part of Chinese history worth celebrating.
Shi Lang’s backstory makes him a contested figure in Chinese history. Originally, he was a general under Koxinga until he switched allegiances and ultimately surrendered to the Qing, leading some critics to label him a traitor (“汉奸”) rather than a hero.
One relevant study by Ronald C. Po [2] into the historical commemoration of Shi Lang argues that Shi Lang’s image has been continuously reconstructed since the Qing dynasty to serve shifting political agendas.
In this case, Shi Lang is framed as the admiral who “unified” Taiwan with China, making him an important historical anchor for the one-China narrative.
In the end, that’s what it’s all about — and the movie’s official tagline is clear about that: “What is isolated must return; what is divided must unite” (“孤悬必归、分疆必合”). Its trailer closes with the slogan “Unifying Taiwan is unstoppable” (“统一台湾,势不可挡”).
Whether Battle of Penghu will become as big a box office hit as Battle at Lake Changjin remains to be seen, but I doubt it, since we know that it’s putting reunification with Taiwan on mainland cinema screens this summer in a way many Chinese find flawed.
One critical reviewer, popular Weibo account @释不归, says:
💬 “The core historiographical flaw of Battle of Penghu does not lie in its ‘choice of the Qing dynasty’s perspective,’ but in its systematic concealment through a ‘unification narrative’ (统一叙事) that forcibly whitewashes a history full of moral grey zones into a binary confrontation between justice and evil.”
For this reason, some say they will boycott the film, while others are celebrating it as a blockbuster promoting unification with Taiwan. Either way, it promises to spark a debate worth watching, and it’s one I’ll certainly be following this summer 👀🍿. I will report back to you after I’ve seen it!
There’s a lot more to catch up on, so keep reading to see which stories dominated online conversations in China over the past two weeks.
Quick Scrolls
- 🌧️ Severe rainstorms and extreme weather triggered flash floods in Chongqing’s Yongchuan District, leaving nine people dead and eleven missing.
- 🏪 The “Father of the Convenience Store,” 7-Eleven founder Toshifumi Suzuki (铃木敏文), is being remembered on Chinese social media following his passing in Tokyo at the age of 93. Netizens praised Suzuki for bringing 24-hour convenience culture to Asia and reshaping global retail.
- 🇷🇸 The first-ever China state visit by Serbian President Aleksandar Vučić became a major talking point on social media, where many netizens refer to Vučić as “577” because his Chinese name sounds similar to “5-7-7” (五七七 wǔ qī qī). Vučić said he was aware of the nickname and perfectly happy being “577.”
- 🎬 The Chaoshan-dialect film Letters to Grandma (阿嬷的情书) surpassed 10 billion yuan ($1.38 billion) at the box office within 25 days. With a 9.1 rating on Douban, the underdog production has become one of the biggest surprise hits of 2026, achieving massive success without major stars or blockbuster budgets.
- 🏛️ Wuhan University recently opened its campus to the public without requiring reservations. Although not everyone is happy about visitors roaming the grounds and taking photos, the move has sparked broader discussions about how Chinese university campuses, as important cultural and public spaces, should be made more accessible.
- 🚀 After nearly seven months in orbit, the Shenzhou-21 crew welcomed the incoming Shenzhou-23 astronauts aboard Tiangong. The docking marked the eighth “space meetup” in Chinese spaceflight history and the first time an astronaut from Hong Kong entered the space station.
- 🛵 Olympic swimmer Sun Yang (孙杨) went viral after grabbing his phone during a TV interview to order food delivery. One related Weibo hashtag — “Sun Yang suddenly starts ordering food during interview” (#孙杨采访时突然开始点餐) — received over 61 million views. Some commenters described him as a typical post-90s-generation personality who simply does whatever he feels like.
- ☠️ One of China’s most sensational corporate crime cases has come to an end. Xu Yao (许垚), former CEO of Santi Universe, the company holding the rights to the hugely successful The Three-Body Problem IP, was executed on May 21, two years after being convicted of poisoning gaming tycoon Lin Qi in 2020. Xu used a deadly mix of pufferfish toxin and amatoxin and also poisoned four other colleagues with methylmercury.
The Week’s Key Stories
Hidden Back Doors, Yin-Yang Maps: The Liushenyu Coal Mine Disaster

The catastrophic gas explosion at the Liushenyu Coal Mine (留神峪煤矿) in Qinyuan County, Shanxi, has dominated Chinese news discussions over the past week. The explosion, which occurred on the evening of May 22, killed at least 82 people, while 123 others were hospitalized with injuries of varying severity. Two people remain missing.
This is the worst coal mine incident in China since 2009, when an explosion at the Xinxing coal mine (新兴煤矿) in Heilongjiang killed 108 people.
Soon after the incident in Qinyuan, discussions began focusing on safety violations, especially after the reported numbers failed to add up. At the time of the explosion, 247 workers were reportedly underground, yet the company operating the mine, Tongzhou Group, had recorded only 124 names in the entry log, meaning around 123 workers had entered the mine without following required protocols.
During rescue operations, emergency workers soon discovered that the mine’s official maps did not match the actual underground layout. Tongzhou Group had apparently been operating with so-called “yin-yang maps” (阴阳图纸): two versions of the mine plan — one official version shown to inspectors, and another real version used in practice.
In a May 26 Xinhua report, it was revealed that the mine even had camouflage doors (假门) — constructed from steel mesh wire and woven sacking to resemble tunnel rock walls — to conceal unauthorized tunnels from safety inspectors. When inspectors arrived, workers inside would reportedly seal the door and smear it with coal dust to make it indistinguishable from the surrounding tunnel walls.
In this way, the mine could maximize output and produce extra coal outside official quotas without reporting it. But it also meant these hidden areas fell outside formal oversight and safety protocols, which is why they are referred to as “invisible bombs” (隐形炸弹) within the mining system: gas could accumulate due to insufficient ventilation.
The mine had already been listed in 2024 by China’s mine safety regulator as a site with “serious hazards.”
On social media, the disaster has sparked anger over systemic failures surrounding a mine disaster many viewed as preventable, and over management’s apparent disregard for the lives and safety of its contracted workers, who already occupy some of the most dangerous and lowest-status positions in China’s labor market.
In multiple ways, the Liushenyu Coal Mine disaster shows similarities to the recent Liuyang fireworks factory explosion, which also occurred in May.
Although the two disasters took place in very different industries and locations, they reveal a similar pattern: there had been explicit prior warnings in official records that went unaddressed; inspections identified problems but failed to halt production; hidden production conditions/mechanisms were involved; and both disasters killed dozens of vulnerable migrant workers employed through informal labor arrangements.
One comment pretty much rounds up a general sentiment:
💬 “For the sake of enormous profits, they completely disregarded safety and basic human morality, and showed utter contempt for human life, which is an unforgivable crime! The leadership must receive the death penalty!”
Award-Winning Prison Film Starring Convicted Killer Pulled in China

A Chinese film that was supposed to premiere in mainland cinemas on May 30 has backfired and been pulled following days of controversy and intense online discussion.
The movie, titled Mom from Prison (监狱来的妈妈) in Chinese and using the English title Her Heart Beats in Its Cage, was marketed as a domestic violence film “based on a true story,” with the convicted killer in the movie played by the actual person involved — Zhao Xiaohong (赵箫泓).
Zhao was sentenced to 15 years in prison for killing her husband in 2009 during a domestic violence incident in which she stabbed him with a fruit knife.
Director Qin Xiaoyu (秦晓宇) and famous TV host and producer Wang Han (汪涵) then developed a film around Zhao’s story, presenting it as a sympathetic anti-domestic violence narrative about a woman who suffered long-term abuse, finally struck back, accidentally killed her husband, and later tried to repair her relationship with her son while in prison.
Although the film received approval to be screened in China and performed well at various foreign film festivals, including the San Sebastián International Film Festival, everything fell apart when Chinese netizens collectively criticized the gap between the movie’s narrative and the legal realities of the case. How “true” was this story if the killing was never legally ruled as self-defense, and if the judgment explicitly stated that no domestic abuse had been recognized or evidenced in the case?
Beyond that, many pointed out that Zhao was still formally serving restrictions tied to her prison sentence while participating in a commercial film production, raising questions about how a convicted killer could end up starring in a feature film about her own crime.
Moreover, when the project began in 2019, the production team reportedly applied for permission to film inside prisons under the category of a “public-interest correctional education documentary” (公益教育改造纪录片), which many commenters — including those in this Zhihu thread — considered deceptive.
Although domestic violence has received increasing public attention and sympathy in China in recent years, many argued that this particular project crossed an ethical line and used “feminist-coded content” (女权话题) to glamorize the story of a convicted killer.
“If they had simply used another actress and treated the story as artistic adaptation, perhaps things would never have become this serious,” one Zhihu commenter wrote.
Following the overwhelmingly negative public reaction, Zhao Xiaohong’s social media accounts were silenced, while the film bureau announced that screenings had been suspended due to public complaints and an ongoing investigation. Wang Han also apologized for becoming involved in the project without properly researching its background and content, and announced he had cut ties with the film.
This is one movie that definitely won’t be getting a sequel.
Hukou Reform Announced: Public Services Will Now “Follow the Person”

China’s Household Registration System won’t be as important anymore – that’s the message that was reiterated across Chinese social media by state media, becoming top news on Weibo, Toutiao, and Baidu News on May 27 (#户口以后没那么重要了#)
This comes after China’s State Council, for the very first time, has issued a national-level directive to decouple basic public services from household registration (户口, hùkǒu).
The hukou or ‘household registration’ system is China’s registered permanent residence policy that has been in place in China since 1958. A hukou is assigned at birth and basically works like an official place-based ID. China’s hukou system, among others, separates rural and urban citizens and is essential for access to social services, including education and healthcare.
Because the hukou is tied to one’s registered place of origin rather than to an actual place of residence, it creates problems for the estimated 250 million people in China who have moved elsewhere to live and work. When their children’s access to public schools is closed off, many families choose to leave children behind in their native, more rural areas to live with grandparents or other caregivers. These “leftover children” are just one of many broader problems of urban-rural inequality behind the hukou system, particularly regarding access to public benefits and healthcare.
In this new policy, filed on May 18 and presented at a May 26 press conference, social services, basic benefits, and protections will follow the person, not the hukou. That means that as long as a person resides in and is legally employed in a place, has registered a residence permit, and has paid social insurance, they are entitled to equal access to basic public services as local hukou holders.
In the aftermath of the announcement, social media commenters seem cautiously positive yet skeptical, and still have many questions about the practicalities and the extent to which this will actually change things.
One important question revolves around the gaokao (高考) system – China’s national college entrance exam. Traditionally, one’s hukou affects where a child can go to school and where they can take the gaokao. If this were to change, it would essentially change the rules of the playbook that matters most to many students and their families, as it’s the main doorway to university in China, and university access is tied to later life and career chances.
Some people also express anxiety about the knock-on effects on urban property markets and school enrollment: they think cities like Beijing or Shanghai will get even more crowded in the near future. Who knows how many people will rush there to work now for their kids’ sake?
The optimism about the policy does shimmer through most comments, like one person writing:
💬 “It’s important to be realistic: while the policy lowers the barriers, high-quality public resources remain limited. Achieving complete equality will still take time. But at least the overall direction has changed. Treatment is no longer determined by a piece of paper called a hukou. If we work hard and build our lives in a city, we should be able to enjoy the corresponding protections and services there. And that is the most meaningful source of security this policy provides.”
What China’s Reading
Top 5 Rising Books in China This Week

📚1. Work, Consumerism and the New Poor by Zygmunt Bauman | 工作、消费主义和新穷人
Work, Consumerism and the New Poor is rising on China’s popular book and reading charts this week. The 1998 work by Polish sociologist Zygmunt Bauman (translated into Chinese in 2021) argues that poverty in consumer society is defined not by joblessness but by the inability to participate in consumption — that the “new poor” are marked not by exclusion from work but by exclusion from the marketplace of goods and identities. A relevant topic for Chinese social media users in 2026, with issues like youth unemployment and middle-class downward mobility popping up in all kinds of discussions nowadays. 🔗 Link to the book in English / in Chinese.
📚2. The Protagonist by Chen Yan | 主角
The Protagonist (主角) is a long novel by Chen Yan (陈彦) that previously won China’s most prestigious literary fiction award, the Mao Dun Literature Prize, and became one of the top titles on WeChat’s reading platform this week. That is no coincidence: the renewed attention follows the release of the CCTV/Tencent Video television adaptation starring Zhang Jiayi (张嘉益) and Liu Haocun (刘浩存). The novel tells the story of female Qinqiang opera performer Yi Qine and follows more than four decades of her life on and off the stage amid major personal, social, and national transformations. 🔗 Link to Chinese edition.
📚 3. The Second Chief by Huang Xiaoyang | 二号首长
The Second Chief (二号首长) is a Chinese political novel by Huang Xiaoyang, which was originally published in 2011 and recently reissued. It follows the protagonist, Tang Xiaozhou, a veteran journalist from Fudan University who is at a low point in his life when he is appointed as the personal secretary to a new provincial party secretary, Zhao Deliang. Although the book offers a (fictional) glimpse into Chinese provincial politics, some social media users say it’s more like a guide to navigating the workplace and life. 🔗 Link to Chinese version.
📚 4. Fortunate That You All Comfort My Life | 幸得诸君慰平生
“Fortunate to Have You All Comfort My Life” is a collection of warm, light, and easy-to-read essays by the author writing under the pen name “Before the Storms in the Old Garden” (故园风雨前). Originally published in 2022, the book belongs to the popular “slow life” literary genre and focuses on small everyday details, family, flowers, friendship, and fleeting encounters that add warmth, meaning, and vividness to ordinary life. 🔗 Link to Chinese version.
📚5. The Klein Bottle by Okajima Futari | 克莱因壶
The Klein Bottle is a 1989 Japanese mystery novel by the duo Okajima Futari (冈岛二人) was ahead of its time in telling the story of a writer who signs up to test an experimental VR game and gradually loses the ability to distinguish virtual experiences from reality, as people around him begin to disappear or deny shared memories. The book’s renewed popularity in China lately is largely driven by social media discussions about the increasingly murky boundaries between simulated and real experiences in the AI era. 🔗 Link to Chinese version.
The Word of the Week
“I genuinely did feel uncomfortable” 我想说当确实不舒服

Everyone and their cousin has been talking about Wang Hedi (王鹤棣), aka Dylan Wang, over the past week. The Chinese actor recently appeared in the celebrity reality show Dear Inn (亲爱的客栈), in which celebrities run a guesthouse together. Wang served as the manager, while his former Meteor Garden (流星花园) co-star Shen Yue (沈月) was also part of the cast.
During the final episode, the celebrities handed out playful awards to each other. Wang received the “Best You’re Just Wang Hedi Award” (“最佳你只是个王鹤底奖”), where the “Di” (棣) character from his real name was replaced with the similarly pronounced character 底, meaning “bottom.”
Many viewers felt the “funny” reward wasn’t actually so funny, especially after rumors surfaced that the cast members had a separate group chat without Wang in it. Fans felt he was being purposely excluded and mocked.
As discussions escalated online, Wang responded on Weibo, writing:
“At the time I thought I was just being oversensitive, but after reading everyone’s analysis for a whole day, I want to say that I genuinely did feel uncomfortable back then.”

That response only made the situation blow up. Shen Yue later issued a public apology, explaining that “You’re just Wang Hedi” had been meant as an inside joke among the cast, encouraging Wang to step down from his manager role and relax into being himself again. But by then, the phrase had already taken on a life of its own online.
By now, “I genuinely did feel uncomfortable back then” has become a meme for admitting that something actually bothered you, even if it initially seemed too trivial to mention and only started nagging at you later.
It is now being used in completely unrelated contexts, and “At the time I thought I was just being oversensitive… I want to say that I genuinely did feel uncomfortable back then.”
(“当时以为是我敏感了……我想说当时确实不舒服”) has become a template for expressing all kinds of grievances and annoyances about things that happened in the past.
That’s a wrap, have a great weekend!
Best,
Manya
[1] “天下大s,乘风而来” is the slogan on the themed teaser poster of Battle of Penghu (澎湖海战》
[2] Ronald C. Po, “Hero or Villain? The Evolving Legacy of Shi Lang in China and Taiwan,” Modern Asian Studies 53, no. 5 (2019), https://doi.org/10.1017/S0026749X17000737.
By Manya Koetse
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China Arts & Entertainment
Su Chao Fever, Mo Yan’s “Scrollable” Book, and Why Li Xiaoran is China’s New Office Icon
This week in China: Grassroots football fever, a Nobel laureate writes for the TikTok era, France’s cultural relic bill, and a 19-year-old’s blind box obsession bankrupts her father’s company.
Published
2 months agoon
April 22, 2026
🔥 China Trend Watch (week 16/17 | 2026) Part of Eye on Digital China by Manya Koetse, China Trend Watch is an overview of what’s trending and being discussed on Chinese social media.
Dear reader,
Hope you’re having a good week. Time for an update on what’s been trending.
In this newsletter:
👉Victor Hugo’s day has come
👉China’s grassroots football couldn’t get more viral
👉A scrollable new book by Mo Yan
👉The Chinese office meme of the moment
..and more.
Let’s dive in.
Quick Scroll
-
- 📱 China’s National Security Ministry has joined Chinese Tiktok app Douyin. The high-profile Douyin debut is part of a broader trend of Chinese government agencies and security bodies joining the app.
- 🐺 A feel-good wildlife story from Inner Mongolia: a pregnant wild wolf descended from the mountains to give birth at a wildlife conservation station where she had been previously fed. The noteworthy move shows she had apparently developed trust in the station workers, and felt safe there.
- 🐖 Pork prices hit historic lows but spare ribs still cost 20 yuan (US$3) – this became a topic of discussion this week. Despite the drop in pig prices, retail pork still feels expensive because added costs across the supply chain haven’t changed.
- 🍿 Movie alert. The May Day (五一) cinema content explosion is incoming. Seventeen films have already been slotted for the Golden Week holiday window.
- 🚔 A 31-year-old man from Guangzhou has been detained under anti-cyberbullying regulations after repeatedly posting insulting comments targeting Olympic champion diver Quan Hongchan (全红婵) on WeChat.
- 🤖 Unitree’s humanoid robot is almost as fast as Usain Bolt. The company announced that the H1 humanoid robot achieved a peak sprint speed of 10 meters per second during a 100-meter test.
- ⚡️ Another robot, “Lightning” (闪电) by Honor, also went viral because he won the Beijing Yizhuang Half Marathon on Sunday, April 19, running a half-marathon distance faster than any human ever has, completing it in 50 minutes and 26 seconds (the human record: 56:42). (See video here).
- 🎁 A 19-year-old woman from Zhengzhou has made headlines for allegedly embezzling around 17 million yuan (nearly $2.5 million) from her father’s company, spending it on blind boxes and livestream tipping (dashang 打赏). Her father, now bankrupt, ended up taking his daughter to the police himself.
What Really Stood Out
The Jiangsu Super League (Su Chao) Fever

The Jiangsu Football City League, better known as the Su Chao (苏超: “the Su Super”), has become a major source of trending topics, memes, and news analyses over the past week.
The “Su Super” is a provincial amateur football tournament launched in 2025 that features 13 teams, one representing each of Jiangsu’s 13 prefecture-level cities. Teams consist predominantly of amateur players, from primary school teachers to office employees, but it’s been seriously successful: last year, some games regularly drew crowds of over 30,000, with a record 60,396 fans for a Nanjing–Suzhou match.
This year, the season’s opening on April 11 was sensational, almost like a mini Spring Festival Gala of its own, with 300 robots from tech company Magic Atom (魔法原子) performing a perfectly synchronized routine—unbothered by the heavy rain—and popular pop singer Zhou Shen (周深) delivering a much-discussed live performance where he hit some incredibly high notes.
It’s the entertainment and creative memes that seem to matter more than the sport itself.
⚽ When Changzhou won 3–0 in its opening match against Nantong, in a stadium filled with more than 40,800 people, the running joke was that the city of “Changzhou” (常州) could add more “strokes” to its name. This is all part of a bigger meme that started last year, when netizens would ‘deduct’ a character stroke from Changzhou’s name after every time it lost, with its Chinese name going from 常州 to 巾州 to 丨州, until netizens joked there were no strokes left to remove (0州)—Changzhou performed quite terribly.

The “chang” character kept losing strokes as Changzhou lost in the 2025 Su Chao (edited image by netizens).
But with this year’s unexpected win, Changzhou struck back, and the official city account flipped the joke by temporarily renaming itself 常洲, with the three-water-drop radical added to the zhou 州, symbolizing its three goals scored (#常州暂时改名常洲#).
⚽ More than that, Changzhou city officials announced a one-day citywide holiday on April 12, with free public buses and metro for all residents. It was almost like a New Year’s night: major landmarks also stayed lit throughout the night.
⚽ Another meme sprang from a giant inflatable dinosaur that was set up before the match, part of Changzhou’s dino-city branding (it is home to China Dinosaur Park). It was meant to look cool and majestic, but netizens thought it resembled a shiny, greasy, reddish-brown soy-braised duck (酱板鸭) instead, leading to the “Soy-braised dragon” meme (酱板龙).

The dino that looked more like a soy-braised duck and “soy-braised dragon” merchandise sold on Taobao.
⚽ During the Suqian vs. Nanjing match on April 18, another highlight featured actor He Rundong (何润东), who appeared dressed in full armor and surrounded by guards and horses, revisiting his famous role as the ancient warlord Xiang Yu (项羽)—the historical figure associated with Suqian as his birthplace. He shouted “Xiang Yu has returned!” (“我项羽回来啦”), a moment that became even more significant after Suqian won 2–0.
⚽ What also stands out in the marketing surrounding the Su Chao is how, alongside the official mascots, Jiangsu media, companies, and fans have been producing AI-generated “city personification” figures featured in images and short videos, with storylines about winning, losing, friendship, and rivalry between the 13 cities in a virtual world. Changzhou is a little dino, Nanjing is a little duck, Nantong is a wolf, etc.

The success of the Jiangsu Super League does not appear out of nowhere: for the past few years, China’s grassroots football has seen a wave of success, with local governments and companies using these leagues and matches to boost local cultural identity and community cohesion, while city-vs-city rivalry and banter consistently trends on social media.
Within this bigger picture, the Village Super League (村超, Cun Chao)—a community football tournament held in Rongjiang County in Guizhou—is a frontrunner. What started as a self-organized village event in 2023 became one of the most-watched grassroots sports stories in recent years.
With China’s national football plagued by underperformance, corruption, and other scandals, more voices are suggesting that the future of Chinese soccer might lie in regional and local super leagues.
Regardless of whether that is true, it is undeniable that phenomena like the Su Chao are bringing a lot of online fun, memes, banter, commercial success, and positive community energy. In doing so, they generate more authentic online engagement than any professional league matches currently do.
France Returning Cultural Relics: “Hugo’s Day Has Come”

It is not often that the French National Assembly goes trending in China, but it did after unanimously passing a cultural restitution bill that makes it easier to return looted colonial-era objects.
The new bill allows countries to request the return of objects taken between 1815 and 1972, provided they can show the items were acquired by force or other illegitimate means. It marks a shift from the previous, slower, case-by-case restitution system, where every single return required a separate parliamentary vote.
In Chinese media, the news was highlighted through a quote by French politician Jérémie Patrier-Leitus, who in his speech cited Victor Hugo’s famous 1861 letter about the sacking of the Old Summer Palace (Yuanmingyuan), in which he expressed hope that a renewed France would one day return the goods it had plundered from China. Patrier-Leitus said: “The day Hugo longed for has finally arrived.”

Screenshot of the tweet by Jérémie Patrier-Leitus, in translation.
For Chinese audiences, the story carries strong emotional resonance. The looting of the Old Summer Palace in 1860 by French and British forces is widely taught at school as part of the so-called “Century of Humiliation,” the period from the mid-1800s to the mid-1900s during which China was attacked, weakened, and torn by foreign powers. The four-character slogan “wù wàng guóchǐ” (勿忘国耻), “Never forget national humiliation”, is frequently repeated in Chinese media, museums, schools, documentaries, and popular culture.
Besides state media and nationalist commentary, other discussions also emerged online. Some threads focused on which artifacts could potentially be returned to China, mainly linked to the burning of the Old Summer Palace in 1860 and the 1908 Dunhuang removals (although this remains contested as “looting”: it concerns French scholar Paul Pelliot, who acquired thousands of invaluable ancient manuscripts and artworks from a monk guarding a cave at Dunhuang for very little money, and took them to Paris, where they have remained ever since).
Other comments expressed hope that France would set an example for other countries.
Although the news went big in China, French media coverage itself did not mention China at all and instead focused on Benin, Senegal, Côte d’Ivoire, Mexico, and Algeria.
On the Feed
A Scrollable New Book by Mo Yan

Mo Yan (莫言), China’s first Nobel laureate in literature, has been praised as a “meme king” for quickly adapting to China’s online Xiaohongshu community since joining the app in November 2025.
Now, the famous author—known for epic works like Red Sorghum (红高粱)—has again become a hot topic for publishing a new book inspired by his own social media and short-video scrolling “addiction.”
The novel, titled Oh, People (Rén Na 人呐), is his first new fiction in six years and immediately hit the top of major bestseller lists upon release. It’s a collection of 81 ultra-short pieces, the briefest of which runs just 200 characters, and is designed, in Mo Yan’s own description, so that readers can “scroll through it” the way they scroll TikTok.

This format is sparking discussion across Chinese social media, especially because it comes from a writer of Mo Yan’s stature.
One core question is whether a Nobel laureate should be writing “fast literature” that mimics short-video logic, and whether this suggests that even China’s most lauded authors are giving in to platform-driven attention economics.
Others argue that the book’s format is not entirely new, and could just as easily be traced back to classical Chinese literary traditions rather than the TikTok era.
These debates may be precisely the point of Mo Yan’s new book. Is it merely scrollable, or is it serious? Through these discussions, his work already engages with two important aspects of contemporary Chinese society: the country’s changing reading culture and the dominance of short-video platforms.
Word of the Week
The Office Li Xiaoran

The phrase of the week is “the Office Li Xiaoran” (Bàngōngshì Lǐ Xiǎorǎn 办公室李小冉).
The phrase comes from the 7th season of the super popular reality/talent show Sisters Who Make Waves (乘风2026), where the 50-year-old Chinese actress Li Xiaoran (李小冉) performed with her group, which also included Olympic skater Wang Meng (王濛).
Li Xiaoran was completely and painfully off-key, off-tempo, forgetting lyrics, and stiff in her choreography — but she stayed calm and cheerfully smiled through it all.
The dreadful performance of the song—officially titled “Wish Sticky Note” (心愿便利贴)—was soon dubbed Wantong Jingutai (万通筋骨贴) by netizens, referring to a Chinese medicinal patch for joint pain. (It’s a wordplay on the title, sharing the same final character: “这不是心愿便利贴,这是万通筋骨贴”).
Ironically, Li was professionally trained at the prestigious Beijing Dance Academy, but dropped out to become an actress—prompting some netizens to joke that instead of saying “the dance world lost a great talent,” it “lost someone completely irrelevant” (#舞蹈界失去了一个无关紧要的人#).
But it wasn’t all meant in a mean way. Because people actually very much appreciated Li Xiaoran’s performance. Although it didn’t go very well, she seemed unbothered and positive, which is why viewers eventually voted her to the number one spot on the show that night.
In the aftermath, office workers started collectively joking that they’ve been “diagnosed as the Office Li Xiaoran.”
The phrase “Office Li Xiaoran” (bàngōngshì Lǐ Xiǎorǎn, 办公室李小冉) has become a viral self-label for workers who feel they are underperforming and barely surviving, but maintain a smile and stoically carry on regardless.
There’s now also a trend where people in the office signal to colleagues that they’re “Office Li Xiaoran” by putting a sign on their chairs.
In the example below it says:
“Officially diagnosed as ‘Office Li Xiaoran’
First to arrive every day, last to leave. Submit my work, and the boss asks: ‘What is this even supposed to be?’
Me: ‘No lip-syncing, not afraid of the stage, not pretending, doesn’t sound good—but I really did try!’

In a way, Li Xiaoran has become the perfect vehicle for office emotional catharsis—an unexpected idol for how to carry on in stressful situations. The ultimate lesson she taught us: even if everything’s going wrong, a good attitude, a splash of confidence, and a bright smile can take you surprisingly far.
See the videos here.
—That’s a wrap.
See you next edition.
Best,
Manya
Eye on Digital China, by Manya Koetse, is co-published on Substack and What’s on Weibo. Both feature the same new content — so you can read and subscribe wherever you prefer. Substack offers community features, while What’s on Weibo provides full archive access. If you’re already subscribed and want to switch platforms, just get in touch for help. If you no longer wish to receive these newsletters, or are receiving duplicate editions, you can unsubscribe at any time.
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run 3
March 22, 2019 at 8:33 am
You have posted a trust worthy blog keep sharing.
jeny
May 4, 2019 at 11:25 am
This is good
Anne Teoh
June 14, 2019 at 10:16 am
Protest books, mostly mostly hubris, negating experiences and life in China. I can’t believe these are the only books written in China . As such, one might just be surface- reading for , as I’m well aware, life in China ‘s not just candy and pop corn all the way, but, as a massive country with a century of humiliation, poverty, wars and revolution, it’s also profoundly rich in literary matters with soul wrenching realisations (like everywhere) yet, they will have elements of transcendence and beauty that’s deeply moving – as I’d read of many ‘other’ books written in from China. There is yet one or two great Chinese writing to come… let it be worth our waiting.
bubble shoot
August 8, 2019 at 10:07 am
The information you provide about the books is very good, thank you.
Raze Unblocked
October 3, 2019 at 10:56 am
top 25 just would not be enough but thank for sharing
basketball legends
March 25, 2020 at 11:56 am
Thank you very much for the information you provide about these works.
rwc
September 6, 2023 at 8:44 am
This article by What’s on Weibo offers a valuable selection of modern literary fiction works centered on China, providing readers with a deeper understanding of its ever-evolving society. The focus on English-language books post-1978, the year of China’s ‘Reform and Opening Up,’ ensures relevance to contemporary Chinese literature. It’s a helpful resource for those seeking insight into China’s past and present through the lens of fiction. The inclusion of Amazon links and recommendations to explore local thrift stores adds a practical touch for readers interested in acquiring these literary gems.